简而言之
George Dyer, with his dog, Daphne (1819) 是 Henry Hoppner Meyer 最受瞩目的画作;原作收藏于 Fitzwilliam Museum。 在 Henry Hoppner Meyer 的 1 件作品中,这 1 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。
画廊视角下的 Henry Hoppner Meyer 十大名作
收藏有 Henry Hoppner Meyer 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Henry Hoppner Meyer 的作品 | 此列表中的画作 |
|---|---|---|---|
| 1 | George Dyer, with his dog, Daphne |
Henry Hoppner Meyer 历年佳作:每一件都是独一无二的原作
此处展示的所有 Henry Hoppner Meyer 原作均出自 1819 年;作品按知名度由高到低排列。
Henry Hoppner Meyer 的画作:画廊常见问题
Henry Hoppner Meyer 最著名的代表作是什么?揭晓答案
George Dyer, with his dog, Daphne (1819)
Henry Hoppner Meyer 是在多少岁时创作了 George Dyer, with his dog, Daphne?揭晓答案
39岁:George Dyer, with his dog, Daphne创作于1819年,Henry Hoppner Meyer出生于1780年。
已知 Henry Hoppner Meyer 有多少件作品?揭晓答案
我们的目录中收录了 1 件 Henry Hoppner Meyer 的作品。
在哪里可以欣赏到最著名的 Henry Hoppner Meyer 原作?揭晓答案
多见于 Fitzwilliam Museum。上方的博物馆列表列出了所有相关机构。
Henry Hoppner Meyer:艺术家肖像
A Life in Portraiture and Engraving
Henry Hoppner Meyer was a British portrait painter and an engraver specializing in stipple and mezzotint. Born in London, he began his artistic journey at Christ’s Hospital, where he studied drawing under Benjamin Green. His formal training continued through a seven-year apprenticeship to the engraver Benjamin Smith, and he later refined his skills in engraving under Francesco Bartolozzi at the Royal Academy Schools.
His professional career saw him exhibiting small portrait-paintings at the Royal Academy starting in 1802. Beyond his paintings, he gained recognition for producing mezzotint and stipple engravings of prominent figures. His notable engraved portraits include:
In 1824, he became a founding member of the Society of British Artists, eventually serving as its President from 1828 to 1829.
Technique and Legacy
Meyer’s technical versatility allowed him to leave a mark on various mediums. His stipple engraving of Charles Lamb was displayed at the India Office between 1820 and 1850. He also achieved international recognition through his detailed portrait of D. Pedro as Regent of Portugal, a work printed for an edition of Portugal's second Constitution in 1832.
In his later years, Meyer operated a studio in Fitzrovia, London, where he took on private pupils in portraiture and stipple engraving. His students included Jane Waterhouse and Thomas Fairchild. His works are preserved in several significant institutions, including: