更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 108 件 伊格纳西奥·苏洛阿加 作品收录于我们的目录中
简而言之
Portrait of Maurice Barrès 是伊格纳西奥·苏洛阿加最受瞩目的画作。 随后，目光会移向 Woman in Andalusian Dress (1911) 和 Anita Ramírez, in black (1915)。 在 伊格纳西奥·苏洛阿加 的 108 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The figure of Maurice Barrès occupies the left side of the canvas, a steady anchor amidst a swirling, dramatic landscape. He gazes toward a distant cityscape, his expression caught in a moment of quiet introspection. There is a certain weight to his presence, a sense of a man deeply connected to the history he contemplates. The light, diffused and soft as if filtered through an overcast sky, casts gentle shadows…
A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire. An orange headpiece rests upon her hair, pinned with pink and white floral accents that catch the light. Her skin glows with warmth against the cool, atmospheric clouds that churn in the background. There is a stillness in her gaze, a poised…
Ignacio Zuloaga y Zabaleta painted Anita Ramírez, in black in 1916. The subject was a Spanish dancer and one of the artist's favorite models during this period. At the time of the work's creation, both the artist and Ramírez were living in Paris.
My cousin Candida is a portrait study by Ignacio Zuloaga. The work focuses on the likeness and character of a young woman named Candida. Given the artist's nationality and the subject matter, she likely belongs to a Spanish cultural background.
The woman emerges from a void of deep blacks and muted browns. Her face, caught in a soft light from the left, holds a quiet, heavy stillness. She looks directly at the viewer, her eyes carrying a weight of melancholy that anchors the entire composition. The brushstrokes are loose, almost hurried, leaving a visible texture of oil paint across her skin and the dark folds of her clothing. It is…
Ignacio Zuloaga presents Celestina as a study of a woman situated within an intimate interior. The subject is positioned near a vanity table, captured in a moment of private reflection or preparation. Behind her, figures are visible through a doorway, introducing a sense of quiet drama to the domestic scene.
In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held within a quiet, dark space. Her posture is formal, defined by an aristocratic poise that commands the stillness of the composition. She holds a closed fan, a small, rigid object that anchors her hands against the soft volume of her attire.
In the quietude of a rugged landscape, the figure of Segoviano emerges. This work, titled Segoviano, presents a man who appears to be a rural figure or perhaps a shepherd, rooted deeply within his environment. He occupies the space with a heavy, weathered presence, his form silhouetted against a backdrop that suggests the stark, open air of the Spanish countryside. There is a sense of stillness here, as if the…
In My friends by Ignacio Zuloaga, a lively social gathering unfolds before the eyes. A group of men occupies the space, gathered closely around a rectangular table that dominates the foreground. There is a palpable sense of immediacy here, as if the viewer has just stepped into the room to witness a private meeting. The figures overlap and crowd one another, creating a scene of movement and spontaneous energy. It…
This portrait of Mrs. Philip M. Lydig (Rita H. de Alba de Acosta) was painted by Ignacio Zuloaga in 1912. The subject, a stylish New York socialite, is captured with a sense of poise that reflects her standing in society. Her presence in the work is marked by a quiet, self-assured dignity.
Portrait of Ivan Shchukin (1869-1908)1899 · 冬宫博物馆
12
The People's Poet Don Miguel of Segovia1900
13
The Hermit1904 · 圣路易斯艺术博物馆
14
Spanish Farmers at a Market1899 · Museum of Fine Arts Ghent (MSK)
15
La gitana1904 · Thiel Gallery
16
The Witches of San Millán1907 · 布宜诺斯艾利斯国家美术馆
17
My Uncle Daniel and his Family1910 · 波士顿美术馆
18
The Penitents1908 · 西班牙裔学会博物馆与图书馆
19
My Cousin Cándida1908 · 西班牙裔学会博物馆与图书馆
20
Self-Portrait1908 · 西班牙裔学会博物馆与图书馆
21
Mrs. Philip Lydig1912
22
Merceditas1913
23
Portrait of Édouard Branly (1844-1940), physicist1920 · 卡纳瓦勒博物馆
24
Mrs. Joseph Kerrigan1924 · 西班牙裔学会博物馆与图书馆
25
Albarracín1926 · 西班牙裔学会博物馆与图书馆
26
Mrs. William Randolph Hearst1923 · 西班牙裔学会博物馆与图书馆
27
Alva B. Gimbel1925 · 大都会艺术博物馆
28
Carlos de Beistegui (Mexico, 1863 - Biarritz, 1953)1931
29
Self-Portrait of the Artist in a Basque Beret1931
30
Still Life of Flowers1929 · 西班牙裔学会博物馆与图书馆
31
Portrait of Lady Micaela Aramburu y Picardo卡迪斯博物馆
32
My Uncle and My Cousins1898 · 奥赛博物馆
33
Landscape of Navarra
34
Montes de Calatayud
35
The cathedral of Segovia
36
Contess Mathieu de Noailles
37
Dawn
38
Houses in Segovia
39
Sepulveda1909 · 国家美术馆
40
Gitanilla布宜诺斯艾利斯国家美术馆
41
Tipo de Segovia (Man from Segovia)国立索菲亚艺术中心
42![Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian]) 由 伊格纳西奥·苏洛阿加](/media/artworks/images-thumb/49/46/4946a65b389f33b02cea7f193f402e9f.jpg)
Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian])国立索菲亚艺术中心
43
Castilian Landscape1909 · 波士顿美术馆
44
Portrait of señorita L. S.
45
Portrait of Marqués de Villamarciel
46
Eve of the run
47
Portrait of Rusiñol
48
Mi padre y mi hermana en París
49
A dominican
50
Portrait of Doña Carmen Arconada
51
The Anchorite
52
Angustias
53
Bullfighter
54
Lucienne Breval and Carmen西班牙裔学会博物馆与图书馆
55
Antonia the galician
56
Nude on a sofa with carnation
57
The view from the terrace
58
Portrait of Sra. Malinowska
59
A Portrait of a Lady, head and shoulders
60
Portrait of Senora Corcuera
61
The Dwarf Doña Mercédes
62
The painter Uranga
63
Don Placido Zuloaga in his studio国立索菲亚艺术中心
64
Candida with chinese shawl
65
Mrs. Rosita Gutiérrez
66
José Rodao
67
Bullfighters of Turégano
68
My cousins
69
The violinist Larrapidi
70
The well at Éibar
71
Women in Sepúlveda
72
Portrait of Balenciaga
73
Old Houses in Segovia
74
The cardinal
75
People in País Vasco
76
The Christ of the blood
77
In Saint Cloud
78
Pablo Uranga
79
Future idols
80
View of Segovia
81
Portrait of Lucienne Bréval
82
Village bullfighters
83
Houses in the sun
84
View of Toledo1915 · 圣费尔南多皇家美术学院
85
Mountains of Calatayud1921 · 大都会艺术博物馆
86
Victims of the Fiesta1923 · 大都会艺术博物馆
87
Miguel de Unamuno y Jugo1925 · 西班牙裔学会博物馆与图书馆
88
Lucrezia Bori1928 · 西班牙裔学会博物馆与图书馆
89
Torero1902 · Vil·la Casals-Museu Pau Casals
90
Segovia古巴国家美术馆
91
Landscape
92
Landscape of Alhama
93
Motrico
94
Street of an old Spanish city
95
Reclining Maja with Blue and Gold
96
Woman with Fan
97
Castilian view
98
Hermit1904 · 冬宫博物馆
99
The Family of the Gypsy Bullfighter1903 · 西班牙裔学会博物馆与图书馆
100
Corrida de toros en Eibar1899 · 马拉加卡门·蒂森博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 伊格纳西奥·苏洛阿加 的作品 | 此列表中的画作 |
|---|---|---|---|
 西班牙裔学会博物馆与图书馆 |
纽约 | 12 | The Penitents, My Cousin Cándida, Self-Portrait |
 大都会艺术博物馆 |
纽约 | 4 | Julia Wainwright Robbins, Alva B. Gimbel, Mountains of Calatayud |
 国立索菲亚艺术中心 |
马德里 | 3 | Tipo de Segovia (Man from Segovia), Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian]), Don Placido Zuloaga in his studio |
 冬宫博物馆 |
圣彼得堡 | 3 | Portrait of Ivan Shchukin (1869-1908), Hermit |
 国家美术馆 |
华盛顿 | 2 | Woman in Andalusian Dress, Sepulveda |
 布宜诺斯艾利斯国家美术馆 |
布宜诺斯艾利斯 | 2 | The Witches of San Millán, Gitanilla |
 波士顿美术馆 |
波士顿 | 2 | My Uncle Daniel and his Family, Castilian Landscape |
 布鲁克林博物馆 |
布鲁克林 | 1 | Anita Ramírez, in black |
选择一个年代，探索定义该时代的原创杰作。
A full-length portrait depicts a man positioned centrally against a desolate, rocky landscape. He is oriented slightly toward the viewer, maintaining a frontal posture that occupies much of the vertical space. The subject wears a dark frock coat over a white waistcoat and a bow tie, accessorized with a hat and a walking stick. His facial features include a beard and glasses. The background consists of a vast sky with…
A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire. An orange headpiece rests upon her hair, pinned with pink and white floral accents that catch the light. Her skin glows with warmth against the cool, atmospheric clouds that churn in the background. There is a stillness in her gaze, a poised…
In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held within a quiet, dark space. Her posture is formal, defined by an aristocratic poise that commands the stillness of the composition. She holds a closed fan, a small, rigid object that anchors her hands against the soft volume of her attire.
Portrait of Maurice Barrès。紧随其后的是 Woman in Andalusian Dress (1911) 和 Anita Ramírez, in black (1915)。
Portrait of Maurice Barrès, Woman in Andalusian Dress, Anita Ramírez, in black, My cousin Candida, Alice Lolita Muth Maacha, Celestina, Julia Wainwright Robbins, Segoviano, My friends 及 Mrs. Philip M. Lydig (Rita H. de Alba de Acosta)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 108 件 伊格纳西奥·苏洛阿加 的作品，创作年代从 1898 年至 1931 年。
多见于 西班牙裔学会博物馆与图书馆 (纽约), 大都会艺术博物馆 (纽约) 及 国立索菲亚艺术中心 (马德里)。上方的博物馆列表列出了所有相关机构。
在 1900s 期间：本页 100 件作品中有 12 件创作于该时期，其中包含 The People's Poet Don Miguel of Segovia 件作品。
在本页面中，最早的作品创作于 My Uncle and My Cousins (1898)，最晚的创作于 Carlos de Beistegui (Mexico, 1863 - Biarritz, 1953) (1931)。
Woman (8), Landscape (7) 及 Portrait (7)，共计 100 件作品。
Oil On Canvas，共计 14 件（本页共有 100 件作品）。
根据本页面的原作，Spanish realism
The Penitents, My Cousin Cándida 及 Self-Portrait：西班牙裔学会博物馆与图书馆, 纽约收藏了本页中 11 件作品。
