更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 41 件 埃兹拉·艾姆斯 作品收录于我们的目录中
简而言之
在画廊看来，埃兹拉·艾姆斯 最著名的作品是 Philip Van Cortlandt (1810)，其原作现收藏于 纽约 的 大都会艺术博物馆。 Joseph Bradley Varnum (1819) 与 Theodore Sedgwick (1808) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，埃兹拉·艾姆斯 共有 41 件作品，画廊为您精选了以下 41 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A single folded document rests against the man's hand, its edge marked by a small red seal. This scrap of paper anchors the composition, suggesting a life bound to legalities and land. Philip Van Cortlandt sits in a three-quarter view, his presence defined by the heavy, dark fabric of a wool coat. The light enters from the upper left, catching the sharp ridge of his nose and the crisp, white…
In this oil on canvas, we encounter Joseph Bradley Varnum through a lens of quiet authority. The portrait, rendered around 1819, presents the subject in a bust-length composition, his body turned slightly to the left while his gaze remains fixed upon us. There is a certain weight to his presence, a gravity that comes from a lifetime of public service and private reflection. The lighting is deliberate, descending from the…
In this formal portrait, we encounter Theodore Sedgwick, a man whose presence commands a quiet, steady respect. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the viewer's left, though his eyes remain fixed forward. There is a certain gravity in his expression, a sense of a life lived within the spheres of law and governance. The lighting is deliberate, descending from the upper…
A quiet dignity settles over the oval frame, holding a man caught in a moment of composed stillness. He gazes forward, his expression carrying a hint of a smile that suggests a pleasant, perhaps even witty, demeanor. The portrait is a miniature, a tiny window into a life of standing and substance. He wears the hallmarks of his era: a crisp cravat, a waistcoat adorned with decorative buttons, and the…
In this 1802 portrait, we encounter Goldsborough Banyar Sr., a man whose very posture commands a quiet, settled authority. He is seated in a blue upholstered chair, his presence anchored by the heavy, theatrical weight of a crimson curtain that cascades behind him. To his side, a fluted classical column rises, providing a vertical stability that mirrors the sitter's own composed demeanor. The lighting, arriving softly from the upper left,…
In this portrait of John Scoville, we encounter the quiet dignity of a man from the early nineteenth century. Painted by Ezra Ames about 1810, the work captures the sitter in a moment of composed stillness. Ames, who established himself as a prominent portrait painter in Albany, New York, brings a sense of individual character to the subject through a focused, bust-length composition.
The man sits with a quiet, heavy dignity, his gaze meeting the viewer from a position slightly off-center. He is captured from the waist up, a medium close-up that feels both intimate and deeply respectful. A soft light descends from the upper left, washing over the pale fabric of his white cravat and catching the edge of the paper he holds against his body. This light creates a gentle play…
In this formal portrait, we encounter George Clinton, a man whose presence commands the space through a quiet, Neoclassical dignity. He is presented in a three-quarter length view, his figure positioned with a deliberate stability that suggests both permanence and purpose. The lighting, descending softly from the upper left, carves the contours of his face and the heavy folds of his dark navy coat, creating a sense of tangible weight.…
A formal, three-quarter length portrait from 1810 captures a man of quiet importance. He is positioned slightly off-center, his gaze meeting the observer with a steady, direct presence. The composition relies on a somber, muted palette where deep blacks and dark earthy tones dominate the background, providing a stark contrast to the bright white of his voluminous cravat. This interplay of light and shadow defines the contours of his face…
A man sits in the quiet gravity of 1810. He is Ezra Ames, caught in a moment of stillness against a dark, atmospheric void. The light strikes the right side of his face, carving the contours of a jawline and a high forehead with a steady, singular focus. His eyes, a pale blue, look forward with a composed and serious expression. He wears a dark navy coat and a crisp…
Mrs. Daniel D. Tompkins (Hannah Minthorne, 1781–1829)1809 · 纽约历史学会
12
James Rivington Sr. (ca. 1724–1802)1806 · 纽约历史学会
13
Myron Holley (1779–1844)1820 · 纽约历史学会
14
John Bryan (1765-1849)1815 · 纽约历史学会
15
Mrs. Hooper Cumming and Daughter Harriet1818 · 纽约历史学会
16
Mrs. John Bryan (Catharine Carmichael, 1773-1854)1815 · 纽约历史学会
17
William James (1771-1832)1822 · 哈佛艺术博物馆
18
Portrait of George Humphrey1819
19
Portrait of Eleanor Humphrey1819
20
Untitled (D2X2EM)1820
21
Mrs. Eleazer Burnham (Caroline Matilda Wood, ca. 1785–1832)1830 · 纽约历史学会
22
Eleazer Burnham (1780–1867)1826 · 纽约历史学会
23
Clarkson Crolius Sr. (1773–1843)1825 · 纽约历史学会
24
Elkanah Watson (1758-1842)1809 · Albany Institute of History - Art
25
Governor John Tayler (1742-1829)1804 · Albany Institute of History - Art
26
Peter Van Vechten Memorial1800 · Albany Institute of History - Art
27
Governor George Clinton (1739-1812)1813 · Albany Institute of History - Art
28
Maria Van Schaick (1782-1865)1808 · Albany Institute of History - Art
29
Edmond Charles Genet (1763-1834)1810 · Albany Institute of History - Art
30
Chancellor James Kent (1763-1847)1812 · Albany Institute of History - Art
31
Harriet Romeyn (Mrs. Spencer) Stafford (1792-1849)1807 · Albany Institute of History - Art
32
Maria Gansevoort Melvill (Mrs. Allan Melvill)1815 · 国家美术馆
33
Governor DeWitt Clinton (1769-1828)1818 · Albany Institute of History - Art
34
George Washington (1732-1799)1826 · Albany Institute of History - Art
35
Coat of Arms of the City of Albany1825 · Albany Institute of History - Art
36
Governor Enos T. Throop (1784-1874)1833 · Albany Institute of History - Art
37
Spencer Stafford (1772-1844)1807 · Albany Institute of History - Art
38
The Fondey Family1803 · Albany Institute of History - Art
39
Simeon de Witt1804 · Zimmerli Art Museum at Rutgers University
40
Governor Martin Van Buren (1782-1862)1828 · Albany Institute of History - Art
41
Mourning LocketAlbany Institute of History - Art
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 埃兹拉·艾姆斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 Albany Institute of History - Art |
奥尔巴尼 | 16 | Elkanah Watson (1758-1842), Governor John Tayler (1742-1829), Peter Van Vechten Memorial |
 纽约历史学会 |
纽约 | 13 | Goldsborough Banyar Sr. (1724–1815), George Clinton (1739–1812), Henry Jones (1790-?) |
 大都会艺术博物馆 |
纽约 | 2 | Philip Van Cortlandt, Portrait of a Gentleman |
 国家肖像画廊 |
华盛顿特区 | 2 | Joseph Bradley Varnum, Theodore Sedgwick |
 克利夫兰艺术博物馆 |
克利夫兰 | 1 | John Scoville |
 耶鲁大学艺术馆 |
纽黑文 | 1 | Judge Matthias Burnet Tallmadge (1774-1819), B.A. 1795 |
 哈佛艺术博物馆 |
剑桥 | 1 | William James (1771-1832) |
 国家美术馆 |
华盛顿 | 1 | Maria Gansevoort Melvill (Mrs. Allan Melvill) |
选择一个年代，探索定义该时代的原创杰作。
A quiet dignity settles over the oval frame, holding a man caught in a moment of composed stillness. He gazes forward, his expression carrying a hint of a smile that suggests a pleasant, perhaps even witty, demeanor. The portrait is a miniature, a tiny window into a life of standing and substance. He wears the hallmarks of his era: a crisp cravat, a waistcoat adorned with decorative buttons, and the…
In this formal portrait, we encounter Theodore Sedgwick, a man whose presence commands a quiet, steady respect. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the viewer's left, though his eyes remain fixed forward. There is a certain gravity in his expression, a sense of a life lived within the spheres of law and governance. The lighting is deliberate, descending from the upper…
A single folded document rests against the man's hand, its edge marked by a small red seal. This scrap of paper anchors the composition, suggesting a life bound to legalities and land. Philip Van Cortlandt sits in a three-quarter view, his presence defined by the heavy, dark fabric of a wool coat. The light enters from the upper left, catching the sharp ridge of his nose and the crisp, white…
In this formal portrait from 1820, we encounter Myron Holley, presented with a quiet, commanding presence. The subject is captured in a bust-length composition, his body turned slightly to the left while his gaze remains fixed upon us, creating an immediate sense of intellectual engagement. There is a certain gravity to his expression, a composed stillness that suggests a man of significant thought and authority. The lighting is handled with…
The portrait presents a bust-length view of Caroline Matilda Wood, known as Mrs. Eleazer Burnham, set against a dark, muted brown background. The subject is positioned slightly off-center, creating a sense of poised stillness. She wears a black dress of heavy, matte fabric that absorbs the light, providing a sharp contrast to the bright white of her lace bonnet and the ruffled collar at her neck. The lace is rendered…
Philip Van Cortlandt (1810)，大都会艺术博物馆, 纽约。紧随其后的是 Joseph Bradley Varnum (1819) 和 Theodore Sedgwick (1808)。
42岁：Philip Van Cortlandt创作于1810年，埃兹拉·艾姆斯出生于1768年。
Philip Van Cortlandt, Joseph Bradley Varnum, Theodore Sedgwick, Portrait of a Gentleman, Goldsborough Banyar Sr. (1724–1815), John Scoville, Judge Matthias Burnet Tallmadge (1774-1819), B.A. 1795, George Clinton (1739–1812), Henry Jones (1790-?) 及 Self-Portrait。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 41 件 埃兹拉·艾姆斯 的作品，创作年代从 1785 年至 1833 年。
多见于 Albany Institute of History - Art (奥尔巴尼), 纽约历史学会 (纽约) 及 大都会艺术博物馆 (纽约)。上方的博物馆列表列出了所有相关机构。
在 1810s 期间：本页 41 件作品中有 17 件创作于该时期，其中包含 Philip Van Cortlandt 件作品。
在本页面中，最早的作品创作于 Portrait of a Gentleman (1785)，最晚的创作于 Governor Enos T. Throop (1784-1874) (1833)。
Man (18), Portrait (13) 及 White cravat (12)，共计 41 件作品。
Oil On Canvas，共计 13 件（本页共有 41 件作品）。
根据本页面的原作，Neoclassicism
Elkanah Watson (1758-1842), Governor John Tayler (1742-1829) 及 Peter Van Vechten Memorial：Albany Institute of History - Art, 奥尔巴尼收藏了本页中 16 件作品。
