更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 241 件 扬·霍萨特 作品收录于我们的目录中
简而言之
在画廊看来，扬·霍萨特 最著名的作品是 Adam and Eve (1525)，其原作现收藏于 普罗维登斯 的 Rhode Island School of Design Museum of Art。 Portrait of a man (1528) 与 Man of Sorrow (1525) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，扬·霍萨特 共有 241 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Triptych of the Holy Family is a religious oil on panel painting dating to 1501. This work is presented in a classic triptych format, housed within an ornate, carved wooden frame featuring scalloped tops. The central panel is the largest and most complex, depicting the Holy Family—the Virgin Mary, Saint Joseph, and the Christ Child—arranged in a pyramidal composition and surrounded by an angelic host within a lush landscape.…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · 比利时皇家美术博物馆
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · 斯泰恩斯博物馆艺术馆
18
Christ on the Mount of Olives1507 · 柏林国家美术馆
19
Portrait of a Man1515 · 普希金国家美术馆
20
The Beheading of St John the Baptist1510 · 巴黎国立美术学院
21![Saint Jerome Penitent [right panel] (1512) 由 扬·霍萨特](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · 国家美术馆
22![Saint Jerome Penitent [left panel] (1512) 由 扬·霍萨特](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · 国家美术馆
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · 圣路易斯艺术博物馆
26
Virgin and Child in a Landscape1531 · 克利夫兰艺术博物馆
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · 巴伐利亚州绘画收藏馆
30
The Holy Family1520 · 休斯顿美术馆
31
Portrait of Henry III, Count of Nassau1530 · 加泰罗尼亚国家艺术博物馆
32
Christ sitting on the Cold Stone1531 · 安特卫普皇家美术馆
33
Virgin and Child with a Patron1530 · 斯泰恩斯博物馆艺术馆
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · National Gallery Prague
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · 华沙国家博物馆
38
Christus rust na de geseling1527 · 卡尔斯鲁厄州立美术馆
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Scenes from the Life of St Giles1520 · 斯泰恩斯博物馆艺术馆
44
The Martyrdom of St Cyriacus and His Companions1520 · 斯泰恩斯博物馆艺术馆
45
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
46
Abbot Johann Ingenray1535 · 底特律艺术学院
47
The Adoration of the Kings1510 · 国家美术馆
48
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
49
Virgin and Child1525 · 芝加哥艺术学院
50
Adam and Eve1510 · 提森·博爾涅米薩博物館
51
Danaë (detail)1527 · 老皮那科特美术馆
52
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · 卢浮宫
53
Danaë1527 · 老皮那科特美术馆
54
Two Kings and a Woman Leaving a Palace1510
55
Madonna and Child1527 · 普拉多博物馆
56
The Adoration of the Kings (detail)1500
57
Holy Family with St. Catherine and St. Barbara1515
58
St Jerome Penitent1510
59
Hercules and Deianira1517 · Barber Institute of Fine Arts
60
Hercules of the Forum Boarium1509
61
Neptune and Amphitrite1516
62
Virgin and Child with Musical Angels1510
63
A Reliquary1510 · 皮埃龐特·摩根圖書館與博物館
64
The Agony in the Garden1510
65
Standing Warrior in Fantastic Armour1509
66
The Carondelet Diptych left wing, Jean Carondelet1517
67
St John the Evangelist on Patmos1515
68
The Holy Family Seated at the Foot of a Tree1510
69
Apollo Citharoedus of the Casa Sassi1509
70
Neptune and Amphitrite (detail)1516
71
The Malvagna Altarpiece (right wing, detail)1513
72
Jean Carondelet1503 · 托莱多艺术博物馆
73
The Adoration of the Magi1515
74
Agony in the Garden (detail)1510
75
Bust of a Warrior in Fantastic Armour1509
76
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
77
The Doria Pamphilj Diptych (right wing)1510 · 多里亚·潘菲利美术馆
78
Carondelet Diptych (left wing)1517
79
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
80
The Malvagna Altarpiece (exterior wings)1513
81
The Mystic Marriage of St Catherine1503 · 斯泰恩斯博物馆艺术馆
82
Carondelet Diptych (right wing)1517
83
Emperor Augustus and the Tiburtine Sibyl1503
84
Carondelet Diptych1517
85
The Malvagna Altarpiece (side wings)1513
86
View of the Colosseum Seen from the West1509
87
Carondelet Diptych (verso)1517
88
The Malvagna Altarpiece (centre panel)1513
89
Portrait of a Man, possibly Jan Snoeck1530 · 国家美术馆
90
The Mocking of Christ or the Man of Sorrows1525
91
King Christian II of Denmark1525
92
Virgin and Child Seated at the Foot of a Tree1522
93
The children of King Christian II of Denmark, Norway and Sweden1526
94
Portrait of a Merchant, National1530
95
Adam and Eve in Paradise1525
96
The Adoration of the Shepherds1520
97
Portrait of a Man1520 · 大都会艺术博物馆
98
The Presentation in the Temple1520
99
Christ Carrying the Cross1520 · 大都会艺术博物馆
100
The Norfolk Triptych (left wing)1525 · Musées Royaux des Beaux-Arts
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 扬·霍萨特 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 国家美术馆 |
华盛顿 | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Musées Royaux des Beaux-Arts |
布鲁塞尔 | 7 | Wings of the Norfolk Triptych, The Norfolk Triptych (left wing) |
 安特卫普皇家美术馆 |
安特卫普 | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 比利时皇家美术博物馆 |
布鲁塞尔 | 3 | Portrait of a man, Virgin and child in the veil |
 维也纳艺术史博物馆 |
维也纳 | 3 | Virgin and child enthroned, Portrait of a man |
 老皮那科特美术馆 |
慕尼黑 | 2 | Danaë (detail), Danaë |
 Universiteitsbibliotheek |
Leiden | 2 | Study after the Spinario (detail), Study after the Spinario (recto) |
选择一个年代，探索定义该时代的原创杰作。
The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product of the Northern Renaissance, a period characterized by a focus on detailed realism and the technical precision of the Low Countries.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Jan Gossaert executed Virgin and Child in a Landscape in 1531. The work belongs to the Northern Renaissance and Romanist movements, reflecting a period of stylistic transition in the Low Countries. Through the depiction of the Madonna and Christ Child, the artist explores themes of maternal love and protection.
Adam and Eve (1525)，Rhode Island School of Design Museum of Art, 普罗维登斯。紧随其后的是 Portrait of a man (1528) 和 Man of Sorrow (1525)。
47岁：Adam and Eve创作于1525年，扬·霍萨特出生于1478年。
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira 及 Triptych of the Holy Family。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 241 件 扬·霍萨特 的作品，创作年代从 1495 年至 1532 年。
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), 国家美术馆 (华盛顿) 及 Musées Royaux des Beaux-Arts (布鲁塞尔)。上方的博物馆列表列出了所有相关机构。
在 1510s 期间：本页 100 件作品中有 36 件创作于该时期，其中包含 Hercules and Deianeira 件作品。
在本页面中，最早的作品创作于 Madonna with child (1495)，最晚的创作于 Madonna and Child (1532)。
Man (45), Woman (44) 及 Child (23)，共计 100 件作品。
Oil On Panel，共计 62 件（本页共有 100 件作品）。
根据本页面的原作，北方文艺复兴
Saint Jerome, Virgin and Child with a Patron 及 Scenes from the Life of St Giles：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 5 件作品。
在十六世纪初那段剧烈变迁的历史进程中，很少有艺术家能像扬·戈萨特那样，如此大师般地架起北方严谨传统与南方新兴人文主义之间的桥梁。这位富有远见的画家在历史上以极具感染力的绰号马布斯而闻名，他出身于法国毛贝热，并最终成为了罗马主义运动的基石。他的艺术生涯代表了尼德兰艺术的一次深刻蜕变——在这里，佛兰德斯大师们那锐利且富有触感的写实主义，与意大利文艺复rypt复兴时期宏大而具有雕塑感的优雅美学完美交汇。研习戈萨特的艺术，便是见证中世纪灵魂开始拥抱古典时代光辉的那个神圣瞬间。
尽管他早年接受训练的具体细节仍笼罩在历史的迷雾之中，但戈萨特的艺术基因深深植根于低地国家的传统之中。人们普遍认为，他在成长期致力于吸收罗吉尔·范德魏登和雨果·范德格斯等大师的严谨技法。从这些前辈那里，他继承了对细节无与伦比的执着——这种对纹理、织物和光影的处理方式，令观者仿佛能触摸到画面中的真实。然而，戈萨特绝非仅仅是过去的模仿者；他对新事物怀有一种永无止境的好奇心，他向南望去，试图将意大利文艺复兴的解剖精准度与建筑宏伟感融入到自己的本土风格之中。
马布斯真正的天才之处在于他能够和谐地统一两个看似迥异的世界。作为一名罗马主义画家的崛起，标志着他背离了长期统治北欧的纯粹哥特式审美。早期的艺术家往往侧重于象征性的深度和宗教图像学，而戈萨特则引入了物理重量感与古典比例感。他以一种全新的、科学式的活力来研究人体形态，使他笔下的人物在空间中呈现出一种雕塑般的临场感，这在那个时代无疑是具有革命性的。
这种风格的演进在他对光影与大气氛围的处理中体现得最为淋漓尽致。在他的画笔下，光线不仅仅是在照亮场景，更是在塑造场景。他运用大气透视法创造出辽阔且沉浸式的景观，这些风景仿佛向着无穷的远方退行，为他的主题提供了一个充满戏剧性的舞台。他的构图往往呈现出阴影与辉煌之间复杂的交织，这种技法赋予了他的宗教与神话题材一种近乎剧场般的张力。凭借这种精湛的掌控力，他成功地在宗教委约所要求的深邃精神沉思，与当时人文主义学者所追求的知识性宏大感之间，找到了那份微妙的平衡。
戈萨特丰硕的创作生涯得益于一个由显赫赞助人组成的网络，其范围涵盖了从富有的商人到高阶神职人员及贵族。他的作品题材极其广泛，既有作为大教堂核心的宏伟祭坛画，也有捕捉人物心理本质的细腻肖像画。他那些最持久的艺术贡献包括：
扬·戈萨特的历史意义无论如何强调都不为过。他扮演了一个至关重要的媒介角色，将意大利的古典理想跨越阿尔卑斯山，并将其稳固地植入尼德兰肥沃的土壤之中。通过将佛兰德斯传统的精湛工艺与罗马文艺复兴的结构创新相结合，他为后世的北方艺术家开辟了道路。他的遗产已深深铭刻在艺术史的肌理之中，代表了一个文化融合与艺术重生的辉煌时代。
