更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 202 件 雅各布·亨里克斯·马里斯 作品收录于我们的目录中
简而言之
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873) 是 雅各布·亨里克斯·马里斯 最受瞩目的画作；原作收藏于 华盛顿 的 国家美术馆。 随后，目光会移向 The little marquise (1870) 和 The Fishmonger (1856)。 在 雅各布·亨里克斯·马里斯 的 202 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
The little marquise emerges from the shadows of history as a quiet genre painting by Jacob Maris. This work captures a fleeting moment of stillness, inviting the viewer into a private, introspective space. The artist, Jacob Maris, brings a sense of lived presence to the figure, grounding the scene in a specific, unhurried atmosphere. Born in The Hague, Netherlands, the painter carries the sensibilities of his Dutch origins into this…
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
This work, titled Servant girl, was painted by Jacob Maris around 1860. It offers a quiet glimpse into the domestic realities of the mid-nineteenth century, focusing on a single figure within a shadowed interior. The painting captures a moment of solitude, rendered with the steady hand of an artist who understood the subtle weight of everyday life.
In Schilder aan het werk, Jacob Maris presents us with a quiet, intimate moment of creation. The composition is centered upon a lone painter, positioned amidst a dense and somewhat chaotic outdoor setting. This figure, focused intently upon his easel, becomes the anchor of the scene. The subject matter explores the delicate relationship between the artist and the natural world, capturing the very act of translation from nature to canvas.…
Jacob Maris produced Siesta about 1871. This oil on canvas work reflects the artist's engagement with the Hague School, a movement he helped define through his focus on atmospheric effects and the Dutch landscape. The piece provides an intimate glimpse into the genre painting traditions of the late nineteenth century.
A Bleaching Field, Jacob Maris, 1870 is a significant work by the Dutch painter Jacob Maris. Created in 1870, this oil painting offers a window into the 19th-century Dutch art tradition. It captures a quiet moment of rural life, focusing on the practicalities of a bleaching field where laundry is spread out to catch the light.
The Annoying Guest is an oil on canvas painting by Jacob Maris. Created about 1875, the work captures a quiet, domestic moment within a dimly lit interior. It resides today in the Dordrechts Museum.
In the artwork Boy and girl drinking in the open air by Jacob Maris, the composition is centered around two figures seated on a rustic wooden bench. A boy and a girl occupy the middle ground, positioned within a wooded setting. The background is composed of dense foliage and trees, where vertical lines from tree trunks provide a structural framework for the scene. In the foreground, the ground appears textured,…
On the lookout is an oil painting by Jacob Maris. The artist, born in The Hague, Netherlands, in 1837, captured this scene about 1878. He later passed away on August 7, 1899, in Karlsbad.
Girl with a Peacock Feather, Jacob Maris, c. 18771877 · 国家博物馆
12
Gray day with ships1877 · 国家博物馆
13
De afgesneden molen1872
14
Bomschuit on the Beach1880 · 海牙美术馆 (Hài yá měishù guǎn)
15
Shell Fishers1885
16
Landscape with Windmills1890
17
Outside a Café1868 · 苏格兰国家美术馆
18
Een molen in de winter1899
19
Meisje bij een deuropening., Jacob Maris, 1870 - 18991899 · 国家博物馆
20
Young Girl (Artist's Daughter) picking Flowers in the Grass1899 · 国家博物馆
21
The Violist (Son of the Painter)1887 · 格罗宁根博物馆
22
The Dry-Nurse1877 · 博伊曼斯·范·本宁根博物馆
23
The Butcher1871 · 博伊曼斯·范·本宁根博物馆
24
Summer1889 · 国家博物馆
25
Canal Side1878 · 大都会艺术博物馆
26
De Schreierstoren te Amsterdam1880 · 国家博物馆
27
"Portret van Willem", vermoedelijk Willem Matthijs Maris Jbzn, zoon van Jacob Maris, Jacob Maris, c. 18761876 · 国家博物馆
28
Lady in the Forest1860 · Museum Gouda
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Small Courtyard, Jacob Maris, 18621862 · 国家博物馆
30
The Prayer1867 · 阿姆斯特丹博物馆
31
Landscape with Rocks, Fontainebleau1864
32
Lady on a Bench in the Park1870 · Museum Gouda
33
The Dawn1865 · Museum Gouda
34
A boat on a beach1870 · 博伊曼斯·范·本宁根博物馆
35
View of a city1867 · The Mesdag Collection
36
Tired Out (Mother Watched), Jacob Maris, 18691869 · 国家博物馆
37
Ferry-boat1870 · Teylers Museum
38
A Girl Seated Outside a House1867
39
Feeding chicks1866 · 国家博物馆
40
Girl feeding her Bird in a Cage1867
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Catharina Hendrika Horn1867 · 国家博物馆
42
Ferry1870 · 海牙美术馆 (Hài yá měishù guǎn)
43
Girl knitting on the balcony, Montmartre1869
44
Praying Monk1864 · 国家博物馆
45
Moe gewaakt'1869
46
Towpath1875 · Rijksmuseum Twenthe
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City in Landscape with Windmill1875 · Dordrechts Museum
48
Return of the Fishing Boat1875 · 阿姆斯特丹博物馆
49
Prins Hendrikkade with the Schreierstoren1875 · 阿姆斯特丹博物馆
50
View of The Hague1875 · 博伊曼斯·范·本宁根博物馆
51
The wooden bridge1877 · Dordrechts Museum
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The Five Windmills1878 · Centraal Museum
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City view1875 · The Mesdag Collection
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View of a Dutch City with the Schreierstoren in Amsterdam1873
55
The Truncated Windmill, Jacob Maris, 18721872 · 国家博物馆
56
Townscape with a Domed Church, Jacob Maris, c. 1872 - c. 18751875 · 国家博物馆
57
Villagers1872 · 国家博物馆
58
View of the new port at the Zuid Kolk in Delft1872
59
De Buitenkant met de Schreierstoren te Amsterdam1875
60
View of the Mill and Bridge at the Noordwest Buitensingel in The Hague1873
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De Schreierstoren met de brug over de Gelderse Kade te Amsterdam1876
62
De molen en de brug bij de Noord-West-Buitensingel in Den Haag1877
63
View of Dordrecht1884 · 阿姆斯特丹博物馆
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View of the Lek near Wijk bij Duurstede1882 · 阿姆斯特丹博物馆
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Vaart bij maanlicht1882 · 国家博物馆
66
By Evening1884 · 国家博物馆
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River landscape1884 · 国家博物馆
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Mill1879 · The Mesdag Collection
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Schelpenvissen, Jacob Maris, 18851885 · 国家博物馆
70
Bluff-bowed Fishing Boat on the Beach at Scheveningen, Jacob Maris, c. 18851885
71
Girl at a piano1879 · 国家博物馆
72
Windmill and Houses beside the Water. Stormy Sky1880
73
Three Windmills1880
74
View on a city (also known as Gezicht op een stad)1882
75
De brug1879
76
Oud buurtje aan het water1883 · 国家博物馆
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Dutch Landscape with Shepherdess1891 · 巴伐利亚州绘画收藏馆
78
Cityscape with a River1887 · Centraal Museum
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Landscape with windmills1890 · 格罗宁根博物馆
80
Landscape with Canal1887 · 沃尔特斯艺术博物馆
81
Landscape near The Hague1891 · 国家博物馆
82
Havengezicht, Jacob Maris, c. 18901890
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Harbour View1890 · 国家博物馆
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View of a Port1887 · 国家博物馆
85
Windmill1886 · 国家博物馆
86
Meisje aan de piano1889 · 国家博物馆
87
Girl at the Window1890
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Polder na onweer1892 · 国家博物馆
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View of a River near a City1896 · Dordrechts Museum
90
Harbor View1894 · Dordrechts Museum
91
View of a Town1893 · 博伊曼斯·范·本宁根博物馆
92
Towpath, Jacob Maris, c. 18961896 · 国家博物馆
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Jaagpad1894 · 国家博物馆
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Dorpsgezicht bij Schiedam1894 · Dordrechts Museum
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Stadsgezicht1898 · 国家博物馆
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Visserspink aan het strand1899
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Molen bij maanlicht1899 · 国家博物馆
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Havengezicht1899 · 国家博物馆
99
Huizen aan de Prins Hendrikkade te Amsterdam op een mistige dag1899 · 国家博物馆
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Fishersboat at the Beach of Scheveningen1899 · 国家博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 雅各布·亨里克斯·马里斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家博物馆 |
阿姆斯特丹 | 44 | A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877, Gray day with ships |
 Dordrechts Museum |
多德雷赫特 | 7 | Siesta, The Annoying Guest, City in Landscape with Windmill |
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 6 | The Fishmonger, The Prayer, Return of the Fishing Boat |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 7 | The Dry-Nurse, The Butcher, A boat on a beach |
 The Mesdag Collection |
海牙 | 5 | Servant girl, On the lookout, View of a city |
 海牙美术馆 (Hài yá měishù guǎn) |
海牙 | 9 | The little marquise, Schilder aan het werk, Bomschuit on the Beach |
 Museum Gouda |
豪达 | 3 | Lady in the Forest, Lady on a Bench in the Park, The Dawn |
 格罗宁根博物馆 |
格罗宁根 | 2 | The Violist (Son of the Painter), Landscape with windmills |
选择一个年代，探索定义该时代的原创杰作。
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
This work, titled Servant girl, was painted by Jacob Maris around 1860. It offers a quiet glimpse into the domestic realities of the mid-nineteenth century, focusing on a single figure within a shadowed interior. The painting captures a moment of solitude, rendered with the steady hand of an artist who understood the subtle weight of everyday life.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
In Bomschuit on the Beach by Jacob Maris, a vertically oriented scene unfolds with a sense of immediate, chaotic energy. From the left, a large, billowing plume of smoke or steam surges upward, dominating the space. Within this thick, rising column, the words 'HTM STAAKT' are clearly visible, signaling a moment of social tension. The monochromatic palette strips away the distraction of color, leaving only the stark contrast of black…
Landscape with Windmills by Jacob Maris presents a wide horizontal view of a Dutch landscape. The composition is dominated by a vast expanse of mud flats or tidal areas that stretch across the middle ground. In the foreground, the terrain consists of dark, textured mud. This low-lying area provides a heavy base for the scene, contrasting with the lighter tones found in the distance. A man riding a horse and…
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873)，国家美术馆, 华盛顿。紧随其后的是 The little marquise (1870) 和 The Fishmonger (1856)。
36岁：View of the Mill and Bridge on the Noordwest Buitensingel in The Hague创作于1873年，雅各布·亨里克斯·马里斯出生于1837年。
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague, The little marquise, The Fishmonger, Servant girl, Schilder aan het werk, Siesta, A Bleaching Field, Jacob Maris, 1870, The Annoying Guest, Boy and girl drinking in the open air 及 On the lookout。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 202 件 雅各布·亨里克斯·马里斯 的作品，创作年代从 1856 年至 1899 年。
多见于 国家博物馆 (阿姆斯特丹), Dordrechts Museum (多德雷赫特) 及 阿姆斯特丹博物馆 (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。
在 1870s 期间：本页 100 件作品中有 38 件创作于该时期，其中包含 View of the Mill and Bridge on the Noordwest Buitensingel in The Hague 件作品。
在本页面中，最早的作品创作于 The Fishmonger (1856)，最晚的创作于 Een molen in de winter (1899)。
Woman (6), Landscape (5) 及 Dutch landscape (5)，共计 100 件作品。
Oil On Canvas，共计 18 件（本页共有 100 件作品）。
根据本页面的原作，Hague school 及 Impressionism
A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877 及 Gray day with ships：国家博物馆, 阿姆斯特丹收藏了本页中 35 件作品。
马里斯的艺术征途始于J.A.B. Stroebel的悉心教导（1849-1852），这段早期的磨砺为他未来的艺术生涯奠定了坚实的基础。
从1850年至1853年，他在海牙艺术学院接受了正式的学习，在这一时期，他不断精进技艺，并逐渐形成了初具雏形的个人艺术风格。
艺术生涯中一个至关重要的转折点出现在一位艺术商敏锐地察觉到马里斯的天赋之后，对方为其安排进入Hubertus van Hove的工作室进行实践，这段经历对他早期的艺术发展产生了深远的影响。
此外，由于他的兄弟马蒂斯·马里斯（Matthijs Maris）获得了皇家补贴，两人得以并肩创作，这种协作的氛围进一步塑造了他们各自的艺术道路。
马里斯的职业生涯充满了商业上的成功，其作品远销至美国和苏格兰，这些收藏家的青睐充分证明了他日益增长的国际声誉。
1861年，通过在德国、瑞士和法国的游历，他接触到了多元化的艺术风格，这不仅拓宽了他的艺术视野，也促成了其创作风格的演进。
他因擅长描绘河流、风车、纤道以及带有渔船的海滩景观而闻名遐迩，这些题材已成为他标志性的艺术语言。
人们常将马里斯的作品与扬·范·戈延、雅各布·范·雷斯达尔以及约翰内斯·维米尔等早期荷兰大师进行比较，这种联结突显了他与荷兰风景画深厚传统的血脉传承。
马里斯因与兄弟马蒂斯合作创作的一系列奥兰治王室肖像画而备受赞誉，这些作品在展示其风景画造诣的同时，也彰显了他卓越的肖像画功底。
其名作《斯海弗宁根海滩上的船》完美诠释了他捕捉海岸景观时那份深邃的氛围感与细腻的细节处理能力。
1871年，他正式成为Pulchri Studio的成员，这标志着他在当时主流艺术界获得了广泛的认可与接纳。
从1885年起，马里斯在荷兰国内取得了广泛的声望，确立了其作为海牙画派领军人物的崇高地位。
马里斯对海牙画派的贡献是举足轻重的；他通过对荷兰风景写实的描绘以及对大气效应的强调，参与定义了该画派的美学精髓。
他的影响力超越了他的生命周期，凭借其独特的风格与风景画创作方法，持续激励着后世一代又一代的艺术家。
他的杰作现存于荷兰国家博物馆（Rijksmuseum）等著名收藏机构中，这本身就是对其艺术价值与历史重要性的永恒见证。
马里斯留给世界的遗产，在于他能够通过观察、技法与艺术愿景的独特融合，捕捉到荷兰乡村那份最本质的精神内核。
