更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 172 件 喬斯·凡·克里夫 作品收录于我们的目录中
简而言之
在 喬斯·凡·克里夫 留下的所有原作中，最著名的当属收藏于 利物浦 沃克艺术馆 的《The Virgin and Child with Angels (1520)》。 紧随其后的是 The Infants Christ and Saint John the Baptist Embracing (1525) 和 Madonna and Child (1525)。 我们的目录收录了 喬斯·凡·克里夫 的 172 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
To stand before this panel is to enter a quiet, sacred space carved out of the sixteenth century. Joos van Cleve presents us with the Virgin Mary seated upon a throne, her presence defined by a sense of regal calm. She cradles the infant Jesus, a moment of maternal tenderness that feels both profoundly human and deeply celestial. Surrounding them, a group of angels attends to the scene, their movements…
Two small, pale bodies press together in a quiet, fleshy embrace. They sit upon a soft green cushion, their limbs soft and rounded against the hard, dark lines of an architectural frame. This frame acts as a proscenium arch, a heavy stone window that separates the viewer from the divine intimacy of the scene. The light falls softly across their skin, catching the curve of a shoulder and the swell…
The air feels still in this intimate corner of the sixteenth century. A serene Madonna leans forward, her presence defined by the deep red of her mantle and the dark green of her gown. She holds the Christ Child with a tenderness that transcends the painted surface, her skin glowing with a soft, diffused light that seems to emanate from within the panel itself. They sit behind a cold stone…
A young woman is captured in a three-quarter view, her gaze directed slightly away from the viewer. She is dressed in a dark, near-black bodice and muted greyish-blue sleeves, accented by vibrant red fabric at the wrists. A white headpiece frames her face, while a fur trim adds texture to her attire. The composition focuses on the subject from the waist up, set against a flat, dark green background that…
Within the quiet confines of a structured architectural niche, a tender scene unfolds. The Virgin Mary sits in a moment of profound intimacy, her body turned toward the infant Christ as she offers him nourishment. This act of nursing transcends mere physical sustenance, acting as a quiet symbol of the divine meeting the human. Her mantle, a deep and saturated crimson, flows around her with a heavy, tactile presence, contrasting…
The Portrait of Young Man in a Black Hat is a work by the Flemish Renaissance painter Joos van Cleve. Created in 1519, this portrait captures a single moment of stillness. The subject is a young man, rendered with a quiet, steady presence. He exists within a space defined by shadow and light, his gaze directed slightly away from the viewer.
There is a certain stillness in this 1524 portrait that commands immediate attention. The subject, a young man positioned slightly off-center, gazes toward the right of the frame with a contemplative, almost distant expression. He is draped in a dark doublet, but it is the large, floppy red beret that anchors the composition. This saturated crimson creates a sharp, deliberate contrast against the muted, cool blue of the background. The…
In this oil portrait, we find ourselves in a private, hushed space with a young woman caught in a moment of profound stillness. She is likely the Virgin Mary, her gaze cast downward in a gesture of quiet contemplation. The composition focuses on her from the waist up, pulling the viewer into her intimate sphere through a medium close-up. A deep, monochromatic background of midnight blue and teal envelops her,…
The heavy, velvety folds of a red mantle anchor the composition, pressing against the deep teal of a gown. Within this weight of fabric, the Virgin Mary sits with a stillness that feels carved from the air itself. She holds the Christ Child, whose soft skin catches a light coming from the upper left. A translucent veil rests upon her head, its sheer texture nearly invisible against the pale tones…
The composition centers on the vertical axis of the cross, where the figure of Christ dominates the upper half of the frame. Below, three figures anchor the scene: the Virgin Mary in dark blue, a mourning woman kneeling, and Saint John the Evangelist in red. The palette relies on the contrast between these deep primary tones and the pale, luminous skin of the crucified figure. Soft, diffused lighting casts gentle…
The Holy Family1512 · 大都会艺术博物馆
12
The Holy Family1520 · 斯泰恩斯博物馆艺术馆
13
Madonna and Child Eating an Apple1527 · 克拉科夫国家博物馆
14
Mary and Joseph, Kneeling Before the Child1513 · 德累斯顿国家艺术收藏馆
15
Winged Altar1530 · 维也纳艺术史博物馆
16
Emperor Maximilian I. (1459-1519)1508 · 维也纳艺术史博物馆
17
Lamentation of Christ1524 · 施泰德美术馆
18
The Birth of Christ1520 · 维也纳艺术史博物馆
19
Virgin and Child1525 · 大都会艺术博物馆
20
Madonna with Pear1515 · 施泰德美术馆
21
Monna Vanna Nuda1530 · National Gallery Prague
22
Madonna and Child with Carnation1535 · 纳尔逊-阿特金斯艺术博物馆
23
Madonna and Child1524 · 博伊曼斯·范·本宁根博物馆
24
Eleanor of Austria (1498–1558), Queen of France1530 · 康德博物馆
25
Assumption of Mary1501 · Sacred Art Museum of Funchal
26
Portrait of a Beardless Man1519 · 德累斯顿旧大师画廊
27
Saint Catherine (left); Saint Mary Magdalene (right)1518 · Julius Böhler AG
28
Portrait of a Physician with Cap and Black Robe1510
29
Triptych of Incarnation1510 · Sacred Art Museum of Funchal
30
The Virgin with the Sleeping Child1517 · 布达佩斯美术博物馆
31
Marientod Altarpiece - left wing1515 · 巴伐利亚州绘画收藏馆
32
Salvator Mundi1512
33
Adam1507
34
Eve1507
35
Madonna and Child with a Dominican Offering His Heart1510
36
Triptych. Centre: the Deposition from the Cross; Left wing: St John the Baptist with a Donor; Right wing: St Margaret of Antioch with a Donatrix1518 · 苏格兰国家美术馆
37
Saint Reinhold Altar1510 · 华沙国家博物馆
38
Portrait of Francis I, King of France1532 · 费城艺术博物馆
39
Rest on the flight to Egypt1513 · 比利时皇家美术博物馆
40
Lamentation of Christ1512 · 壁拉夫·莱克哈茨美术馆
41
Saints Catherine and Gudula with Catharina Hackeney (née Hardenrath) and Sibilla Hackeney (née van van Merle)1515 · 壁拉夫·莱克哈茨美术馆
42
Saints George and Nicasius with Georg and Nicasius Hackeney1515 · 壁拉夫·莱克哈茨美术馆
43
Portrait of a woman with a rosary1516 · Museum Mayer van den Bergh
44
Noli me tangere1517 · Suermondt-Ludwig-Museum
45
Virgin and Child1515 · Julius Böhler AG
46
The Madonna and Child1512 · Kunsthandel P. de Boer
47
The Suicide of Lucretia1520 · 维也纳艺术史博物馆
48
Margaretha Boghe1518 · Rubens House
49
Mary with Child1527 · Museum Catharijneconvent
50
Altarpiece of the Lamentation of Christ: The Stigmatization of Saint Francis of Assisi1522
51
Christ Appears to Mary Magdalene1524 · Julius Böhler AG
52
Mary with Child1525
53
Mary with Child1525
54
Portrait of a Young Man (Lyons)1528 · 里昂美术博物馆
55
Portrait of Eleonora, Queen of France1530 · Museo Lázaro Galdiano
56
Virgin of the Annunciation1524 · 施泰德美术馆
57
Saint Veronica Displaying the Sudarium1524 · 施泰德美术馆
58
Joseph of Arimathea1524 · 施泰德美术馆
59
Angel of the Annunciation1524 · 施泰德美术馆
60
Triptych with the Lamentation of Christ1524 · 施泰德美术馆
61
Adoration of the Magi1525 · 底特律艺术学院
62
Virgin Mary in Prayer1522 · National Galleries of Palazzo Spinola
63
Bust of a woman1525 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
64
Half length portrait of a man1526 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
65
Portrait of a Man with a Rosary1519 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
66
The Holy Family1520 · Currier Gallery of Art
67
Mater Dolorosa1525 · 耶鲁大学艺术馆
68
Portrait of a Man with Gloves1528 · 柏林国家美术馆
69
Madonna and Child1532 · 辛辛那提艺术博物馆
70
Portrait of a Man with Gloves1520
71
Rest in flight1525 · 巴伐利亚州绘画收藏馆
72
Christ on the Cross1529 · 巴伐利亚州绘画收藏馆
73
Marientod Altar: Saints Christina and Gudula with donors Christina and Sibilla Hackeney behind outside: SS. Sebastian and Roch1519 · 巴伐利亚州绘画收藏馆
74
Portrait of a Lady1522 · 巴伐利亚州绘画收藏馆
75
Man dressed in black holding gloves1530
76
Henry VIII (1491-1547)1532 · 皇家收藏馆
77
Eleanora of Austria, Queen of France (1498-1558)1532 · 皇家收藏馆
78
Crucifixion with Virgin, Mary Magdalene and Saint John1530
79
The Holy Family1530
80
Triptych with the Adoration of the Magi1520 · National Gallery Prague
81
Virgin and Child1525
82
The Holy Family (Ghent)1520 · Museum of Fine Arts Ghent (MSK)
83
The Christ-Child1524 · 安特卫普皇家美术馆
84
Virgin and Child with St Joseph1525
85
Portrait of Adriaan van der Goes (....-1560)1526 · Het Prinsenhof
86
Portrait of Stefano Raggio (?)1522 · National Galleries of Palazzo Spinola
87
Holy Family1530
88
Virgin and Child with Saints Anne and Joachim1520 · 比利时皇家美术博物馆
89
Portrait of Anna Laurensdr. van Spangen (....1548)1526 · Het Prinsenhof
90
Portrait of a man1520
91
portrait of a man1520
92
Madonna and Child, Madonna with the cherries1525 · 柏林国家美术馆
93
Adoration of the Magi with Sigismund I of Poland.1520 · 柏林国家美术馆
94
Saint Jerome in His Study1521 · 哈佛艺术博物馆
95
Saint Jerome in His Study1528
96
Portrait of Francis I, King of France1535 · 卡纳瓦勒博物馆
97
Jesus and Saint John as infants embracing1540
98
Madonna and Child1535 · 国家美术、建筑与设计博物馆
99
Self Portrait1537 · 皇家收藏馆
100
Katlijne van Mispelteeren, The Artist's Wife1537 · 皇家收藏馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 喬斯·凡·克里夫 的作品 | 此列表中的画作 |
|---|---|---|---|
 施泰德美术馆 |
法兰克福 | 9 | Madonna and Child, Madonna and Child in a Niche, Lamentation of Christ |
 维也纳艺术史博物馆 |
维也纳 | 6 | Mary with Child, Winged Altar, Emperor Maximilian I. (1459-1519) |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 6 | Marientod Altarpiece - left wing, Rest in flight, Christ on the Cross |
 皇家收藏馆 |
伦敦 | 4 | Henry VIII (1491-1547), Eleanora of Austria, Queen of France (1498-1558), Self Portrait |
 费城艺术博物馆 |
费城 | 5 | Portrait of a Young Man, Crucifixion, Portrait of Francis I, King of France |
| Julius Böhler AG | Starnberg | 4 | Saint Catherine (left); Saint Mary Magdalene (right), Virgin and Child, Christ Appears to Mary Magdalene |
 壁拉夫·莱克哈茨美术馆 |
科隆 | 4 | Lamentation of Christ, Saints Catherine and Gudula with Catharina Hackeney (née Hardenrath) and Sibilla Hackeney (née van van Merle), Saints George and Nicasius with Georg and Nicasius Hackeney |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
卡塞尔 | 3 | Bust of a woman, Half length portrait of a man, Portrait of a Man with a Rosary |
选择一个年代，探索定义该时代的原创杰作。
A formal bust-length portrait captures Emperor Maximilian I within an arched, gilded frame that provides a sense of depth. The subject is positioned slightly off-center, his gaze directed toward the left. A deep forest green background provides a stark contrast to the black cap and heavy garments worn by the sitter. Gold patterns decorate the sleeves, catching the light that enters from the upper left. This lighting casts soft shadows…
The Portrait of Young Man in a Black Hat is a work by the Flemish Renaissance painter Joos van Cleve. Created in 1519, this portrait captures a single moment of stillness. The subject is a young man, rendered with a quiet, steady presence. He exists within a space defined by shadow and light, his gaze directed slightly away from the viewer.
To stand before this panel is to enter a quiet, sacred space carved out of the sixteenth century. Joos van Cleve presents us with the Virgin Mary seated upon a throne, her presence defined by a sense of regal calm. She cradles the infant Jesus, a moment of maternal tenderness that feels both profoundly human and deeply celestial. Surrounding them, a group of angels attends to the scene, their movements…
The heavy, velvety folds of a red mantle anchor the composition, pressing against the deep teal of a gown. Within this weight of fabric, the Virgin Mary sits with a stillness that feels carved from the air itself. She holds the Christ Child, whose soft skin catches a light coming from the upper left. A translucent veil rests upon her head, its sheer texture nearly invisible against the pale tones…
In Jesus and Saint John as infants embracing, Joos van Cleve draws the viewer into a private, quiet world through a close-up, eye-level view. The composition is tightly focused on the two central subjects, pulling all attention toward the tender physical connection between the infants. This intimacy is heightened by a dramatic lighting scheme reminiscent of chiaroscuro, where a strong light source from the front-left carves the figures out of…
The Virgin and Child with Angels (1520)，沃克艺术馆, 利物浦。紧随其后的是 The Infants Christ and Saint John the Baptist Embracing (1525) 和 Madonna and Child (1525)。
35岁：The Virgin and Child with Angels创作于1520年，喬斯·凡·克里夫出生于1485年。
The Virgin and Child with Angels, The Infants Christ and Saint John the Baptist Embracing, Madonna and Child, Portrait of a Woman, Madonna and Child in a Niche, Portrait of Young Man in a Black Hat, Portrait of a Young Man, The Virgin in Prayer, Mary with Child 及 Crucifixion。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 172 件 喬斯·凡·克里夫 的作品，创作年代从 1501 年至 1540 年。
多见于 施泰德美术馆 (法兰克福), 维也纳艺术史博物馆 (维也纳) 及 巴伐利亚州绘画收藏馆 (慕尼黑)。上方的博物馆列表列出了所有相关机构。
在 1520s 期间：本页 100 件作品中有 51 件创作于该时期，其中包含 The Virgin and Child with Angels 件作品。
在本页面中，最早的作品创作于 Assumption of Mary (1501)，最晚的创作于 Jesus and Saint John as infants embracing (1540)。
Woman (60), Man (39) 及 Child (36)，共计 100 件作品。
Oil On Panel，共计 75 件（本页共有 100 件作品）。
根据本页面的原作，Northern renaissance
Madonna and Child, Madonna and Child in a Niche 及 Lamentation of Christ：施泰德美术馆, 法兰克福收藏了本页中 9 件作品。
在十六世纪安特卫普那繁忙且充满商业气息的心脏地带，一场视觉叙事的新纪元正随着约斯·范·克莱夫的画笔缓缓展开。这位佛兰德文艺复兴时期的艺术大师约出生于1485年左右的德国克雷费尔德，他不仅是一位技艺精湛的画家，更是一位连接两个世界的远见卓识者。他的艺术生涯从1511年左右开始繁荣，一直延续至1540年逝世，这在艺术史上代表了一个深刻的转折点：尼德兰大师们那细致入微、追求极致细节的传统，与意大利文艺复兴时期涌现出的宏大且富有氛围感的创新精神在此交汇。凝视范·克莱夫的作品，仿佛是在见证一场北欧触手可及的写实主义与南欧理想化优雅之间的细腻舞步。
他的天才根基奠定于他在扬·约斯特指导下的早年岁月。这段严苛的学徒生涯带给他的远不止技术上的精进，更让他沉浸在晚期哥特式艺术那庄严宏伟的传统之中。他早期最重要的经历之一是协助约斯特完成卡尔卡尔尼教堂高祭坛的创作，这一项目要求艺术家必须深刻理解宏大尺度与精神厚重感。通过这项工作，范·克莱夫掌握了颜料调配中复杂的炼金术以及极其考究的色层叠加技法——正是这些技术，使他日后能够赋予肖像画一种栩栩如生的光泽，并为宗教场景注入一种触手可及的神圣感。
真正让约斯·范·克莱夫在同时代艺术家中脱颖而出的，是他那永不满足、勇于实验的精神。当那个时代的许多艺术家仍受困于当地行会僵化的风格教条时，范·克丽夫却将目光投向了远方的地平线。他成为了佛兰德风格主义的先驱，这种风格以对色彩非凡的敏感度以及构图中人物之间卓越的统一感为特征。或许他对北方文艺复兴最持久的贡献在于对风景画的革命性运用。他不再使用静态或象征性的背景，而是引入了开阔且富有氛围感的远景，为画中人物注入了生命力，在人类个体与自然世界之间创造出一种深度与连续感。
这种风格的演变深受意大利新兴艺术潮流的影响。通过融合意式透视法的元素以及更具流动性、韵律感的解剖学处理方式，他将传统的佛兰德肖像画转化为了某种在心理层面更为复杂的表达。他的画中人物不再仅仅是地位的象征；他们拥有了内在的精神世界和情感共鸣，邀请观者进入一场无声的对话。这种通过细微的面部表情和优雅的手势来传达深邃人类情感的能力，至今仍是他最受赞誉的成就之一。
约斯·范·克莱夫的遗产已深深铭刻在安特卫普黄金时代的肌理之中。作为这座城市艺术共同体的核心人物，他的工作室成为了创新的灯塔，影响了后世一代又一代的画家。他通过完美融合以下元素，确保了其在欧洲艺术史上留下了持久的影响：
尽管他的生命止于1540年，但他艺术创作的回响仍在持续震荡。约斯·范·克莱夫并非仅仅追随时代的潮流，他参与了潮流的定义，留下了一系列足以证明艺术融合之变革力量的作品。他的画作至今仍是通往那个巨大文化转型时期的永恒窗口，捕捉到了中世纪世界开始消融在现代文明曙光中的那一瞬间。
