更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 71 件 扬·米尔 作品收录于我们的目录中
简而言之
Scene from the Life of Tramps (Lazzaroni) (1650) 是 扬·米尔 最受瞩目的画作；原作收藏于 圣彼得堡 的 冬宫博物馆。 随后，目光会移向 Hunters at Rest (1650) 和 Carnival Entertainment (1635)。 在 扬·米尔 的 71 件作品中，这 71 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
A heavy, ochre light settles over the crumbling stone of ancient ruins. Here, the shadows are thick and deep, swallowing the corners of a chaotic street scene. Figures move through the haze of smoke and dust, their bodies caught in a sudden, sharp glare of sun. A man gestures with urgency, his hands carving shapes into the air, while others sit in the dirt, anchored by the weight of their…
is an oil on canvas painting by the Flemish artist Jan Miel. Created about 1650, the work captures a quiet moment within a pastoral scene. It depicts a hunting party finding respite amidst the landscape. The scene is anchored by the presence of horses and the sturdy silhouette of a fortified tower.
In "Carnival Entertainment" by Jan Miel, we find ourselves amidst a dense and dynamic urban scene. The composition is crowded, capturing a street festival where a large group of figures occupies the foreground and middle ground. These individuals—musicians, dancers, and various onlookers—are arranged to create a sense of constant movement. The perspective is a ground-level view, which provides a palpable sense of depth through the careful layering of people and…
The oil painting titled Sine Cerere et Baccho Friget Venus presents a mythological scene of abundance. Jan Miel rendered this work in 1645. It captures a moment where classical deities gather amidst the symbols of harvest and intoxication. The figures exist within a lush, Baroque-style arrangement of life and plenty.
The air in the grand, classical space feels heavy with the scent of incense and the weight of sudden grief. In the center of this dramatic scene, St. Lambert lies in repose, his body a pale, still anchor amidst a sea of movement. Above him, the celestial realm breaks through the gloom; an angel descends with fluid, sweeping drapery that seems to catch a wind from another world. The light…
The air at the roadside inn feels heavy with the scent of dust and old stone. Under a rugged stone archway, a group of travelers huddles in a moment of quiet tension. A woman in a garment of lapis blue leans toward a man, her presence a cool contrast to the earthy ochre and deep crimson that define the crowd. He is the soothsayer, a figure caught in the flickering…
The scene unfolds within the oil on canvas work titled Two hunters resting in a landscape (the standing hunter is a woman in men's clothes). This composition emerges from the hand of Jan Miel, a painter who brings a sense of immediate life to the quietude of the hunt. The work is dated 1639, capturing a specific moment of stillness amidst the natural world.
Three peasants having fun with music and dance by Jan Miel presents a lively genre scene centered on three figures engaged in rhythmic activity. The composition is dynamic, utilizing an intimate perspective that places the viewer in close proximity to the subjects. Within this shallow space, the central figure is captured mid-motion, a choice that establishes a sense of rhythmic movement throughout the scene. To the left of the main…
The Travelers' Dinner. Peasants Eating Near an Inn or Resting is a genre painting by Jan Miel. This work emerged around 1650, a period when the artist was active within the artistic circles of the seventeenth century. The canvas captures a specific slice of rural life through the eyes of a painter who understood the weight of stone and the texture of coarse cloth.
We are looking at An Italianate Landscape with Peasants Dancing, a work by Jan Miel. This piece dates to about 1650, a period when the artist was deeply engaged with the stylistic shifts occurring within the Italian Baroque. It is a significant example of how Miel navigated the transition from the gritty, everyday observations of the Bamboccianti to more expansive, classical compositions.
Falcon hunters in front of an inn in a ruin1650
12
The beggar1650
13
Barber and roulette players1650
14
Military resting with a fortune teller1650
15
Carnival parade in Rome1660
16
Hannibal's dream1661
17
Figures in the vicinity of architectural ruins1650
18
The gathering of the hunters1660 · Galleria Sabauda
19
Boar hunt1660 · 维尼西亚宫 (Royal Palace of Venaria)
20
Bear hunt1659 · 维尼西亚宫 (Royal Palace of Venaria)
21
Diana the Huntress1658 · 维尼西亚宫 (Royal Palace of Venaria)
22
Adoration of the Shepherds1650 · 普希金国家美术馆
23
Serenade with dancers and musician1650
24
The Race of the Berber Horses in Rome1664
25
Traveling theatre1700
26
Harbour1652 · 冬宫博物馆
27
La curea - curée - con corte Regale, Carlo Emanuele II e Franesca d1661 · 维尼西亚宫 (Royal Palace of Venaria)
28
Dance in the Trattoria1647 · 维也纳美术学院
29
LE BARBIER NAPOLITAIN卢浮宫
30
St John the Baptist Preaching in the Desert国家博物馆
31
The Arch of Constantine in Rome1648 · Barber Institute of Fine Arts
32
Scene in front of a tavern1638 · 华沙国家博物馆
33
Figures Feasting at a Fair in Prati, Outside the Walls of Rome, with the Saint Peter's Basilica and Monte Mario Beyond1650
34
Deer hunt1661 · 维尼西亚宫 (Royal Palace of Venaria)
35
The death of the deer1660 · 维尼西亚宫 (Royal Palace of Venaria)
36
The Courtyard of Palazzo Nardini in Rome1650 · 巴贝里尼宫
37
Hunters at Rest普拉多博物馆
38
Architectural Landscape1638 · 冬宫博物馆
39
Carnival Time in Rome1653 · 普拉多博物馆
40
The snack普拉多博物馆
41
Cottage with inhabitants普拉多博物馆
42
The local Barber普拉多博物馆
43
Popular scene普拉多博物馆
44
The Flight into Egypt斯泰恩斯博物馆艺术馆
45
Soldiers Resting国家博物馆
46
Peasants Resting国家博物馆
47
Hunters Resting国家博物馆
48
Fox hunting维尼西亚宫 (Royal Palace of Venaria)
49
Jugglers passing – Carnival华沙国家博物馆
50
MARCHAND D'ESCARGOTS
51
Road in the Roman Campagna冬宫博物馆
52
PAYSAGE AVEC FIGURES
53
Maraudeurs italiens Une halte (autre titre)
54
Pastorale avec bergère endormie
55
The fugitive Erminia asks a fellow countryman for admission
56
The Assembly1660 · 凡尔赛宫
57
The vihuela player普拉多博物馆
58
LA DINEE DES VOYAGEURS卢浮宫
59
Genre Scene1650 · 冬宫博物馆
60
Landscape with herders普拉多博物馆
61
LA HALTE MILITAIRE卢浮宫
62
Landscape with a Battle between Two Rams1640 · 大都会艺术博物馆
63
Hunters at Rest冬宫博物馆
64
Shepherds and herd in a mountainous landscape卡尔维博物馆
65
Carnival in the Piazza Colonna, RomeWadsworth Atheneum
66
Roman Lime Kiln with Peasants Gambling
67
Italian Peasants outside a Tavern皇家收藏馆
68
Un savetier
69
The bowls players
70
LE MENDIANT卢浮宫
71
Charlatan冬宫博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 扬·米尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 冬宫博物馆 |
圣彼得堡 | 8 | Scene from the Life of Tramps (Lazzaroni), Hunters at Rest, Harbour |
 普拉多博物馆 |
马德里 | 8 | Hunters at Rest, Carnival Time in Rome, The snack |
 维尼西亚宫 (Royal Palace of Venaria) |
韦纳里亚雷阿莱 | 7 | Boar hunt, Bear hunt, Diana the Huntress |
 卢浮宫 |
巴黎 | 4 | LE BARBIER NAPOLITAIN, LA DINEE DES VOYAGEURS, LA HALTE MILITAIRE |
 国家博物馆 |
斯德哥尔摩 | 4 | St John the Baptist Preaching in the Desert, Soldiers Resting, Peasants Resting |
 华沙国家博物馆 |
华沙 | 2 | Scene in front of a tavern, Jugglers passing – Carnival |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 1 | Carnival Entertainment |
 Fitzwilliam Museum |
1 | The Veneration of St. Lambert |
选择一个年代，探索定义该时代的原创杰作。
In "Carnival Entertainment" by Jan Miel, we find ourselves amidst a dense and dynamic urban scene. The composition is crowded, capturing a street festival where a large group of figures occupies the foreground and middle ground. These individuals—musicians, dancers, and various onlookers—are arranged to create a sense of constant movement. The perspective is a ground-level view, which provides a palpable sense of depth through the careful layering of people and…
The oil painting titled Sine Cerere et Baccho Friget Venus presents a mythological scene of abundance. Jan Miel rendered this work in 1645. It captures a moment where classical deities gather amidst the symbols of harvest and intoxication. The figures exist within a lush, Baroque-style arrangement of life and plenty.
A heavy, ochre light settles over the crumbling stone of ancient ruins. Here, the shadows are thick and deep, swallowing the corners of a chaotic street scene. Figures move through the haze of smoke and dust, their bodies caught in a sudden, sharp glare of sun. A man gestures with urgency, his hands carving shapes into the air, while others sit in the dirt, anchored by the weight of their…
The artwork titled Carnival parade in Rome is a painting by the artist Jan Miel. This specific piece is dated about 1660. The work belongs to the genre of oil painting, capturing a public celebration within a Roman street setting.
Scene from the Life of Tramps (Lazzaroni) (1650)，冬宫博物馆, 圣彼得堡。紧随其后的是 Hunters at Rest (1650) 和 Carnival Entertainment (1635)。
51岁：Scene from the Life of Tramps (Lazzaroni)创作于1650年，扬·米尔出生于1599年。
Scene from the Life of Tramps (Lazzaroni), Hunters at Rest, Carnival Entertainment, Sine Cerere et Baccho Friget Venus, The Veneration of St. Lambert, Soothsayer at an inn, Two hunters resting in a landscape (the standing hunter is a woman in men's clothes), Three peasants having fun with music and dance, The Travelers' Dinner. Peasants Eating Near an Inn or Resting 及 An Italianate Landscape with Peasants Dancing。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 71 件 扬·米尔 的作品，创作年代从 1635 年至 1661 年。
多见于 冬宫博物馆 (圣彼得堡), 普拉多博物馆 (马德里) 及 维尼西亚宫 (Royal Palace of Venaria) (韦纳里亚雷阿莱)。上方的博物馆列表列出了所有相关机构。
在 1650s 期间：本页 71 件作品中有 18 件创作于该时期，其中包含 Scene from the Life of Tramps (Lazzaroni) 件作品。
在本页面中，最早的作品创作于 Carnival Entertainment (1635)，最晚的创作于 Hannibal's dream (1661)。
People (21), Landscape (15) 及 Architecture (14)，共计 71 件作品。
Oil On Canvas，共计 34 件（本页共有 71 件作品）。
根据本页面的原作，Baroque
Scene from the Life of Tramps (Lazzaroni), Hunters at Rest 及 Harbour：冬宫博物馆, 圣彼得堡收藏了本页中 8 件作品。
扬·米尔（Jan Miel，1599–1663）是十七世纪艺术版图中举足轻重的关键人物，他完美地体现了佛兰德传统与意大利创新之间那场迷人的交汇。尽管关于他的出生地，安特卫普和‘斯海尔托亨博斯仍是潜在的候选地，但可以确定他出生于比利时的贝弗伦。米尔的早年生活笼罩在相对模糊的阴影中，传记细节十分匮乏。然而，通过学术研究，我们能窥见一段非凡的艺术旅程——这段旅程以风格的演变与跨国界的协作为标志，最终奠定了他于罗马与都灵那充满活力的文化环境中的地位。
他的成长期主要是在安特卫普度过的，在那里他潜心磨炼技艺，并深受安东尼·范·戴克等著名佛兰德大师的影响。虽然其受训的具体范围仍难以考证，但这段经历无疑赋予了他对细致观察与精湛技法的敏锐鉴赏力，这些品质成为了他随后艺术创作的核心特征。这种在古典素描与肖像画方面的深厚根基，为他日后跨越地域界限的辉煌职业生涯提供了必不可少的艺术工具。
约1636年抵达罗马，标志着米尔艺术轨迹中的一个转型时刻。他迅速加入了Bentvueghels，这是一个由居住在永恒之城的荷兰及佛兰德艺术家组成的极具影响力的社团。在这个兄弟会组织中，他获得了一个令人难忘的绰号——“bieco”，这个名字反映了他那独特的眯眼神态，而这一特征后来也成为了他艺术人格的代名词。通过这种纽带，他在深受彼得·范·拉尔Bamboccianti（猎人派）风格影响的更广泛艺术群体中，建立了深厚的联系。
这一艺术运动致力于描绘罗马及其周边地区底层阶级的日常生活场景，他们摒弃了盛期文艺复兴艺术那种理想化的宏伟感，转而追求一种更加直观、更具生命力的表达。米尔全身心地投入到了这一潮流之中，创作出了一系列迷人的风俗画，以卓越的写实主义与细腻的情感捕捉到了城市生活的灵魂。他的作品中常常蕴含着：
随着职业生涯的推进，米尔的艺术视野经历了一场显著的蜕变。尽管他依然是风俗画领域的宗师，但他开始逐渐脱离“猎人派”那种粗粝的写实感，转向更具古典色彩的历史画创作。这种转变反映了当时欧洲艺术的一个宏观趋势：巴洛克艺术那原始的能量正日益受到秩序、高贵感以及古典寓言追求的调和与约束。
这种演进最终使他获得了显赫的委任，其中最著名的便是担任萨伏依公爵查理·埃马努埃尔二世的宫廷画家。在都灵宫廷的服务生涯中，米尔的作品呈现出更加正式且壮丽的特征。早期罗马场景中的亲密感，逐渐让位于规模更宏大、构图更复杂的作品，这些创作旨在彰显其皇家赞助人的权势与威望。这一时期代表了他职业成就的巅峰，他那植根于细节的佛兰德传统，与欧洲贵族所追求的宏大叙事史诗完美地融合在了一起。
扬·米尔的历史意义在于他游走于这些迥异世界的能力。他是一位能够从罗马街头流浪儿的卑微挣扎中发现美，同时又能在古典史诗的传奇故事中寻得尊严的艺术家。通过架起北方细腻写实主义与南方戏剧性古典主义之间的桥梁，米尔在十七世纪的艺术典籍中留下了不可磨灭的印记，确保了其作为巴洛克时代真正“世界主义者”的艺术遗产永垂不朽。
