更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 170 件 喬治·錢納利 作品收录于我们的目录中
简而言之
Portrait of Nathan Dunn (1830) 是 喬治·錢納利 最受瞩目的画作；原作收藏于 费城 的 费城艺术博物馆。 随后，目光会移向 Self-Portrait (1800) 和 Portrait of a Gentleman (1800)。 在 喬治·錢納利 的 170 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The Portrait of Nathan Dunn emerges from the shadows of the early nineteenth century, a formal oil painting that captures a man of significant presence. Created by the artist George Chinnery, this work dates to about 1830. It presents a moment frozen in time, where the sitter meets the gaze of the observer with a quiet, steady authority. The portrait serves as a visual record of a man whose life…
In this "Self-Portrait" by George Chinnery, the artist presents himself as a young man in a bust-length composition. Created about 1800, the work captures the subject in a moment of quiet contemplation. He is positioned slightly off-center within the frame, creating a sense of weight and presence. While his body is oriented toward the right, his gaze is fixed directly upon the viewer, establishing a steady connection between the subject…
The artwork titled Portrait of a Gentleman is a portrait miniature created by the artist George Chinnery. This specific work dates to 1800. It depicts a young man in a three-quarter view, capturing the subject from the head to the shoulders. The scale of the piece is small, measuring 7.6 x 6.0cm.
In this intimate oil on canvas, we encounter A Man Called W. C. Hunter, a portrait executed by George Chinnery. The work captures the likeness of W. C. Hunter, presented in a dignified side profile that invites a quiet, contemplative observation. It is a piece that reflects a specific moment in the artist's career, having been painted after 1825.
The oil on canvas portrait depicts Harriet Low in a medium close-up view. She is positioned against a split background where a dark, crimson drapery hangs on the right side, while the left side reveals a hazy, atmospheric landscape. The subject is turned slightly, her gaze directed toward the viewer. She wears a gown of ochre and gold, characterized by voluminous puffed sleeves and soft, fluid lines. Her dark hair…
A Man Carrying Faggot emerges from the brush of George Chinnery, a painter whose life spanned the distance between the bustling streets of London and the coastal reaches of Macau. This work, dating to about 1799, captures a moment of quiet, heavy labor. The artist, born in London, United Kingdom, in 1774, brings a specific, observant eye to this scene of rural toil. One can almost feel the weight of…
This work is a Self-Portrait by the artist George Chinnery. It represents a significant moment in his career, painted during his time in China between 1825 and 1828. Among the dozen self-portraits Chinnery produced throughout his life, this particular likeness is noted for being his most intimate and engaging. It offers a rare, personal glimpse into the character of a man known for his wit and his volatile, eccentric nature.
This delicate watercolor and ink drawing, titled Chinese Scene with figures playing a game, offers a quiet glimpse into a moment of domestic life. Created by George Chinnery around 1835, the work captures a specific social interaction through a soft, observational lens. It is a piece that prioritizes the subtle rhythms of everyday existence over grand historical narratives.
The scene unfolds in "Chinese Shore Scene - Two Fishermen with Skate," a work that captures a quiet moment along a rugged coastline in China. George Chinnery places the viewer directly upon the shore, where the salt air seems to linger around the dark, weathered boulders. Two fishermen work near a small boat, their presence grounding the vastness of the maritime landscape. It is a glimpse into a specific, lived…
In this formal 19th-century group portrait, titled An English Family in Macao, we encounter the quiet dignity of a family settled far from their origins. The work was painted by George Chinnery about 1835. It captures a specific moment of colonial life, presenting a man, a woman, and their three children in a composed, structured arrangement. The subjects are positioned in a pyramidal structure, a choice that provides a sense…
Portrait of a Man Playing a Guitar1835 · 耶鲁英国艺术中心
12
Chinese Gambler1840 · 耶鲁英国艺术中心
13
M. Durand1847 · 纽约历史学会
14
Gilbert Elliot, 1st Earl of Minto (1751-1814), Viceroy of British India and Governor General of the Dutch East Indies (1812-14), George Chinnery, 1812 - 18471847 · 国家博物馆
15
John Lyon1812 · 耶鲁英国艺术中心
16
An Unknown Man1835 · 耶鲁英国艺术中心
17
Portrait of a young Eurasian lady
18
Houqua1843 · 大都会艺术博物馆
19
The Hongs at Canton
20
Portrait Of A Lady, Small Full-length, In A White Dress And A Blue Shawl, Holding A Basket Standing In A Garden
21
Chinese Barber Outside The American Factory In CantonColeton Fishacre
22
Portrait of a Gentleman Called Michael Thomas Sadler耶鲁英国艺术中心
23
Hindu Temple, near Benares, India1813 · 伯明翰博物馆与美术馆
24
Indian Watering Place with Women and Cattle in a Stream1813 · 伯明翰博物馆与美术馆
25
Indian Scene With Rivers and Mountains1813 · 伯明翰博物馆与美术馆
26
Indian river scene with men bathing1813 · 伯明翰博物馆与美术馆
27
Indian Landscape with Temple1815 · 耶鲁英国艺术中心
28
Coolies Round The Food Vendor's Stall, After1825 · 耶鲁英国艺术中心
29
The Praya Grande, Macao, from the south, with St Peter's Fort to the left1837 · 伯明翰博物馆与美术馆
30
Dent's verandah, macao,1842
31
Chinese Junks, 18501850 · 国家海事博物馆
32
A goat sitting in a mountainous river landscape with cattle beyond1850
33
A Gentleman with Auburn Hair耶鲁英国艺术中心
34
Portrait of Mrs Eustace爱尔兰国家美术馆
35
Portrait of Mrs Conyngham爱尔兰国家美术馆
36
Portrait of a Mandarin爱尔兰国家美术馆
37
Chinese Scene, Women Making Tea爱尔兰国家美术馆
38
Chinese Scene, Fishermen爱尔兰国家美术馆
39
Unknown Man国家博物馆
40
Portraits of Mrs Katherine Ann Neish
41
Portrait of Captain James Neish
42
Oriental Figures Before A Cart
43
The Honorable Sir Henry Russel, Bart.
44
A Market In Front Of São Domingos Church, Macao
45
A Family Group Around A Piano
46
A Chinese Barber At Work And A Study Of A Pig
47
The Praya Grande From The South-west, Looking Towards The Town; And A Street Scene, Macao
48
Study Of Cattle And A Figure Walking With A Parasol; And Study Of A Hat
49
Mr And Mrs Richmond Thackeray And Their Son
50
Portrait Of John And Agatha Humphreys
51
Women Seated Outside The Gate Of A House; And A Street Scene, Macao
52
A Tomb Or Part Of A Temple_2
53
Tanka Boats on the Shore,
54
Fishing Boats, Macao
55
The Pool
56
A Young Boy, Full Face In Blue Coat With Gold Buttons
57
A Tanka Woman With Her Child On A Boat
58
Two women and a cow before an indian village
59
Macao
60
Brisco Owen
61
Self Portrait
62
Portrait Studies Of Six Figures
63
A Young Girl, Facing Right In White Dress, Brown Curling Hair; Sky And Cloud Background
64
Portrait Of A Lady瑞典国家肖像画廊
65
View In Southern India, With A Warrior Outside耶鲁英国艺术中心
66
Chinese Gaming At A Table, A Pagoda On A Hill Beyond
67
Portrait Of Lady Elizabeth Stanley With Her Dog, Half-length, Seated
68
A geisha girl
69
Bengal Village Scene伯明翰博物馆与美术馆
70
A Brahminy Bull
71
Untitled国家肖像美术馆
72
The young huntsman
73
View of Praia Grande - Macau1800
74
A Chinese sampan girl香港藝術館
75
Chinese Scene, Boats by Lake爱尔兰国家美术馆
76
A Macchan Or Watch Tower
77
View of Macao, China
78
Tanka Boats Off The He'-ang Shan, China
79
Goats On An Outcrop In The Himalayan Foothills
80
Coast Scene With Figures Near A Wall
81
Near midnapore, bengal
82
A View Of St Joseph's Church From The Quayside
83
Street In Macao, China
84
Portrait Of A Lady, Standing On A Balcony
85
Peasants and Oxen
86
A riverside encampment, china
87
Study of Figures
88
Shipping on a Chinese River
89
Boat with Yellow Sail, China
90
Study Of Two Oriental Men
91
Ruined Tomb With Hindu Ablutions
92
Study of goats
93
Une Figure Assise Avec Une Vache Au Bord D'un Réservoir
94
Two Huts Beside A River, Probably Bengal
95
Dhaka, bangladesh
96
Sampans And Junks On A Chinese River
97
A Chinaman With Goats On A Riverbank
98
Water Carriers And Other Indian Figures, Beneath A Bridge; And Indian Figures And Cattle Outside A Hut
99
Charlotte And Henrietta Edmonstone
100
Indian Figures With A Recumbent Brahmin Bull
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 喬治·錢納利 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 14 | Self-Portrait, Portrait of a Gentleman, A Man Called W. C. Hunter |
 伯明翰博物馆与美术馆 |
伯明翰 | 8 | Chinese Scene with figures playing a game, Chinese Shore Scene - Two Fishermen with Skate, Hindu Temple, near Benares, India |
 爱尔兰国家美术馆 |
都柏林 | 6 | Portrait of Mrs Eustace, Portrait of Mrs Conyngham, Portrait of a Mandarin |
 大都会艺术博物馆 |
纽约 | 3 | Self-Portrait, Houqua |
 国家肖像美术馆 |
伦敦 | 2 | Untitled |
 费城艺术博物馆 |
费城 | 1 | Portrait of Nathan Dunn |
 皮博迪埃塞克斯博物馆 |
塞勒姆 | 1 | Portrait of Harriet Low |
 纽约历史学会 |
纽约 | 1 | M. Durand |
选择一个年代，探索定义该时代的原创杰作。
A Man Carrying Faggot emerges from the brush of George Chinnery, a painter whose life spanned the distance between the bustling streets of London and the coastal reaches of Macau. This work, dating to about 1799, captures a moment of quiet, heavy labor. The artist, born in London, United Kingdom, in 1774, brings a specific, observant eye to this scene of rural toil. One can almost feel the weight of…
In this "Self-Portrait" by George Chinnery, the artist presents himself as a young man in a bust-length composition. Created about 1800, the work captures the subject in a moment of quiet contemplation. He is positioned slightly off-center within the frame, creating a sense of weight and presence. While his body is oriented toward the right, his gaze is fixed directly upon the viewer, establishing a steady connection between the subject…
The gaze of John Lyon meets the viewer through this intimate portrait miniature, a work that captures a quiet moment of existence. George Chinnery, the artist behind this delicate likeness, renders the subject with a precision that feels almost immediate. The piece exists as a small, focused window into a specific life, inviting a close, personal encounter with the sitter.
In this intimate oil on canvas, we encounter A Man Called W. C. Hunter, a portrait executed by George Chinnery. The work captures the likeness of W. C. Hunter, presented in a dignified side profile that invites a quiet, contemplative observation. It is a piece that reflects a specific moment in the artist's career, having been painted after 1825.
The Portrait of Nathan Dunn emerges from the shadows of the early nineteenth century, a formal oil painting that captures a man of significant presence. Created by the artist George Chinnery, this work dates to about 1830. It presents a moment frozen in time, where the sitter meets the gaze of the observer with a quiet, steady authority. The portrait serves as a visual record of a man whose life…
In the watercolor painting titled Chinese Gambler by George Chinnery, three figures are positioned within a dimly lit interior. The composition is asymmetrical, with the subjects clustered toward the left and center-left of the frame. This arrangement leaves a heavy, atmospheric space on the right side of the work. The scene captures a candid moment of daily life, focusing on the immediate interaction between the individuals as they engage in…
Portrait of Nathan Dunn (1830)，费城艺术博物馆, 费城。紧随其后的是 Self-Portrait (1800) 和 Portrait of a Gentleman (1800)。
56岁：Portrait of Nathan Dunn创作于1830年，喬治·錢納利出生于1774年。
Portrait of Nathan Dunn, Self-Portrait, Portrait of a Gentleman, A Man Called W. C. Hunter, Portrait of Harriet Low, A Man Carrying Faggot, Self-Portrait, Chinese Scene with figures playing a game, Chinese Shore Scene - Two Fishermen with Skate 及 An English Family in Macao。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 170 件 喬治·錢納利 的作品，创作年代从 1799 年至 1850 年。
多见于 耶鲁英国艺术中心 (纽黑文), 伯明翰博物馆与美术馆 (伯明翰) 及 爱尔兰国家美术馆 (都柏林)。上方的博物馆列表列出了所有相关机构。
在 1830s 期间：本页 100 件作品中有 8 件创作于该时期，其中包含 Portrait of Nathan Dunn 件作品。
在本页面中，最早的作品创作于 A Man Carrying Faggot (1799)，最晚的创作于 Chinese Junks, 1850 (1850)。
Portrait (17), Man (12) 及 British art (9)，共计 100 件作品。
Oil On Canvas，共计 11 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism
Self-Portrait, Portrait of a Gentleman 及 A Man Called W. C. Hunter：耶鲁英国艺术中心, 纽黑文收藏了本页中 14 件作品。
