更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 498 件 大卫·考克斯 作品收录于我们的目录中
简而言之
在 大卫·考克斯 留下的所有原作中，最著名的作品是 Going to the Hayfield (1850)。 紧随其后的是 George IV Embarking for Scotland at Greenwich (1823) 和 Going to the Hayfield (1849)。 我们的目录收录了 大卫·考克斯 的 498 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The scene unfolds in "Going to the Hayfield," a work created by the artist David Cox. In this 1849 composition, the quiet rhythms of rural life take center stage. Figures move through the landscape, their presence tied to the seasonal tasks of the countryside. The air feels heavy with the atmosphere of a specific afternoon, capturing a moment of simple, everyday activity within the English landscape.
The watercolor depicts a bustling maritime scene at Greenwich, centered on the ceremonial embarkation of George IV for Scotland. Numerous vessels occupy the water, some positioned near the shore and others further out. These boats carry various figures, and several are adorned with flags. On the banks, crowds of people gather to observe the event, some standing near the water's edge while others remain further back. A horse is visible…
David Cox's "Going to the Hayfield," painted in 1849, isn’t merely a landscape; it’s a carefully constructed distillation of Romantic sensibility and a profound connection to the English countryside. This evocative piece, now beautifully reproduced, transports us to a specific moment – a quiet afternoon as figures journey towards a hayfield bathed in the diffused light of an overcast sky. Cox, a pivotal figure bridging the gap between earlier landscape…
David Cox’s “Rhyl Sands,” painted in 1854, isn't merely a depiction of a beach; it’s a carefully constructed evocation of the Romantic spirit – a yearning for the sublime beauty and untamed power of nature. Cox, a pivotal figure within the Birmingham School of watercolourists, masterfully captures a fleeting moment along the Welsh coast, imbuing the scene with an atmosphere of both tranquility and dramatic intensity. The painting transports us…
In this intimate watercolor study, titled Study of a Dog, the viewer encounters a quiet moment of observation. The subject is a single dog, an animal captured in a state of repose. David Cox, a British artist who lived from 1783 to 1859, brings a sense of immediacy to this piece. The work emerges from the 1840s, a period when the artist's hand moved with increasing freedom. It belongs to…
In the vast tapestry of English landscape painting, few works capture the ephemeral beauty of the countryside with as much soul as David Cox’s The Skylark. Created in 1849, this masterpiece serves as a profound window into a serene, pastoral era, inviting the viewer to pause and breathe in the quietude of the rural landscape. The painting presents a sprawling field of grass that stretches toward a distant, hazy horizon,…
There is a certain gravity in how the sky meets the sea in this 1813 work. The composition draws the eye along a diagonal path, moving from the heavy, dark presence of the cliffs in the foreground toward a lighter, mist-filled horizon. It is a scene of movement and tension, where the elements of sea, sky, and stone are caught in a moment of profound unrest. The palette relies on…
The watercolor painting titled The Old Bridge at Bridgnorth, Shropshire, captures a quiet moment in the English countryside. Created by David Cox in 1809, the work presents a view of a small town nestled along the curves of a river. The scene focuses on the architecture of the bridge as it spans the water, anchoring the landscape within its natural setting.
The air feels heavy and damp, thick with the scent of wet earth and the promise of rain. In this hazy landscape, a vast cornfield stretches toward a soft, clouded horizon, its breadth emphasized by long, horizontal strokes of ochre and muted green. Figures move through the middle ground, their forms softened by the mist, tending to a cart pulled by horses. There is a rhythmic, slow quality to their…
The scene unfolds in the heart of a bustling Parisian street, captured in the work titled Near the Pont d'Arcole, Paris. This watercolor painting brings us into a moment of urban life, where the architecture of the city meets the movement of its people. The artist, David Cox, directs our gaze toward the structures and the atmosphere of the streets near the Pont d'Arcole.
Pont Neuf from the Quai de l'Ecole, Paris1829
12
Place du Palais Royal, Paris1829 · 伯明翰博物馆与美术馆
13
The Welsh Funeral1848 · 伯明翰博物馆与美术馆
14
Untitled (AQTKGL)1853
15
The Cross Roads1850 · 伯明翰博物馆与美术馆
16
Rhyl Sands1854 · 伯明翰博物馆与美术馆
17
Scene in a Lane1858
18
Beach Scene Sunrise1820 · 耶鲁英国艺术中心
19
Fishing off Hastings1810 · 耶鲁英国艺术中心
20
The Junction of the Severn and the Wye with Chepstow in the Distance1830 · 耶鲁英国艺术中心
21
The Wyndcliff, River Wye1842 · 伯明翰博物馆与美术馆
22
German Der Strand von Rhyl1854 · 曼彻斯特艺术馆
23
Left at a Girls' School1812 · 伯明翰博物馆与美术馆
24
Lake Scene, North Wales1811 · 伯明翰博物馆与美术馆
25
A View of Westminster Bridge, Looking West towards Lambeth Palace and Westminster Abbey1811
26
In Windsor Park1807
27
Westminster from Lambeth1813
28
Sunset, Hastings: Beached Fishing Vessels1811
29
Gipsies on Dulwich Common1808 · 伯明翰博物馆与美术馆
30
Pastoral Scene in Herefordshire1820
31
Lugg Meadows, near Hereford1817
32
Tour d'Horloge, Rouen1829
33
The Opening of the New London Bridge1831
34
St. Mary's Church and the Shire Hall, Warwick1828
35
Place St. Barthélemy, Rouen1829
36
Carthage: Aeneas and Achates1825
37
Junction of the Severn and the Wye with a Rainbow1827
38
Dockyard - Building a Sloop1823
39
Still LIfe: Basket, Foxgloves, Clothes and Other Objects1823 · 伯明翰博物馆与美术馆
40
A View of the Pavillon de Flore and the Tuileries from the Seine, Notre Dame, Paris1829
41
Hay on Wye1824
42
Porte St. Denis, Paris1829
43
Pirates' Isle1826
44
Pavillon de Flore, Tuileries, Paris1830
45
St. Eustache, Paris1829
46
Handsworth Old Church, Birmingham1828
47
Ulverston Sands1835 · 伯明翰博物馆与美术馆
48
Crossing Lancaster Sands1835
49
Street in Beauvais1832
50
The Pont des Arts with the Louvre and Tuileries from the Quai Conti1838
51
The Long Gallery, Hardwick Hall, Derbyshire1839
52
The Poplar Avenue, after Hobbema1835
53
The Long Gallery, Hardwick Hall, Derbyshire1839
54
Going Out Hawking1838
55
Peace and War: Lympne Church and Castle1838 · 伯明翰博物馆与美术馆
56
A Terrace, with Figures, Haddon Hall1834 · 伯明翰博物馆与美术馆
57
Windermere during the Regatta1832
58
Rhaiadr Cwm, North Wales1836
59
Pass of Llanberis, Caernarvonshire, Wales1836
60
The Long Gallery, Hardwick Hall, Derbyshire1839 · 查茨沃斯庄园
61
Crossing Lancaster Sands1840
62
View near Bettws-y-Coed1846 · 伯明翰博物馆与美术馆
63
On Lancaster Sands, Low Tide1840
64
Vale of Clwyd1848
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Near Knaresborough1844
66
A Welsh Road1846
67
The Vale of Dolwyddelan1846
68
A Country Track Leading to Harlech Castle1842
69
Carreg Cennan Castle1844
70
Cottage Interior1840 · 伯明翰博物馆与美术馆
71
Outskirts of a Wood, with Gypsies1843
72
Vale of Clwyd1846
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Going to the Hayfield1853 · 耶鲁英国艺术中心
74
On the Medway1850
75
Horses Drinking1855
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A Mountain Torrent1850
77
Flying the Kite1853
78
On Carrington Moss, Cheshire1851
79
Mountain Heights, Cader Idris1850
80
Penman Bach1852
81
The Night Train1849
82
Vale of Clwyd1849
83
The Challange1853
84
Peat Gatherers1850
85
Kenilworth Castle1857 · 伯明翰博物馆与美术馆
86
Darley Churchyard1858
87
On the Moors, near Bettws-y-Coed1856
88
Crossing the Moor1858
89
Stepping Stones, Bettws-y-Coed1857
90
Clouds1857
91
Moonlight Landscape1850 · 耶鲁英国艺术中心
92
The Night Train1849 · 伯明翰博物馆与美术馆
93
Midday Rest
94
The Thames At Battersea
95
Returning Home
96
Lancaster Sands 1
97
A Child With A Dog, Outside A Cottage
98
The Jetty, Calais
99
Young Welsh Girl
100
In The Hayfield 1
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 大卫·考克斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 伯明翰博物馆与美术馆 |
伯明翰 | 54 | Going to the Hayfield, The Skylark, Storm off the Coast, Hastings |
 耶鲁英国艺术中心 |
纽黑文 | 6 | Beach Scene Sunrise, Fishing off Hastings, The Junction of the Severn and the Wye with Chepstow in the Distance |
 泰特美术馆 |
伦敦 | 1 | Rhyl Sands |
 曼彻斯特艺术馆 |
曼彻斯特 | 1 | German Der Strand von Rhyl |
 查茨沃斯庄园 |
巴克韦尔 | 1 | The Long Gallery, Hardwick Hall, Derbyshire |
 伯明翰博物馆与美术馆 |
伯明翰 | 1 | The Night Train |
选择一个年代，探索定义该时代的原创杰作。
The watercolor painting titled The Old Bridge at Bridgnorth, Shropshire, captures a quiet moment in the English countryside. Created by David Cox in 1809, the work presents a view of a small town nestled along the curves of a river. The scene focuses on the architecture of the bridge as it spans the water, anchoring the landscape within its natural setting.
There is a certain gravity in how the sky meets the sea in this 1813 work. The composition draws the eye along a diagonal path, moving from the heavy, dark presence of the cliffs in the foreground toward a lighter, mist-filled horizon. It is a scene of movement and tension, where the elements of sea, sky, and stone are caught in a moment of profound unrest. The palette relies on…
The watercolor depicts a bustling maritime scene at Greenwich, centered on the ceremonial embarkation of George IV for Scotland. Numerous vessels occupy the water, some positioned near the shore and others further out. These boats carry various figures, and several are adorned with flags. On the banks, crowds of people gather to observe the event, some standing near the water's edge while others remain further back. A horse is visible…
This watercolor painting depicts a landscape featuring a river with trees situated on its banks. Within the scene, several people are present; some are positioned near the water's edge, while others are located further away. A dog is also visible, lying down beside one of the individuals. The overall atmosphere of the work is peaceful and serene, capturing people enjoying their time by the river.
David Cox's "Going to the Hayfield," painted in 1849, isn’t merely a landscape; it’s a carefully constructed distillation of Romantic sensibility and a profound connection to the English countryside. This evocative piece, now beautifully reproduced, transports us to a specific moment – a quiet afternoon as figures journey towards a hayfield bathed in the diffused light of an overcast sky. Cox, a pivotal figure bridging the gap between earlier landscape…
The scene unfolds in "Going to the Hayfield," a work created by the artist David Cox. In this 1849 composition, the quiet rhythms of rural life take center stage. Figures move through the landscape, their presence tied to the seasonal tasks of the countryside. The air feels heavy with the atmosphere of a specific afternoon, capturing a moment of simple, everyday activity within the English landscape.
Going to the Hayfield (1850)。紧随其后的是 George IV Embarking for Scotland at Greenwich (1823) 和 Going to the Hayfield (1849)。
67岁：Going to the Hayfield创作于1850年，大卫·考克斯出生于1783年。
Going to the Hayfield, George IV Embarking for Scotland at Greenwich, Going to the Hayfield, Rhyl Sands, Study of a Dog, The Skylark, Storm off the Coast, Hastings, The Old Bridge at Bridgnorth, Shropshire, Cornfield 及 Near the Pont d'Arcole, Paris。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 498 件 大卫·考克斯 的作品，创作年代从 1807 年至 1858 年。
多见于 伯明翰博物馆与美术馆 (伯明翰), 耶鲁英国艺术中心 (纽黑文) 及 泰特美术馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 100 件作品中有 24 件创作于该时期，其中包含 Going to the Hayfield 件作品。
在本页面中，最早的作品创作于 In Windsor Park (1807)，最晚的创作于 Scene in a Lane (1858)。
Landscape (13), Sky (10) 及 British countryside (8)，共计 100 件作品。
Watercolor，共计 13 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism
Going to the Hayfield, The Skylark 及 Storm off the Coast, Hastings：伯明翰博物馆与美术馆, 伯明翰收藏了本页中 18 件作品。
1783年4月29日，大卫·考克斯出生于英国伯明翰德里滕德。他的父亲是一位铁匠和白铁匠，为伯明翰的枪支贸易提供零件。母亲则出身于一个农场家庭，受过良好的教育并拥有坚强的性格。考克斯早年的生活环境充满了朴实与勤劳，这或许也为他日后对乡村风景的热爱埋下了伏笔。他最初在约瑟夫·巴伯的学院学习绘画，在那里结识了查尔斯·巴伯和威廉·拉德克利夫两位同学，这段经历开启了他艺术生涯的第一步。
15岁时，考克斯成为阿尔伯特·菲尔德的学徒，菲尔德是一位专门从事肖像微型画和装饰绘画的画家，作品对象包括烟草盒等。早期的训练为他打下了坚实的基础技能。1804年，考克斯搬到伦敦并与房东的女儿玛丽·拉格结婚。然而，真正改变他艺术生涯轨迹的关键事件发生在1805年，他和查尔斯·巴伯前往威尔士旅行。这次旅行标志着他一生中无数次写生之旅的开始，这些旅行深刻地影响了他的艺术风格。
从1805年起，考克斯开始定期在皇家学院展出作品，最初靠教绘画为生。1808年，亨利·温莎上校成为他的第一位学生。早期的作品主要集中于细节丰富的风景水彩画，常常描绘乡村景色和建筑主题。随着时间的推移，考克斯的风格逐渐演变。他从精确的地图式描绘转向一种更具表现力和氛围感的绘画方式。尽管具体的艺术影响尚有争议，但他的作品展现出对17世纪荷兰风景画家以及康斯太勃尔自然观察力的亲和力。
考克斯以其流畅的笔触、鲜艳的色彩和捕捉光线与天气的能力而闻名。他后期的油画作品尤其具有创新性，充分展现了他对绘画技巧的掌握。在职业生涯后期，考克斯创作了超过300幅油画作品，这些作品如今被认为是“英国画家最伟大但却最不为人知的成就之一”。他是一位伟大的英国风景画家和英国水彩黄金时代的杰出人物。他的作品对后世的许多风景画家产生了深远的影响。
代表作：《风吹荒原》、《赫里福德郡小屋》、《塞文河与怀河交汇处，远处是切普斯托城堡》和《月光风景》是他最受赞誉的画作之一。考克斯被公认为印象派的先驱者之一。他对捕捉瞬间氛围效果的强调以及他流畅的笔触预示了后来印象派画家所采用的许多绘画技巧。他还在确立英国风景画作为一种独特流派方面发挥了关键作用，从纯粹的地图式描绘转向更具表现力和情感色彩的自然诠释。
大卫·考克斯的作品至今仍备受赞赏，其美丽、敏感和持久的魅力吸引着无数艺术爱好者的目光。他是一位真正的艺术家，用画笔记录了英国乡村的美丽景色，并为后世留下了宝贵的艺术遗产。
