更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 86 件 讓·威尼克斯 作品收录于我们的目录中
简而言之
在 讓·威尼克斯 留下的所有原作中，最著名的当属收藏于 鹿特丹 博伊曼斯·范·本宁根博物馆 的《Tobit, asleep under a vine, is blinded (1642)》。 紧随其后的是 Italian landscape with shelter and antiques ruins (1658) 和 Still Life with a Dead Swan (1651)。 我们的目录收录了 讓·威尼克斯 的 86 件作品；画廊完整保留了 78 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
The air feels heavy with the scent of damp stone and the rhythmic, metallic scrape of steel against stone. Under a vast, expansive sky, a group of figures gathers within the skeletal remains of a classical ruin. A man leans into his work, operating a grinding wheel that cuts through the quietude of the scene. Beside him, a woman sits in repose, while a small child stands close by, watching…
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
The composition relies on strong vertical elements, primarily through imposing columns and a central, highly ornate pedestal topped with a large urn. These structures anchor the scene, providing a sense of scale against the scattered human figures in the foreground and middle ground. Through a use of deep recession, the perspective draws the eye past a colonnade toward a distant, hazy horizon where the masts of ships are visible.
The scene unfolds in 1648, a moment captured in the oil on canvas known as Harbour with Antique Ruins. This work belongs to the hand of Jan Baptist Weenix, an artist who brings the weight of history into a living, breathing maritime setting. The painting presents a world where the weathered stone of classical antiquity meets the constant, rhythmic movement of a working harbor. It is a vision of a…
In "The Angel Raphael Leaving Tobias's Family" by Jan Baptist Weenix, a divine departure unfolds with sudden, celestial energy. The scene captures the exact moment the Angel Raphael ascends toward the heavens, leaving the family below in a state of profound awe and reverence. A powerful diagonal movement pulls the eye from the lower left foreground upward toward the upper left, where the angelic figure climbs into a swirling formation…
vegetable-sellers at the house-door, 5 figures1646
12
caravane near the shore1646
13
Mother and Child1647
14
Circumcision of Moses' son1640 · 华沙国家博物馆
15
Still Life with Game, Hunter and Two Dogs1652 · 巴伐利亚州绘画收藏馆
16
Butterfly Dog and Dead Bird1649 · Museum Mayer van den Bergh
17
Pleasure boating1650
18
The Sleeping Shepherdess1658 · 爱尔兰国家美术馆
19
Roman Tinker1656 · 施泰德美术馆
20
The love letter1650 · 国家美术、建筑与设计博物馆
21
Italian Harbour1651 · 冬宫博物馆
22
Italian Peasants among Ruins1650 · 底特律艺术学院
23
Sleeping girl1656 · 巴伐利亚州绘画收藏馆
24
Rest on the Flight into Egypt1657 · 博伊曼斯·范·本宁根博物馆
25
Merry Company on a Ferry1649 · Museum Gouda
26
Battle at the foot of the mountain.1650 · 华沙国家博物馆
27
Christina Lepper de Kempenaer and Her Children1653
28
Italian port scene, 16491649 · Centraal Museum
29
Italian Landscape with Horsemen by a Spring1657 · Centraal Museum
30
Before the walls of Rome1650 · National Museum in Wrocław
31
Portrait of a man with a letter1650 · Agnes Etherington Art Center
32
A Landscape with a Ford1660 · Regional Gallery in Liberec
33
In the Campagna1669 · 爱尔兰国家美术馆
34
Dead Fowl Being Eaten by a Cat1653 · 施泰德美术馆
35
Departure of an Oriental Entourage1647 · 卢浮宫
36
Display of Dead Game1641 · Petit Palais
37
Dead Game1641
38
River Landscape with a Ferry1650 · 蒙特利尔美术馆
39
Still Life with Dead Game and Poultry1656 · Centraal Museum
40
Still Life with Fowl1650 · Museum of Fine Arts Ghent (MSK)
41
Marine with a Venetian Bucintoro1650 · 卡尔斯鲁厄州立美术馆
42
The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 16591659 · 国家博物馆
43
After the Hunt, Jan Baptist Weenix, c. 16561656 · 国家博物馆
44
Still Life with White Mouse1680 · Ernest Zmeták Art Gallery
45
Still Life with Game哈佛艺术博物馆
46
The Ford in the River1647 · 冬宫博物馆
47
Harbor View with Rider in Oriental Dress,格罗宁根博物馆
48
The Holy Women at the Tomb爱尔兰国家美术馆
49
An Italian Seaport安特卫普皇家美术馆
50
Architectural interior with foreign shippers, ruins and a shipyard beyond
51
Study of a sheep
52
A pig's carcase
53
The Tinker and His Dog
54
Landscape with Peasants and Animals
55
Dead Partridge1650 · 玛乌里诗博物馆
56
Goat Lying Down, Jan Baptist Weenix, 1645 - 16601660 · 国家博物馆
57
A Dog and a Cat near a partially disembowelled Deer, Jan Baptist Weenix, 1645 - 16601660 · 国家博物馆
58
Still Life with Dead Poultry, Lidded Pitcher and Passglas巴伐利亚州绘画收藏馆
59
Game-piece爱尔兰国家美术馆
60
Dead game and hunting tackle in landscape
61
Hound with a Joint of Meat and a Cat Looking on
62
Bouquet of flowers柏林国家美术馆
63
Shipping in Harbour
64
Herons and Lapwings
65
Still Life of Dead Game in a Landscape with a Huntsman
66
An italian port scene
67
Shepherds and Flocks among Classical Ruins
68
A Coast Scene with Classical Ruins威廉斯收藏馆
69
Still Life with Dead Game
70
Hounds and an Owl with Dead Birds and Sculptures in a Landscape
71
Still Life with Dead Birds
72
Family in a Mediterranean Seaport
73
Figures near a Seaport苏格兰国家美术馆
74
A Huntsman cutting up a Dead Deer, with Two Deerhounds国家美术馆
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Ancient Ruins布达佩斯美术博物馆
76
Figures among ruinsThe Kremer Collection
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Ancient Ruins (detail)布达佩斯美术博物馆
78
Girl as Shepherdess1650 · Musée de Picardie
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 讓·威尼克斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 4 | The Scissors Grinder, Still Life with Game, Hunter and Two Dogs, Sleeping girl |
 Centraal Museum |
乌特勒支 | 4 | Portrait of René Descartes, Italian port scene, 1649, Italian Landscape with Horsemen by a Spring |
 爱尔兰国家美术馆 |
都柏林 | 4 | The Sleeping Shepherdess, In the Campagna, The Holy Women at the Tomb |
 国家博物馆 |
阿姆斯特丹 | 4 | The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, After the Hunt, Jan Baptist Weenix, c. 1656, Goat Lying Down, Jan Baptist Weenix, 1645 - 1660 |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 2 | Tobit, asleep under a vine, is blinded, Rest on the Flight into Egypt |
 玛乌里诗博物馆 |
海牙 | 2 | Italian landscape with shelter and antiques ruins, Dead Partridge |
 底特律艺术学院 |
底特律 | 2 | Still Life with a Dead Swan, Italian Peasants among Ruins |
 国家博物馆 |
斯德哥尔摩 | 2 | Harbour with Antique Ruins, The Angel Raphael Leaving Tobias's Family |
从 1640 到 1659，讓·威尼克斯 创作了 20 年：本精选系列按年份追溯其漫长的艺术生涯，呈现其最杰出的原创佳作。
选择年份以查看原作。
The composition is defined by a sharp diagonal movement, tracing a path from the upper left toward a figure positioned on the ground. A descending figure, draped in billowing white and cream fabric, moves through a dark, receding background. Below, a man dressed in red reaches upward with outstretched arms. The scene is rendered in oil on canvas, utilizing a palette of deep browns, ochres, and umbers. Light emanates from…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
更多来自 1641
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on canvas titled vegetable-sellers at the house-door, 5 figures was painted by Jan Baptist Weenix. This work dates to about 1646. It captures a quiet moment of human gathering near a stone threshold.
更多来自 1646
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
更多来自 1647
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
更多来自 1648
Butterfly Dog and Dead Bird is a painting by Jan Baptist Weenix. Created about 1649, the work captures a quiet moment of mortality. The artist, Jan Baptist Weenix, was born in 1621 near the harbor of Amsterdam. He was the son of an architect, a lineage that perhaps informed his sense of structure and form.
更多来自 1649
The scene unfolds in Pleasure boating, a work by the Dutch Golden Age painter Jan Baptist Weenix. Born in 1621, the artist brings a sense of life to this maritime setting. The composition captures a moment of leisure near a shoreline, where figures gather around a small boat. In the distance, a large tower and architectural ruins rise against the horizon, grounding the activity in a landscape that feels both…
更多来自 1650
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
更多来自 1651
The air feels heavy with the scent of damp earth and the metallic tang of the hunt. In this somber, Baroque-style scene, a sudden stillness has fallen over the landscape, leaving only the echoes of a recent chase. A large white bird, perhaps a swan or a goose, lies at the center of the composition, its wings spread wide in a final, frozen gesture of flight. The pale plumage catches…
The scene unfolds through the oil on canvas of Christina Lepper de Kempenaer and Her Children, a work that captures a quiet moment of familial presence. Jan Baptist Weenix brings this group to life, anchoring the figures within a structured space that feels both intimate and grand. The painting measures 93.4 x 121.3 cm, a scale that allows the viewer to feel the proximity of the subjects and the weight…
In "Roman Tinker" by Jan Baptist Weenix, a solitary figure occupies a rustic, outdoor setting that feels suspended in a quiet moment. The composition follows an asymmetrical arrangement, drawing the eye away from the immediate foreground toward a sprawling landscape. A young man, identified as a tinker, sits in the lower right foreground, his presence anchoring the scene. Near him, various pots rest upon the uneven ground, suggesting a life…
更多来自 1656
A serene and pastoral scene unfolds within a Baroque landscape, capturing a moment of respite during a period of travel. A woman sits amidst the undulating hills, cradling an infant in her arms, while a man mounted on a donkey waits nearby. The composition is anchored by a large, dark, textured tree on the left, which frames the central figures and directs the eye toward the receding landscape. Sheep and…
更多来自 1657
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
更多来自 1658
In The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, the artist Jan Baptist Weenix captures a moment of diplomatic transit. The scene focuses on Ambassador Joan Cunaeus and his secretary Cornelis Speelman. They move through a courtyard, part of a larger mission to stimulate trade in silk and horses within Persia. The air of the meeting feels heavy with the weight of commerce and…
Tobit, asleep under a vine, is blinded (1642)，博伊曼斯·范·本宁根博物馆, 鹿特丹。紧随其后的是 Italian landscape with shelter and antiques ruins (1658) 和 Still Life with a Dead Swan (1651)。
21岁：Tobit, asleep under a vine, is blinded创作于1642年，讓·威尼克斯出生于1621年。
Tobit, asleep under a vine, is blinded, Italian landscape with shelter and antiques ruins, Still Life with a Dead Swan, Tobit Sleeping Under the Vine, The Scissors Grinder, Hunters Near Ruins, Portrait of René Descartes, Monument at a Harbour, Harbour with Antique Ruins 及 The Angel Raphael Leaving Tobias's Family。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 86 件 讓·威尼克斯 的作品，创作年代从 1640 年至 1659 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), Centraal Museum (乌特勒支) 及 爱尔兰国家美术馆 (都柏林)。上方的博物馆列表列出了所有相关机构。
在 1650 期间：本页 78 件作品中有 11 件创作于该时期，其中包含 Pleasure boating 件作品。
在本页面中，最早的作品创作于 Circumcision of Moses' son (1640)，最晚的创作于 The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659 (1659)。
Landscape (18), Ruins (17) 及 Sky (13)，共计 78 件作品。
Oil On Canvas，共计 30 件（本页共有 78 件作品）。
根据本页面的原作，Dutch golden age 及 Baroque
The Scissors Grinder, Still Life with Game, Hunter and Two Dogs 及 Sleeping girl：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 4 件作品。
在荷兰黄金时代的璀璨星河中，扬·巴普蒂斯特·威尼克斯（Jan Baptist Weenix）是一位独树一帜的人物。他以敏锐的观察力与瑰丽的想象力交织而成的独特风格，为世人所称颂。尽管与伦勃朗或维米尔等同时代的巨匠相比，他的艺术产出规模相对适中，但威尼克斯对荷兰艺术史的贡献却是不容置疑的——尤其是他开创性地探索了融入人物形象的意大利式风景画，为后世确立了一种具有深远影响力的风格先例。1621年，威尼逊出生于阿姆斯特丹繁忙的港口附近，他出身于一个建筑师家族，这种血脉传承或许在那个充满思想与结构变革的时代，深刻地塑造了他的早年成长岁月。
尽管人生道路上曾遭遇过个人挑战——据记载，由于身体疾病，他的言语表达曾一度困难——但威尼克斯对文学与艺术却怀揣着一颗炽热的心。在他的母亲悉心安排下，他得以跟随伦勃朗的姻亲扬·米克（Jan Micker）学习学徒技艺。这段早期的训练为他注入了严谨的素描与观察方法，并最终成为了其作品的标志性特征。随后，他在乌得勒支师从亚伯拉罕·布洛玛特（Abraham Bloemaert），并回到阿姆斯特丹向克拉斯·科内利斯·莫耶亚特（Claes Corneliszoon Moeyaert）求教，进一步巩固了他在荷兰主流艺术潮流中的根基。
威尼克斯艺术生涯的轨迹因旅行而发生了深刻的转变，其中最著名的莫过于1643年与尼古拉斯·彼得斯佐恩·贝尔赫姆（Nicolaes Pieterszoon Berchem）一同前往罗马的旅程。这次远行让他得以接触到Bentvueghels画派那充满活力的知识与艺术氛围，这种经历推动他的风格向更加广阔的领域迈进。在罗马，他拥抱了“意大利化”风格，其特征是温暖的金黄色调与古典风景，这与传统荷兰绘画中较为冷峻、忧郁的色调形成了绝妙的对比。这段罗马时期的影响使他精通了“意大利式风景画”的艺术，通过北欧人的视角，重新构筑了南欧那粗犷而壮丽的美感。
这一时期的作品往往将古典场景的宏伟与细腻的人文元素完美融合。无论是描绘着海洋贸易气息的港口景象，还是唤起永恒感的辽阔远景，威尼克斯都拥有一种捕捉特定场所氛围的独特天赋。他的造诣并不局限于广袤的地平线；在静物画中，他同样擅长捕捉生命中那份宁静且往往带有原始张力的真实感。他对猎物与动物的描绘充满了令人惊叹的写实主义，从猎犬粗糙的皮毛到羽毛细腻的光泽，每一处纹理都呈现出令人屏息的精准度。
扬·巴普蒂斯特·威尼克斯的伟大之处在于，他成功地在荷兰传统的质朴写实与意大利化运动的理想美之间架起了一座桥梁。他的多才多艺使他能够游刃有余地驾驭各种题材，从《狩猎之后》中所展现的戏剧性张力，到动物研究中那份静谧而近乎肃穆的强度，皆能信手拈来。透过他的画笔，观者仿佛被邀请进入了一个观察到的自然世界与想象中的古典过去之间界限模糊、美妙交融的世界。
当我们回望他的生平与成就时，以下几个核心要素定义了他持久的艺术价值：
尽管他的生命相对短暂，于1661年陨落，但扬·巴普蒂斯特·威尼克斯留下的印记在风景画的演进史中依然清晰可见。他教会了后世的艺术家如何看待地平线——它不仅仅是一个边界，更是一块承载着光影、历史与人类情感的画布。
