更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 182 件 詹姆斯·吉尔斯 作品收录于我们的目录中
简而言之
在 詹姆斯·吉尔斯 留下的所有原作中，最著名的当属收藏于 特里夫 苏格兰国家信托 的《Deer Drinking at a Forest Stream (1851)》。 紧随其后的是 The Monarch of the Glen (1861) 和 Lochside Scene (1838)。 我们的目录收录了 詹姆斯·吉尔斯 的 182 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Deer Drinking at a Forest Stream is a landscape painting by the Scottish artist James Giles. Executed in 1851, the work originates from a period when Giles was established within the artistic circles of Scotland. The artist, born in 1801, maintained a significant presence in the United Kingdom until his death in 1870.
A single stag occupies the center of this oil painting, positioned upon a dark, rocky outcrop. The animal is depicted in profile, its head turned slightly toward the viewer. Its antlers extend upward and outward, forming complex, organic shapes against a backdrop of heavy, white and grey clouds. The lighting is diffused, as if filtered through an overcast sky, casting soft shadows across the stag's musculature and the texture of…
James William Giles' "Lochside Scene," painted in 1838, isn’t merely a depiction of a Scottish landscape; it’s a carefully constructed tableau brimming with the quiet dignity and understated beauty characteristic of the artist’s oeuvre. The scene unfolds along the shores of a loch – likely Loch Lomond or a similar expanse of water – where two figures stand poised on the bank, seemingly lost in contemplation beneath the fading light…
Landscape1847
12
Moorland Landscape with Sportsman and Setter1843 · 苏格兰国民信托
13
Reverend George Morison (1757–1845)1845
14
Stalking1845 · 苏格兰国民信托
15
Bridge over a River1845 · 苏格兰国民信托
16
Castle by a River1845 · 苏格兰国民信托
17
Aberdeen from the South West1847 · 苏格兰国民信托
18
Self Portrait1842 · 皇家苏格兰学院艺术与建筑展
19
Stirling Hill Quarry, near Peterhead1847 · Mintlaw Discovery Centre
20
Deer1854
21
Buchanness1851 · 苏格兰国民信托
22
William Elphinstone (1431–1514), Bishop of Aberdeen1849
23
Waterfall1851 · 苏格兰国家信托
24
Sir Walter Scott with a Dog1854 · Abbotsford House
25
Marriage Portrait of Lieutenant Colonel James Stewart to Williamina Kerr, 18031849 · The Black Watch Castle - Museum
26
A View in Windsor Great Park1857 · 皇家收藏馆
27
Marischal College Quadrangle, Aberdeen1861 · University of Aberdeen
28
The Monarch of the Glen1861 · 苏格兰国民信托
29
Castle Fraser1858 · 苏格兰国民信托
30
Self Portrait in a Maroon Coat and Crimson Beret1846 · 苏格兰国家信托
31
The Cottesmore Prize Heifer
32
Alexander Forbes Irvine
33
Figures By A Palace
34
Self Portrait
35
Baillie George Hendry of Aberdeen苏格兰国民信托
36
A Falconer1833 · Upton House
37
Findhorn, Moray
38
Aqua claudia, near tivoli
39
Balmoral castle
40
View Of Aberdeen From The South
41
Monymusk house
42
Gight castle
43
Happy Hunting
44
John Ramsay
45
Archibald Simpson -
46
Cicero's Tomb At The Bay Of Gaeta
47
Archibald Simpson
48
King's College, Old Aberdeen
49
Colqhouny castle
50
View of king's college, aberdeen, with figures in the foreground
51
Old Cottages Near Tranent
52
Hagberry Pot, River Ythan
53
On The Don
54
The Staircase In Fyvie Castl
55
Figures On A Rocky Beach
56
Gray Campbell
57
Encounter bay
58
Tolquhon Castle
59
On Deeside
60
Self Portrait -
61
Quarrying - Peterhead Quarry With A Lighthouse In The Background
62
Sketch Of A Figure Walking By A Stream
63
A Sketch Of Lord Haddo's Terrace
64
Portrait Of A Fisherman, Traditionally Identified As Robert Blair Maconochie Esq
65
Sunset Over The River Divie, Dunphail
66
A Sportsman With Gundogs On A Woodland Path
67
Study In Glen Quoich, Mar Forest - After A Gale
68
The Honourable Mrs Gordon Of Fyvie
69
Bailie James Forbes
70
The Findhorn From Heronry
71
View Of A Scottish Castle
72
An Angler In A River Landscape
73
Landscape
74
Girl Combing Her Hair
75
Snipe Shooting
76
Archibald Simpson, Architect
77
Gight, From Below
78
The Interior Of The Drawing Room At Haddo
79
Haddo - The Park Seen Through The Open Drawing Room Door
80
A Falconer
81
Heads Of Aberdeen Personalities -
82
Dr William KeithUniversity of Aberdeen
83
The Findhorn from Heronry
84
Anne), Countess Of Aberdeen, And Her Son, Lord William Gordon Of Fyvie
85
An Interior苏格兰国民信托
86
Stags on the HighlandsNational Trust
87
Aberdeen from the South, with the Bridge of Dee苏格兰国民信托
88
A Gun Room with George, 4th Earl of Aberdeen
89
Landscape Sketch
90
An Interior at Haddo with George, 4th Earl of Aberdeen, Reading
91
Heads of Aberdeen Personalities
92
Sketch of Deer, Evening
93
Evening on the Findhorn苏格兰国民信托
94
The Borghese Gardens, Rome
95
A Lake at Haddo苏格兰国民信托
96
Island of Handa, West Coast of SutherlandThe Fleming Collection
97
Tolquhon Castle苏格兰国民信托
98
Castle of Gight苏格兰国民信托
99
A Gun Room with George, 4th Earl of Aberdeen苏格兰国民信托
100
William Elphinstone (1431–1514), Bishop of Aberdeen (after Flemish School)苏格兰国家信托
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 詹姆斯·吉尔斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 苏格兰国民信托 |
埃尔金 | 18 | Woodland Path with Figures, The Interior of the Drawing Room at Haddo, Moorland Landscape with Sportsman and Setter |
 苏格兰国家信托 |
特里夫 | 4 | Deer Drinking at a Forest Stream, Waterfall, Self Portrait in a Maroon Coat and Crimson Beret |
 University of Aberdeen |
阿姆斯特丹 | 3 | Lochside Scene, Marischal College Quadrangle, Aberdeen, Dr William Keith |
 皇家收藏馆 |
伦敦 | 3 | A View of Balmoral, A View of Lochnagar, A View in Windsor Great Park |
 皇家苏格兰学院艺术与建筑展 |
爱丁堡 | 2 | The Weird Wife o' Lang Stane Lea, Self Portrait |
 Mintlaw Discovery Centre |
Peterhead | 1 | Stirling Hill Quarry, near Peterhead |
 Abbotsford House |
马尔文 | 1 | Sir Walter Scott with a Dog |
 The Black Watch Castle - Museum |
Perth | 1 | Marriage Portrait of Lieutenant Colonel James Stewart to Williamina Kerr, 1803 |
选择一个年代，探索定义该时代的原创杰作。
James William Giles' "Lochside Scene," painted in 1838, isn’t merely a depiction of a Scottish landscape; it’s a carefully constructed tableau brimming with the quiet dignity and understated beauty characteristic of the artist’s oeuvre. The scene unfolds along the shores of a loch – likely Loch Lomond or a similar expanse of water – where two figures stand poised on the bank, seemingly lost in contemplation beneath the fading light…
Deer Drinking at a Forest Stream is a landscape painting by the Scottish artist James Giles. Executed in 1851, the work originates from a period when Giles was established within the artistic circles of Scotland. The artist, born in 1801, maintained a significant presence in the United Kingdom until his death in 1870.
A single stag occupies the center of this oil painting, positioned upon a dark, rocky outcrop. The animal is depicted in profile, its head turned slightly toward the viewer. Its antlers extend upward and outward, forming complex, organic shapes against a backdrop of heavy, white and grey clouds. The lighting is diffused, as if filtered through an overcast sky, casting soft shadows across the stag's musculature and the texture of…
Deer Drinking at a Forest Stream (1851)，苏格兰国家信托, 特里夫。紧随其后的是 The Monarch of the Glen (1861) 和 Lochside Scene (1838)。
50岁：Deer Drinking at a Forest Stream创作于1851年，詹姆斯·吉尔斯出生于1801年。
Deer Drinking at a Forest Stream, The Monarch of the Glen, Lochside Scene, The Honourable Mrs Gordon of Fyvie, Fyvie Castle, Aberdeenshire, The Weird Wife o' Lang Stane Lea, Woodland Path with Figures, The Interior of the Drawing Room at Haddo, A View of Balmoral 及 A View of Lochnagar。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 182 件 詹姆斯·吉尔斯 的作品，创作年代从 1822 年至 1861 年。
多见于 苏格兰国民信托 (埃尔金), 苏格兰国家信托 (特里夫) 及 University of Aberdeen (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。
在 1840s 期间：本页 100 件作品中有 14 件创作于该时期，其中包含 A View of Balmoral 件作品。
在本页面中，最早的作品创作于 The Honourable Mrs Gordon of Fyvie (1822)，最晚的创作于 The Monarch of the Glen (1861)。
Buildings (8), Landscape (7) 及 Scottish landscape (4)，共计 100 件作品。
Oil，共计 2 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism 及 Realism
Woodland Path with Figures, The Interior of the Drawing Room at Haddo 及 Moorland Landscape with Sportsman and Setter：苏格兰国民信托, 埃尔金收藏了本页中 17 件作品。
詹姆斯·威廉·吉尔斯（James William Giles，1801–1870）的名字或许并未在伦敦皇家艺术学院的宏伟殿堂中占据显赫地位，他的画布也未曾瞬间夺取巴黎艺术界的目光。然而，在苏格兰的心脏地带，尤其是在阿伯丁，他孕育出了一种独特且极具感染力的风格——以一种近乎忧郁的优雅，捕捉到了高地那粗犷而壮丽的美感。从本质上讲，他是一位氛围的画家：他描绘光线穿透迷雾笼罩的山峦，描绘古老城堡在辽阔的苏格兰景观中如哨兵般伫立的静谧尊严。他的艺术遗产不在于华丽的展览或名流的青睐，而在于其深情且始终如一的作品集，这些作品至今仍能与观者产生深刻的共鸣。
1801年出生于格拉斯哥，吉尔斯的早年生活因父亲的去世而充满了艰辛。由于年幼便不得不为维持生计而工作，他通过自学和私人指导磨炼艺术技艺，展现出一种迅速超越单纯技术熟练度的天赋。他的家族与纺织业有着渊源——他的父亲曾是一名印花布设计师——这赋予了他敏锐的色彩与纹理感知力，并随后体现在他风景画中细微的色调变化与质感处理上。1805年左右移居阿伯丁后，他为艺术发展找到了肥沃的土壤，沉浸在城市充满活力的文化氛围中，并在那里建立了自己的工作室，开始塑造其标志性的风格。
吉尔斯的艺术旅程在19世纪20年代中期因前往意大利而迎来了关键转折。这段漫长的旅居具有变革意义，让他得以亲历拉斐尔、米开朗基罗和提香等大师的杰作，深刻影响了他对构图、色彩与光影的处理方式。他细致地临摹了大量名画，这不仅是技艺的练习，更是一种吸收艺术精髓、学习如何表现氛围与情感的手段。回到苏格兰后，他带着全新的使命感和更卓越的笔触，将戏剧性的高地景观转化为画布上的诗篇。至关重要的是，他的意大利经历并未导致对古典风格的盲目模仿；相反，它赋予了他一种成熟的艺术原则理解力，并将其独特地应用于苏格兰的主题创作之中。
他的创作主题主要是风景——迪赛德（Deeside）崎岖的山脉、阿伯丁郡起伏的丘陵以及壮丽的海岸线。他并不热衷于宏大的全景或英雄主义式的场景，而是追求那些细腻的瞬间：阴云密布下的孤独牧羊人、笼罩在薄雾中的废墟城堡、蜿蜒穿过峡谷的小溪。他经常捕捉恶劣天气下的景象——雨、雾、雪——赋予画面一种孤独与忧郁的情绪。这种对大气条件的偏爱成为了他风格的标志，为他的画作增添了一种令人难忘的凄美感。
吉尔斯的才华很快在苏格兰的贵族圈层中获得了认可。他受邀为显赫家族创作了多幅风景画，包括阿伯丁伯爵和萨瑟兰伯爵，这不仅为他提供了优渥的生活，也确立了他作为一名技艺精湛且可靠艺术家的声誉。或许最具有里程碑意义的是，维多利亚女王本人成为了他的赞助人，并委任他创作了数幅关于巴尔莫勒尔城堡（Balmoral Castle）的画作——那是她在1848年购置的庄园。吉尔斯对这座旧城堡的描绘（早于维多利亚时代的宏伟重建时期）因其对原始结构的忠实还原以及对周围景观的传神刻画而尤为珍贵。这种皇室赞助巩固了他作为苏格兰最受尊敬的艺术家之一的地位。
1829年，他当选为皇家苏格兰艺术学院院士，这一殊荣进一步肯定了他的艺术成就。在整个职业生涯中，他持续在皇家苏格兰艺术学院和伦敦的大英机构展出作品，其富有氛围感的风景画以及对光影色彩的精妙处理始终获得好评。他的晚年致力于记录阿伯丁郡的古老城堡，最终出版了《阿伯丁郡城堡素描集》（1838-1855），这套细致入微的水彩速写集因其艺术价值和历史意义而至今备受推崇。
詹姆斯·吉尔斯于1870年在阿伯丁逝世，留下了大量反映他与苏格兰景观深厚情感连接的作品。虽然他可能不像同时代的某些艺术家那样享有盛名，但他的画作拥有一种宁静的力量和情感共鸣，至今仍能俘获人心。他捕捉高地氛围精髓的能力——那雾气缭绕的山峦、阴郁的天空以及永恒的孤独感——使他成为苏格兰最重要的风景画家之一。他的作品不仅是苏格兰高地持久之美的见证，更是一位毕生致力于在画布上捕捉自然灵魂的艺术家的精神写照。
