更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 108 件 费奥多尔·瓦西里耶夫 作品收录于我们的目录中
简而言之
在 费奥多尔·瓦西里耶夫 留下的所有原作中，最著名的作品是 Summer Hot Day (1869)。 紧随其后的是 River in Krasnoye Selo (1870) 和 Morning in a Village (1869)。 我们的目录收录了 费奥多尔·瓦西里耶夫 的 108 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The canvas presents a horizontal view of a rural landscape under a clear sky. A large tree occupies the center of the frame, its verticality anchoring the composition against the sloping ground and distant hills. A winding path begins in the foreground and recedes into the background, creating a sense of depth through atmospheric perspective. Near this path, a solitary figure sits, positioned slightly off-center. The scene is rendered with…
In this 1870 work, we find ourselves standing on the banks of a river near Krasnoye Selo. The scene is one of profound stillness, where the natural world and human presence exist in a delicate, unforced harmony. Two figures occupy the river bank, their presence adding a sense of scale and intimacy to the landscape. One individual holds an umbrella, a small but significant detail that suggests a moment of…
In this 1869 oil painting, a village scene unfolds through a realistic lens. The foreground is occupied by a woman positioned next to two horses. One horse stands to her left, while the second is situated further back in the composition. The woman's posture suggests she is tending to or leading the animals. Several animals populate the immediate environment, including three dogs located at the center, the right edge, and…
In this 1863 work titled Peasants Hut, the artist Fyodor Vasilyev turns his attention to the quietude of the Russian countryside. The piece focuses on a traditional barn, an element that functions as a symbol of agricultural heritage and the simplicity of rural life. It is a scene that captures a specific moment of stillness within a landscape that feels deeply rooted in the earth.
In "The Trunk of an Old Oak" by Fyodor Vasilyev, a massive oak trunk dominates the frame. The composition is vertically oriented, pulling the eye upward to emphasize the sheer height of the tree. Branches reach out and climb toward the top of the image, carving irregular shapes against the space. At the base of this wooden giant, a smaller figure appears, engaged in quiet activity near the roots. This…
In this work, titled After a Rain. Country Road, Fyodor Vasilyev presents a quiet moment of transition within the Russian countryside. Painted in 1869, the scene captures the immediate aftermath of rainfall, focusing on the subtle shifts in the landscape once the storm has passed. It is a study of a simple rural setting, where the dampness of the earth and the heavy atmosphere of the sky define the mood…
The painting Bank of the Volga after the Storm by Fyodor Vasilyev captures a specific moment of stillness. Created in 1871, the work presents a realistic depiction of a river landscape. The Volga River stretches toward a wide horizon, meeting a sandy shore under a heavy, overcast sky. It is a scene of quietude following a period of turbulence.
There is a profound stillness in this 1870 oil on canvas, a moment captured where the rhythm of labor meets the calm of the natural world. A peasant family occupies a small boat, drifting across a surface of water that reflects a soft, diffused light. A man rows with steady intent, while a woman and child sit within the vessel, their presence part of the landscape rather than an imposition…
In Horses at the Watering by Fyodor Vasilyev, the world is weighted toward the heavens. The composition is dominated by a vast sky where heavy clouds claim the majority of the frame. A low horizon line pushes the earth downward, granting the atmosphere an expansive, overwhelming presence. This arrangement forces the eye to look upward, past the immediate landscape and into the shifting light of the clouds.
On the Bank of the Volga is a landscape painted by Fyodor Vasilyev in 1870. The scene captures a quiet moment along the river's edge, where the water meets the shore in a soft, hazy light. It focuses on the intersection of natural beauty and the quiet rhythms of everyday life.
Evening1869
12
Dugout1870
13
After a Heavy Rain1870
14
At the River. Windy Day1869
15
Near Krasnoye Selo1868
16
Logs by the Road1869
17
Landscape. Pargolovo1868
18
Near a Watering Place1868
19
Before a Thunderstorm1868
20
Barges near the Bank1870
21
Peasants with a Boat on a Sandy Beach1868
22
After a Rain1869
23
Crimean Landscape1873
24
Abandoned Mill1873
25
Mountains of the Crimea in Autumn
26
Autumn1869
27
Barns1870
28
The Shore. Cloudy Day1869
29
On the Island Valaam1869
30
On the Neva1871
31
The Barn1868
32
Cumulus1871
33
On the River. Calm1867
34
Winter1871
35
At the Sink1871
36
The Evening before the Storm1869
37
Rye1870
38
Trees. Study1870
39
Birch Grove in the Evening1869
40
In the Vicinity of St. Petersburg1868
41
Peasant's Courtyard1869
42
Evening1871
43
Dawn in St. Petersburg1870
44
Village1869
45
Landscape with a Rock and Stream1867
46
Road through a Birchwood1869
47
Bridge over a Brook1870
48
On Valaam. Rocks1867
49
Clouds. The Village of Krestinskoye1867
50
Near a Church. Valaam1867
51
Forest Road1869
52
Hot Summer Day1869
53
Before a Thunderstorm1869
54
Volga Lagoon1870
55
The Crowns of the Trees1867
56
After a Rain (Spring in St. Petersburg)1867
57
The Sea with Ships1873
58
Surf Waves1873
59
Self-Portrait1873
60
Morning1873
61
Dawn1873
62
Abandoned Mill 21873
63
On the Beach1873
64
Mountains in the Clouds1873
65
Crimea. Yalta1873
66
Landscape. Crimea1873
67
Pine Grove in the Swamp1873
68
Mountains in the Crimea in Winter1873
69
Evening in the Crimea1873
70
Autumn Forest1873
71
Wet Meadow1872
72
Wet Meadow 1. Study1872
73
In the Mountain of the Crimea. Brook1873
74
In the Crimea. After a Rain1873
75
Abandoned Mill 11873
76
Eriklik the Fountain (Crimea)1872
77
Swamp in a Forest. Mist1873
78
Sailboats. Study
79
Landscape with Clouds
80
Clouds over Hills. Study
81
Early Morning
82
The Thaw俄罗斯国家博物馆
83
Sunset亚美尼亚国家美术馆
84
Clouds
85
Apiary
86
Peasant's House
87
Village
88
Lombardy Poplars on the Bank of a Lake. Evening
89
Tide
90
Rapid Stream
91
Brook in a Forest
92
Bay
93
Oaks
94
Water Mill on a Mountain River. Crimea
95
Cypresses in the Crimea
96
In an Oak Grove
97
Trees
98
Tide near the Shore of the Crimea
99
In the Mountains of the Crimea1873 · 特列季亚科夫画廊
100
Wet Meadow1872 · 特列季亚科夫画廊
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | 费奥多尔·瓦西里耶夫 的作品 | 此列表中的画作 |
|---|---|---|---|
 特列季亚科夫画廊 |
莫斯科 | 8 | In the Mountains of the Crimea, Wet Meadow |
 俄罗斯国家博物馆 |
圣彼得堡 | 3 | The Thaw |
 亚美尼亚国家美术馆 |
埃里温 | 1 | Sunset |
仅仅十年间，从 1863 到 1873，这一系列作品涵盖了每一件带有年份标记的 费奥多尔·瓦西里耶夫 原作：在此按年份为您呈现。
选择年份以查看原作。
In this 1863 work titled Peasants Hut, the artist Fyodor Vasilyev turns his attention to the quietude of the Russian countryside. The piece focuses on a traditional barn, an element that functions as a symbol of agricultural heritage and the simplicity of rural life. It is a scene that captures a specific moment of stillness within a landscape that feels deeply rooted in the earth.
Near Krasnoye Selo is a landscape painting by Fyodor Vasilyev. Created in 1868, the work presents a serene Russian landscape. The scene focuses on a tranquil river winding through a grassy bank under a cloudy sky.
更多来自 1868
The canvas presents a horizontal view of a rural landscape under a clear sky. A large tree occupies the center of the frame, its verticality anchoring the composition against the sloping ground and distant hills. A winding path begins in the foreground and recedes into the background, creating a sense of depth through atmospheric perspective. Near this path, a solitary figure sits, positioned slightly off-center. The scene is rendered with…
更多来自 1869
In this 1870 work, we find ourselves standing on the banks of a river near Krasnoye Selo. The scene is one of profound stillness, where the natural world and human presence exist in a delicate, unforced harmony. Two figures occupy the river bank, their presence adding a sense of scale and intimacy to the landscape. One individual holds an umbrella, a small but significant detail that suggests a moment of…
更多来自 1870
The painting Bank of the Volga after the Storm by Fyodor Vasilyev captures a specific moment of stillness. Created in 1871, the work presents a realistic depiction of a river landscape. The Volga River stretches toward a wide horizon, meeting a sandy shore under a heavy, overcast sky. It is a scene of quietude following a period of turbulence.
更多来自 1871
The scene unfolds in the quietude of a rural Crimean landscape, a place where the earth meets the sky in a soft, hazy embrace. In this work, titled Crimean Landscape, the artist Fyodor Vasilyev captures a moment of profound stillness. A small cottage rests beside a winding stream, its humble presence nestled against the backdrop of distant, mist-shrouded mountains. The air feels heavy with the dampness of the morning or…
更多来自 1873
Summer Hot Day (1869)。紧随其后的是 River in Krasnoye Selo (1870) 和 Morning in a Village (1869)。
19岁：Summer Hot Day创作于1869年，费奥多尔·瓦西里耶夫出生于1850年。
Summer Hot Day, River in Krasnoye Selo, Morning in a Village, Peasants Hut, The Trunk of an Old Oak, After a Rain. Country Road, Bank of the Volga after the Storm, Peasant Family in a Boat, Horses at the Watering 及 On the Bank of the Volga。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 108 件 费奥多尔·瓦西里耶夫 的作品，创作年代从 1863 年至 1873 年。
多见于 特列季亚科夫画廊 (莫斯科), 俄罗斯国家博物馆 (圣彼得堡) 及 亚美尼亚国家美术馆 (埃里温)。上方的博物馆列表列出了所有相关机构。
在 1873 期间：本页 100 件作品中有 21 件创作于该时期，其中包含 Crimean Landscape 件作品。
在本页面中，最早的作品创作于 Peasants Hut (1863)，最晚的创作于 Crimean Landscape (1873)。
Forests (22), Sky (18) 及 Russian landscape (13)，共计 100 件作品。
Oil On Canvas，共计 19 件（本页共有 100 件作品）。
根据本页面的原作，Realism
In the Mountains of the Crimea 及 Wet Meadow：特列季亚科夫画廊, 莫斯科收藏了本页中 2 件作品。
费奥多尔·亚历山德罗维奇·瓦西里耶夫（1850-1873）是俄罗斯风景画发展史上的一个关键人物，但他的职业生涯却异常短暂。尽管只有短短二十年的创作生涯，但他留下的作品深刻影响了一代艺术家，并确立了他作为抒情风景画先驱的地位——这一运动以其氛围深度、情感共鸣和对俄罗斯乡村和克里米亚山脉的亲密描绘为特征。瓦西里耶夫出生于圣彼得堡附近的加钦纳，他的一生充满了艰辛和早期的责任，这些经历无疑塑造了他的艺术视野。
他的出身卑微；他出生于一位低级政府官员亚历山大·瓦西里耶维奇·瓦西里耶夫和奥尔佳·埃米利亚诺娃·波林采娃。他父母的婚姻在他出生四年后才举行，导致他从一开始就被视为私生子。这种早期的处境在他的艺术中灌输了一种自力更生的意识和韧性。从十二岁起，他就被迫通过各种体力劳动工作来谋生——邮递员、抄写员和绘画修复助理——这与他最终遇到的特权艺术圈形成了鲜明对比。
瓦西里耶夫的正式艺术教育始于1863年，当时他报名参加了艺术家促进协会内的绘画学校的夜班。该机构为他提供了技术和艺术史的基础知识，但真正点燃他的创作灵感是他与成熟画家的相遇。值得注意的是，他结识了俄罗斯最著名的风景画家之一伊凡·希什金，希什金认识到瓦西里耶夫非凡的天赋并担任了他的导师。希什金的影响显而易见于瓦西里耶夫的早期作品，尤其是在他们1867年在瓦拉姆岛合作期间创作的作品中。这次经历让他接触到了俄罗斯荒野的壮丽和精神深度。
希什金的指导超越了技术教学；他向瓦西里耶夫介绍了圣彼得堡艺术界的一批有影响力的人物，包括伊凡·克拉姆斯柯伊、伊利亚·列宾、帕维尔·特列季亚科夫和帕维尔·斯特罗加诺夫——后来支持他的赞助人。这些联系证明是无价的，为他提供了展览、委托和评论的机会。然而，瓦西里耶夫的崛起并非没有挑战。他的才华引起了希什金竞争对手的注意，导致艺术界出现了一段激烈的竞争时期和对艺术操纵的指控。
瓦西里耶夫早期的绘画表现出他对法国巴比松画派的明显借鉴。与这一运动相关的艺术家——例如特奥多尔·卢梭和让-弗朗索瓦·米勒——优先捕捉自然本质，经常描绘农村生活的场景，重点关注大气效果和微妙的色彩变化。瓦西里耶夫最初采用了他们的许多技术，采用松散的笔触并优先考虑情绪而非精确的细节。然而，他很快超越了单纯的模仿，发展出自己独特的风格，将巴比松画派的影响与一种独特的俄罗斯感性融为一体。
与经常描绘理想化风景的法国巴比松画家不同，瓦西里耶夫的作品深深植根于俄罗斯乡村和克里米亚山脉的现实。他不仅捕捉了这些地方的视觉外观，还捕捉了它们的情感共鸣——森林小径的宁静孤独、雨打田野的忧郁之美、山峰的壮丽宏伟。他的画作充满了怀旧和渴望，反映了他个人的经历和俄罗斯人民的精神。
这一时期的关键作品，例如《雷雨过后》（1868）和《水边》（1868），展示了瓦西里耶夫通过色彩和光线来营造氛围的能力。他使用柔和的色调、微妙的阴影渐变和动态的笔触创造出一种深度感和运动感，将观众带入场景中。他尤其擅长捕捉天气效果——雨水、雾和薄雾——将普通的风景转变为空灵的美丽领域。
瓦西里耶夫的艺术之旅与圣彼得堡充满活力的艺术界中的几个重要的合作和互动交织在一起。他与伊凡·希什金的协会证明了其形成性，为他提供了宝贵的指导和曝光。然而，瓦西里耶夫还在1870年与伊利亚·列宾在伏尔加河上的富有成效的工作关系中参与，创作出令人回味的画作《伏尔加河风光。驳船》。这次经历拓宽了他的艺术视野，让他接触到新的主题和技术。
此外，瓦西里耶夫成为“流浪者” (Peredvizhniki) 的一员，这是一个现实主义艺术家团体，他们试图描绘普通俄罗斯人的生活和斗争。尽管他最初不愿完全接受这一运动的政治议程，但他认识到它作为推广其作品并与更广泛受众接触的平台的重要性。他加入“流浪者”使他与其他著名的艺术家接触，例如列宾、克拉姆斯柯伊和维克多·马祖林。
尽管取得了蓬勃发展，但瓦西里耶夫的一生却在23岁时被悲剧性地夺走了。他被诊断出患有肺结核，寻求庇护于克里米亚山脉，希望从疾病中得到缓解。然而，他的健康状况持续恶化，最终于1873年10月在雅尔塔去世。
他的英年早逝给俄罗斯艺术界留下了空虚，但瓦西里耶夫的遗产通过他非凡的作品得以延续。他的画作因其氛围深度、情感共鸣和对俄罗斯风景的亲密描绘而受到赞誉。他被广泛认为是抒情风景画先驱之一，他的影响可以在后代俄罗斯艺术家的作品中看到，包括伊萨克·列维坦和瓦伦丁·谢罗夫。瓦西里耶夫短暂而辉煌的职业生涯证明了艺术视野的力量和自然世界持久的美丽。
费奥多尔·瓦西里耶夫的一生虽然短暂而悲惨，但他的艺术遗产至今仍在激励和吸引着观众。他的画作为俄罗斯的灵魂提供了一个令人心酸的视角——它的美丽、它的忧郁及其持久的精神。
