James Mcbey 肖像

James Mcbey 作品:画廊视角下的 79 幅名作

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 80 件 James Mcbey 作品收录于我们的目录中

简而言之

在画廊看来,James Mcbey 最著名的作品是 Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918)。 The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) 与 Black and White Puppy Lying on a Bed 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,James Mcbey 共有 80 件作品,画廊为您精选了以下 79 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1883 – 1959, Newburgh Impressionism 藏品最多:Paisley Art Institute Collection

画廊中 James Mcbey 的十大名画

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The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) 由 James Mcbey

The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate

1919

The painting "The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate" by James McBey is a significant historical representation of the Allied forces entering Jerusalem during World War I. Created in 1919, this oil on canvas painting measures 107 x 152 cm and captures a pivotal moment…

James Mcbey 的画作,排名第 11 至 79

11The Musician (1896) 由 James McbeyThe Musician1896 12The Umbrella Man (1896) 由 James McbeyThe Umbrella Man1896 13The Artist's Grandmother (1901) 由 James McbeyThe Artist's Grandmother1901 14Arab Woman (sketch) 由 James McbeyArab Woman (sketch) 15Two Views of a Moroccan Town 由 James McbeyTwo Views of a Moroccan Town 16Ouarzazate, Morocco 由 James McbeyOuarzazate, Morocco 17Figures at a Doorway, Morocco 由 James McbeyFigures at a Doorway, Morocco 18The Artist's Studio 由 James McbeyThe Artist's Studio 19Arab Girl 由 James McbeyArab Girl 20Dutch Girl with Sunflowers (1910) 由 James McbeyDutch Girl with Sunflowers1910 21Portrait of a Woman in Red 由 James McbeyPortrait of a Woman in Red 22Mrs Robert Watt (1909) 由 James McbeyMrs Robert Watt1909 23The Headland (1909) 由 James McbeyThe Headland1909 24Robert Watt (1908) 由 James McbeyRobert Watt1908 25Martin Hardie (1875–1952), in His Etching Studio (1915) 由 James McbeyMartin Hardie (1875–1952), in His Etching Studio1915 26Phyllis with a Violin (Phyllis Allan, Later Lady Langley Taylor) (1915) 由 James McbeyPhyllis with a Violin (Phyllis Allan, Later Lady Langley Taylor)1915 27Lieutenant Colonel T. E. Lawrence (1888–1935), CB, DSO (1918) 由 James McbeyLieutenant Colonel T. E. Lawrence (1888–1935), CB, DSO1918 28Lieutenant General Sir Henry George Chauvel (1865–1945), KCB, KCMG (1918) 由 James McbeyLieutenant General Sir Henry George Chauvel (1865–1945), KCB, KCMG1918 29Nebi Samwil The First Sight of Jerusalem (1919) 由 James McbeyNebi Samwil The First Sight of Jerusalem1919 30Felix Sanchez (The Picador) (1921) 由 James McbeyFelix Sanchez (The Picador)1921 31Lieutenant General Sir Edward S. Bulfin (1862–1939), KCB, CVO (1918) 由 James McbeyLieutenant General Sir Edward S. Bulfin (1862–1939), KCB, CVO1918 32James Hutcheon (d.c.1933) (study) (1922) 由 James McbeyJames Hutcheon (d.c.1933) (study)1922 33General Sir Edmund Allenby (1861–1936), KCB (1918) 由 James McbeyGeneral Sir Edmund Allenby (1861–1936), KCB1918 34Arsuf The Cavalry Dash along the Sea Coast on the Morning of 19 September 1918 (1918) 由 James McbeyArsuf The Cavalry Dash along the Sea Coast on the Morning of 19 September 19181918 35Sir Harry Lauder (1870–1950) (1921) 由 James McbeySir Harry Lauder (1870–1950)1921 36Venetian Scene, Lagoon with Boats at Quay (1927) 由 James McbeyVenetian Scene, Lagoon with Boats at Quay1927 37Church Villefranche (1927) 由 James McbeyChurch Villefranche1927 · Paisley Art Institute Collection 38Seascape, Macduff, Aberdeenshire (1927) 由 James McbeySeascape, Macduff, Aberdeenshire1927 39Andrew G. Kidd (1866–1950) (1927) 由 James McbeyAndrew G. Kidd (1866–1950)1927 40Regatta on the Grand Canal, Venice (1925) 由 James McbeyRegatta on the Grand Canal, Venice1925 41Lady in a Red Dress (1925) 由 James McbeyLady in a Red Dress1925 42Mrs John Arnott (1927) 由 James McbeyMrs John Arnott1927 43Mrs R. Wemyss Honeyman (1928) 由 James McbeyMrs R. Wemyss Honeyman1928 44Arab Man with a Child (1933) 由 James McbeyArab Man with a Child1933 45Woman on a Sofa (1929) 由 James McbeyWoman on a Sofa1929 46Woman Writing at a Secretaire (1932) 由 James McbeyWoman Writing at a Secretaire1932 47Mr R. Wemyss Honeyman (1929) 由 James McbeyMr R. Wemyss Honeyman1929 48Atlas Mountains, Morocco (sketch) (1938) 由 James McbeyAtlas Mountains, Morocco (sketch)1938 49Sunday in Scotland (Rowallan) (1936) 由 James McbeySunday in Scotland (Rowallan)1936 50Saada (1936) 由 James McbeySaada1936 51Farmyard Hen and Chicks (1936) 由 James McbeyFarmyard Hen and Chicks1936 52Bury, Sussex, Hill in the Distance (1936) 由 James McbeyBury, Sussex, Hill in the Distance1936 53View of Meknes, Morocco (1935) 由 James McbeyView of Meknes, Morocco1935 54Bury, Sussex, 'Black Dog and Duck' Pub (1936) 由 James McbeyBury, Sussex, 'Black Dog and Duck' Pub1936 55Bury, Sussex, Landscape with a Church Spire (1937) 由 James McbeyBury, Sussex, Landscape with a Church Spire1937 56Anghera Peasant Girl (1938) 由 James McbeyAnghera Peasant Girl1938 57Foveran Mill, Aberdeenshire (1936) 由 James McbeyFoveran Mill, Aberdeenshire1936 58Ouarzazate, Morocco (1935) 由 James McbeyOuarzazate, Morocco1935 59Marrakesh, Morocco (1938) 由 James McbeyMarrakesh, Morocco1938 60Marguerite (1937) 由 James McbeyMarguerite1937 61Harvest, Angus (recto) (1936) 由 James McbeyHarvest, Angus (recto)1936 62Portrait of a Hero (John Innes of Newburgh) (1936) 由 James McbeyPortrait of a Hero (John Innes of Newburgh)1936 63Acrobats, Marrakesh, Morocco (1936) 由 James McbeyAcrobats, Marrakesh, Morocco1936 64Chinese Woman (1936) 由 James McbeyChinese Woman1936 65Robert Bontine Cunninghame Graham (1934) 由 James McbeyRobert Bontine Cunninghame Graham1934 66The Musician (1896) 由 James McbeyThe Musician1896 67Atlas Mountains, Morocco (sketch) 由 James McbeyAtlas Mountains, Morocco (sketch) 68Venetian Scene, Doge's Palace and St Mark's 由 James McbeyVenetian Scene, Doge's Palace and St Mark's 69View of the Atlas Mountains, Morocco 由 James McbeyView of the Atlas Mountains, Morocco 70Atlas Mountains and a River, Morocco (sketch) 由 James McbeyAtlas Mountains and a River, Morocco (sketch) 71Black and White Puppy 由 James McbeyBlack and White Puppy 72View of Lerma 由 James McbeyView of Lerma 73Tizi n Tichka Pass, Morocco (sketch) 由 James McbeyTizi n Tichka Pass, Morocco (sketch) 74Dreams 由 James McbeyDreams 75Red Hibiscus 由 James McbeyRed Hibiscus 76Head and Shoulders of a Woman 由 James McbeyHead and Shoulders of a Woman 77Outside Walls, Marrakech, Morocco 由 James McbeyOutside Walls, Marrakech, Morocco 78Thomas Mcquicker (sketch) 由 James McbeyThomas Mcquicker (sketch) 79The Dwarf Don Diego de Acedo 'El Primo' (after Diego Velázquez) 由 James McbeyThe Dwarf Don Diego de Acedo 'El Primo' (after Diego Velázquez)

James Mcbey 的传世名作,按时期分类

令 James Mcbey 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 James Mcbey 原作的博物馆

收藏了本页中大部分画作的 1 家博物馆。

博物馆 城市 James Mcbey 的作品 此列表中的画作
Paisley Art Institute Collection, PaisleyPaisley Art Institute Collection Paisley 1 Church Villefranche

James Mcbey,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

James Mcbey 的画作:画廊解答

哪幅 James Mcbey 的画作最为闻名?揭晓答案

Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918)。紧随其后的是 The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) 和 Black and White Puppy Lying on a Bed。

James Mcbey 完成 Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 时多大年纪?揭晓答案

35岁:Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918创作于1918年,James Mcbey出生于1883年。

James Mcbey 最受欢迎的 10 幅画作是哪些?揭晓答案

Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918, The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate, Black and White Puppy Lying on a Bed, Miss Gillespie, Volendam Girl, Tetouan Market Place, Morocco, James Hutcheon (d.c.1933), Venice, Ythan Mouth 及 El Marrakeshia。上方排名显示了每件作品的创作年份及馆藏机构。

James Mcbey 创作了多少件作品?揭晓答案

我们的目录收录了 80 件 James Mcbey 的作品,创作年代从 1896 年至 1938 年。

James Mcbey 最著名的原作收藏于何处?揭晓答案

多见于 Paisley Art Institute Collection (Paisley)。上方的博物馆列表列出了所有相关机构。

James Mcbey 是在什么时候创作出最著名的画作的?揭晓答案

在 1930s 期间:本页 79 件作品中有 22 件创作于该时期,其中包含 Ythan Mouth 件作品。

James Mcbey 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 The Musician (1896),最晚的创作于 Atlas Mountains, Morocco (sketch) (1938)。

James Mcbey 最常创作的主题是什么?揭晓答案

Portrait (2) 及 Portrait painting (2),共计 79 件作品。

James Mcbey 属于哪种艺术流派?揭晓答案

根据本页面的原作,Impressionism 及 Contemporary realism

James Mcbey:艺术家

A Visionary Etcher Bridging Scottish Tradition and Global Exploration

James McBey was a master of the line and light, an artist whose life story is as much a narrative of self-invention as the evocative landscapes he captured on copper plates and canvas. Born in 1883 in Newburgh, Aberdeenshire, McBey’s journey from a humble clerk in a local bank to one of Scotland’s most celebrated printmakers is nothing short of extraordinary. Lacking formal academic training in his youth, he possessed an insatiable curiosity that led him to study the technical treatises of masters like Maxime Lalanne by candlelight. This self-directed discipline allowed him to develop a visual vocabulary rooted in meticulous detail and atmospheric depth, eventually establishing him as a cornerstone of the early 20th-century etching revival.

His early artistic impulses were deeply tethered to the rugged beauty of his homeland. The dramatic vistas of the Scottish Highlands, with their sweeping heather moorlands and mist-shrouded mountains, provided the perfect crucible for honing his mastery of tonal subtlety. Influenced by the atmospheric legacies of Turner and the delicate precision of Whistler, McBey learned to manipulate light to evoke emotion, a skill that would later serve him as his horizons expanded far beyond the borders of Scotland. His work during this period established a foundational strength in composition, where every etched line served to build a sense of place and permanence.

From the Highlands to the Heart of History

As McBey’s reputation grew, so too did the geographical scope of his subject matter. The artist’s life became a tapestry of global encounters, moving from the familiar terrains of Britain to the sun-drenched landscapes of North Africa and the Middle East. This period of exploration brought about some of his most significant historical contributions. During the First World War, McBey acted as a vital visual chronicler, capturing the monumental shifts of geopolitical power with a raw, journalistic precision. His masterpiece, The Allies Entering Jerusalem, 11 December 1917, stands as a profound testament to this era, rendering the complex movement of cavalry and infantry through the Jaffa Gate with both historical gravity and artistic grace.

This fascination with the "other" and the exotic allowed him to explore themes of light and texture in ways that were impossible in the muted tones of Scotland. His travels through Morocco and Spain introduced a vibrant palette and a new interest in the interplay of shadow and heat. Whether rendering the rhythmic movement of a Spanish figure in Felix Sanchez (The Picador) or the delicate, colorful bloom of Red Hibiscus, McBey possessed a unique ability to translate the sensory experiences of foreign lands into a language that resonated with a global audience. His work became a bridge between the intimate observations of a traveler and the grand narratives of history.

A Legacy of Education and Artistic Stewardship

Beyond his personal output of prints and paintings, McBey’s impact on the art world was cemented through his profound commitment to the next generation of creators. Serving as the Director of the Dundee Art School from 1920 until 1959, he transformed the institution into a vital center for Scottish art instruction. He did not merely teach technique; he championed a philosophy of direct observation and experimental courage. By fostering an environment where students could engage with diverse traditions while maintaining their own unique voices, he ensured that his influence would ripple through decades of subsequent artistic movements.

McBey’s life concluded in 1959 in Tangier, Morocco, a fitting end for an artist whose soul was forever entwined with the far reaches of the world. His legacy remains preserved not only in the prestigious collections of museums worldwide but also in the very spirit of printmaking excellence he helped define. To look upon a McBey etching is to witness a moment frozen in time—a blend of historical truth and poetic interpretation that continues to captivate the modern eye.