更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 42 件 亨利·莫斯勒 作品收录于我们的目录中
简而言之
Pilgrims' Grace (1897) 是亨利·莫斯勒最受瞩目的画作。 随后，目光会移向 Christmas Morning (1916) 和 Elizabeth Moerlein Portrait, 1869 (1869)。 在 亨利·莫斯勒 的 42 件作品中，这 40 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this bust-length oil portrait, Henry Mosler captures Carl Heinrich Spitzner within a formal oval format. The subject sits slightly off-center, his gaze directed toward the viewer with a calm and serious expression. This eye-level perspective establishes an intimate connection, pulling the sitter into the immediate space of the observer. The dignity of the 19th-century sitter is held in the stillness of his posture.
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
The oil sketch titled Sketch for Chimney Corner is a work by the artist Henry Mosler. Created about 1892, the piece captures a fleeting moment of domestic light. It remains part of the permanent collection at the Cincinnati Art Museum.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In "The Spirit of the Rainbow" by Henry Mosler, a nude female figure is positioned in a reclining, weightless pose, appearing to float across a large, sweeping arc. This rainbow spans the composition from the upper left to the lower right, establishing a sense of movement and celestial scale. The figure's pale skin is illuminated by light that emanates from within the rainbow itself, casting a soft glow across the…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
In this Henry Mosler Self-portrait, the artist Henry Mosler presents himself in a bust-length composition that feels remarkably intimate. He is positioned slightly off-center, meeting the viewer through a close-up, eye-level view. His gaze is steady and contemplative, suggesting a moment of quiet introspection. The subject is an elderly man, and the arrangement of his features invites a sense of psychological depth. This approach is characteristic of late 19th-century academic…
Later Afternoon1919
12
Lost Cause1869
13
Plum Street Temple1866
14
Portrait of a Rabbi's Wife (Ktherine Schiff Illowy.)1869
15
Portrait of a Rabbi (Rabbi Bernard Illowy.)1869
16
Heidi1877
17
Quadroon Girl1878
18
The Quadroon Girl1878 · 辛辛那提艺术博物馆
19
The Last Sacraments1884
20
Peasant Girl and Doves1880
21
Harvest Festival1884
22
Return of the Shrimp Fishers1880
23
Visit of the Marquese1887
24
The Husking Bee1890
25
New Year's Morning1888
26
Portrait of Agnes1888
27
Daydreaming1898
28
The Chimney Corner1893 · 辛辛那提艺术博物馆
29
Portrait of Edith辛辛那提艺术博物馆
30
Charles Henry Spitzner as a Young Child
31
The Sewing Lesson
32
Siesta1910
33
Vegetable Vendor1906
34
Quilting Bee1916
35
Rio Aguirvate1913
36
Young Indian Woman (also known as Young Indian Girl)1887
37
Courtship1874 · 圣奥尔斯博物馆艺术馆
38
Just Moved1870 · 大都会艺术博物馆
39
Study for EVENING OF THE BATTLE (1882)辛辛那提艺术博物馆
40
The Return of the Prodigal Son1879 · 奥赛博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 亨利·莫斯勒 的作品 | 此列表中的画作 |
|---|---|---|---|
 辛辛那提艺术博物馆 |
辛辛那提 | 5 | Sketch for Chimney Corner, The Quadroon Girl, The Chimney Corner |
 Cincinnati Museum Center at Union Terminal |
Cincinnati | 2 | Elizabeth Moerlein Portrait, 1869, George B. Cox |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 1 | The Spirit of the Rainbow |
 Dayton Art Institute |
代顿 | 1 | The Beauty |
 国家肖像画廊 |
华盛顿特区 | 1 | Henry Mosler Self-portrait |
 圣奥尔斯博物馆艺术馆 |
堪萨斯城 | 1 | Courtship |
 大都会艺术博物馆 |
纽约 | 1 | Just Moved |
 奥赛博物馆 |
巴黎 | 1 | The Return of the Prodigal Son |
选择一个年代，探索定义该时代的原创杰作。
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
Pilgrims' Grace (1897)。紧随其后的是 Christmas Morning (1916) 和 Elizabeth Moerlein Portrait, 1869 (1869)。
56岁：Pilgrims' Grace创作于1897年，亨利·莫斯勒出生于1841年。
Pilgrims' Grace, Christmas Morning, Elizabeth Moerlein Portrait, 1869, Carl Heinrich Spitzner, Mathilde Therese Pannwitz Spitzner, Sketch for Chimney Corner, George B. Cox, The Spirit of the Rainbow, The Beauty 及 Henry Mosler Self-portrait。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 42 件 亨利·莫斯勒 的作品，创作年代从 1866 年至 1920 年。
多见于 辛辛那提艺术博物馆 (辛辛那提), Cincinnati Museum Center at Union Terminal (Cincinnati) 及 史密森尼美国艺术博物馆 (华盛顿特区)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 40 件作品中有 8 件创作于该时期，其中包含 The Last Sacraments 件作品。
在本页面中，最早的作品创作于 Plum Street Temple (1866)，最晚的创作于 The Beauty (1920)。
Man (4), Woman (4) 及 People (3)，共计 40 件作品。
Oil On Canvas，共计 8 件（本页共有 40 件作品）。
根据本页面的原作，Realism
Sketch for Chimney Corner, The Quadroon Girl 及 The Chimney Corner：辛辛那提艺术博物馆, 辛辛那提收藏了本页中 5 件作品。
