Francesco Bartolozzi 肖像

2 幅最著名的 Francesco Bartolozzi 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 2 件 Francesco Bartolozzi 作品收录于我们的目录中

简而言之

在 Francesco Bartolozzi 留下的所有原作中,最著名的当属收藏于 伦敦 国家肖像美术馆 的《Thomas Cheesman (1777)》。 我们的目录收录了 Francesco Bartolozzi 的 2 件作品;画廊完整保留了 2 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1728 – 1815, Florence 藏品最多:国家肖像美术馆

Francesco Bartolozzi 的十大名画:画廊精选

1
Thomas Cheesman (1777) 由 Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · 国家肖像美术馆, 伦敦

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

2
Bacchante (1786) 由 Francesco Bartolozzi

Bacchante

1786 · Engraving · 冬宫博物馆, 圣彼得堡

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

收藏有 Francesco Bartolozzi 原作的博物馆

收藏了本页中大部分画作的 2 家博物馆。

博物馆 城市 Francesco Bartolozzi 的作品 此列表中的画作
国家肖像美术馆, 伦敦国家肖像美术馆 伦敦 1 Thomas Cheesman
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 1 Bacchante

Francesco Bartolozzi 的年度历程:定义其艺术风格的原创之作

仅仅十年间,从 1777 到 1786,这一系列作品涵盖了每一件带有年份标记的 Francesco Bartolozzi 原作:在此按年份为您呈现。

年度作品数量

选择年份以查看原作。

藏家关于 Francesco Bartolozzi 作品的常见问题

Francesco Bartolozzi 最著名的作品是哪一件?揭晓答案

Thomas Cheesman (1777)

创作 Thomas Cheesman 时,Francesco Bartolozzi 是多少岁?揭晓答案

49岁:Thomas Cheesman创作于1777年,Francesco Bartolozzi出生于1728年。

Francesco Bartolozzi 留下了多少幅画作?揭晓答案

我们的目录收录了 2 件 Francesco Bartolozzi 的作品,创作年代从 1777 年至 1786 年。

Francesco Bartolozzi 的杰作收藏在哪些博物馆中?揭晓答案

多见于 国家肖像美术馆 (伦敦) 及 冬宫博物馆 (圣彼得堡)。上方的博物馆列表列出了所有相关机构。

Francesco Bartolozzi 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Thomas Cheesman (1777),最晚的创作于 Bacchante (1786)。

Francesco Bartolozzi:生平与作品

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.