更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 39 件 乔治·鲁热 作品收录于我们的目录中
简而言之
在画廊看来，乔治·鲁热 最著名的作品是 Saint Louis Forgiving Pierre de Bretagne (1817)，其原作现收藏于 坎佩尔 的 Musée des Beaux-Arts de Quimper。 Sketch for the church Saint Gervais "Ecce Homo" (1819) 与 Jean-Nicolas Houchard (1835) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，乔治·鲁热 共有 39 件作品，画廊为您精选了以下 39 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In the Sketch for the church Saint Gervais "Ecce Homo" by Georges Rouget, the scene unfolds through a crowded and dynamic arrangement. The composition utilizes a multi-layered assembly of figures to generate a sense of chaotic movement and mounting tension. From a slightly low-angle perspective, the viewer looks upward toward an elevated platform where the central subject is presented to the crowd. This positioning emphasizes the weight of the moment,…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
A middle-aged man sits in a moment of profound stillness, his gaze drifting toward the upper right as if caught by a sudden, unspoken thought. He is draped in the heavy, dark navy blue of a jacket that absorbs the light, contrasting sharply against the crisp, creamy white of his cravat. The light strikes the left side of his face with a deliberate intensity, sculpting the sharp lines of his…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
The canvas before you presents not merely a likeness, but an embodiment of the 19th century’s fascination with portraiture – a meticulously rendered study in dignity and quiet authority. Painted by Georges Rouget between 1803 and 1857, this depiction of Jean Pierre Thenot is more than just a representation; it's a window into a specific moment in French history, imbued with the formal elegance and restrained emotion characteristic of his…
PHILIPPE HENRI SCHUNCK (1757 1847)
12
ARMAND LOUIS DE GONTAUT, DUC DE BIRON, GENERAL EN CHEF DE L'ARMEE DU RHIN (1747 1793)
13
BERTRAND CLAUSEL, CAPITAINE AU 43E DE LIGNE EN 1792 (1772 1842)
14
MARIE HENRI FRANCOIS DE FRANQUETOT, DUC DE COIGNY, MARECHAL DE FRANCE (1737 1821)
15
SAINT LOUIS RENDANT LA JUSTICE SOUS LE CHENE DE VINCENNES.1260
16
HENRI IV DEVANT PARIS ASSIEGE.AOUT 1590
17
VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)凡尔赛歌剧院
18
LAURENT GOUVION SAINT CYR, CAPITAINE AU 1ER BATAILLON DE CHASSEURS DE PARIS EN 1792 (1764 1830)凡尔赛歌剧院
19
ASSEMBLEE DES NOTABLES A ROUEN.4 NOVEMBRE 1596
20
CLAUDE VICTOR PERRIN, LIEUTENANT COLONEL DU 5E BATAILLON DU RHONE EN 1792 (1764 1841)
21
GEORGES ROUGET (1784 1864)
22
Napoléon présente le roi de Rome aux dignitaires de l'Empire, 20 mars 1811凡尔赛歌剧院
23
LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, VICE AMIRAL (1745 1804)
24
LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, CONTRE AMIRAL EN 1792 (1745 1804)
25
Oedipe et Antigone sur le mont Cytheron
26
FRANCOIS MIRANDA, LIEUTENANT GENERAL ( 1816)
27
AUGUSTE FREDERIC LOUIS VIESSE DE MARMONT, LIEUTENANT D'ETAT MAJOR D'ARTILLERIE EN 1792 (1774 1852)
28
CLOVIS III, ROI D'AUSTRASIE, DE NEUSTRIE ET DE BOURGOGNE ( 695)
29
CHARLES III, DIT LE SIMPLE, ROI DE FRANCE (879 929)
30
MORT DE SAINT LOUIS DEVANT TUNIS.25 AOUT 1270
31
Portrait du général M. Portrait d'homme (titre ancien)
32
MARIAGE DE NAPOLEON 1ER ET DE MARIE LOUISE.2 AVRIL 1810
33
NAPOLEON RECOIT A SAINT CLOUD LE SENATUS CONSULTE QUI LE PROCLAME EMPEREUR DES FRANCAIS.18 MAI 1804
34
SAINT LOUIS RECOIT A PTOLEMAIS LES ENVOYES DU VIEUX DE LA MONTAGNE.1251
35
SAINT LOUIS MEDIATEUR ENTRE LE ROI D'ANGLETERRE ET SES BARONS.23 JANVIER 1264凡尔赛歌剧院
36
Mariage de Napoléon Ier et de Marie Louise, 2 avril 1810
37
MESDEMOISELLES MOLLIEN卢浮宫
38
弗朗索瓦·夏塞卢普·拉乌巴特 將軍Ministère de la Défense Nationale
39
EMMANUEL DE GROUCHY, COLONEL DU 2E DRAGON EN 1792 (1766 1847)
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 乔治·鲁热 的作品 | 此列表中的画作 |
|---|---|---|---|
 凡尔赛歌剧院 |
凡尔赛 | 6 | Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794), VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846) |
 卢浮宫 |
巴黎 | 2 | JEAN PIERRE THENOT (1803 1857), MESDEMOISELLES MOLLIEN |
 Musée des Beaux-Arts de Quimper |
坎佩尔 | 1 | Saint Louis Forgiving Pierre de Bretagne |
 Petit Palais |
巴黎 | 1 | Sketch for the church Saint Gervais "Ecce Homo" |
 军事博物馆 |
巴黎 | 1 | Jean-Nicolas Houchard |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 1 | Jacques-Louis David |
 Musée Fesch |
艾克斯恩普罗旺斯 | 1 | The King of Rome in the Tuileries Garden |
 Ministère de la Défense Nationale |
巴黎 | 1 | 弗朗索瓦·夏塞卢普·拉乌巴特 將軍 |
选择一个年代，探索定义该时代的原创杰作。
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
Saint Louis Forgiving Pierre de Bretagne (1817)，Musée des Beaux-Arts de Quimper, 坎佩尔。紧随其后的是 Sketch for the church Saint Gervais "Ecce Homo" (1819) 和 Jean-Nicolas Houchard (1835)。
34岁：Saint Louis Forgiving Pierre de Bretagne创作于1817年，乔治·鲁热出生于1783年。
Saint Louis Forgiving Pierre de Bretagne, Sketch for the church Saint Gervais "Ecce Homo", Jean-Nicolas Houchard, Jacques-Louis David, Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, The King of Rome in the Tuileries Garden, JEAN PIERRE THENOT (1803 1857), DEBARQUEMENT DE SAINT LOUIS EN EGYPTE.4 JUIN 1249, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) 及 FRANCOIS CHRISTOPHE KELLERMAN, GENERAL EN CHEF DE L'ARMEE DE LA MOSELLE EN 1792 (1735 1820)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 39 件 乔治·鲁热 的作品，创作年代从 1817 年至 1850 年。
多见于 凡尔赛歌剧院 (凡尔赛), 卢浮宫 (巴黎) 及 Musée des Beaux-Arts de Quimper (坎佩尔)。上方的博物馆列表列出了所有相关机构。
在 1810s 期间：本页 39 件作品中有 2 件创作于该时期，其中包含 Saint Louis Forgiving Pierre de Bretagne 件作品。
在本页面中，最早的作品创作于 Saint Louis Forgiving Pierre de Bretagne (1817)，最晚的创作于 The King of Rome in the Tuileries Garden (1850)。
Portrait (6), Man (4) 及 Dignified (3)，共计 39 件作品。
Oil On Canvas，共计 6 件（本页共有 39 件作品）。
根据本页面的原作，Neoclassicism
Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) 及 VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)：凡尔赛歌剧院, 凡尔赛收藏了本页中 6 件作品。
