雅各布·勞倫斯 肖像

100 幅最著名的 雅各布·勞倫斯 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 157 件 雅各布·勞倫斯 作品收录于我们的目录中

简而言之

在 雅各布·勞倫斯 留下的所有原作中,最著名的当属收藏于 华盛顿特区 史密森尼美国艺术博物馆 的《The Library (1960)》。 紧随其后的是 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) 和 Bar and Grill (1941)。 我们的目录收录了 雅各布·勞倫斯 的 157 件作品;画廊完整保留了 100 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1917 – 2000, 大西洋城 藏品最多:菲利普斯收藏馆

雅各布·勞倫斯 的十大名画:画廊精选

1
The Library (1960) 由 雅各布·勞倫斯

The Library

1960 · Tempera · 史密森尼美国艺术博物馆, 华盛顿特区

In the vibrant tapestry of twentieth-century American art, few works capture the pulse of communal aspiration as poignantly as Jacob Lawrence’s “The Library.” Completed in 1960, this masterpiece serves as much more than a mere depiction of a reading room; it is a profound window into the enduring spirit of the Harlem Renaissance. As one gazes upon the canvas, they are immediately swept into a bustling sanctuary of knowledge, where…

2
Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) 由 雅各布·勞倫斯

Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas

1989 · Painting · SCAD Museum of Art, 萨凡纳

To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving…

3
Bar and Grill (1941) 由 雅各布·勞倫斯

Bar and Grill

1941 · Painting · 史密森尼美国艺术博物馆, 华盛顿特区

Jacob Lawrence’s powerful 1941 work, "Bar and Grill," is far more than a mere depiction of an American social scene; it is a searing document etched in paint, capturing the suffocating reality of Jim Crow segregation. The painting plunges the viewer into the interior of a café, yet the atmosphere is anything but convivial. Lawrence masterfully uses composition to confront us with the visible, yet deeply ingrained, artificiality of racial…

4
Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies (1989) 由 雅各布·勞倫斯

Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies

1989 · Painting · SCAD Museum of Art, 萨凡纳

In the profound depths of Jacob Lawrence’s 1989 masterpiece, Genesis Creation Sermon IV: And God Created the Day and the Night and God Created and Put Stars in the Skies, we find a breathtaking intersection between the divine and the earthly. This work is not merely a depiction of a biblical event; it is a visceral, rhythmic experience that captures the very moment light pierces the darkness. Lawrence, a master…

6
Taboo (1963) 由 雅各布·勞倫斯

Taboo

1963 · Painting · 费城艺术博物馆, 费城

In 1963, Jacob Lawrence presented Taboo, a work that speaks with a clarity that belies its heavy subject matter. The painting captures two pairs of newlyweds, posed with the formal dignity of a traditional wedding portrait. On one side, a Black bride stands beside a white groom; on the other, the roles are reversed. They are dressed in full wedding regalia, their presence a calm assertion of existence in a…

7
Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters (1989) 由 雅各布·勞倫斯

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

1989 · Oil On Canvas · SCAD Museum of Art, 萨凡纳

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that…

8
Tombstones (1942) 由 雅各布·勞倫斯

Tombstones

1942 · Tempera · 惠特尼美国艺术博物馆, 纽约

In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to…

9
War Series: The Letter (1946) 由 雅各布·勞倫斯

War Series: The Letter

1946 · Acrylic On Canvas · 惠特尼美国艺术博物馆, 纽约

Jacob Lawrence’s “The Letter,” part of his monumental “War Series” created in 1946, is not merely a depiction of sorrow; it’s an embodiment of profound human experience distilled into its most potent form. This work, rendered with the artist's signature flattened planes and stark geometry, immediately commands attention with its emotionally charged atmosphere. The central figure, hunched and isolated within a confined space, speaks volumes about the devastating impact of…

10
Migration Series No.57: The female workers were the last to arrive north (1941) 由 雅各布·勞倫斯

Migration Series No.57: The female workers were the last to arrive north

1941 · Tempera On Panel · 菲利普斯收藏馆, 华盛顿特区

A single, vertical line of reddish-brown cuts through the center of the frame, acting as a steady axis for the scene. Around this pole, the world feels flattened and heavy, composed of large, overlapping geometric planes that strip away unnecessary detail to reveal the essence of a moment. A figure, draped in a white cloth that obscures the face, leans into the work. Only dark hands are visible, gripping the…

雅各布·勞倫斯 系列持续更新,第 11 至 100 项

11Genesis Creation Sermon VIII: And Creation Was Done and All Was Well (1989) 由 雅各布·勞倫斯Genesis Creation Sermon VIII: And Creation Was Done and All Was Well1989 · SCAD Museum of Art 12Migration Series No.39: Railroad platforms were piled high with luggage (1941) 由 雅各布·勞倫斯Migration Series No.39: Railroad platforms were piled high with luggage1941 · 菲利普斯收藏馆 13Genesis Creation Sermon I: In the Beginning All Was Void (1989) 由 雅各布·勞倫斯Genesis Creation Sermon I: In the Beginning All Was Void1989 · SCAD Museum of Art 14Genesis Creation Sermon VI: And God Created All the Beasts of the Earth (1989) 由 雅各布·勞倫斯Genesis Creation Sermon VI: And God Created All the Beasts of the Earth1989 · SCAD Museum of Art 15Genesis Creation Sermon VII: And God Created Man and Woman (1989) 由 雅各布·勞倫斯Genesis Creation Sermon VII: And God Created Man and Woman1989 · SCAD Museum of Art 16Migration Series No.23: The migration spread (1941) 由 雅各布·勞倫斯Migration Series No.23: The migration spread1941 · 菲利普斯收藏馆 17Migration Series No.31: The migrants found improved housing when they arrived north (1941) 由 雅各布·勞倫斯Migration Series No.31: The migrants found improved housing when they arrived north1941 · 菲利普斯收藏馆 18Migration Series No.37: Many migrants found work in the steel industry (1941) 由 雅各布·勞倫斯Migration Series No.37: Many migrants found work in the steel industry1941 · 菲利普斯收藏馆 19Migration Series No.59: In the North they had the freedom to vote (1941) 由 雅各布·勞倫斯Migration Series No.59: In the North they had the freedom to vote1941 · 菲利普斯收藏馆 20The Migration Series, Panel no. 13: The crops were left to dry and rot.  There was no one to tend them. 由 雅各布·勞倫斯The Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.菲利普斯收藏馆 21Genesis Creation Sermon III: And God Said (1989) 由 雅各布·勞倫斯Genesis Creation Sermon III: And God Said1989 · SCAD Museum of Art 22The Migration Series, Panel no. 57: The female workers were the last to arrive north. 由 雅各布·勞倫斯The Migration Series, Panel no. 57: The female workers were the last to arrive north.菲利普斯收藏馆 23The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live. 由 雅各布·勞倫斯The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.菲利普斯收藏馆 24The Card Game (1953) 由 雅各布·勞倫斯The Card Game1953 · SCAD Museum of Art 25The Wedding (1948) 由 雅各布·勞倫斯The Wedding1948 · 芝加哥艺术学院 26Migration Series No.49: They found discrimination in the North. It was a different kind (1941) 由 雅各布·勞倫斯Migration Series No.49: They found discrimination in the North. It was a different kind1941 27Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North (1941) 由 雅各布·勞倫斯Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North1941 28Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live (1941) 由 雅各布·勞倫斯Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live1941 29Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers (1941) 由 雅各布·勞倫斯Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers1941 30Migration Series No.33: Letters from relatives in the North told of the better life there (1941) 由 雅各布·勞倫斯Migration Series No.33: Letters from relatives in the North told of the better life there1941 31Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries (1941) 由 雅各布·勞倫斯Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries1941 32Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities (1941) 由 雅各布·勞倫斯Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities1941 33Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter (1941) 由 雅各布·勞倫斯Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter1941 34Migration Series No.14: For African Americans there was no justice in the southern courts (1941) 由 雅各布·勞倫斯Migration Series No.14: For African Americans there was no justice in the southern courts1941 35Painting the Bilges (1944) 由 雅各布·勞倫斯Painting the Bilges1944 36Watchmaker (1946) 由 雅各布·勞倫斯Watchmaker1946 37Cabinet Makers (1946) 由 雅各布·勞倫斯Cabinet Makers1946 38Sedation (1950) 由 雅各布·勞倫斯Sedation1950 39Vaudeville (1951) 由 雅各布·勞倫斯Vaudeville1951 40...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 1813 (1956) 由 雅各布·勞倫斯...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 18131956 41The Cue and the Ball (1956) 由 雅各布·勞倫斯The Cue and the Ball1956 42Pool (1954) 由 雅各布·勞倫斯Pool1954 43Street Shadows (1959) 由 雅各布·勞倫斯Street Shadows1959 44Through Forest, Through Rivers, Up Mountains (1967) 由 雅各布·勞倫斯Through Forest, Through Rivers, Up Mountains1967 45Struggle Series - No. 10: Washington Crossing the Delaware (1954) 由 雅各布·勞倫斯Struggle Series - No. 10: Washington Crossing the Delaware1954 · 大都会艺术博物馆 46...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-1775 (1955) 由 雅各布·勞倫斯...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-17751955 47The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. 由 雅各布·勞倫斯The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.菲利普斯收藏馆 48The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them. 由 雅各布·勞倫斯The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.菲利普斯收藏馆 49The Migration Series, Panel no. 21: Families arrived at the station very early.  They did not wish to miss their trains north. 由 雅各布·勞倫斯The Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.菲利普斯收藏馆 50Frederick Douglass listened to William Lloyd Garrison denounce slavery 由 雅各布·勞倫斯Frederick Douglass listened to William Lloyd Garrison denounce slavery 51Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 由 雅各布·勞倫斯Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 52Migration Series No.58: In the North the African American had more educational opportunities (1941) 由 雅各布·勞倫斯Migration Series No.58: In the North the African American had more educational opportunities1941 53Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose (1941) 由 雅各布·勞倫斯Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose1941 54Migration Series No.54: For the migrants, the church was the center of life (1941) 由 雅各布·勞倫斯Migration Series No.54: For the migrants, the church was the center of life1941 55Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain (1941) 由 雅各布·勞倫斯Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain1941 56Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes (1941) 由 雅各布·勞倫斯Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes1941 57Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses (1941) 由 雅各布·勞倫斯Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses1941 58Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous (1941) 由 雅各布·勞倫斯Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous1941 59Migration Series No.44: But living conditions were better in the North (1941) 由 雅各布·勞倫斯Migration Series No.44: But living conditions were better in the North1941 60Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains (1941) 由 雅各布·勞倫斯Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains1941 61Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy (1941) 由 雅各布·勞倫斯Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy1941 62Migration Series No.30: In every southern home people met to decide whether or not to go north (1941) 由 雅各布·勞倫斯Migration Series No.30: In every southern home people met to decide whether or not to go north1941 63Migration Series No.27: Many men stayed behind until they could take their families north with them (1941) 由 雅各布·勞倫斯Migration Series No.27: Many men stayed behind until they could take their families north with them1941 64Migration Series No.25: They left their homes. Soon some communities were left almost empty (1941) 由 雅各布·勞倫斯Migration Series No.25: They left their homes. Soon some communities were left almost empty1941 65Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation (1941) 由 雅各布·勞倫斯Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation1941 66Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north (1941) 由 雅各布·勞倫斯Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north1941 67Migration Series No.19: There had always been discrimination (1941) 由 雅各布·勞倫斯Migration Series No.19: There had always been discrimination1941 · 菲利普斯收藏馆 68Migration Series No.15: There were lynchings (1941) 由 雅各布·勞倫斯Migration Series No.15: There were lynchings1941 · 菲利普斯收藏馆 69Migration Series No.13: The crops were left to dry and rot. There was no one to tend them (1941) 由 雅各布·勞倫斯Migration Series No.13: The crops were left to dry and rot. There was no one to tend them1941 70Migration Series No.9: They left because the boll weevil had ravaged the cotton crop (1941) 由 雅各布·勞倫斯Migration Series No.9: They left because the boll weevil had ravaged the cotton crop1941 · 菲利普斯收藏馆 71Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery (1941) 由 雅各布·勞倫斯Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery1941 72Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages (1941) 由 雅各布·勞倫斯Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages1941 73Migration Series No.3: From every southern town migrants left by the hundreds to travel north (1941) 由 雅各布·勞倫斯Migration Series No.3: From every southern town migrants left by the hundreds to travel north1941 74Migration Series No.1: During World War I there was a great migration north by southern African Americans (1941) 由 雅各布·勞倫斯Migration Series No.1: During World War I there was a great migration north by southern African Americans1941 75Bar and Grill (1941) 由 雅各布·勞倫斯Bar and Grill1941 · 史密森尼美国艺术博物馆 76Harriet Tubman Series (Panel -4) (1940) 由 雅各布·勞倫斯Harriet Tubman Series (Panel -4)1940 · Hampton University Museum 77When It Is Warm the Parks Are Filled with People (1943) 由 雅各布·勞倫斯When It Is Warm the Parks Are Filled with People1943 78This is Harlem (1943) 由 雅各布·勞倫斯This is Harlem1943 79Captain Skinner (1944) 由 雅各布·勞倫斯Captain Skinner1944 80War Series: Shipping Out (1947) 由 雅各布·勞倫斯War Series: Shipping Out1947 · 惠特尼美国艺术博物馆 81War Series: Prayer (1947) 由 雅各布·勞倫斯War Series: Prayer1947 · 惠特尼美国艺术博物馆 82African Gold Miners (1946) 由 雅各布·勞倫斯African Gold Miners1946 83Defeat (1954) 由 雅各布·勞倫斯Defeat1954 84I alarmed almost every house till I got to Lexington-Paul Revere (1954) 由 雅各布·勞倫斯I alarmed almost every house till I got to Lexington-Paul Revere1954 85Trappers (1956) 由 雅各布·勞倫斯Trappers1956 86Victory and Defeat (1955) 由 雅各布·勞倫斯Victory and Defeat1955 87We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility (1955) 由 雅各布·勞倫斯We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility1955 88...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 1810 (1956) 由 雅各布·勞倫斯...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 18101956 89I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 1815 (1956) 由 雅各布·勞倫斯I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 18151956 90Untitled (D2X9VM) (1955) 由 雅各布·勞倫斯Untitled (D2X9VM)1955 91Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 1812 (1956) 由 雅各布·勞倫斯Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 18121956 92120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message (1955) 由 雅各布·勞倫斯120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message1955 93Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 1811 (1956) 由 雅各布·勞倫斯Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 18111956 94Fulton and Nostrand (1958) 由 雅各布·勞倫斯Fulton and Nostrand1958 · 克利夫兰艺术博物馆 95Fruits and Vegetables (1959) 由 雅各布·勞倫斯Fruits and Vegetables1959 · 辛辛那提艺术博物馆 96The Visitors (1959) 由 雅各布·勞倫斯The Visitors1959 · 达拉斯艺术博物馆 97Magic Man (1958) 由 雅各布·勞倫斯Magic Man1958 98Parade (1960) 由 雅各布·勞倫斯Parade1960 99Pool Parlor (1942) 由 雅各布·勞倫斯Pool Parlor1942 100Firewood 55 (1942) 由 雅各布·勞倫斯Firewood 551942

雅各布·勞倫斯 的传世名作,按时期分类

令 雅各布·勞倫斯 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 雅各布·勞倫斯 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 雅各布·勞倫斯 的作品 此列表中的画作
菲利普斯收藏馆, 华盛顿特区菲利普斯收藏馆 华盛顿特区 35 Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north, Migration Series No.39: Railroad platforms were piled high with luggage
SCAD Museum of Art, 萨凡纳SCAD Museum of Art 萨凡纳 10 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters
惠特尼美国艺术博物馆, 纽约惠特尼美国艺术博物馆 纽约 4 Tombstones, War Series: The Letter, War Series: Shipping Out
史密森尼美国艺术博物馆, 华盛顿特区史密森尼美国艺术博物馆 华盛顿特区 3 The Library, Bar and Grill, Bar and Grill
费城艺术博物馆, 费城费城艺术博物馆 费城 1 Taboo
芝加哥艺术学院, 芝加哥芝加哥艺术学院 芝加哥 1 The Wedding
大都会艺术博物馆, 纽约大都会艺术博物馆 纽约 1 Struggle Series - No. 10: Washington Crossing the Delaware
Hampton University Museum, HamptonHampton University Museum Hampton 1 Harriet Tubman Series (Panel -4)

雅各布·勞倫斯 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 雅各布·勞倫斯 作品的常见问题

雅各布·勞倫斯 最著名的作品是哪一件?揭晓答案

The Library (1960),史密森尼美国艺术博物馆, 华盛顿特区。紧随其后的是 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) 和 Bar and Grill (1941)。

创作 The Library 时,雅各布·勞倫斯 是多少岁?揭晓答案

43岁:The Library创作于1960年,雅各布·勞倫斯出生于1917年。

雅各布·勞倫斯 最著名的十幅画作是什么?揭晓答案

The Library, Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Bar and Grill, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Migration Series No.11: Food had doubled in price because of the war, Taboo, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters, Tombstones, War Series: The Letter 及 Migration Series No.57: The female workers were the last to arrive north。上方排名显示了每件作品的创作年份及馆藏机构。

雅各布·勞倫斯 留下了多少幅画作?揭晓答案

我们的目录收录了 157 件 雅各布·勞倫斯 的作品,创作年代从 1940 年至 1989 年。

雅各布·勞倫斯 的杰作收藏在哪些博物馆中?揭晓答案

多见于 菲利普斯收藏馆 (华盛顿特区), SCAD Museum of Art (萨凡纳) 及 惠特尼美国艺术博物馆 (纽约)。上方的博物馆列表列出了所有相关机构。

雅各布·勞倫斯 在哪些年份创作了最著名的作品?揭晓答案

在 1940s 期间:本页 100 件作品中有 56 件创作于该时期,其中包含 Bar and Grill 件作品。

雅各布·勞倫斯 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Harriet Tubman Series (Panel -4) (1940),最晚的创作于 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989)。

雅各布·勞倫斯 最常创作的主题是什么?揭晓答案

People (8), Harlem renaissance (6) 及 Figures (6),共计 100 件作品。

雅各布·勞倫斯 最常用的技法是什么?揭晓答案

Painting,共计 10 件(本页共有 100 件作品)。

哪些 雅各布·勞倫斯 的作品在 菲利普斯收藏馆 展出?揭晓答案

Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north 及 Migration Series No.39: Railroad platforms were piled high with luggage:菲利普斯收藏馆, 华盛顿特区收藏了本页中 16 件作品。

雅各布·勞倫斯:生平与作品

绘于故事中的生命:雅各布·劳伦斯的世界

1917年出生于新泽西州大西洋城的雅各布·阿姆斯特德·劳伦斯,已成为20世纪美国最卓越的艺术家之一。他的生命历程与他的艺术创作紧密交织——这是一段由非裔美国人在深刻社会变革时期的现实境遇所塑造的强有力叙事。1924年父母离婚后,劳伦斯的童年充满了迁徙与适应,他曾在费城的寄养家庭度过时光,最终在哈莱姆文艺复向那段充满活力的岁月里,回到了母亲身边,定居于哈莱姆。这种对黑人美国文化核心的沉浸,成为了他艺术视野的源泉。正是在哈莱姆熙攘的街道与社区精神中,劳伦斯初次邂逅了艺术,他在乌托邦儿童之家参加课程,随后在哈莱姆艺术工作坊师从查尔斯·奥尔斯顿——这段塑造性的经历,开启了他成为一位具有无与伦比深度的视觉叙事者的道路。

动态立体主义:诞生于经验的风格

劳伦斯并非仅仅是采纳某种艺术风格,而是锻造了属于自己的语言,并将其著名地称为“动态立体主义”。这并非对欧洲先锋派的模仿,而是一种将现代主义原则与社区生活经验进行的独特融合。受到非洲雕塑大胆色彩与扁平化形式,以及墨西哥壁画派——那些优先考虑叙事与社会评论的艺术家——的影响,劳伦斯开发出一种既具有鲜明现代感又深植于黑人文化的视觉语言。他的绘画以强有力的简化形状、充满活力的色调以及对传统透视法的刻意摒弃为特征。这种方法不仅是美学上的追求,更旨在强调其主题的情感分量,并创造出一种即时感与亲和力。他并不寻求复制现实,而是试图提炼其本质,以毫不动摇的诚实捕捉一个民族的精神及其历史。

编撰历史与日常生活

劳伦斯的艺术产出因其广度与主题的一致性而令人瞩目。他并不专注于孤立的人物肖像或风景画;相反,他创作了宏大的系列作品,探讨重大的历史事件以及黑人日常生活的细微之处。他的突破源于迁徙系列(The Migration Series),这是一组由六十幅面板组成的强有力序列,描绘了大迁徙运动——即非裔美国人为了寻找机遇并逃离吉姆·克劳隔离制度,从农村南部向工业北部的大规模迁移。这部始于1940至1941年的作品使劳伦斯一举获得全国性的认可,为他赢得了赞誉,并确立了他在美国艺术界的领军地位。然而,《迁徙系列》仅仅是个开始。他随后创作了同样引人入胜的系列,致力于纪念图桑·卢维杜尔、弗雷德里克·道格拉斯和哈丽特·塔布曼等人物,将历史叙事转化为易于理解的视觉故事。在这些宏大的历史周期之外,劳伦斯也在平凡中发现了美与意义:理发店、餐馆和家庭生活的场景成为了探索社区、韧性与身份主题的画布。他的画作酒吧与烤肉店(Bar and Grill)生动地描绘了新奥尔良咖啡馆内的种族隔离,体现了他将复杂的社会现实提炼为强有力视觉陈述的能力。同样,胜利与失败(Victory and Defeat)通过那面令人震撼的炮弹墙,纪念了弗吉尼亚州约克镇战役的关键时刻,对美国历史进行了细致入微的反思。

传承与持久的影响力

雅各布·劳伦斯的影响力远超其令人赞叹的作品本身。他不仅是一位艺术家,更是一位尽职的教育家,曾在黑山学院和华盛顿大学等机构任教十六年。通过教学,他培养了一代又一代的艺术家,鼓励他们寻找自己的声音并探索与自身经历相关的课题。劳伦斯为后来无数的非裔美国艺术家铺平了道路,挑战了主流规范并扩展了美国艺术的边界。他的作品在今天依然引起共鸣,引发了关于种族、历史和社会正义的批判性对话。他的画作收藏于史密森尼美国艺术博物馆和华盛顿大学馆藏等著名博物馆中,作为艺术能够照亮人类境遇并激励变革的持久见证。他留下的遗产不仅是美丽的图像,更是勇敢的叙事——这是一部关于一个民族迈向自由与自我决定的视觉编年史。