更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 105 件 约翰·杰克逊 作品收录于我们的目录中
简而言之
在 约翰·杰克逊 留下的所有原作中，最著名的当属收藏于 剑桥 哈佛艺术博物馆 的《Portrait of a Man (1822)》。 紧随其后的是 Reverend William Holwell Carr (1827) 和 Portrait of a Gentleman (1810)。 我们的目录收录了 约翰·杰克逊 的 105 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The man emerges from a void of deep shadow, his presence defined by a sudden, sharp strike of light. This chiaroscuro effect carves the contours of his face, pulling the ridge of his nose and the texture of his skin from the darkness. He sits in a quiet, bust-length pose, turned slightly away as if caught in a moment of sudden, heavy thought. His gaze meets the viewer directly, steady…
This formal and somber oil portrait, executed in 1827, presents a three-quarter length depiction of an elderly man. The subject is positioned slightly off-center, facing towards the viewer's left while looking forward. The composition is set against a background of dark, indistinct drapery that lends a sense of weight and gravity to the scene.
This oil portrait, executed in 1810, presents a single male figure in a three-quarter view. The subject is an elderly gentleman positioned against a dark, atmospheric background that lacks specific architectural or landscape detail. The lighting is directional, originating from the upper left, which casts shadows across the right side of the subject's face and creates a sense of three-dimensional volume. This light emphasizes the white of his hair and…
The oil painting titled Portrait of a Man was executed by the artist John Jackson. This work dates to 1830. It captures a single figure in a quiet, three-quarter view, emerging from a dark, indeterminate space. The subject's presence is defined by the sharp contrast between the pale skin of the face and the deep shadows of the background.
In this 1815 oil portrait, we encounter James Abercrombie, 1st Baron Dunfermline, captured in a moment of quiet, scholarly contemplation. The subject is presented in a bust-length composition, his gaze directed slightly away from the viewer toward the right, suggesting a mind occupied by matters of state or law rather than the immediate presence of the observer. There is a profound sense of stillness here. The lighting is handled with…
The light catches a high white collar, a sharp line of brightness against the deep, somber tones of a dark military coat. Frederick, Duke of York, sits in a space defined by gravity. His gaze is directed toward the right, away from the viewer, fixed on something beyond the frame. The skin of his face is rendered with warm, fleshy tones that emerge from a background of nebulous, atmospheric sky.…
This bust-length oil portrait, executed in 1830, depicts a young man positioned slightly off-center against a dark, flat background. The subject is turned toward the right of the frame, his gaze directed away from the viewer. He wears a dark, heavy wool jacket and a crisp white shirt, accented by a silk cravat. The lighting is directional, casting one side of the face into light while leaving the other in…
This oil on canvas portrait presents Sir David Wilkie, RA, as the subject. Created by the artist John Jackson, the work captures the likeness of the Scottish painter during a significant period of his career. The portrait was executed about 1810, a time when Jackson and Wilkie were navigating the competitive London art scene as close companions and fellow students.
This oil on canvas presents a self-portrait of the artist, John Jackson. Executed about 1823, the work functions as an introspective study of the painter himself. It is held within the National Portrait Gallery collection and is identified by the accession number NPG 443.
W. Naylor
12
Mary Taft
13
Samuel Sebastian Wesley
14
Flaxman
15
Fitzgibbon, 2nd Earl Of Clare, Kp, Gch, PcHardwick Hall
16
Henry Bone
17
George Hay Dawkins-pennant
18
Self Portrait -
19
David Williams, Minister And Man Of Letters
20
Constantine Henry Phipps, 1st Marquess Of NormanbyHardwick Hall
21
Flaxman -
22
Benjamin Edmonstone
23
Reginald Macdonald
24
Thomas Stothard
25
Wesley
26
Portrait Of A Lady (mrs Parry, The Mother Of Sir W. E. Parry, Rn)
27
Vice-admiral Sir Richard Goodwin Keats国家海事博物馆
28
Portrait Of The Artist's Daughter
29
Reverend George Morley
30
Admiral Lord Amelius Beauclerk国家海事博物馆
31
Reverend Richard Watson
32
Reverend Joseph Taylor
33
Field Marshal Hrh Frederick
34
James Carrick Moore
35
Sir Henry Webb
36
William Seguier国家美术馆
37
Thomas Sydenham
38
Self Portrait -
39
William Hyde Wollaston
40
Portrait Of A Lady
41
George Iii
42
Self Portrait -
43
Reverend John Fletcher
44
Reverend John Wesley
45
Miss Chester
46
Mr John Deffett
47
Grace Murray
48
Mr Hopper
49
Thomas Stothard, RaFitzwilliam Museum
50
Charles James Stewart
51
Sir Joshua Reynolds
52
James Wood, Master, Mathematician, Dean Of Ely
53
A Jewish Rabbi
54
Sir William Beechey巴伐利亚州绘画收藏馆
55
Mary Somerville
56
Lady Caroline Edgcumbe
57
Portrait Of George Nugent-temple-grenville
58
Robert Tindal Of Coval Hall
59
Lady Caroline Edgcumbe -
60
Latham
61
Robert Grosvenor
62
Yelloly
63
Bartholomew Johnson
64
Latham, Md, Frs, President Of The Royal College Of Physicians
65
The Right Honourable William Windham IiiFelbrigg Hall
66
George Dance
67
Henry John, Viscount Ingestre
68
Corbet Hue, The Very Reverend Dean Of Jersey
69
The Right Honourable William Saunders Sebright LascellesHardwick Hall
70
The Late Lord Mulgrave
71
Sir Hew Whiteford Dalrymple
72
Richard Clement Headington
73
St Peter
74
Reverend David Mcnicoll
75
Henry Cowper, Clerk Assistant In The Parliament Office
76
An Unfinished Portrait Of Mrs Soane, Painted From A Pencil Sketch By J. Flaxman, Ra And A Miniature
77
Wesley -
78
Samuel Prout国家肖像美术馆
79
Samuel Wesley -
80
Study For 'bartholomew Johnson'
81
Self Portrait
82
James Abercromby, 1st Baron Dunfermline, Speaker
83
Charles Grey
84
Sir John Soane国家肖像美术馆
85
William ('gentleman') Smith国家肖像美术馆
86
Richard James Lane
87
The Right Honourable Lawrence, Lord Dundas, As Lord Mayor Of York
88
Caroline Frankland, When A Child
89
Sir John Barrow, 1st Bt
90
Samuel Wesley国家肖像美术馆
91
Portrait sketch of Richard James Lane , lithographer
92
Reverend Robert Newton
93
Portrait Of A Woman In A Black Dress With A Gold Necklace
94
Frederick, Duke Of York And Albany
95
William Charles Macready -
96
Arthur Wellesley, 1st Duke Of Wellington国家肖像美术馆
97
Catherine Capel-coningsby, Nee Stephens, Countess Of Essex国家肖像美术馆
98
Portrait Of A Young Man
99
William Seguier -
100
William Murray, 1st Earl Of Mansfield
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 约翰·杰克逊 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 8 | John Jackson, Samuel Prout, Sir John Soane |
 Hardwick Hall |
5 | James Abercrombie, 1st Baron Dunfermline (1776–1858), Henry William Greville (1801-1872), Fitzgibbon, 2nd Earl Of Clare, Kp, Gch, Pc | |
 国家美术馆 |
伦敦 | 2 | Reverend William Holwell Carr, William Seguier |
 国家海事博物馆 |
伦敦 | 2 | Vice-admiral Sir Richard Goodwin Keats, Admiral Lord Amelius Beauclerk |
 耶鲁英国艺术中心 |
纽黑文 | 2 | Sir David Wilkie |
 哈佛艺术博物馆 |
剑桥 | 1 | Portrait of a Man |
 芝加哥艺术学院 |
芝加哥 | 1 | Portrait of a Gentleman |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 1 | Portrait of a Man |
选择一个年代，探索定义该时代的原创杰作。
The oil painting titled Portrait of a Man was executed by the artist John Jackson. This work dates to 1830. It captures a single figure in a quiet, three-quarter view, emerging from a dark, indeterminate space. The subject's presence is defined by the sharp contrast between the pale skin of the face and the deep shadows of the background.
This oil portrait, executed in 1810, presents a single male figure in a three-quarter view. The subject is an elderly gentleman positioned against a dark, atmospheric background that lacks specific architectural or landscape detail. The lighting is directional, originating from the upper left, which casts shadows across the right side of the subject's face and creates a sense of three-dimensional volume. This light emphasizes the white of his hair and…
The man emerges from a void of deep shadow, his presence defined by a sudden, sharp strike of light. This chiaroscuro effect carves the contours of his face, pulling the ridge of his nose and the texture of his skin from the darkness. He sits in a quiet, bust-length pose, turned slightly away as if caught in a moment of sudden, heavy thought. His gaze meets the viewer directly, steady…
This bust-length oil portrait, executed in 1830, depicts a young man positioned slightly off-center against a dark, flat background. The subject is turned toward the right of the frame, his gaze directed away from the viewer. He wears a dark, heavy wool jacket and a crisp white shirt, accented by a silk cravat. The lighting is directional, casting one side of the face into light while leaving the other in…
Portrait of a Man (1822)，哈佛艺术博物馆, 剑桥。紧随其后的是 Reverend William Holwell Carr (1827) 和 Portrait of a Gentleman (1810)。
44岁：Portrait of a Man创作于1822年，约翰·杰克逊出生于1778年。
Portrait of a Man, Reverend William Holwell Carr, Portrait of a Gentleman, Portrait of a Man, James Abercrombie, 1st Baron Dunfermline (1776–1858), Frederick, Duke of York (1763-1827), Henry William Greville (1801-1872), Sir David Wilkie, John Jackson 及 Untitled (920)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 105 件 约翰·杰克逊 的作品，创作年代从 1804 年至 1830 年。
多见于 国家肖像美术馆 (伦敦), Hardwick Hall 及 国家美术馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1820s 期间：本页 100 件作品中有 4 件创作于该时期，其中包含 Portrait of a Man 件作品。
在本页面中，最早的作品创作于 Portrait of a Man (1804)，最晚的创作于 Henry William Greville (1801-1872) (1830)。
Portrait (21), Men (11) 及 Portraits (10)，共计 100 件作品。
Oil On Canvas，共计 6 件（本页共有 100 件作品）。
根据本页面的原作，Neoclassicism
John Jackson, Samuel Prout 及 Sir John Soane：国家肖像美术馆, 伦敦收藏了本页中 7 件作品。
1778年5月31日，约翰·杰克逊（John Jackson）出生于约克郡宁静的拉斯廷厄姆村。然而，他的一生却并未沿着最初预设的命运轨迹前行。他的父亲是一位务实的裁缝，希望儿子也能继承这门手艺，于是年幼的约翰也随之开始了学徒生涯。然而，即便是在布料与针线的环绕之中，一种不可磨灭的艺术倾向在他内心悄然绽放。他开始秘密地为朋友和熟人绘制肖像，这既是对家族期望的一种无声反抗，也是对他天赋的初步探索。这些早期的尝试虽然尚显稚嫩，却已显露出一种无法被压抑的天赋与蓬勃向上的艺术激情。
1797年，随着前往惠特比的一次旅程，杰克逊的命运开始发生转机。在那里，他试探性地以微型画家的身份提供服务。正是在这段时期，一次关键性的邂逅发生了——通过马尔格雷夫勋爵（Lord Mulargrave）的引荐，他得以结识卡莱尔伯爵。这段关系具有变革性的意义，为他开启了通往卡斯尔霍华德城堡及其宏伟艺术收藏的大门。与此同时，第七代巴罗内特乔治·博蒙特爵士也伸出了援手，不仅为杰克逊提供了每年50英镑的经济资助，还邀请他共进晚餐，并让他得以接触到极其珍贵的艺术资源。这些早期的赞助人敏锐地察觉到了他身上闪烁的天才火花，并为杰克逊后来的正式艺术训练奠定了至关重要的基础。
1804年，在鼓励与经济保障的双重驱动下，杰克逊抵达伦敦，并正式成为皇家艺术学院学校的学生。这标志着他艺术生涯的一个转折点。在那里，他迅速与两位同学结为终身挚友：大卫·威尔基（David Wilkie）和本杰明·罗伯特·海顿（Benjamin Robert Haydon）。这三位艺术家之间建立了深厚的友谊；他们共同进行艺术评论，支持彼此的创作，并在竞争激烈的伦敦艺术界并肩前行。值得一提的是，杰克逊表现出了极大的慷慨，他将威尔基和海顿一同引荐给了马尔格雷夫勋爵，这一举动显著推动了这两位好友的职业生涯。
在这些成长的关键岁月里，乔治·博蒙特爵士的影响尤为深远。博蒙特鼓励杰克逊研习古典大师的作品，培养了他对古典技法和构图原则的鉴赏力。卡斯尔霍华德城堡的藏品让他能够近距离接触众多名家的杰作，从而塑造了他的审美感官。虽然他最初使用的是铅笔配合细腻的水彩渲染，但随后逐渐转向油画创作——这一过程虽充满挑战，却最终带来了丰硕的回报。他的早期肖像画反映了当时受劳伦斯等艺术家青睐的那种平滑、精致的风格，但很快，杰克逊便开始孕育出属于自己的独特风格。
到了1807年，约翰·杰克逊已确立了自己作为一名极具实力的肖像画家的地位。他陆续获得了众多显赫人物的委托，凭借细腻的形神捕捉和精湛的技艺，稳步建立起声望。然而，他并不满足于仅仅做一个外貌的复制者；杰克逊拥有一种与生俱来的能力，能够捕捉模特人物的“本质”——他们的性格、智慧以及内在生命力。他的肖像画不仅仅是视觉上的呈现，更是充满敏感度与细微差别的心理研究。
杰克逊的技法以大胆的色彩运用和明暗对比法（chiaroscuro）为特征，这与当时许多同辈艺术家所追求的平滑饰面形成了鲜明的对比。他精妙地操纵光影，创造出戏剧性的对比并强化了形体感。他的水彩画因其非凡的品质而备受赞誉，展现了惊人的精准度与细腻感。虽然他仍会创作小型的铅笔肖像，但他的油画作品日益彰显出愈发成熟的自信心与艺术远见。
在整个职业生涯中，杰克逊为众多杰出人物绘制了肖像，其中包括著名的建筑师约翰·索恩爵士（Sir John Soane）以及卫理公会的创始人约翰·卫斯理牧师（Reverend John Wesley）。这些作品见证了他同时表现人物外貌特征与内在思想深度的卓越能力。他为化学家兼物理学家威廉·海德·沃拉斯顿（William Hyde Wollaston）创作的肖像，便是捕捉主体沉思特质的典范。
除了受托创作的肖像外，杰克逊还创作了许多自画像，这些作品为我们窥见他个人的生活与艺术精神提供了亲密的视角。其中一个著名的例子创作于1823年左右，展现了一位对自身技艺有着深刻自觉、严肃且内省的艺术家形象。他还创作了如《弗莱曼》（Flaxman）这样引人入胜的研究作品，展示了丰富的油画质感与方向性光影。而他为霍珀先生（Mr Hopper）绘制的肖像，则体现了他如何通过面部亮部与深邃阴影的对比来进行形体塑造，并巧妙地运用背景色调的变化来营造氛围。
约翰·杰克逊对英国肖像画艺术的贡献，在于他成功地将精湛的技术与深刻的心理洞察力融合在一起。他在风格转型的时期游刃有余，超越了早期传统中仅停留在表面优雅的局限，转向一种更加细腻且富有表现力的创作方式。尽管他或许未能获得像劳伦斯或雷诺兹那样举世闻名的声望，但他的作品因其正直、敏感以及持久的艺术品质而备受推崇。
杰克逊的影响力早已超越了他的社交圈与赞助人范围。他为新一代肖像画家铺平了道路，使他们开始将人物性格刻画置于单纯的外貌再现之上。他对捕捉模特内在生命的执着，结合其精湛的技艺，巩固了他作为乔治时代晚期艺术关键人物的地位，并留下了大量动人心魄的肖像杰作，至今仍能带给世人震撼与启发。
