更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 15 件 James Peter Quinn 作品收录于我们的目录中
简而言之
在 James Peter Quinn 留下的所有原作中，最著名的当属收藏于 利物浦 沃克艺术馆 的《A Japanese Lady (1914)》。 紧随其后的是 Lillias Hamilton (1858–1925), Physician (1924) 和 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)。 我们的目录收录了 James Peter Quinn 的 15 件作品；画廊完整保留了 13 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | James Peter Quinn 的作品 | 此列表中的画作 |
|---|---|---|---|
 加拿大战争博物馆 |
渥太华 | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 新南威爾士藝術畫廊 |
悉尼 | 2 | George Bell (artist and critic), The rendezvous |
 沃克艺术馆 |
利物浦 | 1 | A Japanese Lady |
 Government Art Collection |
伦敦 | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
福雷斯 | 1 | Fish Market at Étaples, France |
选择一个年代，探索定义该时代的原创杰作。
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914)，沃克艺术馆, 利物浦。紧随其后的是 Lillias Hamilton (1858–1925), Physician (1924) 和 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)。
45岁：A Japanese Lady创作于1914年，James Peter Quinn出生于1869年。
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) 及 Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 15 件 James Peter Quinn 的作品，创作年代从 1910 年至 1939 年。
多见于 加拿大战争博物馆 (渥太华), 新南威爾士藝術畫廊 (悉尼) 及 沃克艺术馆 (利物浦)。上方的博物馆列表列出了所有相关机构。
在 1930s 期间：本页 13 件作品中有 5 件创作于该时期，其中包含 William Self Weeks 件作品。
在本页面中，最早的作品创作于 LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910)，最晚的创作于 George Bell (artist and critic) (1939)。
Man (5), Chair (3) 及 Portrait (3)，共计 13 件作品。
Oil On Canvas，共计 4 件（本页共有 13 件作品）。
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP 及 Major Okill Massey Learmonth：加拿大战争博物馆, 渥太华收藏了本页中 3 件作品。
