David Martin 肖像

David Martin 作品:画廊视角下的 37 幅名作

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 38 件 David Martin 作品收录于我们的目录中

简而言之

在画廊看来,David Martin 最著名的作品是 Self-portrait (1760),其原作现收藏于 爱丁堡 的 苏格兰国家美术馆。 David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) 与 Alexander Udney, older brother to George (1757) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,David Martin 共有 38 件作品,画廊为您精选了以下 37 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1737 – 1797, Anstruther 藏品最多:苏格兰国家肖像画廊

画廊中 David Martin 的十大名画

1
Self-portrait (1760) 由 David Martin

Self-portrait

1760 · Oil On Canvas · 苏格兰国家美术馆, 爱丁堡

The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.

David Martin 的画作,排名第 11 至 37

11Sir Hector Munro (1785) 由 David MartinSir Hector Munro1785 · 国家肖像美术馆 12William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice (1777) 由 David MartinWilliam Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777 13Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge (1780) 由 David MartinWillielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · 苏格兰国家肖像画廊 14Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published (1777) 由 David MartinParrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777 15Lilias Seton, Lady Steuart of Allanton (died 1821) (1789) 由 David MartinLilias Seton, Lady Steuart of Allanton (died 1821)1789 · 苏格兰国家美术馆 16Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794) 由 David MartinHenry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · 苏格兰国家肖像画廊 17Alexander Murray, Lord Henderland, 1736 - 1795 (1787) 由 David MartinAlexander Murray, Lord Henderland, 1736 - 17951787 · 苏格兰国家肖像画廊 18William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh (1788) 由 David MartinWilliam Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · 苏格兰国家肖像画廊 19Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh (1788) 由 David MartinMary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · 苏格兰国家肖像画廊 20Captain Patrick Hunter (1786) 由 David MartinCaptain Patrick Hunter1786 21Mary Martin, Mrs Alexander Gowan (1716 - 1795) 由 David MartinMary Martin, Mrs Alexander Gowan (1716 - 1795)苏格兰国家美术馆 22Rev. Alexander Webster, 1707 - 1784. Moderator of the General Assembly 由 David MartinRev. Alexander Webster, 1707 - 1784. Moderator of the General Assembly苏格兰国家肖像画廊 23Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesman 由 David MartinThomas Hay, 9th Earl of Kinnoull, 1710 - 1787. Statesman苏格兰国家肖像画廊 24John Hume of Ninewells, 1709 - 1786. Brother of David Hume 由 David MartinJohn Hume of Ninewells, 1709 - 1786. Brother of David Hume苏格兰国家肖像画廊 25Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physician 由 David MartinMary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physician苏格兰国家肖像画廊 26Hoopoe Starling 由 David MartinHoopoe Starling 27Oye De Guinée 由 David MartinOye De Guinée 28Peruche de Gingi 由 David MartinPeruche de Gingi 29Ara Rouge 由 David MartinAra Rouge 30Psittacula Eques 由 David MartinPsittacula Eques 31Mascarinus 由 David MartinMascarinus 32Ara Guadeloupensis 由 David MartinAra Guadeloupensis 33Reunion Parakeet 由 David MartinReunion Parakeet 34Cuban Macaw 由 David MartinCuban Macaw 35White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill 由 David MartinWhite-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill 36Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray (1778) 由 David MartinPortrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778 37Portrait of Benjamin Franklin (1767) 由 David MartinPortrait of Benjamin Franklin1767

令 David Martin 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 David Martin 原作的博物馆

收藏了本页中大部分画作的 6 家博物馆。

博物馆 城市 David Martin 的作品 此列表中的画作
苏格兰国家肖像画廊, Edinburgh苏格兰国家肖像画廊 Edinburgh 15 David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian
苏格兰国家美术馆, 爱丁堡苏格兰国家美术馆 爱丁堡 3 Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795)
宾夕法尼亚美术学院, 费城宾夕法尼亚美术学院 费城 1 Benjamin Franklin
Balliol College, OxfordBalliol College Oxford 1 Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778)
Basildon ParkBasildon Park 1 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)
国家肖像美术馆, 伦敦国家肖像美术馆 伦敦 1 Sir Hector Munro

David Martin,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

David Martin 的画作:画廊解答

哪幅 David Martin 的画作最为闻名?揭晓答案

Self-portrait (1760),苏格兰国家美术馆, 爱丁堡。紧随其后的是 David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) 和 Alexander Udney, older brother to George (1757)。

David Martin 完成 Self-portrait 时多大年纪?揭晓答案

23岁:Self-portrait创作于1760年,David Martin出生于1737年。

David Martin 最受欢迎的 10 幅画作是哪些?揭晓答案

Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) 及 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)。上方排名显示了每件作品的创作年份及馆藏机构。

David Martin 创作了多少件作品?揭晓答案

我们的目录收录了 38 件 David Martin 的作品,创作年代从 1757 年至 1794 年。

David Martin 最著名的原作收藏于何处?揭晓答案

多见于 苏格兰国家肖像画廊 (Edinburgh), 苏格兰国家美术馆 (爱丁堡) 及 宾夕法尼亚美术学院 (费城)。上方的博物馆列表列出了所有相关机构。

David Martin 是在什么时候创作出最著名的画作的?揭晓答案

在 1770s 期间:本页 37 件作品中有 8 件创作于该时期,其中包含 Rev. Robert Henry, 1718 - 1790. Historian 件作品。

David Martin 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 Alexander Udney, older brother to George (1757),最晚的创作于 Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794)。

苏格兰国家肖像画廊收藏了哪些David Martin的原作?揭晓答案

David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George 及 Rev. Robert Henry, 1718 - 1790. Historian:苏格兰国家肖像画廊, Edinburgh收藏了本页中 15 件作品。

David Martin:艺术家

A Life Dedicated to the Winged World

François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.

His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.

The Art of Observation: Technique and Style

What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.

He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.

  • Color Techniques: While Martinet primarily worked in monochrome engravings, his illustrations were often hand-colored by skilled artisans, adding layers of vibrant hues that brought the birds to life.
  • Compositional Choices: He favored dynamic compositions, placing birds within their natural settings and capturing them in active poses.
  • Attention to Detail: Martinet’s illustrations are renowned for their meticulous rendering of feathers, scales, and other anatomical features.

Collaborations and Major Works

Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.

His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.

Notable Works:
  • Histoire Naturelle des Oiseaux (Natural History of Birds) by Georges-Louis Leclerc, Comte de Buffon
  • Illustrations for Mathurin Jacques Brisson’s *Ornithologia*
  • Engravings for the Encyclopédie méthodique

Legacy and Historical Significance

François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.

His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.