Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius
This group is inspired by Virgil’s epic
简而言之
在画廊看来,Filippo Parodi 最著名的作品是 Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661),其原作现收藏于 里斯本 的 卡洛斯特·古尔本基亚基金会。 Adonis (1680) 与 Immaculate Conception (1700) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,Filippo Parodi 共有 11 件作品,画廊为您精选了以下 11 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
This group is inspired by Virgil’s epic
收藏了本页大部分画作的 6 家博物馆。
| 博物馆 | 城市 | Filippo Parodi 的作品 | 此列表中的画作 |
|---|---|---|---|
| 热那亚 | 5 | Adonis, Venus, Hyacinth | |
| 维也纳 | 2 | Allegory of Vice, Allegory of Virtue | |
| 里斯本 | 1 | Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius | |
| Genova | 1 | Immaculate Conception | |
| Genova | 1 | Immaculate Conception | |
| 佛罗伦萨 | 1 | Virgin and Child |
选择一个年代,探索定义该时代的原创杰作。
This group is inspired by Virgil’s epic
Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661),卡洛斯特·古尔本基亚基金会, 里斯本。紧随其后的是 Adonis (1680) 和 Immaculate Conception (1700)。
31岁:Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius创作于1661年,Filippo Parodi出生于1630年。
Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius, Adonis, Immaculate Conception, Immaculate Conception, Venus, Hyacinth, Clytie, Christ at the Column, Allegory of Vice 及 Allegory of Virtue。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 11 件 Filippo Parodi 的作品,创作年代从 1660 年至 1700 年。
多见于 热那亚皇宫 (热那亚), 列支敦士登博物馆 (维也纳) 及 卡洛斯特·古尔本基亚基金会 (里斯本)。上方的博物馆列表列出了所有相关机构。
在 1680s 期间:本页 11 件作品中有 6 件创作于该时期,其中包含 Adonis 件作品。
在本页面中,最早的作品创作于 Immaculate Conception (1660),最晚的创作于 Immaculate Conception (1700)。
Adonis, Venus 及 Hyacinth:热那亚皇宫, 热那亚收藏了本页中 5 件作品。
Filippo Parodi stands as a monumental figure in the history of Genoese Baroque sculpture, a master who earned the enduring title of Gemma’s first and greatest native sculptor. Born in 1630 into a lineage deeply rooted in artistic craftsmanship, Parodi was destined for the chisel. His father, Giovanni Battista, was a respected woodcarver, and it was within the intimate, sawdust-filled atmosphere of the family workshop that Filippo first learned to breathe life into raw material. This early immersion in the delicate intricacies of wood carving gifted him with an extraordinary sensitivity to form and texture—a foundational skill that would later allow him to transition seamlessly from the warmth of timber to the cold, commanding elegance of marble and the fluid grace of stucco.
The trajectory of Parodi’s career was irrevocably altered by his transformative journey to Rome. Between 1655 and 1661, he secured an apprenticeship within the studio of Gian Lorenzo Bernini, the undisputed titan of the Baroque era. To work under Bernini was to witness the very pinnacle of dramatic composition and technical virtuosity. Through this immersive experience, Parodi absorbed the secrets of movement, light, and theatricality that defined the Roman High Baroque. Yet, his artistic vision was not merely a mirror of his master; he also drew profound stylistic cues from the works of Algardi and Ercole Ferrata, synthesizing these diverse influences into a unique aesthetic language that blended Roman grandeur with a distinct Genoese sensibility.
Upon his return to Genoa in the mid-1670s, Parodi did not merely return as a student, but as a master capable of reshaping the city's visual landscape. His arrival coincided with a period of intense artistic ferment, and he quickly became a central figure in the local creative community. The sculptor’s ability to manipulate different media allowed him to dominate both large-scale architectural decorations and intimate, emotive busts. His work often captured the tension between the physical weight of stone and the ethereal lightness of divine grace, a hallmark of the Baroque spirit.
The significance of Parodi's contribution extends far beyond his individual masterpieces; he established a standard of excellence that influenced generations of Ligurian artists. His career was marked by several key achievements:
As we look upon the enduring works of Filippo Parodi, we see more than just stone and pigment; we see the triumph of a native talent who took the lessons of Rome and used them to crown his home city with splendor. His life, spanning from 1630 until his death in 1702, remains a testament to the power of tradition meeting innovation, leaving behind a sculptural heritage that continues to captivate the soul of Genoa.