更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 31 件 伊丽莎白·耶里考-鲍曼 作品收录于我们的目录中
简而言之
在画廊看来，伊丽莎白·耶里考-鲍曼 最著名的作品是 Mother Poland (Moder Polen) (preliminary study) (1857)。 An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) 与 Self-portrait (1845) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，伊丽莎白·耶里考-鲍曼 共有 31 件作品，画廊为您精选了以下 31 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
In "A Roman Woman" by Elisabeth Baumann, we encounter a medium close-up that invites a quiet, intimate observation. The subject is positioned slightly off-center, a subtle choice that lends a sense of natural poise to her presence. She is depicted with dark hair pulled back, revealing the contours of her face and the delicate detail of a single gold earring. Her hands hold a closed fan, a quiet gesture that…
Violinist Ole Bull is a portrait executed by Elisabeth Baumann in 1851. The work captures the likeness of the violinist Ole Bull, a prominent figure of the era. Baumann, a Polish-Danish painter, produced this oil on canvas during a period of significant international activity in her career.
A young woman sits in a heavy wooden chair, her form anchored by the weight of dark fabric. The light enters from the upper left, a soft, directional glow that carves the contours of her face against a backdrop of muted earth tones. She is dressed in the deep blacks of mourning, the matte texture of her clothing absorbing the light. Her skin possesses a porcelain quality, smooth and pale…
In this 1851 work, Elisabeth Baumann presents us with Denmark, a painting that functions as a patriotic emblem of the Danish nation. The subject is a female personification of the country, rendered as a young woman. She moves through the landscape with a sense of purpose, embodying the spirit of a nation during a period of significant historical movement. This choice of personification was a common way to manifest national…
In this intimate oil portrait from 1849, we find ourselves looking into the eyes of a four-year-old boy, Holger Aagaard Hammerich. There is a profound stillness here, a sense of a single, fleeting moment captured before the complexities of childhood give way to adulthood. The composition is framed within an oval format, drawing the viewer into a close, bust-length encounter that feels deeply personal. The light, descending softly from the…
In "A happy reunion." by Elisabeth Baumann, we find ourselves drawn into a quiet, domestic moment of profound human connection. Painted about 1850, this genre scene captures a soldier or sailor returning home to his family, bringing with him an infant. The composition is centered upon a woman reclining in a bed, who acts as the emotional and visual anchor of the work. Through an eye-level perspective, the viewer is…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
Self-portrait1858
12
Forfatterinden Emma Kraft1857 · 斯泰恩斯博物馆艺术馆
13
Portrætskitse. Formodentlig kunstnerens søn Thorald Jerichau1860 · 斯泰恩斯博物馆艺术馆
14
Italy1859 · Ackland Art Museum
15
Queen Olga of Greece1868 · 斯泰恩斯博物馆艺术馆
16
Scene from a stranding.1867 · Kunsten Museum of Modern Art Aalborg
17
A young girl reads out the Bible, the grandparents listen devoutly.1867
18
Portrait of Caroline Elisabeth Nanny Jerichau.1871
19
Young Mother and her Child1880 · 国家博物馆
20
A young nude Egyptian woman with a child.1879
21
A Mermaid (En havfrue)1873 · Ny Carlsberg Glyptotek
22
An Egyptian Fellah Woman with her Child1872 · 斯泰恩斯博物馆艺术馆
23
Interior with an Elderly Man who Reads Aloud to a Girl1865
24
The Madonna and Child1881
25
Italian Woman (Italienerinde)
26
The Sculptor Jens Adolf Jerichau, the Artist's Husband1846 · 斯泰恩斯博物馆艺术馆
27
Mermaid1873 · Ny Carlsberg Glyptotek
28
Portrait of the Brothers Jacob and Wilhelm Grimm1855 · 老国家美术馆
29
An Egyptian Pot Seller at Gizeh1878 · 斯泰恩斯博物馆艺术馆
30
A Wounded Danish Soldier1865 · 斯泰恩斯博物馆艺术馆
31
Italian Inn1850 · 国家博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 伊丽莎白·耶里考-鲍曼 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 9 | A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig, Forfatterinden Emma Kraft |
 Ny Carlsberg Glyptotek |
哥本哈根 | 3 | Denmark, A Mermaid (En havfrue), Mermaid |
 皇家收藏馆 |
伦敦 | 2 | 'The Norwegian Widow', Princess Alexandra of Denmark, later Queen Alexandra (1844-1925) |
 国家博物馆 |
斯德哥尔摩 | 2 | Young Mother and her Child, Italian Inn |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 1 | Violinist Ole Bull |
 Ackland Art Museum |
查珀尔希尔 | 1 | Italy |
 Kunsten Museum of Modern Art Aalborg |
Aalborg | 1 | Scene from a stranding. |
 老国家美术馆 |
柏林 | 1 | Portrait of the Brothers Jacob and Wilhelm Grimm |
选择一个年代，探索定义该时代的原创杰作。
Elisabeth Baumann's Self-portrait is an oil-on-canvas work created about 1845. The artist, born in Warsaw, Poland, in 1818, produced this intimate study during a formative period of her early career. This work captures the artist in a medium close-up, focusing on the subject from the waist up.
A woman sits amidst a rugged landscape, her red hair catching the light as she rests her hand against her head. She is lost in a deep, silent thought, her gaze turned inward while the world around her remains in motion. A red cloak drapes over her shoulders, providing a sharp contrast to the grey, unyielding rocks that form her seat. The air feels heavy with her unspoken reflections, a…
The soft light catches the curve of a profile, illuminating a face that carries the quiet dignity of a future queen. In this 1861 portrait, the young Princess Alexandra of Denmark emerges from a deep, atmospheric darkness, her presence felt through the delicate interplay of shadow and light. She is captured in an intimate, oval vignette, a composition that draws the eye immediately to the porcelain smoothness of her skin…
An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) is a work by Elisabeth Baumann. Created about 1872, the painting captures a specific moment of quietude within an Italian setting. The piece reflects the artist's engagement with the local life and landscapes encountered during her time in the region.
Young Mother and her Child is an oil painting by the artist Elisabeth Baumann. Known in its original context as Ung moder med sitt barn, the work is cataloged under the alternative name 18347. It was executed in 1880.
Mother Poland (Moder Polen) (preliminary study) (1857)。紧随其后的是 An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming) (1872) 和 Self-portrait (1845)。
39岁：Mother Poland (Moder Polen) (preliminary study)创作于1857年，伊丽莎白·耶里考-鲍曼出生于1818年。
Mother Poland (Moder Polen) (preliminary study), An Italian Maiden Mending Nets on the Bay of Naples (also known as Daydreaming), Self-portrait, A Roman Woman, Violinist Ole Bull, 'The Norwegian Widow', Denmark, Portræt af Holger Aagaard Hammerich som 4-årig, A happy reunion. 及 Princess Alexandra of Denmark, later Queen Alexandra (1844-1925)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 31 件 伊丽莎白·耶里考-鲍曼 的作品，创作年代从 1845 年至 1881 年。
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), Ny Carlsberg Glyptotek (哥本哈根) 及 皇家收藏馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 31 件作品中有 10 件创作于该时期，其中包含 Mother Poland (Moder Polen) (preliminary study) 件作品。
在本页面中，最早的作品创作于 Self-portrait (1845)，最晚的创作于 The Madonna and Child (1881)。
Woman (17), Dark background (7) 及 Child (6)，共计 31 件作品。
Oil On Canvas，共计 19 件（本页共有 31 件作品）。
根据本页面的原作，Düsseldorf school
A Roman Woman, Portræt af Holger Aagaard Hammerich som 4-årig 及 Forfatterinden Emma Kraft：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 9 件作品。
伊丽莎白·耶里肖-鲍曼 于1819年出生于华沙，其艺术生命的种子在多元文化的交织中悄然萌发。作为制图师菲利普·阿道夫·鲍曼（Philip Adolph Baumann）与约翰娜·弗雷德里克·雷耶（Johanne Frederikke Reyer）的女儿，她自幼便沉浸在细腻的观察力与对世界的探索欲之中。1838年，她步入了当时欧洲艺术的核心地带——杜塞尔多夫美术学院（Kunstakademie Düsseldorf）开始深造。在这一时期，她的创作深受周围环境的影响，早期的作品中流露出对斯洛伐克民间生活的深刻感悟，并逐渐形成了鲜明的杜塞尔多夫画派风格。
伊丽莎白·耶里肖-鲍曼的艺术之路是一场跨越国界的壮丽征程。1844年，她在杜塞尔多夫的展览引起了公众的广泛关注，随后移居罗马的经历进一步拓宽了她的视野，使她的画笔开始捕捉意大利本土生活的生动瞬间。她的才华很快在国际舞台上绽放，尤其是在法国，她曾两次代表艺术家参加世界博览会（1867年与1878年），赢得了极高的声誉。
她的艺术成就不仅体现在技术上，更体现在其卓越的社会影响力。1852年，她在伦敦展出，并获得了维多利亚女王的青睐，其创作的《汉斯·克里斯蒂安·安徒生肖像》更是作为私人献礼呈献给女王。在艺术风格上，她的作品往往带有装饰性与感伤色彩，对色彩与光影的运用极其精妙。
最为传奇的是她的“东方主义”时期。在1869-1870年及1874-1875年间，她深入地中海东部和中东地区进行广泛旅行。得益于丹麦亚历山德拉公主（Princess Alexandra of Denmark）的引荐，她获得了进入奥斯曼帝国后宫的罕见机会。这使得她能够基于亲身观察而非凭空想象，描绘出极其真实的后宫生活场景——这在当时的女性艺术家中是绝无仅有的壮举。尽管部分涉及感官主题的作品在当时引发过争议，但这恰恰体现了她探索人性与异域美学的勇气。
在她的艺术版图中，几个主题构成了永恒的经典。首先是极具代表性的汉斯·克里斯蒂安·安徒生肖像（1850），这件作品见证了她早期的辉煌。随后，她笔下的后宫场景成为了艺术史上的瑰宝，她以敏锐的观察力记录了奥斯曼帝国的神秘生活，其中包括对纳兹莉（Nazlı）等土耳其公主的细腻刻画。
受安徒生童话与民间传说的启发，她创作了一系列迷人的美人鱼系列，其中1873年的作品《美人鱼》现收藏于新卡尔斯伯格雕塑博物馆（Ny Carlsberg Glyptotek），充满了浪漫主义的色彩。此外，她的风俗画作品通过对女性在不同社会角色中的描绘，深刻地展现了日常生活的本质。
1846年，她与雕塑家延斯·阿道夫·耶里肖（Jens Adolf Jerichau）结为连理。这段婚姻不仅是情感的结合，更孕育了一个充满艺术气息的家族。他们育有九个孩子，其中数人继承了母亲的艺术天赋，在艺术界崭露头角，包括风景画家哈拉尔德·耶里肖（Harald Jerichau）、印象派风景画家霍尔格·希特费尔德·耶里肖（Holger Hvitfeldt Jerichau）以及现代主义画家J.A. 耶里肖（J.A. Jerichau）。
作为一名在男性主导的艺术界中突围的先驱女性艺术家，伊丽莎白·耶里肖-鲍曼以其坚韧的意志和非凡的天赋，打破了时代的枷锁。她在东方主义表达上的独特视角，虽然有时受到欧洲审美预期的影响，但仍为研究奥斯曼社会提供了极其珍贵的视觉文献。
她的职业生涯跨越了欧洲各大艺术中心，从杜塞尔多夫到罗马，从伦敦到巴黎，展现了极强的国际适应力。时至今日，她的作品因其卓越的艺术价值和历史意义而日益受到重视，通过各类展览，她那多元的主题与独特的观察视角，依然在向世人诉说着那个时代的绚烂与复杂。
