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Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
10 幅最著名的 Jacob Biltius 作品，每一件都独一无二
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 10 件 Jacob Biltius 作品收录于我们的目录中
简而言之
Dead Wildfowl (1674) 是 Jacob Biltius 最受瞩目的画作；原作收藏于 哥本哈根 的 斯泰恩斯博物馆艺术馆。 随后，目光会移向 Dead Birds (1670) 和 Snip, hanging (1663)。 在 Jacob Biltius 的 10 件作品中，这 10 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
1633 – 1681, The Hague
藏品最多：斯泰恩斯博物馆艺术馆
画廊视角下的 Jacob Biltius 十大名作
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Dead Birds
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
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令 Jacob Biltius 驻足的创作主题
这些原作中反复出现的四个主题，各有一个最杰出的范例。
Feathers 2 件作品
Dark background 2 件作品
收藏有 Jacob Biltius 原作的博物馆
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | Jacob Biltius 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table |
 Fries Museum |
列沃瓦德 | 2 | Snip, hanging, Dead Partridge, Hanging |
 Kunsthandel P. de Boer |
1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Jacob Biltius 历年佳作：每一件都是独一无二的原作
跨越 17 年的艺术生涯，从 1663 年到 1679 年：逐年呈现 Jacob Biltius 最著名的原创作品。
年度作品数量
选择年份以查看原作。
1670
Dead Birds
年龄 37
2 件作品，于今年入库
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
更多来自 1670
1674
Dead Wildfowl
年龄 41
1 件作品，于今年入库
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Jacob Biltius 的画作：画廊常见问题
Jacob Biltius 最著名的代表作是什么？揭晓答案
Dead Wildfowl (1674)，斯泰恩斯博物馆艺术馆, 哥本哈根。紧随其后的是 Dead Birds (1670) 和 Snip, hanging (1663)。
Jacob Biltius 是在多少岁时创作了 Dead Wildfowl？揭晓答案
41岁：Dead Wildfowl创作于1674年，Jacob Biltius出生于1633年。
Jacob Biltius 最著名的十幅画作是哪些？揭晓答案
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall 及 Dead Wildfowl and a Huntsman's Net. Trompe l'oeil。上方排名显示了每件作品的创作年份及馆藏机构。
已知 Jacob Biltius 有多少件作品？揭晓答案
我们的目录收录了 10 件 Jacob Biltius 的作品，创作年代从 1663 年至 1679 年。
在哪里可以欣赏到最著名的 Jacob Biltius 原作？揭晓答案
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), Fries Museum (列沃瓦德) 及 Kunsthandel P. de Boer。上方的博物馆列表列出了所有相关机构。
Jacob Biltius 的代表作创作于哪个时期？揭晓答案
在 1663 期间：本页 10 件作品中有 2 件创作于该时期，其中包含 Snip, hanging 件作品。
哪幅 Jacob Biltius 的名作创作年代最早，哪幅最晚？揭晓答案
在本页面中，最早的作品创作于 Snip, hanging (1663)，最晚的创作于 Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679)。
Jacob Biltius 偏好哪些题材？揭晓答案
Feathers (2) 及 Dark background (2)，共计 10 件作品。
Jacob Biltius 最常使用哪些材料进行创作？揭晓答案
Oil On Canvas，共计 2 件（本页共有 10 件作品）。
在 斯泰恩斯博物馆艺术馆 可以看到哪些 Jacob Biltius 的原作？揭晓答案
Dead Wildfowl, Dead Birds 及 Wildfowl on a Wooden Table：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 5 件作品。
Jacob Biltius：艺术家肖像
The Life and Travels of Jacob Biltius
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
Artistic Specializations and Technique
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.