更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 16 件 爱德华·威廉·J·萨维奇 作品收录于我们的目录中
简而言之
George Washington (1793) 是 爱德华·威廉·J·萨维奇 最受瞩目的画作；原作收藏于 芝加哥 的 芝加哥艺术学院。 随后，目光会移向 George Washington (1796) 和 George Washington and Family (1798)。 在 爱德华·威廉·J·萨维奇 的 16 件作品中，这 16 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The room falls into a heavy, quiet stillness as we encounter the figure of George Washington. He sits in a three-quarter length pose, his gaze directed toward the right side of the frame with a sense of quiet strength. The light enters from the upper left, carving out the contours of his face and casting gentle shadows that lend depth to his features. A powdered wig, bright and stark against…
The portrait of George Washington by Edward William J. Savage is an oil on canvas work dated 1796. The subject is depicted in a bust-length composition, positioned slightly off-center and looking toward the right of the frame. The color palette consists of deep blacks, creamy whites, and warm flesh tones against a dark background that transitions from deep umber to a soft, warm ochre glow behind the head. The subject…
In the quiet intimacy of an engraving that transcends its medium, we find ourselves invited into a private moment of the American presidency. George Washington and Family, a masterful work based upon the vision of Edward Savage, serves as more than just a historical record; it is a window into the domestic soul of a founding era. The scene unfolds around a dining table, where the weight of leadership meets…
The Washington Family is a life-sized group portrait by the American artist Edward Savage. Created between 1789 and 1796, the oil on canvas work depicts George Washington and Martha Washington alongside two of their grandchildren, George Washington Parke Custis and Eleanor Parke Custis. A Black servant is also positioned within the group, standing in the background of the scene.
A man sits anchored in a room of quiet shadows. He is Ezekiel Hersey, a physician whose presence is defined by the heavy folds of a patterned robe and the soft, pink cap upon his head. The light enters from the upper left, a steady, unseen source that carves his features out of the dimness. He does not look at us; his gaze is fixed on a point beyond the…
The Savage Family is a portrait by Edward Savage. Created about 1779, the work reflects the hand of an artist who transitioned from the technical precision of a goldsmith and engraver to the formal demands of American portraiture. Savage, born in Princeton, Massachusetts, in 1761, established a presence in the early American art scene through his ability to capture individual likenesses with clarity.
In this 1794 portrait, we encounter Mary Stiles Holmes, presented in a formal oval composition that focuses our attention entirely on her character. She is captured in a bust-length view, her body turned slightly to the side while her gaze meets the viewer with a sense of serene composure. The palette is restrained, relying on muted, earthy tones—ochre, olive green, and soft browns—that allow the pale luminosity of her skin…
In this bust-length portrait, we encounter Anthony Wayne, a man whose presence is defined by the quiet gravity of his station. He is positioned slightly off-center, his gaze directed toward the right, yet his eyes remain fixed upon the viewer with a steady, unwavering clarity. The composition is intimate, focusing on the textures of his Continental Army officer's uniform. Deep navy blue fabric meets the sharp, bright yellow of his…
In this 1790 oil portrait, we encounter Ebenezer Stevens, a man whose presence is defined by a quiet, resolute authority. The composition follows the traditions of Neoclassical portraiture, positioning the subject in a three-quarter view from the waist up. There is a deliberate weight to his posture, a stillness that suggests a life shaped by responsibility. The lighting is handled with a careful chiaroscuro effect, casting one side of his…
In this half-length portrait, we encounter George Washington not as a distant myth, but as a man of presence and quiet gravity. The composition places him slightly off-center, his gaze directed toward the right of the frame, creating a sense of thoughtful contemplation. There is a certain stillness here, a dignity that arises from the Neoclassical restraint of the era. The lighting is deliberate, entering from the upper left to…
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 爱德华·威廉·J·萨维奇 的作品 | 此列表中的画作 |
|---|---|---|---|
 纽约历史学会 |
纽约 | 3 | Anthony Wayne (1745–1796), Ebenezer Stevens (1751–1823), Archibald Gracie Jr. (1795–1865) |
 国家美术馆 |
华盛顿 | 2 | George Washington, The Washington Family |
 国家肖像美术馆 |
伦敦 | 2 | George Washington and Family, Congress Voting Independence |
 哈佛艺术博物馆 |
剑桥 | 2 | Ezekiel Hersey (1709-1770), George Washington (1732-1799) |
 伍斯特艺术博物馆 |
伍斯特 | 2 | The Savage Family, Portrait of Mary Stiles Holmes (Mrs. Abiel Holmes), 1794 |
 芝加哥艺术学院 |
芝加哥 | 1 | George Washington |
 宾夕法尼亚美术学院 |
费城 | 1 | William Penn's Treaty with the Indians |
 达拉斯艺术博物馆 |
达拉斯 | 1 | Samuel Adams |
选择一个年代，探索定义该时代的原创杰作。
The Savage Family is a portrait by Edward Savage. Created about 1779, the work reflects the hand of an artist who transitioned from the technical precision of a goldsmith and engraver to the formal demands of American portraiture. Savage, born in Princeton, Massachusetts, in 1761, established a presence in the early American art scene through his ability to capture individual likenesses with clarity.
A man sits anchored in a room of quiet shadows. He is Ezekiel Hersey, a physician whose presence is defined by the heavy folds of a patterned robe and the soft, pink cap upon his head. The light enters from the upper left, a steady, unseen source that carves his features out of the dimness. He does not look at us; his gaze is fixed on a point beyond the…
The room falls into a heavy, quiet stillness as we encounter the figure of George Washington. He sits in a three-quarter length pose, his gaze directed toward the right side of the frame with a sense of quiet strength. The light enters from the upper left, carving out the contours of his face and casting gentle shadows that lend depth to his features. A powdered wig, bright and stark against…
This portrait miniature presents a young man from the chest up, rendered in an oval format. The subject is positioned in a three-quarter view, facing toward the viewer's right. He possesses dark, shoulder-length hair with bangs that cover his forehead. His attire consists of a blue jacket with high lapels and visible white buttons, worn over a white ruffled cravat. The color palette is defined by the deep blue of…
George Washington (1793)，芝加哥艺术学院, 芝加哥。紧随其后的是 George Washington (1796) 和 George Washington and Family (1798)。
32岁：George Washington创作于1793年，爱德华·威廉·J·萨维奇出生于1761年。
George Washington, George Washington, George Washington and Family, The Washington Family, Ezekiel Hersey (1709-1770), The Savage Family, Portrait of Mary Stiles Holmes (Mrs. Abiel Holmes), 1794, Anthony Wayne (1745–1796), Ebenezer Stevens (1751–1823) 及 George Washington (1732-1799)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 16 件 爱德华·威廉·J·萨维奇 的作品，创作年代从 1779 年至 1810 年。
多见于 纽约历史学会 (纽约), 国家美术馆 (华盛顿) 及 国家肖像美术馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1790s 期间：本页 16 件作品中有 10 件创作于该时期，其中包含 George Washington 件作品。
在本页面中，最早的作品创作于 The Savage Family (1779)，最晚的创作于 Archibald Gracie Jr. (1795–1865) (1810)。
Man (9), Dark background (5) 及 Table (4)，共计 16 件作品。
Oil On Canvas，共计 10 件（本页共有 16 件作品）。
根据本页面的原作，Neoclassicism
Anthony Wayne (1745–1796), Ebenezer Stevens (1751–1823) 及 Archibald Gracie Jr. (1795–1865)：纽约历史学会, 纽约收藏了本页中 3 件作品。
