更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 18 件 伊拉里奥·贾金托·梅尔坎蒂 作品收录于我们的目录中
简而言之
Joshua stops the sun 是 伊拉里奥·贾金托·梅尔坎蒂 最受瞩目的画作；原作收藏于 皮恩扎 的 Musei Civici di Palazzo Farnese。 随后，目光会移向 Allegory of the construction of the castle of Piacenza 和 Philip V and Elizabeth Farnese in front of their first-born。 在 伊拉里奥·贾金托·梅尔坎蒂 的 18 件作品中，这 18 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The canvas captures a moment of divine intervention amidst the chaos of war. Joshua stands as the central figure, commanding the sun to halt its course to ensure victory for his army. Around him, the battlefield is a whirlwind of movement, where soldiers and cavalry are caught in the heat of combat. The composition uses a dynamic arrangement to convey the intensity of the struggle, positioning figures at varying depths…
The Allegory of the construction of the castle of Piacenza by Ilario Spolverini captures a moment of architectural and political ambition. Painted about 1700-1720, the work centers on the figure of Pier Luigi Farnese, the first duke, who appears on horseback. He moves through a landscape defined by the weight of his singular architectural initiative. The canvas holds the tension between the physical labor of building and the symbolic forces…
The air in the room feels heavy with the weight of lineage and the quiet hush of a nursery. Philip V and Elizabeth Farnese lean toward their first-born, their bodies forming a protective arc around the sleeping infant. A deep, saturated red background envelops the figures, pushing them forward and making the scene feel immediate, as if we have just stepped into their private quarters. The light catches the fine…
In the grand tapestry of European history, few moments possess the weight and political gravity captured in Ilario Giacinto Mercanti’s Philip II appoints Alexander Farnese as governor of Flanders. This evocative painting serves as a window into a pivotal era of transition and power, depicting a scene where the fate of entire provinces hung upon a single royal decree. The composition centers on the presence of a monarch, draped in…
In the sweeping canvas of Italian Baroque history, few moments capture the intersection of personal heartache and political destiny as vividly as Ilario Giacinto Mercanti’s Farewell of Elizabeth Farnese from the Farnese court on the Cento Croci mountain. Known affectionately by his moniker "lo Spolverini," the artist serves here as both a chronicler and a dramatist, transporting the viewer to a pivotal departure in the life of one of Europe's…
is a work by the Italian Baroque painter Ilario Giacinto Mercanti. Also known as Spolverini, the artist was born in 1657 in Parma, Italy, and died in 1734 in Piacenza. His practice involved significant commissions for various noble families within the Parma and Piacenza regions.
A large-scale oil on canvas captures a moment of profound civic significance within a bustling town square. The composition centers on a grand building, likely a cathedral, characterized by a prominent dome that anchors the architectural landscape. Beneath this structure, a dense crowd has gathered to witness a formal presentation. Horses are interspersed among the assembly, some standing stationary near the onlookers while others are positioned further in the background,…
A single man in a red robe holds a map, his fingers tracing the lines of a territory that has just been yielded. Around him, the air is thick with the weight of decision. Figures gather in the shadows, their gazes fixed upon the parchment and the man who commands it. The scene is a quiet collision of power and geography. A red canopy hangs in the background, a heavy…
In the sweeping theatricality of the Italian Baroque, few moments capture the essence of social ritual as elegantly as Ilario Giacinto Mercanti’s Visit to court. This masterful composition serves as a window into a bygone era of ceremony and prestige, where every gesture carries the weight of tradition. At the heart of the canvas, two figures clad in striking red suits engage in a firm handshake, a central pivot point…
The air in the room feels heavy with the weight of an unspoken pact. Within this oval-shaped composition, the focus narrows to a single, decisive gesture: the handshake between Duke Francis and Cardinal Gozzadini. This central contact point acts as the anchor for the entire scene, drawing the eye through a series of diagonal lines that lead directly to the meeting of hands. Around these two central figures, a crowd…
Troops and weapons embarkingMusei Civici di Palazzo Farnese
12
Alexander Farnese receives the Papal RapierMusei Civici di Palazzo Farnese
13
Farnese prince watches the construction of a buildingMusei Civici di Palazzo Farnese
14
Jewish people led by Moses and AaronMusei Civici di Palazzo Farnese
15
Knights at BattleRocca Sanvitale di Fontanellato
16
Entrance in Parma of cardinal Gozzadini, with cardinal Acquaviva and duke Francis FarneseMusei Civici di Palazzo Farnese
17
Elizabeth meets cardinals Gozzadini and AcquavivaMusei Civici di Palazzo Farnese
18
Paul III appoints his son Pier Luigi Gonfaloniere of the ChurchMusei Civici di Palazzo Farnese
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | 伊拉里奥·贾金托·梅尔坎蒂 的作品 | 此列表中的画作 |
|---|---|---|---|
 Musei Civici di Palazzo Farnese |
皮恩扎 | 17 | Joshua stops the sun, Allegory of the construction of the castle of Piacenza, Philip V and Elizabeth Farnese in front of their first-born |
 Rocca Sanvitale di Fontanellato |
Fontanellato | 1 | Knights at Battle |
Joshua stops the sun，Musei Civici di Palazzo Farnese, 皮恩扎。紧随其后的是 Allegory of the construction of the castle of Piacenza 和 Philip V and Elizabeth Farnese in front of their first-born。
Joshua stops the sun, Allegory of the construction of the castle of Piacenza, Philip V and Elizabeth Farnese in front of their first-born, Philip II appoints Alexander Farnese as governor of Flanders, Farewell of Elizabeth Farnese from the Farnese court on the Cento Croci mountain, Victory, The community of Parma offers the town keys to don Charles of Borbone, Philip II accepts the subjection of Flanders, Visit to court 及 Meeting between duke Francis and cardinal Gozzadini。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录中收录了 18 件 伊拉里奥·贾金托·梅尔坎蒂 的作品。
多见于 Musei Civici di Palazzo Farnese (皮恩扎) 及 Rocca Sanvitale di Fontanellato (Fontanellato)。上方的博物馆列表列出了所有相关机构。
People (10), Man (5) 及 Chair (3)，共计 18 件作品。
Oil On Canvas，共计 8 件（本页共有 18 件作品）。
根据本页面的原作，Baroque
Joshua stops the sun, Allegory of the construction of the castle of Piacenza 及 Philip V and Elizabeth Farnese in front of their first-born：Musei Civici di Palazzo Farnese, 皮恩扎收藏了本页中 17 件作品。
