更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 215 件 弗雷德里克·古道尔 作品收录于我们的目录中
简而言之
Hunt the Slipper (1860) 是 弗雷德里克·古道尔 最受瞩目的画作；原作收藏于 谢菲尔德 的 谢菲尔德城市美术馆。 随后，目光会移向 The Holy Well (1843) 和 The Village Holiday (1847)。 在 弗雷德里克·古道尔 的 215 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
The Village Holiday by Frederick Goodall captures a lively moment of communal celebration. This 1847 oil painting presents a genre scene where the rhythms of rural life take center stage. Within the frame, traditional festivities unfold in an English village, looking back to a time of simple, shared joy. The atmosphere feels thick with the energy of a community gathered together, momentarily stepping away from the toil of daily existence…
In Market People of Brittany in a Boat, Frederick Goodall centers the composition around a wooden boat that occupies most of the frame's central area. This vessel is filled with various people and goods. To the left of the boat, a shoreline featuring reeds and vegetation is visible. On the right side, a distant bank or coastline is suggested, providing a sense of scale to the water. The horizon line…
A Halt at a Brittany Well is an oil on canvas by Frederick Goodall. Painted about 1844, the work captures a quiet moment of rest in the rural landscape of Brittany, France. The scene focuses on a man, a woman, and a child pausing by an old stone well, accompanied by a horse and cart. It is a study of stillness amidst the daily rhythms of provincial life.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
An Episode in the Happier Days of Charles I is an oil on canvas history painting by the British artist Frederick Goodall. Executed in 1853, the work represents a significant contribution to the mid-Victorian interest in historical narrative and royal portraiture. The piece reflects the technical precision Goodall developed through his early training and his subsequent reputation for large-scale figure subjects.
The Heath Cart by Frederick Goodall, created about 1850, centers its composition on a wooden cart and its occupants. A donkey pulls the vehicle across a rugged, uneven landscape, establishing a focal point amidst the surrounding terrain. The figures within the cart are positioned to suggest family unity and the shared nature of their labor. This arrangement emphasizes the human element within a vast, pastoral setting.
A mother sits upon a patterned rug, her body curved around the small, pale weight of her infant. The scene is set within a room that breathes the air of the Middle East or North Africa, a space defined by soft shadows and the stillness of a private moment. Light spills from an unseen source to the left, catching the smooth curve of a baby's cheek and the gentle slope…
In High Society Couple, Frederick Goodall presents a quiet, composed scene from the height of Victorian social life. Painted about 1861, the work captures a man and woman positioned within an arched doorway, their presence framed by the architecture of a refined urban setting. They are accompanied by servants, a detail that subtly acknowledges the social hierarchies and domestic structures of the era. A small dog sits at the bottom…
Rachel1867 · 维多利亚州国立美术馆
12
the marriage procession1870
13
A Helping Hand, Cairo1870
14
Interior of a Coffee Shop, Cairo1870
15
The Marriage Procession1870 · Touchstones Rochdale Arts And Heritage Centre
16
Getting in the Sugar Cane, River Nile1875 · Grundy Art Gallery
17
Mother and Child1875 · Petit Palais
18
The Flight into Egypt1884 · Te Whare O Rehua Sarjeant Gallery
19
Memphis1882
20
Egyptian Woman and Child1879 · Russell
21
Leading the Flock1889
22
Davids Promise to Bathsheba
23
Egyptian nomad
24
Early Morning in the Wilderness of Shur
25
La Porte du Desert
26
Puritan and Cavalier1886 · 沃克艺术馆
27
Old and Young Come Forth To Play1847
28
Leaving a Church, Brittany1840 · 伍尔弗汉普顿美术馆
29
Gypsy Encampment1848 · Towner Gallery
30
Entering a Church, Britanny1840 · 伍尔弗汉普顿美术馆
31
Ruins of Egypt1849
32
the swing1853
33
tired gleaners1855
34
William Edward Dighton (1822–1853) in Middle Eastern Dress1852 · 大都会艺术博物馆
35
William Edward Dighton (1822 1853) in Middle Eastern Dress1852
36
A Letter from Papa1855
37
summer song1863
38
arab boy resting1858
39
Portrait of a Middle Eastern Girl1859
40
Felice Ballarin Reciting Tasso to the People of Chioggia1858 · 谢菲尔德城市美术馆
41
Highland Jessie (also known as The Campbells are Coming)1858
42
The Drinking Trough A Scene in Brittany1857
43
The Rising of the Nile1865
44
rebekah
45
Widow of Nain1874
46
the water bearers1878
47
The Distaff Worker1878 · Nottingham Castle Museum And Art Gallery
48
A New Light in the Harem - Oil on Canvas -1885
49
A View of Eton from Windsor Castle1889 · 皇家收藏馆
50
the young arab outpost - oil on canvas -1889
51
Puritan and Cavalier1886
52
portrait1891
53
Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum1890 · 国家肖像美术馆
54
Spinners and weavers1894
55
Rica his daughter1894
56
The Ploughman and the Shepherdess Time of the Evening Prayer1897
57
Female Riding Camel1893
58
Landscape Near Folkestone, Kent1900
59
Rachel
60
fruit woman
61
Thomas Cranmer At The Traitor's Gate
62
The homely meal
63
the flight into egypt
64
A woman of Cairo
65
untitled
66
a fairy scene
67
flower girls
68
jessies dream
69
miranda frederick goodall
70
an arabian dealerPetit Palais
71
a letter from papa
72
the irish piper
73
sheik distributing alms
74
the grand bazaar
75
A Dream of Paradise
76
an eygptian flower girl
77
Figures and Goats by an Oasis
78
The Song of the Nubian Slave
79
Musicians
80
Bazaar scene
81
Leaving the Village
82
Market Day
83
Femme à la cruche
84
The Light of the Rising Sun upon the Pyramids of Ghizeh
85
Irish Cabin Interior
86
Maternal Affection
87
The Irish Piper
88
The children of Charles I illustration from Hutchinsons Story of the British Nation1923
89
An Arab home1893 · 新南威爾士藝術畫廊
90
Trespassers
91
travellers in the desert
92
Arab travellers at sunset a town beyond
93
Scen at a well
94
Arabs in the Desert
95
driving ducks
96
At the well
97
an eastern shepherdess
98
Overflow of the Nile
99
By the Nile
100
the pipe smoker
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 弗雷德里克·古道尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 谢菲尔德城市美术馆 |
谢菲尔德 | 3 | Hunt the Slipper, The First Born, Felice Ballarin Reciting Tasso to the People of Chioggia |
 Petit Palais |
巴黎 | 2 | Mother and Child, an arabian dealer |
 伍尔弗汉普顿美术馆 |
伍尔弗汉普顿 | 2 | Leaving a Church, Brittany, Entering a Church, Britanny |
 爱尔兰国家美术馆 |
都柏林 | 1 | The Holy Well |
 Fitzwilliam Museum |
1 | The Heath Cart | |
 维多利亚州国立美术馆 |
墨尔本 | 1 | Rachel |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | The Marriage Procession |
 Grundy Art Gallery |
Blackpool | 1 | Getting in the Sugar Cane, River Nile |
选择一个年代，探索定义该时代的原创杰作。
The Holy Well is an oil painting by the English painter Frederick Goodall. Created about 1843, this work depicts a group of figures gathered around a stone well situated within a wooded, rustic setting. The scene includes a stone cross and the remains of an archway in the background, establishing a setting defined by religious and historical elements.
Mother and Children is an oil on panel work by the English artist Frederick Goodall. Executed in 1851, the painting belongs to a period in the artist's career preceding his extensive travels to Egypt. Goodall, who lived from 1822 to 1904, established himself within the London art establishment through numerous exhibitions at the Royal Academy.
The painting Hunt the Slipper by Frederick Goodall captures a moment of communal movement. Created in 1860, this work presents a landscape format that stretches the viewer's gaze across a rural scene. It is an oil on panel, a medium that holds the light of a mid-nineteenth-century afternoon within its grain.
In the marriage procession, Frederick Goodall presents a scene of Middle Eastern travelers and a camel caravan. The composition is vertically oriented, directing the viewer's gaze upward from the foreground figures toward distant buildings and palm trees. A group of men occupies the center, riding atop a richly decorated camel. Among them, one man prominently carries drums while another plays a pipe, establishing a sense of movement and ritual. Several…
In this work, titled The Flight into Egypt, Frederick Goodall presents a quiet moment of biblical history. Painted about 1884, the scene captures a period of profound transition. The subject matter focuses on the necessity of movement, touching upon themes of migration, refuge, and endurance as the figures navigate a landscape of uncertainty.
Hunt the Slipper (1860)，谢菲尔德城市美术馆, 谢菲尔德。紧随其后的是 The Holy Well (1843) 和 The Village Holiday (1847)。
38岁：Hunt the Slipper创作于1860年，弗雷德里克·古道尔出生于1822年。
Hunt the Slipper, The Holy Well, The Village Holiday, Market People of Brittany in a Boat, A Halt at a Brittany Well, Mother and Children, The Happier Days of Charles I, The Heath Cart, The First Born 及 High Society Couple。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 215 件 弗雷德里克·古道尔 的作品，创作年代从 1840 年至 1900 年。
多见于 谢菲尔德城市美术馆 (谢菲尔德), Petit Palais (巴黎) 及 伍尔弗汉普顿美术馆 (伍尔弗汉普顿)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 100 件作品中有 13 件创作于该时期，其中包含 Mother and Children 件作品。
在本页面中，最早的作品创作于 Leaving a Church, Brittany (1840)，最晚的创作于 Landscape Near Folkestone, Kent (1900)。
Landscape (8), Woman (8) 及 Victorian art (8)，共计 100 件作品。
Oil On Canvas，共计 16 件（本页共有 100 件作品）。
Hunt the Slipper, The First Born 及 Felice Ballarin Reciting Tasso to the People of Chioggia：谢菲尔德城市美术馆, 谢菲尔德收藏了本页中 3 件作品。
1822年的伦敦，弗雷德里克·古道尔出生在一个充满精确线条与精湛工艺的世界。作为钢线雕刻师爱德华·古道尔的次子，这种家族血脉中蕴含的对机械刻画的严谨追求，为他日后对细节近乎执着的捕捉奠定了坚实的审美基础。在惠灵顿路学院接受的正式教育，不仅磨炼了他的基本功，更像是一场漫长的修行，为他日后应对专业艺术创作的严苛挑战做好了充分准备。
从学徒到专业艺术家的蜕变，以一种令人惊叹的速度降临。年仅十六岁的弗雷德里克·古道尔便获得了一份意义非凡的委托——由伟大的工程师伊萨姆巴德·布鲁内尔所托，通过六幅水彩画来记录罗瑟希斯隧道的建设过程。这些作品的意义早已超越了单纯的工程记录，它们更像是这位天才少年向世界发出的宣言，将他初露锋芒的才华推向了公众视野。其中四幅水彩画成功进入皇家学院展出，这不仅是他艺术生涯的里程碑，更标志着他与这家将定义他一生的艺术殿堂开启了第一次深刻的邂逅。
弗雷德里克·古道尔的艺术轨迹始于一段令人瞩目的早期成功。年仅十六岁时，他便创作了六幅水彩画，生动地记录了伊萨姆巴德·威廉·布鲁内尔建造泰晤士隧道的过程，这些作品在1838年便成功进入皇家学院展出。这种早期的创作势头也延续到了他的油画创作中，他首件油画作品便荣获了艺术学会颁发的银奖章。凭借着过人的天赋，他迅速在伦敦艺术界确立了自己的地位，在1838年至1859年间，他曾27次受邀在皇家学院展出作品。
随着名声的日益显赫，艺术机构的认可也接踵而至。1852年，他当选为皇家学院院士（ARA）。这一上升势头一直持续到1863年，他最终获得了皇家学院正式院士（RA）的殊荣。在随后的数十年里，他在学院内部的影响力始终稳固；在长达46年的艺术生涯中，他累计在皇家学院展出了170幅画作。他的创作主题往往聚焦于宏大的人物题材，从深邃的历史叙事到充满生活气息的埃及当代场景，展现了极广阔的艺术视野。
在弗雷德里克·古道尔的艺术生涯中，埃及主题始终占据着核心地位。1858年的首次远征，让他与艺术家 Carl Haag 在开罗共用一间房屋与工作室。他们并肩穿梭在城市的街道与郊野，在写生中捕捉异域的律动。这段旅程标志着他艺术风格的一次深刻转型——他开始转向对民族志细节的极致追求。他不再仅仅是一个站在远处的旁观者，而是选择与贝都因部落的人们一同露营，试图通过这种沉浸式的方式，去捕捉并还原那些最真实、最质朴的生活纹理。
1870年，他再次踏上前往埃及的旅程。这一次，他定居在金字塔附近的萨卡拉。为了追求艺术创作中的绝对准确性，他甚至不惜将羊群带回英国，只为在画笔下精准地还原这些动物的形态。他痴迷于沙漠中那份独特的、变幻莫测的光影与律动，这种对真实的近乎执着的追求，让他超越了少年时代熟悉的风景，转而以一种极其敏锐且严谨的视角，去记录并诠释一种古老而神秘的文化。
1846年，弗雷德里克·古道尔步入了一段将他与雕刻技术传统紧密相连的婚姻。他迎娶了雕刻师 詹姆斯·汤姆森 的女儿安妮·汤姆森。两人共同建立了一个充满艺术气息的家庭，这里逐渐成为了艺术才华汇聚的重要中心。他们的五个孩子在一种以视觉研究为特征的环境中成长；在这些子女中，弗雷德里克·特里维兰和霍华德·古道尔都继承了家族的衣钵，投身于艺术事业之中。
随着1869年安妮的离世，这种稳定的家庭生活发生了转折。在哀悼期过后，他于1872年迎来了第二次婚姻。他的新婚妻子爱丽丝·梅·塔里本身也是一位艺术家。这段结合延续了其家庭生活与绘画实践及专业艺术圈层紧密交织的生命模式。
弗雷德里克·古道尔社会地位的巅峰，在哈罗·韦尔德（Harrow Weald）的格里姆斯·戴克（Grims Dyke）府邸落成时达到了顶点。这座建筑于1870年至1872年间建成，成为了他社交圈的核心，甚至曾接待过威尔士亲王等显赫宾客。这段岁月见证了他家庭生活与职业生涯最稳固、最辉煌的时刻，与后来命运的剧烈波动形成了鲜明的对比。
然而，晚年却伴随着剧烈的跌宕。到了1902年，这位曾经受人景仰的艺术家不得不直面破产的残酷现实。曾经定义了他辉煌事业的繁荣景象转瞬即逝，留下的遗产中既有卓越的艺术成就，也刻下了突如其来的财务困窘。1904年7月29日，弗雷德里克·古道尔溘然长逝。他的遗骸安葬在海格特公墓（Highgate Cemetery）西侧的家族墓穴中。
