更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 148 件 大卫·考克斯 作品收录于我们的目录中
简而言之
在画廊看来，大卫·考克斯 最著名的作品是 The Garden Terrace at Haddon Hall (1849)，其原作现收藏于 牛津 的 阿什莫利博物馆。 Cottage in Herefordshire (1820) 与 Crossing the Sands (1848) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，大卫·考克斯 共有 148 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A stone staircase anchors the scene, its ornate railings climbing toward a massive tree that dominates the right side of the frame. Lush greenery spills over the steps, interrupted only by small bursts of red flowers at the base. Two figures move near the bottom, their forms softened by the light, appearing as mere shadows within the garden's depth. The sky above is a heavy, overcast veil, casting a soft,…
Cottage in Herefordshire by David Cox The Elder is a detailed pencil drawing created about 1820. The subject matter centers on a rural dwelling situated within a traditional English countryside setting. A quaint cottage occupies the central position of the composition, acting as the primary focal point. This structure is framed by the presence of trees and the contours of rolling hills, which establish a sense of enclosure around the…
A heavy, ominous sky hangs low over a vast, arid expanse, pressing down upon a caravan of travelers. The air feels thick with the scent of approaching rain or perhaps just the dry, suffocating dust of the dunes. Every movement seems labored as figures and horses struggle through the shifting sands, their forms silhouetted against a landscape that feels both immense and indifferent. The light filters through bruised, heavy clouds…
by David Cox The Elder, executed in 1842, captures a picturesque view of the River Wye valley in Wales. The work belongs to the Romantic movement of the 19th Century, focusing on the natural landscape. It presents the river, various trees, and the undulating terrain of the Wye valley.
In "Changing Pasture" by David Cox The Elder, we find ourselves looking upon a quiet, rural pastoral view. Painted about 1847, the scene centers on a solitary shepherd who stands amidst the expanse, contemplating his flock. The sheep are scattered across a rolling pasture, their presence grounding the vastness of the landscape. There is a stillness here, a sense of a moment caught between the movements of the clouds and…
Cottage on Dulwich Common, a Windy Day is a landscape painting by David Cox The Elder, executed about 1846. The work captures a quiet moment of everyday rural life, focusing on a domestic setting amidst the natural elements of the English countryside.
The sky hangs heavy with the weight of an impending storm, a swirling mass of dark, bruised clouds that seem to churn across the canvas. Below this turbulent ceiling, a rugged coastline stretches into the distance, its edges softened by a creeping mist that blurs the line between land and sea. The air feels thick, charged with the salt and dampness of a restless ocean. A small group of figures,…
Two figures sit upon the grassy bank, their attention fixed on the slow movement of the water. The river flows past them, a silver ribbon cutting through a landscape of muted greens and earthy browns. Nearby, a herd of cattle grazes in the middle ground, their forms softened by the hazy light of an overcast sky. Above, swallows skim low through the air, tracing invisible paths under an expansive, pale…
Landscape with Man on a Horse is an oil painting created by David Cox The Elder. The work is dated 1849. This small-scale piece focuses its subject matter on rural activity, depicting a rider on horseback alongside a seated figure within a countryside setting.
The Shepherd Return of the Flock emerges from the brush of David Cox The Elder, a painter who captures the quiet pulse of the English countryside. This work, dated about 1850, finds its origins in the life of an artist born on April 29th, 1783, in Deritend, Birmingham. The scene unfolds as a moment of rural movement, where the shepherd and his flock move through a landscape that feels alive…
Moorland Road1851
12
The Church at Betws y Coed, Snowdonia1851
13
The Skirts of the Forest1855 · 伯明翰博物馆与美术馆
14
Landscape with Cattle by a Pool1850 · Fitzwilliam 学院
15
The Long Gallery, Hardwick Hall, Derbyshire1840 · 伯明翰博物馆与美术馆
16
The Vale of Clwyd1849 · Fitzwilliam 学院
17
Fishing Boats, Hastings1813 · 伯明翰博物馆与美术馆
18
All Saints' Church, Hastings1812 · 伯明翰博物馆与美术馆
19
Lake Scene, North Wales1811 · 伯明翰博物馆与美术馆
20
Gipsies on Dulwich Common1808 · 伯明翰博物馆与美术馆
21
Landscape with a Man Washing His Feet at a Fountain after Poissin1821 · 耶鲁英国艺术中心
22
Hay on Wye1824 · 伯明翰博物馆与美术馆
23
Junction of the Severn and the Wye with Chepstow in the Distance1830 · 耶鲁英国艺术中心
24
The Hayfield1833 · Rhode Island School of Design Museum of Art
25
The Great Hall, Haddon1832 · 伯明翰博物馆与美术馆
26
The Farmstead1848 · 伯明翰博物馆与美术馆
27
The Welsh Funeral1848 · 伯明翰博物馆与美术馆
28
Study of a Donkey1843 · 伯明翰博物馆与美术馆
29
Study of Fish, Skate and Cod1842 · 伯明翰博物馆与美术馆
30
Wind, Rain and Sunshine1845
31
Welsh Shepherds1841 · 伯明翰博物馆与美术馆
32
Waiting for the Ferry1845 · 伯明翰博物馆与美术馆
33
Windermere1844 · 伯明翰博物馆与美术馆
34
Calais Pier1844
35
Landscape with Haymakers1848 · 布里斯托博物馆与美术馆
36
Cottage Interior, Trossavon near Betws y Coed1847 · 伯明翰博物馆与美术馆
37
Pandy Mill1843 · 莱恩艺术馆
38
The Old Mill at Bettws y Coed1847
39
Flying the Kite, a Windy Day1851 · 沃克艺术馆
40
On the Sands1851 · 伯明翰博物馆与美术馆
41
Market Gardeners1851 · 伯明翰博物馆与美术馆
42
Landscape with Man on a Horse1849 · 曼彻斯特艺术馆
43
Crossing the Moor1851
44
The Shrimpers1853 · 伯明翰博物馆与美术馆
45
Dudley Castle1853
46
Going to the Hayfield1849 · 伯明翰博物馆与美术馆
47
Haymaking near Conway1853
48
Dudley Castle1853 · 曼彻斯特艺术馆
49
Evening1853 · 伯明翰博物馆与美术馆
50
Haymaking near Conway1853 · 曼彻斯特艺术馆
51
Girl in a Pinafore1849 · 耶鲁英国艺术中心
52
Driving Cattle1849 · 伯明翰博物馆与美术馆
53
Crossing the Ford1849
54
Keep the Left Road1854 · 伯明翰博物馆与美术馆
55
The Skylark1849 · 伯明翰博物馆与美术馆
56
A Mountain Torrent1853
57
Darley Churchyard, Derbyshire1850
58
Moonlight Landscape1849 · 耶鲁英国艺术中心
59
The Missing Lamb1853 · 伯明翰博物馆与美术馆
60
Kilgerran Castle, Pembrokeshire1852 · 伯明翰博物馆与美术馆
61
Tending Sheep, Betws y Coed1849 · 伯明翰博物馆与美术馆
62
The Road to the Mill1849
63
Lane near Rowley Regis1852
64
Kilgerran Castle, Pembrokeshire1852 · 伯明翰博物馆与美术馆
65
Going to the Hayfield1852 · Victoria Art Gallery
66
A Breezy Day Going to the Hayfield1852
67
Pont y Pair, Conwy1851 · New Walk Museum - Art Gallery
68
Landscape with a Windmill1852
69
Bolton Abbey1850 · Royal Birmingham Society of Artists
70
Lane near Rowley Regis1852
71
A Welsh Funeral, Bettws Church1852
72
An Old Woman Asleep1859 · 伯明翰博物馆与美术馆
73
A Farm at Betws y Coed1856 · 伯明翰博物馆与美术馆
74
A Road by a Common, Windy Day1859
75
The Wind on the Heath1859 · 耶鲁英国艺术中心
76
Carrying Vetches1850 · National Trust
77
On the Lledr1852 · 伍尔弗汉普顿美术馆
78
The GladeAtkinson Art Gallery Collection
79
Fisherman Riding on the Sands
80
Kidwelly Castle
81
Riverside Path
82
The Wayfarers
83
Haymaking on Snowdon1847 · Towneley Hall Art Gallery And Museum
84
Coast Scene near Hastings1812 · Fitzwilliam 学院
85
The Church, Betws y Coed1856 · 伯明翰博物馆与美术馆
86
Kenilworth Castle1807 · 伯明翰博物馆与美术馆
87
Counting the Flock1852 · 伍尔弗汉普顿美术馆
88
Seascape
89
KenilworthMusée Municipal A.g. Poulain de Vernon
90
Landscape with Cottages
91
Distant View of Raby Castle, DurhamGovernment Art Collection
92
The Gathering of the Flocks曼彻斯特艺术馆
93
Moorland Landscape Shepherd and SheepAmgueddfa Cymru
94
Menlough Castle, Galway, Ireland
95
Bettys y Coed
96
The Old Mill
97
Landscape谢菲尔德城市美术馆
98
Greenfield House, Harorne伯明翰博物馆与美术馆
99
Crossing the Heath
100
Fortress on a Rockmr Straw's House
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 大卫·考克斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 伯明翰博物馆与美术馆 |
伯明翰 | 20 | Crossing the Sands, Changing Pasture, The Peat Gatherers |
 伯明翰博物馆与美术馆 |
伯明翰 | 16 | The Long Gallery, Hardwick Hall, Derbyshire, Fishing Boats, Hastings, Lake Scene, North Wales |
 耶鲁英国艺术中心 |
纽黑文 | 6 | Cottage in Herefordshire, Landscape with a Man Washing His Feet at a Fountain after Poissin, Junction of the Severn and the Wye with Chepstow in the Distance |
 曼彻斯特艺术馆 |
曼彻斯特 | 4 | Landscape with Man on a Horse, Dudley Castle, Haymaking near Conway |
 伍尔弗汉普顿美术馆 |
伍尔弗汉普顿 | 4 | Cottage on Dulwich Common, a Windy Day, On the Lledr, Counting the Flock |
 Fitzwilliam 学院 |
Cambridge | 3 | Landscape with Cattle by a Pool, The Vale of Clwyd, Coast Scene near Hastings |
 Amgueddfa Cymru |
卡迪夫 | 2 | Moorland Landscape Shepherd and Sheep |
 阿什莫利博物馆 |
牛津 | 1 | The Garden Terrace at Haddon Hall |
选择一个年代，探索定义该时代的原创杰作。
Cottage in Herefordshire by David Cox The Elder is a detailed pencil drawing created about 1820. The subject matter centers on a rural dwelling situated within a traditional English countryside setting. A quaint cottage occupies the central position of the composition, acting as the primary focal point. This structure is framed by the presence of trees and the contours of rolling hills, which establish a sense of enclosure around the…
A stone staircase anchors the scene, its ornate railings climbing toward a massive tree that dominates the right side of the frame. Lush greenery spills over the steps, interrupted only by small bursts of red flowers at the base. Two figures move near the bottom, their forms softened by the light, appearing as mere shadows within the garden's depth. The sky above is a heavy, overcast veil, casting a soft,…
The sky hangs heavy with the weight of an impending storm, a swirling mass of dark, bruised clouds that seem to churn across the canvas. Below this turbulent ceiling, a rugged coastline stretches into the distance, its edges softened by a creeping mist that blurs the line between land and sea. The air feels thick, charged with the salt and dampness of a restless ocean. A small group of figures,…
The Garden Terrace at Haddon Hall (1849)，阿什莫利博物馆, 牛津。紧随其后的是 Cottage in Herefordshire (1820) 和 Crossing the Sands (1848)。
66岁：The Garden Terrace at Haddon Hall创作于1849年，大卫·考克斯出生于1783年。
The Garden Terrace at Haddon Hall, Cottage in Herefordshire, Crossing the Sands, The Wyndcliffe, River Wye, Changing Pasture, Cottage on Dulwich Common, a Windy Day, The Peat Gatherers, Boys Fishing, Landscape with Man on a Horse 及 The Shepherd Return of the Flock。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 148 件 大卫·考克斯 的作品，创作年代从 1807 年至 1859 年。
多见于 伯明翰博物馆与美术馆 (伯明翰), 伯明翰博物馆与美术馆 (伯明翰) 及 耶鲁英国艺术中心 (纽黑文)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 100 件作品中有 38 件创作于该时期，其中包含 The Peat Gatherers 件作品。
在本页面中，最早的作品创作于 Kenilworth Castle (1807)，最晚的创作于 An Old Woman Asleep (1859)。
Landscape (11), British countryside (11) 及 Atmospheric (6)，共计 100 件作品。
Oil On Canvas，共计 14 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism
Crossing the Sands, Changing Pasture 及 The Peat Gatherers：伯明翰博物馆与美术馆, 伯明翰收藏了本页中 20 件作品。
1783年4月29日，大卫·考克斯（David Cox）出生于伯明翰德里滕德这一工业心脏地带。他出身寒微，而这段成长经历深刻地塑造了他的艺术视野。他的父亲是一名铁匠兼白铁匠，为他注入了终身受益的勤勉品格，尽管年轻的考克斯身材瘦弱，并不适合从事锻造工作。起初，他跟随一名小饰品匠人学习学艺，制作烟盒上的微型肖像和漆金扣环——正是这种对细腻纹理的早期接触，为他日后精湛的水彩画技艺埋下了伏笔。而在他的艺术天赋中，母亲那“卓越的智慧”与坚韧的意志也起到了至关重要的滋养作用。
当时的伯明翰本身就是一个艺术活动的熔炉，不仅拥有服务于新兴制造业的私人学院，更孕育出了独特的风景画学派。考克斯最初师从约瑟夫·巴伯（Joseph Barber），随后又跟随阿尔伯特·菲尔德（Albert Fielder）学习，然而随着菲尔德的意外去世，他的学徒生涯戛然而止。此后，他在威廉·麦克雷迪（William Macready）剧院担任过一段时日的布景画家，这段经历为他积累了关于大气透视与构图的宝贵经验，这些技能在他后来描绘自然世界时得到了升华。
1804年，考克斯前往伦敦寻求职业机遇。尽管最初在菲利普·阿斯特利（Philip Astley）圆形剧场的任职未能如愿，但这段时期却成为了他生命的转折点。他全身心地投入到水彩画创作中，通过展览作品逐渐建立起名声。1805年，他与玛丽·拉格（Mary Rhibb）的结合让他的生活趋于稳定，两人定居在达尔维奇。同年，他与查尔斯·巴伯一同开启了多次威尔士之旅，这些旅程为他日后创作日益成熟、深邃的风景画提供了丰富的素材。
1805年水彩协会（Water-Colour Society）的成立对他而言意义重大。虽然他并未立即获得会员资格，但他深度参与了协会的各项活动，并最终于1813年正式加入。这一平台为他展示作品、与同行交流提供了绝佳的机会，也巩固了他在当时蓬勃发展的英国艺术界中的地位。
考克斯的艺术发展轨迹，可以用他对捕捉英国乡村神韵那份永恒的执着来概括。他避开了宏大的历史叙事或古典的寓言题材，转而专注于描绘乡间风景之美——无论是荒原、林地、河岸还是海岸景观。他早期的水彩作品以细腻的精准度和严谨的细节著称，体现了对自然细致入微的观察；然而，他很快便超越了单纯的地形记录，赋予作品一种能够引起观众情感共鸣的情绪深度。
他因捕捉“氛围”的能力而闻名遐迩——光影的交织、天气的微妙变化，以及那种沉浸于自然世界之中的真实感。他的技法融合了周密的计划与即兴的执行，经常通过写生（en plein air）的方式快速捕捉转瞬即逝的美丽瞬间。晚年，他逐渐转向油画创作，留下了30着余幅画布，这些作品如今被公认为他最伟大的成就之一，尽管在世时并未得到如今日般的广泛赞誉。
大卫·考克斯对英国艺术的影响是深远且持久的。作为伯明翰画派的关键人物，他在地形风景画与更具情感色彩的浪漫主义之间架起了一座桥梁。他的作品通过强调捕捉光影与大气的瞬息万变，预示了印象派的到来，尽管他的根基始终深深植根于英国水彩画的传统之中。
尽管一生中曾面临经济困窘与相对寂寥的时期，但大卫·考克斯的艺术遗产却历久弥新。1859年6月7日，他溘然长逝，但他留下的作品集至今仍以其美感、敏锐度以及与自然世界的深刻连接，持续震撼着每一位观众。他的画作为我们提供了一个窥视英国乡村灵魂的永恒窗口，提醒着我们艺术拥有唤起情感、赞颂生命纯粹之美的持久力量。
