更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 27 件 戈特弗里德·林道尔 作品收录于我们的目录中
简而言之
Portrait of Mrs Rosalia Schischka (1876) 是 戈特弗里德·林道尔 最受瞩目的画作；原作收藏于 奥克兰 的 奥克兰美术馆 Toi o Tāmaki。 随后，目光会移向 Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) 和 Wiremu Kingi (1850)。 在 戈特弗里德·林道尔 的 27 件作品中，这 27 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
In this intimate oil portrait from 1860, we find ourselves in a close-up, three-quarter view of a Māori woman and a child. The woman faces slightly to the left, yet her gaze is directed toward us, creating an immediate sense of presence. Behind her shoulder, a small child peers out, adding a layer of tenderness to the composition. The palette is grounded in earthy, muted tones—creams, browns, and blacks—which allow…
The air feels heavy and still around the figure of Ihaka Whanga. He sits in a quiet, dark space, his presence commanding the viewer's immediate attention. Light spills softly from the upper left, catching the stark white of his beard and the deep, weathered textures of his skin. Every line on his face tells a story of survival and endurance. The shadows wrap around him, pulling him forward from the…
A formal full-length portrait from 1870 captures a man of significant standing, positioned with a quiet, commanding presence. He is rendered in a realistic academic style, his figure centered against a theatrical backdrop of deep crimson drapery. The subject holds a rolled document, a gesture signifying his profession or social status. Light enters from the upper left, carving out the volume of his face and the sharp tailoring of his…
Heeni Hirini and Child is an oil on canvas painting by the artist Gottfried Lindauer. Created about 1878, this portrait captures Heeni Hirini, who is also known as Ana Rupene. The work belongs to a series of portraits of Māori people that document the presence and identity of the indigenous people of New Zealand.
A formal and dignified portrait of a young Māori woman, executed with high realism. The composition is a medium close-up, centering the subject against a dark, muted background that emphasizes her presence. The color palette is dominated by earthy and rich tones: deep browns, blacks, and burgundies, contrasted by the bright white of her collar and the subtle warmth of her skin tone. Lines are used softly to define the…
Executed in 1876, this work reflects the high mastery of academic realism prevalent during the late 19th century. The smooth, blended transitions in skin tones demonstrate a disciplined approach to portraiture, where the goal was to achieve a lifelike likeness through controlled technique. The eye-level perspective establishes an intimate yet respectful connection, inviting a quiet observation of the man's features and the quiet gravity of his expression.
Eliza Brookes1876 · 奥克兰美术馆 Toi o Tāmaki
12
Tukukino Te Ahiātaewa1878 · 奥克兰美术馆 Toi o Tāmaki
13
Taraia Ngakuti Te Tumuhuia1874 · 奥克兰美术馆 Toi o Tāmaki
14
Portrait of Eruera Maihi Patuone1874 · 奥克兰美术馆 Toi o Tāmaki
15
Portrait of Pare Watene1878 · 奥克兰美术馆 Toi o Tāmaki
16
Portrait of Terewai Horomona (b.1866)1878 · 皇家收藏馆
17
Portrait of Ngairo Rakai Hikuroa1878
18
Portrait of Wahanui Reihana Te Huatare1880
19
Portrait of Mrs. Paramena1885 · Museum of New Zealand Te Papa Tongarewa
20
Porträt des Mr Paramena1885
21
Kewene Te Haho1890 · 奥克兰美术馆 Toi o Tāmaki
22
Portrait of William Smart1914 · 奥克兰美术馆 Toi o Tāmaki
23
Self portrait1910
24
Tamati Waka Nene1890 · 奥克兰美术馆 Toi o Tāmaki
25
Chief Ngairo Rakaihikuroa in Wairarapa, New ZealandDunedin Public Art Gallery
26
Paratene Te Manu奥克兰美术馆 Toi o Tāmaki
27
Portrait of Kate SperreyTe Whare O Rehua Sarjeant Gallery
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 戈特弗里德·林道尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 奥克兰美术馆 Toi o Tāmaki |
奥克兰 | 13 | Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi |
 Museum of New Zealand Te Papa Tongarewa |
惠灵顿 | 2 | Maori girl, Portrait of Mrs. Paramena |
 Gallery of Western Bohemia |
Plzeň | 1 | Self portrait |
 皇家收藏馆 |
伦敦 | 1 | Portrait of Terewai Horomona (b.1866) |
 Dunedin Public Art Gallery |
1 | Chief Ngairo Rakaihikuroa in Wairarapa, New Zealand | |
 Te Whare O Rehua Sarjeant Gallery |
1 | Portrait of Kate Sperrey |
选择一个年代，探索定义该时代的原创杰作。
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
The gaze of Kewene Te Haho meets the viewer from within this oil on canvas, a portrait that captures a moment of quiet, dignified presence. Painted by Gottfried Lindauer, the work presents a man whose identity is etched into his very skin through intricate patterns. He sits with a sense of stillness, his form rendered with a precision that honors his individual character and the weight of his heritage.
In the Portrait of William Smart, Gottfried Lindauer presents the subject in a three-quarter view. The man gazes slightly off-camera, maintaining a calm and composed expression. His features are illuminated by soft, directional light originating from the upper left, which creates gentle modeling across the face and subtle highlights on the hair and fabric. This lighting strategy emphasizes the luminous skin tones against a dark, somber background. A single pink…
Portrait of Mrs Rosalia Schischka (1876)，奥克兰美术馆 Toi o Tāmaki, 奥克兰。紧随其后的是 Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) 和 Wiremu Kingi (1850)。
37岁：Portrait of Mrs Rosalia Schischka创作于1876年，戈特弗里德·林道尔出生于1839年。
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi, Self portrait, Ana Rupene and child, Portrait of Ihaka Whanga, Porträt des Johann Weitzer, Heeni Hirini and Child, Maori girl 及 Charles Brookes。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 27 件 戈特弗里德·林道尔 的作品，创作年代从 1850 年至 1914 年。
多见于 奥克兰美术馆 Toi o Tāmaki (奥克兰), Museum of New Zealand Te Papa Tongarewa (惠灵顿) 及 Gallery of Western Bohemia (Plzeň)。上方的博物馆列表列出了所有相关机构。
在 1870s 期间：本页 27 件作品中有 13 件创作于该时期，其中包含 Portrait of Mrs Rosalia Schischka 件作品。
在本页面中，最早的作品创作于 Wiremu Kingi (1850)，最晚的创作于 Portrait of William Smart (1914)。
Man (14), Woman (9) 及 Cloak (8)，共计 27 件作品。
Oil On Canvas，共计 23 件（本页共有 27 件作品）。
根据本页面的原作，Academic realism
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga 及 Wiremu Kingi：奥克兰美术馆 Toi o Tāmaki, 奥克兰收藏了本页中 13 件作品。
