更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 180 件 赫林 (Hèlíng) 作品收录于我们的目录中
简而言之
在画廊看来，赫林 (Hèlíng) 最著名的作品是 Black Tom, a black hunter, beside a stable, in a wooded river landscape。 Three horses at a water trough 与 The Edinburgh and London Royal Mail 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，赫林 (Hèlíng) 共有 180 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
Black Tom, a black hunter, beside a stable, in a wooded river landscape is an oil painting reproduction by John Frederick Herring, Sr. The artist, born in London, United Kingdom, in 1795, was a significant figure in nineteenth-century British animal art. He remained active in the art world until his death in 1865.
Three horses at a water trough is an engraving by the British artist John Frederick Herring, Sr. Born in London, United Kingdom, in 1795, Herring developed a diverse professional background as a painter, sign maker, and coachman. His practical experience observing horses during his time as a coachman informed the anatomical precision found in his animal studies. He remained active in the art community until his death on September 23,…
The artwork titled The Edinburgh and London Royal Mail is an English painting by the artist John Frederick Herring, Sr. This piece depicts a historical stagecoach scene, specifically focusing on a road coach traveling through a landscape. The subject matter centers on a coach and horses in motion along a winding road, a theme consistent with the artist's focus on equine subjects and 19th-century transportation.
The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge is a painting by John Frederick Herring, Sr. This work depicts a grand horse-drawn coach procession traveling down a country lane. The scene focuses on an elite group of men in formal attire traveling in a luxurious carriage, accompanied by horses, attendants, and dogs. The composition centers on the coach itself, positioned slightly off-center towards the left, while…
In this intimate portrait, we find 'Elis', a Chestnut Horse, ridden by J. Day. Painted by John Frederick Herring, Sr. about 1836, the work captures a specific moment of connection between horse and rider. The subject is a well-groomed chestnut horse named 'Elis', presented alongside its rider, J. Day.
The scene captures a moment of quiet dignity in 'Margrave' with James Robinson Up. Painted by John Frederick Herring, Sr. about 1833, the work presents a single brown racehorse and its jockey in profile. They exist together against a vast, open landscape that stretches toward a dramatic sky. The horse stands with a certain stillness, its sleek musculature defined against the earthy tones of the terrain. It is a portrait…
The Suffolk Hunt: Going to Cover near Herringswell is an oil painting by the British artist John Frederick Herring, Sr. Executed in 1833, the work captures a lively fox hunting scene set within a rural landscape. The composition focuses on the energy of the pursuit, centering on the movement of hounds and riders through the countryside.
Foxhunting: Clearing a Ditch is a work by the British painter and animal artist John Frederick Herring, Sr. Created about 1839, the painting captures a singular moment of tension. The canvas holds the weight of a mid-nineteenth-century sporting tradition. It is a study of muscle and movement frozen in oil.
The pulse of the chase beats through Foxhunting: Encouraging Hound, a work that captures a fleeting moment of high energy. This scene, painted in 1839, finds its origin in the hands of John Frederick Herring, Sr., a British painter who brought the spirit of the English countryside to life. The air seems to hold its breath as the rider and hounds move through the landscape, a moment frozen in time…
In "Autumn" by John Frederick Herring, Sr., a quiet moment of rest settles over the rural landscape. Created about 1846, the scene captures a pause in the rhythm of the countryside. Several horses occupy the foreground, their heavy forms anchoring the viewer within this seasonal setting. Riders and various figures dressed in period clothing move through the middle ground, their presence suggesting a community tied closely to the land and…
Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery1847 · 耶鲁英国艺术中心
12
A Chat with the Milkmaid1854 · Tyntesfield
13
Earl of Zetland's 'Voltigeur'1850
14
Said1856 · 皇家收藏馆
15
Untitled (AQRQGK)2013
16
A Clydesdale Stallion1820 · 耶鲁英国艺术中心
17
White Bull, Fulbourn, Cambridgeshire, 18301830 · Anglesey Abbey
18
Memnon, with William Scott Up1825 · 耶鲁英国艺术中心
19
Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left1829 · 耶鲁英国艺术中心
20
Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Rght1829 · 耶鲁英国艺术中心
21
Manuella1825
22
A Bay Horse and Pony in a Landscape1833 · Trerice
23
A Charger on the Parade Ground of Albany Barracks, London1839 · Anglesey Abbey
24
don john the winner of the st leger with william scott up1838
25
Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey)1840 · Upton House
26
Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape)1840 · Upton House
27
A Grey Horse and Ducks in a Landscape1846 · Trerice
28
Bagdad1846 · 皇家收藏馆
29
Tajar and Hammon1845 · 皇家收藏馆
30
Horse1842 · 明尼阿波利斯艺术学院
31
Mr. Johnstone's Charles XII in a Stable1843
32
A Chestnut Horse in a Stable1849 · Lyme Park
33
‘Lady Liverpool’, a Bay Horse in a Stable1849 · Arlington Court
34
A Hound and a Bearded Collie seated on a Hunting Coat1855 · 耶鲁英国艺术中心
35
Farmyard1852
36
Horses, Pigs and Poultry1852
37
On the Scent
38
Mazeppa Surrounded by Horses
39
Meopham Horse Fair
40
The meet
41
Morning, preparing to plough
42
Barge horses by a lock
43
The Hunting Stud
44
ack Spigot, a dark bay racehorse with jockey up
45
Sheep
46
Birmingham with Patrick Conolly Up, and his Owner, John Beardsworth
47
A farmyard scene with milkmaid and a farm labourer
48
Monreith, with Tom Shepherd up
49
Mr O'Brien's Jonathan Wild, with jockey up
50
Bessy Bedlam, a bay racehorse with T. Nicholson up, on a racecourse
51
Jennie asleep at a kitchen table
52
The Colonel with William Scott up and John Scott
53
A mare and foal in a landscape
54
Saint James in a stable
55
Matilda, a bay racehorse with her groom in a loosebox
56
Margrave with J. Robinson
57
Bessy Bedlam, a brown racehorse with Tommy Lye up, in a landscape
58
The Road Anterior to Rails
59
A bay racehorse with jockey up
60
Dr. Syntax, a brown racehorse with Robert Johnson up, in an extensive landscape
61
A barn interior with figures and livestock
62
A chestnut hunter and a groom in a landscape
63
Mr. Dixon's Mountaineer, a chestnut colt, held by a groom outside a stable
64
A racehorse in a stable with a groom
65
The Halt
66
At the Ford
67
The Royal Mail - Changing Horses outside the Red Lion
68
The Hop Pickers
69
A carriage horse and groom in a stable
70
The Interior of a Smithy
71
Horses feeding
72
Memnon, a bay racehorse with William Scott up in the colours of Richard Watt, on Doncaster racecourse
73
Queen of Trumps in a stable, with two grooms
74
The Quarry
75
Lop-eared rabbits
76
Feeding the Arab
77
Waiting for the Ferry
78
A Letter of Intent
79
Sir Mark Wood with his dark brown filly Vespa, winner of the Oaks in 1833, her trainer H Scott and a groom with a grey hack
80
Merry Monarch, a bay mare, in a stable
81
Farrier's Shop纽约历史学会
82
The FarmyardTe Whare O Rehua Sarjeant Gallery
83
The Farmyard
84
The Frugal Meal
85
Ducks by a riverbank
86
DUCK AND DUCKLINGS
87
Surrey pastures
88
A pointer on a moor
89
Cows
90
Head of a grey Arab
91
The head of a grey hunter
92
The Streatlam Stud, Mares and Foals
93
The return from deer stalking
94
Head of a grey arab 1
95
Two cats
96
Maleburn, a Foxhound in a Wooded Landscape
97
Horses feeding with two ornamental pigeons at a manger
98
Pacelot, a bay stallion, in a stable
99
A mare and foal by a bothy
100
A chestnut in a stable
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 赫林 (Hèlíng) 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 10 | 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch |
 皇家收藏馆 |
伦敦 | 3 | Said, Bagdad, Tajar and Hammon |
 Anglesey Abbey |
2 | White Bull, Fulbourn, Cambridgeshire, 1830, A Charger on the Parade Ground of Albany Barracks, London | |
 Trerice |
2 | A Bay Horse and Pony in a Landscape, A Grey Horse and Ducks in a Landscape | |
 Upton House |
班伯里 | 2 | Eight Circular Farmyard Scenes (1. Pigs; 2. Mare and Foal; 3. Cows; 4. Sheep; 5. Chickens; 6. Ducks; 7. Rabbits; 8. Donkey), Eight Circular Foxhunting Scenes (I. Huntsman and Hounds; 2. Hunting in Covert; 3. Full Cry; 4. The Kill; 5. Earth Stopping at Night; 6.Three Hounds resting; 7. Hound in a Landscape; 8. Fox in Landscape) |
 Shugborough Hall |
Stoke-on-Trent | 1 | 'Elis', a Chestnut Horse, ridden by J. Day |
 南澳大利亚美术馆 |
阿德莱德 | 1 | Autumn |
 Tyntesfield |
1 | A Chat with the Milkmaid |
选择一个年代，探索定义该时代的原创杰作。
In this intimate portrait, we find 'Elis', a Chestnut Horse, ridden by J. Day. Painted by John Frederick Herring, Sr. about 1836, the work captures a specific moment of connection between horse and rider. The subject is a well-groomed chestnut horse named 'Elis', presented alongside its rider, J. Day.
In "Autumn" by John Frederick Herring, Sr., a quiet moment of rest settles over the rural landscape. Created about 1846, the scene captures a pause in the rhythm of the countryside. Several horses occupy the foreground, their heavy forms anchoring the viewer within this seasonal setting. Riders and various figures dressed in period clothing move through the middle ground, their presence suggesting a community tied closely to the land and…
A Chat with the Milkmaid is a painting by the British painter John Frederick Herring, Sr. The work emerged about 1854. It captures a quiet, domestic moment within a rustic stable, where the heavy presence of a cow anchors the scene alongside two figures.
Black Tom, a black hunter, beside a stable, in a wooded river landscape。紧随其后的是 Three horses at a water trough 和 The Edinburgh and London Royal Mail。
Black Tom, a black hunter, beside a stable, in a wooded river landscape, Three horses at a water trough, The Edinburgh and London Royal Mail, The London-to-Leeds stage coach changing horses at the Swan Inn, Bottisham, Cambridge, 'Elis', a Chestnut Horse, ridden by J. Day, 'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell, Foxhunting: Clearing a Ditch, Foxhunting: Encouraging Hound 及 Autumn。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 180 件 赫林 (Hèlíng) 的作品，创作年代从 1820 年至 1856 年。
多见于 耶鲁英国艺术中心 (纽黑文), 皇家收藏馆 (伦敦) 及 Anglesey Abbey。上方的博物馆列表列出了所有相关机构。
在 1840s 期间：本页 100 件作品中有 11 件创作于该时期，其中包含 Autumn 件作品。
在本页面中，最早的作品创作于 A Clydesdale Stallion (1820)，最晚的创作于 Said (1856)。
Horse (14), Landscape (13) 及 Horses (9)，共计 100 件作品。
Oil On Canvas，共计 9 件（本页共有 100 件作品）。
根据本页面的原作，Academic art
'Margrave' with James Robinson Up, The Suffolk Hunt: Going to Cover near Herringswell 及 Foxhunting: Clearing a Ditch：耶鲁英国艺术中心, 纽黑文收藏了本页中 10 件作品。
1795年9月12日出生于伦敦的约翰·弗雷德里克·赫林高级，是维多利亚时代英国最受尊敬的动物画家之一。他的作品不仅仅是对马匹的描绘，更是对当时英国社会生活、体育文化和贵族精神的生动记录。赫林的艺术生涯并非一帆风顺，他从一个夜间驿站车夫和招牌画匠起步，最终凭借着对绘画的热忱和敏锐的观察力，成为了皇家赞助人青睐的大师。
赫林出身于荷兰血统的伦敦商人家庭。年幼的他便表现出对城市生活的不喜以及对绘画和马匹的浓厚兴趣。1814年，18岁的赫林前往多尼卡斯特，开始了其艺术生涯的早期阶段。他最初担任夜间驿站车夫，同时兼职绘制客栈招牌。这份工作为他提供了近距离观察马匹的机会，也激发了他对动物绘画的热情。凭借着出色的天赋，他的才华很快被当地绅士们发现，并开始接受委托创作猎犬和赛马的肖像画作。大约在1818年左右，赫林开始描绘圣莱杰杯的获胜者，随后又绘制了德比赛马的优胜图，通过版画作品获得了更广泛的认可。
为了进一步提升绘画技巧，赫林曾短暂师从著名的动物画家亚伯拉罕·库珀。1836年，为了区分其子约翰·弗雷德里克·赫林小辈，他开始在签名中添加“高级”的字样。他的作品逐渐获得了皇室赞助，包括肯特公爵夫人和维多利亚女王的委托。1840-1841年间，应奥尔良公爵的邀请，赫林前往巴黎，为他创作了数幅画作。随着时间的推移，赫林的绘画题材也逐渐扩展到农业场景和叙事性作品中。
赫林的艺术风格以其写实主义、对细节的关注以及对马匹动态的生动描绘而著称。他不仅捕捉了这些动物的力量与美丽，还展现了它们在运动中的优雅姿态。他的画作充满了活力和激情，能够深深地打动观者的心灵。赫林的作品并非仅仅是对动物外形的简单复制，而是融入了他对自然、生命和艺术的深刻理解。
皇室赞助： 赫林曾担任肯特公爵夫人和维多利亚女王的动物画家。体育艺术偶像： 他成为了19世纪最杰出的马匹和体育艺术家之一。作品丰硕： 在皇家学院（1818–1865）、英国机构（1830–1865）和英国艺术家协会（1836-1852）上大量展出作品。版画与普及： 他的画作通过版画广泛传播，提高了他在公众中的知名度。
赫林的绘画作品为我们提供了宝贵的关于19世纪英国体育文化、特别是赛马和狩猎的见解。他被认为是动物艺术史上的重要人物之一，与埃德温·兰兹尔齐名。他的儿子和女儿也继承了他的艺术事业，为家族创造了辉煌的艺术遗产。赫林的作品之所以能够引起广泛共鸣，是因为它题材贴近生活、技巧精湛，并且充满了对自然的热爱。
赫林的画作不仅仅是艺术品，更是历史的见证和文化的象征。 他的作品记录了当时英国社会的生活方式、审美情趣和精神追求。他对马匹的精准描绘和对运动场景的生动捕捉，为后世艺术家提供了宝贵的参考和借鉴。赫林的绘画风格也影响了一代又一代的动物画家，推动了动物艺术的发展。
