更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 131 件 埃内斯特·埃贝尔 作品收录于我们的目录中
简而言之
在画廊看来，埃内斯特·埃贝尔 最著名的作品是 LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE，其原作现收藏于 Paris 的 Musée National Ernest Hébert。 ROMA SDEGNATA 与 Peasants at the fountain 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，埃内斯特·埃贝尔 共有 131 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In this oil on canvas, we find ourselves drawn into a private, silent interval of a young woman's day. She sits upon a stone bench, her form draped in a white blouse and a blue skirt, her presence anchored by the subtle weight of her contemplation. A red headscarf provides the only sharp note of color against the muted, natural tones of the surrounding greenery. Her gaze is cast downward,…
ROMA SDEGNATA is an oil painting executed by the French academic painter Ernest Hébert. The artist produced this work between about 1886 and 1896. This specific piece is currently held in a collection in Rome at the museo di Roma. Two related sketches of the composition are preserved at the Musée Hébert in Paris.
Peasants at the fountain is a genre painting by the French artist Ernest Hébert. The work is categorized as a genre painting, focusing on scenes of everyday life. This specific piece is centered on the theme of life in Italy. The composition captures a group of individuals gathered around a water source, a subject matter that aligns with the artist's interest in rural customs and social settings.
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
In the quietude of PETITE EVE AU PAVOT, the French artist Ernest Hébert presents us with a delicate encounter. We find ourselves facing a portrait of a young woman, her presence filling the space with a soft, contemplative energy. The title suggests she is Eve, a figure whose very name carries the weight of ancient stories, yet here she appears caught in a moment of pure, unblemished grace. There is…
The composition centers on a bust-length portrait of a young woman, positioned within an oval frame. Her gaze is directed toward the viewer, characterized by a steady and slightly melancholic expression. She is draped in a headscarf featuring intricate patterns of red, blue, and green. The fabric folds are rendered with soft, flowing lines that define the contours of her face and the weight of the textile. Her skin tones…
In the quiet, heavy atmosphere of the 19th century, Ernest Hébert captures a moment of profound human struggle in his work titled LA MALARIA. The scene unfolds upon a small boat, or barque, drifting through a landscape that feels thick with tension. A family of Italian peasants occupies the vessel, their lives suspended in the precarious space between the water and the shore. They are not merely traveling; they are…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
Music1850
12
Going to the Well1850 · 沃尔特斯艺术博物馆
13
The hay harvesters of San Germano1857 · 奥赛博物馆
14
Adela1859
15
Pensive young Neapolitan1857
16
Self-Portrait With Red Tie1870 · Musée Hébert
17
La lavandière à Capri1874
18
The music (Agathe Calmel)1882 · Petit Palais
19
At the well1879 · 沃尔特斯艺术博物馆
20
Ophelia1887 · 皇家收藏馆
21
Marie-Thérèse de Ségur, countess of Guerne (1859-1933)1898 · 卡纳瓦勒博物馆
22
Lily Schneider, Countess of Ganay1905 · 奥赛博物馆
23
Morning star1900
24
Souvenir d'Italie1908 · Musée Des Beaux Arts
25
Virgin And Child
26
VILLA MEDICIS, BASSIN A BALUSTRADEMusée National Ernest Hébert
27
The Mal'aria1848 · 奥赛博物馆
28
The Kiss of Judas1853 · 奥赛博物馆
29
Study for 'Les Filles d'Alvito'1855 · 大英博物馆
30
Returning from the well1860 · 沃尔特斯艺术博物馆
31
Young girls of Ischia奥赛博物馆
32
PORTRAIT DE MADAME JANVIER D'ATTAINVILLE卢浮宫
33
Portrait of Catherine du Bouchage
34
Marie-clotilde Therese Louise
35
Addolorata
36
The Virgin In Paradise
37
Bibiana (Ne m'oubliez pas)
38
Sainte Geneviève
39
Le Christ
40
Tête du ChristMuseum Catharijneconvent
41
Portrait du Général de Beylié格勒诺布尔博物馆
42
PORTRAIT DE MARIA PUCCIMusée National Ernest Hébert
43
LA VIERGE AU PARADISMusée National Ernest Hébert
44
BibianaMusée National Ernest Hébert
45
Sainte MargueriteMusée National Ernest Hébert
46
ROME, LE BOTTEGHE OSCUREMusée National Ernest Hébert
47
PORTRAIT DE GABRIELLE D'UCKERMANN, MME ERNEST HEBERTMusée National Ernest Hébert
48
LES FILLES D'ALVITOMusée National Ernest Hébert
49
Tête de Jeanne d'Arc
50
PORTRAIT DE MME HOLLANDER NEE VICTORINE WERTHEIMMusée National Ernest Hébert
51
Le Tasse en prison visité par Expilly
52
TETE D'ITALIENNE DE PROFILMusée National Ernest Hébert
53
Tête de Vierge
54
JOUEUSE DE HARPEMusée National Ernest Hébert
55
SAINTE AGNESMusée National Ernest Hébert
56
PAYSANNE PENSIVEMusée National Ernest Hébert
57
TERRACINAMusée National Ernest Hébert
58
PORTRAIT DE ROSEMONDE GERARD, MME EDMOND ROSTANDMusée National Ernest Hébert
59
LES CERVAROLLES (ETATS ROMAINS)
60
MUSE EN DALMATIQUE JOUANT DE LA HARPEMusée National Ernest Hébert
61
OPHELIEMusée National Ernest Hébert
62
LE PETIT BRIGANDMusée National Ernest Hébert
63
LE MARCHAND D'IMAGESMusée National Ernest Hébert
64
Marcelle NéeMusée National Ernest Hébert
65
FEMME SONGEUSE DANS UN SOUS BOISMusée National Ernest Hébert
66
MADAME HEBERT, MERE DE L'ARTISTEMusée Hébert
67
Madame de Villegruy Baronne de VillegruyMusée National Ernest Hébert
68
ADELAIDE SONGEUSEMusée National Ernest Hébert
69
PAYSANNE ASSISE SONGEUSEMusée National Ernest Hébert
70
INTERIEUR DU COLISEEMusée National Ernest Hébert
71
ANTONIETTAMusée National Ernest Hébert
72
PORTRAIT D'AGNES DE POURTALES, MARQUISE DE LOYS CHANDIEUMusée National Ernest Hébert
73
PORTRAIT DE LA COMTESSE EUGENE PASTRE, NEE CELINE DE BEAULAINCOURTMusée National Ernest Hébert
74
CRESCENZA A LA FENETRE DE LA PRISONMusée National Ernest Hébert
75
PASTORELLAMusée National Ernest Hébert
76
PORTRAIT D'ISABELLE PUCCIMusée National Ernest Hébert
77
LA MARQUISE DE MODENE , NEE JEANNE MARIE CLEMENTINE THOMAS DE BOJANO (1862 1937)
78
PAYSAN DE SARACINESCOMusée National Ernest Hébert
79
Sainte AgnèsMusée National Magnin
80
Madame Maximilien Wey
81
SAINTE AMELIEMusée National Ernest Hébert
82
REVERIE AU CREPUSCULEMusée National Ernest Hébert
83
Pasqua MariaMusée National Ernest Hébert
84
JOUEUSE DE MANDOLINEMusée National Ernest Hébert
85
ROSA NERA A LA FONTAINEMusée National Ernest Hébert
86
JOSEPH CHARLES PAUL, PRINCE NAPOLEON (1822 1891)
87
MONA LUCCIAMusée Hébert
88
BARONNE ELEONORE D'UCKERMANN, BELLE SOUR DE L'ARTISTEMusée National Ernest Hébert
89
FAMILLE PAYSANNEMusée National Ernest Hébert
90
PORTRAIT DE CATHERINE DU BOUCHAGE, PLUS TARD MME DANIEL OLLIVIERMusée National Ernest Hébert
91
ANGE A L'EPEEMusée National Ernest Hébert
92
Comtesse de Pourtalès, née Mélanie Renouard de BussièresMusée National Ernest Hébert
93
JEUNE CHASSERESSEMusée National Ernest Hébert
94
PETIT SAVOYARD MONTREUR DE MARMOTTE APPELE ACTUELLEMENT PETIT SAVOYARD ET SON SINGEMusée National Ernest Hébert
95
Madame Hochon (née Louise Lefuel)
96
Female bathers
97
Et Toujours! Et Jamais!1863
98
PORTO D'ANZIOMusée National Ernest Hébert
99
Italian market scene
100
The Washerwoman
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 埃内斯特·埃贝尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 Musée National Ernest Hébert |
Paris | 69 | LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain |
 奥赛博物馆 |
巴黎 | 11 | Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, Oriental dance |
 沃尔特斯艺术博物馆 |
巴尔的摩 | 3 | Going to the Well, At the well, Returning from the well |
 Musée Hébert |
Paris | 3 | Self-Portrait With Red Tie, MADAME HEBERT, MERE DE L'ARTISTE, MONA LUCCIA |
 芝加哥艺术学院 |
芝加哥 | 1 | On Guard |
 康德博物馆 |
尚蒂伊 | 1 | LA MALARIA |
 Petit Palais |
巴黎 | 1 | The music (Agathe Calmel) |
 皇家收藏馆 |
伦敦 | 1 | Ophelia |
选择一个年代，探索定义该时代的原创杰作。
The Subject and Composition A young man occupies the center of this oil portrait, presented in a bust-length view. He is positioned slightly off-center, his torso turned partially away while his gaze meets the viewer directly. The subject possesses dark eyes, well-defined eyebrows, and full lips. His hair is rendered with fine, dark, textured strokes that suggest volume and curls. He wears dark clothing, primarily deep blacks, which merge into…
is an oil on canvas painting by the French academic artist Ernest Hébert. Executed in 1846, the work belongs to the genre art classification. It represents a mid-19th-century approach to the Orientalist style, focusing on a specific scene of movement and music.
The title suggests an allegorical reading, linking the rhythmic patterns of nature to a sense of auditory harmony. The soft focus and idealized features of the woman evoke a dreamlike state, moving away from strict realism toward a more poetic interpretation of the landscape. This approach emphasizes a sense of quietude and the seamless integration of the individual into the wild, growing world.
A somber monochrome scene unfolds within a dark, cavernous setting, defined by deep blacks and sharp highlights. A central female figure stands in the foreground, her face and shoulder caught in a dramatic light that suggests an unseen source above. At her feet lies a recumbent figure, creating a composition of tension and mourning. The environment is composed of textured, organic shapes, suggesting the earthen walls of a cave or…
The Virgin of Deliverance is a religious oil on wood executed by Ernest Hébert in 1872. This specific work functions as a variant of a larger-scale altarpiece produced by the artist. The original composition was created for the Salon of 1872 and was subsequently installed in the church of La Tronche the following year.
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE，Musée National Ernest Hébert, Paris。紧随其后的是 ROMA SDEGNATA 和 Peasants at the fountain。
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA, Peasants at the fountain, Self-portrait at 17 when he arrived in Paris, The Virgin of Deliverance, On Guard, PETITE EVE AU PAVOT, LA SULAMITE, DIT AUSSI LA FILLE DU LIBAN OU LA FLEUR DU LIBAN, LA MALARIA 及 Oriental dance。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 131 件 埃内斯特·埃贝尔 的作品，创作年代从 1833 年至 1908 年。
多见于 Musée National Ernest Hébert (Paris), 奥赛博物馆 (巴黎) 及 沃尔特斯艺术博物馆 (巴尔的摩)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 100 件作品中有 7 件创作于该时期，其中包含 Music 件作品。
在本页面中，最早的作品创作于 Self-portrait at 17 when he arrived in Paris (1833)，最晚的创作于 Souvenir d'Italie (1908)。
Woman (17), Portrait (15) 及 19th century (7)，共计 100 件作品。
Oil On Canvas，共计 14 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism
LA LAVANDARA OU JEUNE LAVANDIERE SONGEUSE, ROMA SDEGNATA 及 Peasants at the fountain：Musée National Ernest Hébert, Paris收藏了本页中 50 件作品。
安托万·奥古斯特·欧内斯特·埃贝尔（Antoine Auguste Ernest Hébert，1817-1908），这个名字或许不如他同时代的许多19世纪艺术家那样广为人知，但他无疑是法国学院派绘画中的一位重要人物。埃贝尔出生于格勒诺布尔，成长于一个深受法律传统熏陶的家庭，他的艺术之旅并非仅仅始于正式的训练，而是源于一种自发的激情——这种激情在雕塑家和历史画家的悉心指导下被点燃。这种不寻eb的开端塑造了他独特的艺术风格：极其细腻的笔触、对光影深邃的理解，以及一种无可置疑的浪漫主义情怀。
埃贝尔在格勒诺布尔的早年生活使他培养了对自然世界的深厚热爱，这一主题后来成为了他艺术创作的核心。十八岁移居巴黎后，他全身心地投入到充满活力的艺术氛围中，师从大卫·丹热（David d'Angers）和保罗·德拉罗什（Paul Delaroche）——这些大师让他接触到了古典技法与历史叙事。然而，真正使他的艺术愿景趋于成熟的，是他在1839年凭借享誉盛名的“罗马奖”前往罗马的那段时光。这份奖学金为他在美第奇别墅（Villa Medici）提供了长期的学习机会，使他能够沉浸式地吸收意大利风景与文化的宏伟气象，这些经历对他后来的作品产生了深远的影响。
埃贝尔最负盛名的杰作《疟疾》（La Mal'aria，1848-49）现收藏于奥赛博物馆，便是这种意大利影响的典范。画中描绘了一个令人心碎的场景：在威尼斯运河边，一个农民家庭正试图逃离疟疾爆发的威胁——这一主题与浪漫主义运动对苦难与崇高感的痴迷产生了深刻共鸣。然而，埃贝尔并未仅仅停留在对戏剧性事件的描绘上；他以惊人的写实主义手法，细致入微地刻画了每一个细节——破旧的衣物、饱经风霜的面庞以及波光粼粼的水面。这种在罗马留学期间磨练出的对学院派精准度的追求，贯穿于他的整个创作生涯。
然而，他的意大利系列作品并不仅仅局限于如画般的风景。埃贝尔试图捕捉意大利生活的本质——其人民、习俗与氛围。他描绘了牧羊人照看羊群、渔民撒网捕鱼，以及家庭在阳光明媚的广场上聚会的场景。这些作品并非单纯的风景记录，而是渗透着一种忧郁与怀旧的情绪，反映了埃贝尔对意大利乡村逐渐消逝的传统所进行的深刻观察。
尽管曾旅居海外，埃贝尔始终深深扎根于巴黎，并成为享誉盛名的沙龙展览中的佼佼者。他的画作始终赢得评论界的赞誉，为他赢得了众多的委约创作，并确立了他作为那个时代领先的学院派画家之一的地位。他甚至两次被任命为法国罗马学院院长，这足以证明他在艺术界崇高的地位。
除了风景画，埃贝尔在肖像画方面也表现卓越，捕捉了许多巴黎社交名流的神韵。他的肖像画以优雅和心理深度著称，不仅展现了人物的外在形象，更揭示了其内在性格。这些作品展示了他通过细微的姿态与表情来传达人物个性的非凡能力。
欧内斯特·埃贝尔的遗产不仅限于他的个人画作。他在巴黎建立了埃贝尔博物馆（现称为国家欧内斯特·埃贝尔博物馆），馆内收藏了大量的个人作品，并配有一组令人赞叹的历史房间，让人得以窥见19世纪巴黎生活的缩影。这座博物馆为学者和艺术爱好者提供了重要的研究资源，确保了埃贝尔的艺术贡献能够被后世铭记与颂扬。
他的作品因其精湛的技艺、唤起情感的意象以及对人类境遇的深刻描绘，至今仍被人们不断研究与欣赏。欧内斯特·埃贝尔是一位成功将学院派严谨性与浪漫主义感性融合在一起的艺术家典范，他留下了丰富而持久的艺术遗产，映射出19世纪法国那兼具美丽与忧郁的时代底色。
