格哈德·蒙特 肖像

58 幅最著名的 格哈德·蒙特 作品,每一件都独一无二

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 59 件 格哈德·蒙特 作品收录于我们的目录中

简而言之

The poor Man's Field (1877) 是 格哈德·蒙特 最受瞩目的画作;原作收藏于 奥斯陆 的 国家美术、建筑与设计博物馆。 随后,目光会移向 The Apple Cart (1876) 和 Pigs in Moonlight (1880)。 在 格哈德·蒙特 的 59 件作品中,这 58 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1849 – 1929, 埃尔韦鲁姆 藏品最多:国家美术、建筑与设计博物馆

画廊视角下的 格哈德·蒙特 十大名作

1
The poor Man's Field (1877) 由 格哈德·蒙特

The poor Man's Field

1877 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…

2
The Apple Cart (1876) 由 格哈德·蒙特

The Apple Cart

1876 · Oil On Board · 国家美术、建筑与设计博物馆, 奥斯陆

The Apple Cart by Gerhard Munthe, created about 1876, features a horizontally oriented composition that captures a mundane, everyday moment of rural life. The scene is viewed from a slight side angle, establishing a straightforward perspective of the subjects. At the center of the arrangement, a group of figures is gathered around a wooden cart. A brown horse is positioned to pull the cart, forming a primary focal point within…

3
Pigs in Moonlight (1880) 由 格哈德·蒙特

Pigs in Moonlight

1880 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.

4
Throwing Snowballs (1885) 由 格哈德·蒙特

Throwing Snowballs

1885 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

Throwing Snowballs by Gerhard Munthe is a landscape oil painting created about 1885. The work depicts a lively winter scene set within a village. In the foreground and midground, a group of children is engaged in playing in the snow. These figures are scattered across the white landscape, creating a sense of movement throughout the village square. The scene captures a moment of communal activity during the winter season.

5
Haymaking, Vik at Stange (1884) 由 格哈德·蒙特

Haymaking, Vik at Stange

1884 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

The sun hangs high over the valley of Vik at Stange, bathing the landscape in a bright, natural light that feels heavy with the warmth of midday. In this wide, panoramic view, the air seems to hum with the quiet industry of rural life. A vast, cerulean blue sky stretches overhead, dotted with soft white clouds that drift lazily above the rolling hills. Below, the meadow unfolds in a lush…

6
Farm, Vik at Stange (1884) 由 格哈德·蒙特

Farm, Vik at Stange

1884 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

In this oil on canvas, Gerhard Munthe presents us with Farm, Vik at Stange. Painted about 1884, the work captures a quiet moment within a rural farm scene located in Vik at Stange, Norway. It is a piece that reflects the artist's early engagement with naturalism, focusing on the specificities of the Norwegian landscape during a period of significant development in his career.

7
High Mountains (1885) 由 格哈德·蒙特

High Mountains

1885 · Tempera · 斯泰恩斯博物馆艺术馆, 哥本哈根

This landscape painting, titled High Mountains, was created by the Norwegian artist Gerhard Munthe. Dating to about 1885, the work offers a glimpse into the artist's evolving approach to the natural world. This specific piece is a reproduction of the original painting, capturing the particularities of Munthe's vision from that period.

8
The Artist's Wife in the Arbour (1889) 由 格哈德·蒙特

The Artist's Wife in the Arbour

1889 · Oil On Canvas · 国家美术、建筑与设计博物馆, 奥斯陆

In this oil on canvas, titled The Artist's Wife in the Arbour, the Norwegian painter Gerhard Munthe captures a quiet, private moment of domesticity. Created about 1889, the work presents a scene of stillness and focus. The subject is a solitary woman, seated at a white wooden table, deeply engaged in her needlework. She is framed by the lush, green architecture of a shaded garden arbour, which creates a natural…

格哈德·蒙特 的名画,第 11 至 58 幅

11Åsmund in the King's Hall (1900) 由 格哈德·蒙特Åsmund in the King's Hall1900 · 国家美术、建筑与设计博物馆 12Åsmund at the Gate in the Mountain (1900) 由 格哈德·蒙特Åsmund at the Gate in the Mountain1900 · 国家美术、建筑与设计博物馆 13Åsmund and the Princess riding Home (1904) 由 格哈德·蒙特Åsmund and the Princess riding Home1904 · 国家美术、建筑与设计博物馆 14Portrait of Johannes Flintoe (1920) 由 格哈德·蒙特Portrait of Johannes Flintoe1920 · 奥斯陆博物馆 15Saga (1926) 由 格哈德·蒙特Saga1926 · 国家美术、建筑与设计博物馆 16Pigs at the Barn Bridge (1876) 由 格哈德·蒙特Pigs at the Barn Bridge1876 · 国家美术、建筑与设计博物馆 17Fields at Hedmark in Summer (1875) 由 格哈德·蒙特Fields at Hedmark in Summer1875 · 国家美术、建筑与设计博物馆 18View of the Rhine near Düsseldorf (1875) 由 格哈德·蒙特View of the Rhine near Düsseldorf1875 · 国家美术、建筑与设计博物馆 19Sheaves of Grain (1876) 由 格哈德·蒙特Sheaves of Grain1876 · 国家美术、建筑与设计博物馆 20Autumn (1876) 由 格哈德·蒙特Autumn1876 · 国家美术、建筑与设计博物馆 21Old Barn, Hedmark (1876) 由 格哈德·蒙特Old Barn, Hedmark1876 · 国家美术、建筑与设计博物馆 22Country Courtyard (1875) 由 格哈德·蒙特Country Courtyard1875 · 国家美术、建筑与设计博物馆 23Farm at Hedmark (1876) 由 格哈德·蒙特Farm at Hedmark1876 · 国家美术、建筑与设计博物馆 24View of Nevlunghavn (1880) 由 格哈德·蒙特View of Nevlunghavn1880 · 国家美术、建筑与设计博物馆 25Autumn Landscape, Øylo (1879) 由 格哈德·蒙特Autumn Landscape, Øylo1879 · 国家美术、建筑与设计博物馆 26Autumn Landscape, Øylo (1879) 由 格哈德·蒙特Autumn Landscape, Øylo1879 · 国家美术、建筑与设计博物馆 27Autumn Evening at the Farm, Øylo (1879) 由 格哈德·蒙特Autumn Evening at the Farm, Øylo1879 · 国家美术、建筑与设计博物馆 28Boys taring a Boat, Nevlunghavn (1880) 由 格哈德·蒙特Boys taring a Boat, Nevlunghavn1880 · 国家美术、建筑与设计博物馆 29From the Suburb (1879) 由 格哈德·蒙特From the Suburb1879 · 国家美术、建筑与设计博物馆 30Landscape at Øylo in Mist (1879) 由 格哈德·蒙特Landscape at Øylo in Mist1879 · 国家美术、建筑与设计博物馆 31The Sledge (1879) 由 格哈德·蒙特The Sledge1879 · 国家美术、建筑与设计博物馆 32Farm in Valdres (1879) 由 格哈德·蒙特Farm in Valdres1879 · 国家美术、建筑与设计博物馆 33Birch Trees in Autumn (1880) 由 格哈德·蒙特Birch Trees in Autumn1880 · 国家美术、建筑与设计博物馆 34Brook at Øylo (1879) 由 格哈德·蒙特Brook at Øylo1879 · 国家美术、建筑与设计博物馆 35Evening in the Forest (1880) 由 格哈德·蒙特Evening in the Forest1880 · 国家美术、建筑与设计博物馆 36After the Rain, motif from Eidsvold (1883) 由 格哈德·蒙特After the Rain, motif from Eidsvold1883 · 斯泰恩斯博物馆艺术馆 37In The Garden (1885) 由 格哈德·蒙特In The Garden1885 38At the Well (1886) 由 格哈德·蒙特At the Well1886 · 国家美术、建筑与设计博物馆 39Wooded Landscape (1891) 由 格哈德·蒙特Wooded Landscape1891 · 国家美术、建筑与设计博物馆 40In March (1890) 由 格哈德·蒙特In March1890 · 国家美术、建筑与设计博物馆 41Cotters' farms (1889) 由 格哈德·蒙特Cotters' farms1889 · 国家美术、建筑与设计博物馆 42View from Bærum (1886) 由 格哈德·蒙特View from Bærum1886 · 国家美术、建筑与设计博物馆 43Waterfall at Stange in Hedmark (1886) 由 格哈德·蒙特Waterfall at Stange in Hedmark1886 · 国家美术、建筑与设计博物馆 44The Apple Tree (1887) 由 格哈德·蒙特The Apple Tree1887 · 国家美术、建筑与设计博物馆 45At the Farm, Ulvin (1889) 由 格哈德·蒙特At the Farm, Ulvin1889 · 国家美术、建筑与设计博物馆 46Evening in Eggedal (1888) 由 格哈德·蒙特Evening in Eggedal1888 · 国家美术、建筑与设计博物馆 47The Courtyard at Kongsvoll (1895) 由 格哈德·蒙特The Courtyard at Kongsvoll1895 · 国家美术、建筑与设计博物馆 48Early in the Morning (1897) 由 格哈德·蒙特Early in the Morning1897 · 国家美术、建筑与设计博物馆 49The River Driva (1895) 由 格哈德·蒙特The River Driva1895 · 国家美术、建筑与设计博物馆 50Åsmund bringing Home Silver and Gold (1900) 由 格哈德·蒙特Åsmund bringing Home Silver and Gold1900 · 国家美术、建筑与设计博物馆 51View from Vågå (1905) 由 格哈德·蒙特View from Vågå1905 · 国家美术、建筑与设计博物馆 52Winter in Nittedal (1905) 由 格哈德·蒙特Winter in Nittedal1905 · 国家美术、建筑与设计博物馆 53The first Hall (1900) 由 格哈德·蒙特The first Hall1900 · 国家美术、建筑与设计博物馆 54The fourth Hall (1900) 由 格哈德·蒙特The fourth Hall1900 · 国家美术、建筑与设计博物馆 55The fifth Hall (1904) 由 格哈德·蒙特The fifth Hall1904 · 国家美术、建筑与设计博物馆 56The second Hall (1904) 由 格哈德·蒙特The second Hall1904 · 国家美术、建筑与设计博物馆 57Early Spring (1922) 由 格哈德·蒙特Early Spring1922 · 国家美术、建筑与设计博物馆 58Ecstacy (1895) 由 格哈德·蒙特Ecstacy1895 · Nordnorsk Kunstmuseum

令 格哈德·蒙特 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 格哈德·蒙特 原作的博物馆

收藏了本页中大部分画作的 4 家博物馆。

博物馆 城市 格哈德·蒙特 的作品 此列表中的画作
国家美术、建筑与设计博物馆, 奥斯陆国家美术、建筑与设计博物馆 奥斯陆 53 The poor Man's Field, The Apple Cart, Pigs in Moonlight
斯泰恩斯博物馆艺术馆, 哥本哈根斯泰恩斯博物馆艺术馆 哥本哈根 2 High Mountains, After the Rain, motif from Eidsvold
奥斯陆博物馆, 奥斯陆奥斯陆博物馆 奥斯陆 1 Portrait of Johannes Flintoe
Nordnorsk Kunstmuseum, TromsøNordnorsk Kunstmuseum Tromsø 1 Ecstacy

跨越数十载的 格哈德·蒙特:每一件皆为独一无二的原作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

格哈德·蒙特 的画作:画廊常见问题

格哈德·蒙特 最著名的代表作是什么?揭晓答案

The poor Man's Field (1877),国家美术、建筑与设计博物馆, 奥斯陆。紧随其后的是 The Apple Cart (1876) 和 Pigs in Moonlight (1880)。

格哈德·蒙特 是在多少岁时创作了 The poor Man's Field?揭晓答案

28岁:The poor Man's Field创作于1877年,格哈德·蒙特出生于1849年。

格哈德·蒙特 最著名的十幅画作是哪些?揭晓答案

The poor Man's Field, The Apple Cart, Pigs in Moonlight, Throwing Snowballs, Haymaking, Vik at Stange, Farm, Vik at Stange, High Mountains, The Artist's Wife in the Arbour, Åsmund and his Brothers on the Sea 及 The third Hall。上方排名显示了每件作品的创作年份及馆藏机构。

已知 格哈德·蒙特 有多少件作品?揭晓答案

我们的目录收录了 59 件 格哈德·蒙特 的作品,创作年代从 1875 年至 1926 年。

在哪里可以欣赏到最著名的 格哈德·蒙特 原作?揭晓答案

多见于 国家美术、建筑与设计博物馆 (奥斯陆), 斯泰恩斯博物馆艺术馆 (哥本哈根) 及 奥斯陆博物馆 (奥斯陆)。上方的博物馆列表列出了所有相关机构。

格哈德·蒙特 的代表作创作于哪个时期?揭晓答案

在 1880s 期间:本页 58 件作品中有 19 件创作于该时期,其中包含 Pigs in Moonlight 件作品。

哪幅 格哈德·蒙特 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Fields at Hedmark in Summer (1875),最晚的创作于 Saga (1926)。

格哈德·蒙特 偏好哪些题材?揭晓答案

Grass (3), Landscape (3) 及 Woman (2),共计 58 件作品。

格哈德·蒙特 最常使用哪些材料进行创作?揭晓答案

Oil On Canvas,共计 6 件(本页共有 58 件作品)。

在 国家美术、建筑与设计博物馆 可以看到哪些 格哈德·蒙特 的原作?揭晓答案

The poor Man's Field, The Apple Cart 及 Pigs in Moonlight:国家美术、建筑与设计博物馆, 奥斯陆收藏了本页中 53 件作品。

格哈德·蒙特:艺术家肖像

Gerhard Peter Frantz Munthe: A Visionary of Norwegian Folklore and Art Nouveau

Gerhard Peter Frantz Munthe (1849-1929), a name synonymous with the evocative beauty of Norway, was more than just a painter; he was a chronicler of his nation’s soul. Born in Elverum, Hedmark, to a physician father and a cultured mother steeped in literary tradition, Munthe's life unfolded as a harmonious blend of artistic passion, familial legacy, and a deep connection to the landscapes and legends of his homeland. His work, characterized by its rich symbolism, earthy tones, and masterful depiction of Norwegian folklore, firmly established him as one of Norway’s most significant artists of the late 19th and early 20th centuries, and continues to resonate with collectors today through OriginalUniqueArt's hand-painted reproductions.

Early Life and Artistic Training

Munthe’s artistic journey began under the tutelage of Johan Fredrik Eckersberg in Christiania (now Oslo) in 1870. This initial training laid a foundation in classical realism, but Munthe's true calling lay in capturing the spirit of Norway. He continued his studies with Morten Müller and Knud Bergslien until 1874, before embarking on a period of intensive study in Düsseldorf under Andreas Achenbach and his cousin Ludvig Munthe from 1874 to 1876. This exposure to German artistic traditions broadened his technical skills while simultaneously reinforcing his desire to portray the unique character of Norway. Crucially, this early training instilled in him a deep appreciation for naturalism – a commitment to accurately representing the world as he saw it, particularly the rugged beauty and profound spirituality of the Norwegian landscape.

Munthe’s Distinctive Style: Folklore, Symbolism, and Art Nouveau

Munthe's artistic style evolved significantly over his career, reflecting both his personal experiences and the prevailing trends of the era. Initially influenced by naturalism, he gradually embraced elements of Art Nouveau, characterized by its flowing lines, organic forms, and decorative intensity. However, at the heart of his work remained a profound engagement with Norwegian folklore and mythology. He wasn’t simply depicting scenes; he was translating legends into visual narratives, imbuing them with emotional depth and symbolic resonance. Works like “Åsmund and the Princess riding Home” (1904) exemplify this perfectly – a dramatic illuminated manuscript-inspired piece that blends heroic battle with poignant storytelling, rich in detail and earthy tones. The tapestry "The fifth Hall" further showcases his ability to weave complex narratives into visually stunning compositions.

Illustrations for Snorri Sturluson and Beyond

A pivotal moment in Munthe’s career was his collaboration with Erik Werenskiold on the illustrations for Snorri Sturluson's *Prose Edda*. This ambitious project, undertaken from 1896 to 1899, cemented his reputation as a master of visual storytelling and demonstrated his ability to capture the epic scope and profound symbolism of Norse mythology. These illustrations weren’t mere reproductions; they were reinterpretations, imbued with Munthe's own artistic vision and deeply rooted in his understanding of Norwegian culture. His meticulous attention to detail, combined with a masterful use of color and composition, transformed these ancient tales into vibrant and accessible works of art.

Legacy and Recognition

Munthe’s contributions extended beyond the canvas. He was a respected member of the Høstutstillingen (Autumn Exhibition), a prestigious platform for contemporary Norwegian artists, serving on its selection committee from 1882 to 1905. He also held positions within the National Gallery of Norway and Den norske Husflidsforening, demonstrating his commitment to fostering artistic development in his country. His work is now recognized as an integral part of the national collection, with pieces residing permanently in the National Gallery of Norway. Furthermore, Munthe’s influence can be seen in the decorative arts, particularly through his involvement in creating large tapestries that adorned public spaces and private residences. His legacy endures not only through his paintings but also through the enduring power of his ability to capture the spirit and soul of Norway – a feat beautifully realized and faithfully reproduced by OriginalUniqueArt.com.