弗朗西斯·多德 肖像

弗朗西斯·多德 作品:画廊视角下的 43 幅名作

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 43 件 弗朗西斯·多德 作品收录于我们的目录中

简而言之

在画廊看来,弗朗西斯·多德 最著名的作品是 Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941)。 Louisa Garrett Anderson (1873–1943) (1921) 与 Spring in the Suburbs (1925) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,弗朗西斯·多德 共有 43 件作品,画廊为您精选了以下 43 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1874 – 1949, 霍利希德 Victorian realism 藏品最多:Guardian News - Media Archive

画廊中 弗朗西斯·多德 的十大名画

1
Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941) 作 弗朗西斯·多德

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security

1941 · Oil

In this 1941 portrait, we encounter Wing Commander Eric John Hodsoll, a man whose very presence commands a quiet, disciplined respect. He is captured in a moment of stillness, dressed in a formal suit and tie, with his hands tucked into his pockets in a gesture that feels both casual and profoundly composed. There is a weight to his gaze, a steady look directed toward the viewer that suggests a…

2
Louisa Garrett Anderson (1873–1943) (1921) 作 弗朗西斯·多德

Louisa Garrett Anderson (1873–1943)

1921 · Oil On Canvas · Royal Free Hospital, London

The gaze is direct, unwavering, and heavy with the weight of experience. In this 1921 oil portrait, Louisa Garrett Anderson faces the viewer from the chest up, her expression a quiet architecture of determination. She does not smile. Instead, her features are defined by the subtle shadows of a soft, diffused light that enters from the left, carving the contours of a face that has seen the rigors of the…

3
Spring in the Suburbs (1925) 作 弗朗西斯·多德

Spring in the Suburbs

1925 · Oil On Canvas · Sunderland Museum - Winter Gardens, 桑德兰

A central perspective draws the eye down a residential street toward a distant church spire. The composition is balanced, framed by trees that line the roadside and define the depth of the scene. While the title suggests a season of renewal, the bare branches indicate the lingering chill of late autumn or winter. Figures walk along the pavement, adding a sense of daily life to the structured architecture. The scene…

4
Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949) (1946) 作 弗朗西斯·多德

Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949)

1946 · Oil On Canvas · 皇家音乐学院, 伦敦

Francis Dodd captures Sir Stanley Marchant in a moment of quiet, seated dignity. The portrait presents an older gentleman, his presence defined by a steady, direct gaze and the structured lines of a formal suit. He sits amidst a sparse arrangement of a wooden chair and a small table, upon which rests a collection of sheet music. This subtle inclusion points toward his life as a composer and organist, grounding…

5
The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930) 作 弗朗西斯·多德

The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930)

Oil · 哥特福德学院, 牛津

In this portrait, Francis Dodd captures the quiet gravity of the Right Reverend Martin Linton Smith. The subject is seated, draped in a white robe accented by a striking red trim, a garment that speaks to his ecclesiastical standing. There is a certain stillness to his posture, a sense of a man accustomed to the weight of his responsibilities. His gaze is direct and stern, meeting the viewer with a…

6
Edward Taylor Scott (1883–1932) (1920) 作 弗朗西斯·多德

Edward Taylor Scott (1883–1932)

In this evocative portrait from 1920, the viewer is immediately drawn into an intimate encounter with a man of quiet distinction. Painted by Francis Dodd, the work captures Edward Taylor Scott not merely as a subject, but as a presence that commands the space through a subtle, dignified stillness. The composition centers on a gentleman dressed in the formal elegance of the early twentieth century, his crisp white shirt and…

7
Marianne Frances Bernard (1916) 作 弗朗西斯·多德

Marianne Frances Bernard

1916 · Oil On Canvas · Girton College, 剑桥

In this 1916 portrait, Francis Dodd presents us with Marianne Frances Bernard. The work captures the subject in a moment of quietude, portraying her with a sense of serenity and contemplation. There is a stillness to her posture that invites a closer look at the character Dodd sought to convey through his brush.

8
Laurence Prestwich Scott (1877–1908) (1920) 作 弗朗西斯·多德

Laurence Prestwich Scott (1877–1908)

1920 · Oil On Canvas · Guardian News - Media Archive, 伦敦

The gaze of Laurence Prestwich Scott is a steady, searching weight. He sits within the quiet, dignified strokes of a portrait that captures a man caught between presence and tragedy. His eyes, fixed and contemplative, command the space around him. He is dressed in the formal attire of the Edwardian period, wearing a sharp suit and meticulously tied neckwear that speaks of a specific, structured era. While shadows of other…

弗朗西斯·多德 的画作,排名第 11 至 43

11Sarah Venables (1901) 作 弗朗西斯·多德Sarah Venables1901 · Bolton Museum And Art Gallery 12Miss Caroline Herford (Mrs Robert Blake) (1904) 作 弗朗西斯·多德Miss Caroline Herford (Mrs Robert Blake)1904 13Afternoon in the Parlour (1903) 作 弗朗西斯·多德Afternoon in the Parlour1903 14High Street, Greenwich (1908) 作 弗朗西斯·多德High Street, Greenwich1908 15Signora Lotto (1906) 作 弗朗西斯·多德Signora Lotto1906 16Charles Prestwich Scott (1846–1932) (1916) 作 弗朗西斯·多德Charles Prestwich Scott (1846–1932)1916 17In the Park (1916) 作 弗朗西斯·多德In the Park1916 18Admiral Sir Edward Eden Bradford, KCB, CVO (1920) 作 弗朗西斯·多德Admiral Sir Edward Eden Bradford, KCB, CVO1920 19Dr Flora Murray (1869–1923) (1921) 作 弗朗西斯·多德Dr Flora Murray (1869–1923)1921 · Royal Free Hospital 20Interrogation (1919) 作 弗朗西斯·多德Interrogation1919 21An Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley (1921) 作 弗朗西斯·多德An Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley1921 22Ely (1926) 作 弗朗西斯·多德Ely1926 23Willow in Winter (1928) 作 弗朗西斯·多德Willow in Winter1928 24Lord Snell of Plumstead (1865–1944), Politician and Compaigner (1934) 作 弗朗西斯·多德Lord Snell of Plumstead (1865–1944), Politician and Compaigner1934 · Guildhall Art Gallery 25Sir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932) (1934) 作 弗朗西斯·多德Sir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932)1934 26Alderman Frederick W. F. Matthew (1938) 作 弗朗西斯·多德Alderman Frederick W. F. Matthew1938 · Harris Museum - Art Gallery 27Dame Margaret Janson Tuke (1862–1947) (1934) 作 弗朗西斯·多德Dame Margaret Janson Tuke (1862–1947)1934 · Royal Holloway 28Alderman Sir Archibald Flower, Honorary Freeman and Seven Times Mayor (1935) 作 弗朗西斯·多德Alderman Sir Archibald Flower, Honorary Freeman and Seven Times Mayor1935 · Stratford-upon-avon Town Hall 29Portrait of a Past Rhodes Trustee (1943) 作 弗朗西斯·多德Portrait of a Past Rhodes Trustee1943 · 罗德信托 30An Aerial Battle (1940) 作 弗朗西斯·多德An Aerial Battle1940 31Percival Henry Martin, Post Office, Bristol (1945) 作 弗朗西斯·多德Percival Henry Martin, Post Office, Bristol1945 · 布里斯托博物馆与美术馆 32The Well Hall Road (1948) 作 弗朗西斯·多德The Well Hall Road1948 33Tank Attack on an Italian Village (1945) 作 弗朗西斯·多德Tank Attack on an Italian Village1945 34Colonel Sir William John Kent, CBE, TD, DL, JR (1945) 作 弗朗西斯·多德Colonel Sir William John Kent, CBE, TD, DL, JR1945 · Staffordshire County Buildings 35亚瑟·莱昂纳德·史密斯肖像画 (1913) 作 弗朗西斯·多德亚瑟·莱昂纳德·史密斯肖像画1913 · Balliol College 36John Russell Scott (1879–1949) (1920) 作 弗朗西斯·多德John Russell Scott (1879–1949)1920 · Guardian News - Media Archive 37Gardens at Hammersmith Allotments (1929) 作 弗朗西斯·多德Gardens at Hammersmith Allotments1929 38Whitehall, London 作 弗朗西斯·多德Whitehall, London 39Walter Alexander Raleigh (1861–1922) 作 弗朗西斯·多德Walter Alexander Raleigh (1861–1922)默顿学院 40William Ernest Henley (1849–1903), Poet and Literary Agent 作 弗朗西斯·多德William Ernest Henley (1849–1903), Poet and Literary AgentThe Crypt School 41Lord Birdwood, Master (1931–1938) 作 弗朗西斯·多德Lord Birdwood, Master (1931–1938)彼得豪斯學院 42Hugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930) 作 弗朗西斯·多德Hugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930)哥特福德学院 43罗恩·乔治·贵格斯勋爵,奥斯卡·克劳德·莫奈风格肖像画 作 弗朗西斯·多德罗恩·乔治·贵格斯勋爵,奥斯卡·克劳德·莫奈风格肖像画圣约翰学院

令 弗朗西斯·多德 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 弗朗西斯·多德 原作的博物馆

收藏了本页大部分画作的 8 家博物馆。

博物馆 城市 弗朗西斯·多德 的作品 此列表中的画作
Guardian News - Media Archive, 伦敦Guardian News - Media Archive 伦敦 3 Edward Taylor Scott (1883–1932), Laurence Prestwich Scott (1877–1908), John Russell Scott (1879–1949)
Royal Free Hospital, LondonRoyal Free Hospital London 2 Louisa Garrett Anderson (1873–1943), Dr Flora Murray (1869–1923)
哥特福德学院, 牛津哥特福德学院 牛津 2 The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930), Hugh Cecil (1869–1956), Lord Quickswood, Prize Fellow and Later Honorary Fellow of Hertford (1929 1930)
Sunderland Museum - Winter Gardens, 桑德兰Sunderland Museum - Winter Gardens 桑德兰 1 Spring in the Suburbs
皇家音乐学院, 伦敦皇家音乐学院 伦敦 1 Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949)
Girton College, 剑桥Girton College 剑桥 1 Marianne Frances Bernard
沃克艺术馆, 利物浦沃克艺术馆 利物浦 1 An Elderly Woman
Bolton Museum And Art Gallery, 博尔顿Bolton Museum And Art Gallery 博尔顿 1 Sarah Venables

弗朗西斯·多德,每十年一件代表作

各年代作品统计

选择一个年代,探索定义该时代的原创杰作。

弗朗西斯·多德 的画作:画廊解答

哪幅 弗朗西斯·多德 的画作最为闻名?揭晓答案

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security (1941)。紧随其后的是 Louisa Garrett Anderson (1873–1943) (1921) 和 Spring in the Suburbs (1925)。

弗朗西斯·多德 完成 Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security 时多大年纪?揭晓答案

67岁:Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security创作于1941年,弗朗西斯·多德出生于1874年。

弗朗西斯·多德 最受欢迎的 10 幅画作是哪些?揭晓答案

Wing Commander Eric John Hodsoll (1894–1971), CB, Inspector General, Ministry of Home Security, Louisa Garrett Anderson (1873–1943), Spring in the Suburbs, Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949), The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930), Edward Taylor Scott (1883–1932), Marianne Frances Bernard, Laurence Prestwich Scott (1877–1908), An Elderly Woman 及 Henry Lamb (1883–1960)。上方排名显示了每件作品的创作年份及馆藏机构。

弗朗西斯·多德 创作了多少件作品?揭晓答案

我们的目录收录了 43 件 弗朗西斯·多德 的作品,创作年代从 1895 年至 1948 年。

弗朗西斯·多德 最著名的原作收藏于何处?揭晓答案

多见于 Guardian News - Media Archive (伦敦), Royal Free Hospital (London) 及 哥特福德学院 (牛津)。上方的博物馆列表列出了所有相关机构。

弗朗西斯·多德 是在什么时候创作出最著名的画作的?揭晓答案

在 1920s 期间:本页 43 件作品中有 11 件创作于该时期,其中包含 Louisa Garrett Anderson (1873–1943) 件作品。

弗朗西斯·多德 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 An Elderly Woman (1895),最晚的创作于 The Well Hall Road (1948)。

弗朗西斯·多德 最常创作的主题是什么?揭晓答案

Man (4), Formal attire (3) 及 Portrait (3),共计 43 件作品。

弗朗西斯·多德 最常用的创作媒介是什么?揭晓答案

Oil On Canvas,共计 5 件(本页共有 43 件作品)。

弗朗西斯·多德 属于哪种艺术流派?揭晓答案

根据本页面的原作,Victorian realism

Guardian News - Media Archive收藏了哪些弗朗西斯·多德的原作?揭晓答案

Edward Taylor Scott (1883–1932), Laurence Prestwich Scott (1877–1908) 及 John Russell Scott (1879–1949):Guardian News - Media Archive, 伦敦收藏了本页中 3 件作品。

弗朗西斯·多德:艺术家

The Life and Legacy of Francis Dodd

Francis Edgar Dodd was a distinguished British portrait painter, landscape artist, and printmaker whose work captured the profound essence of his subjects through remarkable accuracy and depth. Born in Holyhead, Wales, as the son of a Wesleyan minister, Dodd’s artistic journey began with formal training at the Glasgow School of Art. It was during his time in Glasgow that he demonstrated exceptional promise, winning the Haldane Scholarship in 1893. This prestigious achievement allowed him to traverse the cultural landscapes of France, Italy, and Spain, experiences that undoubtedly enriched his visual vocabulary and technical mastery.

Upon returning to England in 1895, Dodd settled initially in Manchester, where he cultivated significant friendships within the artistic community, before eventually moving to Blackheath in London in 1904. His career was marked by a versatile command over various media, ranging from evocative, atmospheric watercolors of urban scenes like High Street, Greenwich to meticulously detailed oil portraits. His ability to convey not just a likeness, but a palpable sense of character—whether through the stern gaze of a professional in John Russell Scott or the serene contemplation found in Marianne Frances Bernard—established him as a master of his craft.

Artistic Achievements and Historical Significance

The historical importance of Francis Dodd extends beyond the canvas into the very fabric of British institutional art. During the tumultuous years of World War I, Dodd was appointed an official war artist in 1916 by the head of the War Propaganda Bureau. Serving on the Western Front, he produced more than thirty portraits of senior military figures, documenting the human element of the conflict with a disciplined hand. This period of service solidified his reputation as an artist capable of capturing gravity and authority under the most pressing historical circumstances.

His professional accolades were numerous and reflected his standing among the elite of the British art world:

  • Elected Associate of the Royal Academy of Arts in 1927.
  • Achieved full Membership of the Royal Academy of Arts in 1935.
  • Served as a trusted trustee of the Tate Gallery, holding the position for six years starting in 1929.

Dodd’s legacy is preserved through his contributions to significant collections, including the Imperial War Museum and the Tate, ensuring that his precise brushwork and ability to capture the light and texture of his era continue to resonate with viewers today. His work remains a vital window into the social conventions and psychological depths of the early twentieth century.