更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 7 件 Ferdinand Oldewelt 作品收录于我们的目录中
简而言之
A Gypsy Girl in a Church (1917) 是 Ferdinand Oldewelt 最受瞩目的画作；原作收藏于 鹿特丹 的 博伊曼斯·范·本宁根博物馆。 随后，目光会移向 Woman with spinning wheel (1886) 和 Gypsy girl (1905)。 在 Ferdinand Oldewelt 的 7 件作品中，这 7 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | Ferdinand Oldewelt 的作品 | 此列表中的画作 |
|---|---|---|---|
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 4 | Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?), Portrait of an angora cat |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 1 | A Gypsy Girl in a Church |
 Dordrechts Museum |
多德雷赫特 | 1 | Gypsy girl |
 格罗宁根博物馆 |
格罗宁根 | 1 | Varkensmarkt on the Grote Markt, Groningen, |
选择一个年代，探索定义该时代的原创杰作。
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
A Gypsy Girl in a Church (1917)，博伊曼斯·范·本宁根博物馆, 鹿特丹。紧随其后的是 Woman with spinning wheel (1886) 和 Gypsy girl (1905)。
60岁：A Gypsy Girl in a Church创作于1917年，Ferdinand Oldewelt出生于1857年。
我们的目录收录了 7 件 Ferdinand Oldewelt 的作品，创作年代从 1886 年至 1925 年。
多见于 阿姆斯特丹博物馆 (阿姆斯特丹), 博伊曼斯·范·本宁根博物馆 (鹿特丹) 及 Dordrechts Museum (多德雷赫特)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 7 件作品中有 3 件创作于该时期，其中包含 Woman with spinning wheel 件作品。
在本页面中，最早的作品创作于 Woman with spinning wheel (1886)，最晚的创作于 Mr. Willem Frederik Hendrik Oldewelt (1895-?) (1925)。
Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?) 及 Portrait of an angora cat：阿姆斯特丹博物馆, 阿姆斯特丹收藏了本页中 4 件作品。
Ferdinand Oldewelt lived a life shaped by the steady rhythm of the studio and the classroom. Born in Amsterdam, he spent his early years absorbing the technical rigor required of a professional artist. His training took him from the Rijksakademie van beeldende kunsten, where he studied under August Allebé and Barend Wijnveld, to the Koninklijke Academie voor Schone Kunsten in Antwerp. It was here, under the guidance of Charles Verlat, that his hand found its specific way of seeing. He was not merely a painter but a man of many tools, working as a printmaker, watercolorist, and etcher. His hands were as comfortable with the sharp bite of an etching needle as they were with the soft spread of a watercolor wash.
His career was defined by a commitment to the instruction of others. He moved through various roles of leadership and teaching, shaping the hands of many students. His influence stretched across several institutions, leaving a mark on the way art was taught in the Netherlands during his lifetime.
By 1890, Oldewelt was among the first to settle near the village of Laren, a place that would become a gathering point for many painters. While he did not officially make Laren his permanent home until 1922, his presence in the area was felt long before. He became part of the Larense School, a group of artists drawn to the rural landscape and the quietude of interior scenes. His work often focused on these intimate subjects, such as a woman with a spinning wheel, capturing the stillness of a moment. He was a man of his community, holding memberships in groups like Arti et Amicitiae and Pulchri Studio.
His technical skill was evident in the way he handled light and form, whether in a formal drawing or a finished painting. He taught many notable figures, including Pieter den Besten and Gesina Boevé, passing down the discipline he had acquired in his own youth. He remained active in his craft and his teaching until his death in Laren in 1935.
