更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 82 件 丹尼尔·迈腾斯 作品收录于我们的目录中
简而言之
在画廊看来，丹尼尔·迈腾斯 最著名的作品是 Charles I, King of England (detail) (1629)，其原作现收藏于 纽约 的 大都会艺术博物馆。 Charles I (1600–1649), King of England (1629) 与 Portrait of a Man (1627) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，丹尼尔·迈腾斯 共有 82 件作品，画廊为您精选了以下 74 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
In the year 1629, a portrait emerged from the studio of Daniel Mijtens that would do more than merely capture a likeness; it would crystallize an era. The portrait of Charles I stands as a profound testament to the burgeoning artistic landscape of England during the reign of James I and his son. At a time when the English court was navigating complex political waters, Mijtens offered a vision of…
In this 1627 portrait, we encounter a man of quiet authority, captured in a moment of composed stillness. The composition follows a traditional three-quarter view, focusing on the subject from the waist up against a dark, indeterminate background that pushes his presence forward. There is a certain gravity to his posture, a sense of dignity that suggests a life of significant standing. The lighting is deliberate, descending from the upper…
In this portrait by Daniël Mijtens, we encounter John Cotton, a man whose presence carries the weight of significant theological influence. Painted around 1628, the work captures the clergyman during a period of profound religious transition. Cotton was a central figure in the religious life of both England and the American colonies, eventually becoming the preeminent minister and theologian of the Massachusetts Bay Colony. There is a quiet gravity in…
In this 1624 portrait, we encounter Charles I during his tenure as Prince of Wales, a period before his ascension to the English throne. The subject is positioned with a quiet, commanding presence, his gaze meeting the viewer with a directness that suggests both nobility and a burgeoning sense of responsibility. There is a certain stillness to his posture, a composure that defines the Baroque portraiture of the era. He…
丹尼尔·米捷斯：英国王室的自然主义大师 丹尼尔·米捷斯（约1590年出生于德莱프트，荷兰）是文艺复兴时期荷兰黄金时代的一位杰出肖像画家，他以其对英国王室艺术创作的贡献而闻名于世。作为一位出身于艺术传统家庭的艺术家——他的叔父阿特·米捷斯也是著名的画家艾尔特·米捷斯，他是伊萨克·米捷斯的兄弟，并且与亚历山大·德哈芬关系密切——米捷斯早期的艺术训练很可能发生在海牙米歇尔·扬斯·范·米埃威尔特的画室里。这次经历为他培养了对构图和技巧的深刻理解，这在他之后的事业生涯中不断发展和完善，尤其是在英国时期。关于他的早期生活和艺术创作活动，历史记载并不详尽，这或许反映了他对艺术道路上的选择。 米捷斯的作品风格独特而具有时代精神。他摒弃了当时流行的繁复装饰和夸张色彩的传统手法，而是注重人物形象的真实性和自然美感。这种自然主义风格在英国王室肖像画中占据重要地位，为后人留下了宝贵的艺术遗产。米捷斯不仅是一位技术精湛的画家，更是一位对艺术历史有着深刻认识的思想家。他的作品体现了当时人文主义精神的核心价值——对人类经验和情感的关注与表达。 米捷斯最著名的成就在于创作了一系列以英国国王查尔斯一世为题材的作品。这些肖像画不仅展现了查尔斯一世的庄严形象，更捕捉到了他内心深处的情感和个性特征。米捷斯对人物的细致刻画和对光影运用技巧的娴熟掌握，使他的作品具有极高的艺术价值和审美魅力。例如，米捷斯绘制的查尔斯一世肖像系列，不仅是英国王室艺术史上的经典之作，也为我们了解了当时英国社会文化提供了重要的历史资料。这些画作不仅仅是视觉享受，更是对历史时期精神气质的深刻诠释。 米捷斯的作品在英国王室收藏中占据重要地位，并且至今仍被广泛研究和欣赏。他的艺术风格影响了许多后来的画家，为英国肖像艺术的发展注入了活力与创新精神。通过对米捷斯作品的研究和解读，我们可以更好地理解文艺复兴时期欧洲艺术的辉煌成就以及人文主义思想的传播过程。丹尼尔·米捷斯的艺术生涯不仅是个人艺术发展史上的一个重要里程碑，也是英国艺术文化历史的重要组成部分。 作品名称：查尔斯一世（威廉王子时期） 画家：丹尼尔·米捷斯 创建年份：未知 画作尺寸：76厘米 × 61厘米 作品风格：自然主义肖像画 相关博物馆数据库： 新堡医院、伦敦艺术馆、剑桥大学美术馆等。这些博物馆收藏了大量米捷斯作品，为我们研究和欣赏他的艺术成就提供了宝贵的机会。 通过参观这些博物馆，我们可以更深入地了解丹尼尔·米捷斯的艺术生涯以及他所代表的时代精神。
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
A formal, full-length Baroque portrait captures Lionel Cranfield, 1st Earl of Middlesex, in a moment of composed dignity. He is positioned slightly off-center, leaning against a table draped in heavy red cloth. The composition is vertical, emphasizing his stature through a three-quarter length view. His attire consists of dark, heavy robes that absorb the light, contrasted sharply by a crisp white ruff and the metallic sheen of gold embroidery on…
The subject, Thomas Howard, 1st Earl of Suffolk, is depicted in a full-length, vertical composition. He stands in a three-quarter view, his body angled slightly to the right while his gaze is directed toward the viewer. He wears a red surcoat over a dark doublet, accented by a large, stiffly pleated white ruff at the neck. Heavy gold livery collars and jewelry hang from his shoulders, catching the light against…
A full-length portrait of James Hamilton, 2nd Marquess of Hamilton, presents a single male figure positioned slightly off-center. He is depicted in a standing pose, holding a slender staff in one hand and a hat in the other. The subject wears a dark doublet with structured, geometric folds and a crisp, white lace ruff that encircles the neck. His legs are clad in light tan leather boots, which contrast with…
Portrait of Maurits van Oranje-Nassau (1567-1625)1611 · 阿姆斯特丹博物馆
12
Portrait of a Young Girl1610 · National Trust
13
Sir Thomas Edmondes1622 · 国家肖像美术馆
14
Charles I1633 · 圣路易斯艺术博物馆
15
Lady Martha Cranfield, Countess of Monmouth (1601-1667)1634 · Knole House
16
Elizabeth, Queen of Bohemia (1596-1662)1626 · 皇家收藏馆
17
Charles I and Henrietta Maria1631 · 皇家收藏馆
18
Self-Portrait1630 · 白金汉宫
19
Charles I1628 · 皇家收藏馆
20
Charles I and Henrietta Maria Departing for the Chase1631 · 皇家收藏馆
21
Charles I1623 · 皇家收藏馆
22
Mary, Queen of Scots (1542-87)1627 · 皇家收藏馆
23
Margaret Tudor, Queen of Scotland (1489-1541)1629 · 皇家收藏馆
24
Charles I (1600-1649) when Prince of Wales1623 · 皇家收藏馆
25
Ernst von Mansfeld (1585-1626)1624 · 皇家收藏馆
26
Jeffrey Hudson (1619-1682)1629 · 皇家收藏馆
27
Charles I of England (1600–1649) as Prince of Wales1624 · 斯泰恩斯博物馆艺术馆
28
James Hamilton (1589–1625), 2nd Marquess of Hamilton and 4th Earl of Arran, KG, PC1623
29
Thomas Howard (1585–1646), Earl of Arundel1630 · Temple Newsam House
30
Portrait of Gerard Schaep Pietersz. (1599-1655) (copy)1724 · 阿姆斯特丹博物馆
31
Portrait of Johanna de Vissere (1604-1676) (copy)1725 · 阿姆斯特丹博物馆
32
Charles I, King of England1629 · 大都会艺术博物馆
33
Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham1620 · Nostell Priory
34
Sir John Garrard (c.1546–1625), Lord Mayor of London (1601)1618 · Guildhall Art Gallery
35
Lionel Cranfield (1575–1645), 1st Earl of Middlesex1620 · National Trust
36
Nicolò Molino, Venetian Ambassador1622 · National Trust
37
Charles Howard (1536–1624), 1st Earl of Nottingham1620
38
King James I of England and VI of Scotland1621 · 国家肖像美术馆
39
Thomas Howard, 2nd Earl of Arundel and Surrey1618 · 国家肖像美术馆
40
William Laud (1573–1645), Archbishop of Canterbury (1633–1645)1631
41
Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG1634 · 国家信托基金会
42
Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 451633 · 国家信托基金会
43
James Hamilton (1606–1649), 1st Duke of Hamilton, Royalist1629 · 苏格兰国家肖像画廊
44
Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 171623 · 泰特不列顛美术馆
45
Robert Rich (1587–1658), 2nd Earl of Warwick1632 · 国家海事博物馆
46
Chief Justice Sir Henry Hobart (d.1625), 1st Bt1624 · National Trust
47
King Charles I (1600–1649)1629 · Government Art Collection
48
Charles I (1600–1649), King of Great Britain and Ireland1631 · 国家海事博物馆
49
Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville)1626 · Government Art Collection
50
Endymion Porter1627 · 国家肖像美术馆
51
Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 16791679 · 国家博物馆
52
Thomas Bruce, 3rd Lord Bruce of Kinloss, 1st Earl of Elgin (1599-1663)Hardwick Hall
53
An Unknown LadyNational Trust
54
Christian, Duke of Brunswick and Lüneburg (1599-1626)皇家收藏馆
55
Elizabeth Knollys, née Howard
56
Mary, Queen of Scots
57
Alathea, Countess of Arundel and Surrey
58
Duke of Hamilton1629 · 苏格兰国家肖像画廊
59
Ralph hopton
60
Paul and Barnabas at Lycaonia
61
James I and VI
62
Healing of the Lame ManKnole House
63
Charles I , in Robes of State
64
Christ's Charge to Peter
65
James VI
66
William Herbert, 3rd Earl of Pembroke
67
Duke of Buckingham
68
Elizabeth Leicester (b.1587)
69
William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PC国家信托基金会
70
George Villiers (1592–1628), 1st Duke of Buckingham国家海事博物馆
71
George Villiers (1592–1628), 1st Duke of Buckingham
72
King Charles I (1600–1649)Government Art Collection
73
The Death of Ananias维多利亚和阿尔伯特博物馆
74
King Charles I1631 · 国家肖像美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 丹尼尔·迈腾斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 皇家收藏馆 |
伦敦 | 11 | Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria, Charles I |
 国家肖像美术馆 |
伦敦 | 5 | Sir Thomas Edmondes, King James I of England and VI of Scotland, Thomas Howard, 2nd Earl of Arundel and Surrey |
 国家海事博物馆 |
伦敦 | 4 | Thomas Howard (1561-1626), 1st Earl of Suffolk, Robert Rich (1587–1658), 2nd Earl of Warwick, Charles I (1600–1649), King of Great Britain and Ireland |
 大都会艺术博物馆 |
纽约 | 3 | Charles I, King of England (detail), Charles I (1600–1649), King of England, Charles I, King of England |
 Knole House |
塞文奥克斯 | 3 | Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Lady Martha Cranfield, Countess of Monmouth (1601-1667), Healing of the Lame Man |
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 3 | Portrait of Maurits van Oranje-Nassau (1567-1625), Portrait of Gerard Schaep Pietersz. (1599-1655) (copy), Portrait of Johanna de Vissere (1604-1676) (copy) |
 国家信托基金会 |
切斯特菲尔德 | 3 | Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG, Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 45, William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PC |
 Government Art Collection |
伦敦 | 3 | King Charles I (1600–1649), Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville), King Charles I (1600–1649) |
选择一个年代，探索定义该时代的原创杰作。
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
This oil on canvas work by Daniël Mijtens depicts Charles I, King of England. Dated 1633, the portrait presents the monarch in a formal manner. The subject is rendered in a full-length view, positioned as a royal portrait intended to convey the status of the sitter. The figure is shown in a three-quarter view against a dark, atmospheric background.
Charles I, King of England (detail) (1629)，大都会艺术博物馆, 纽约。紧随其后的是 Charles I (1600–1649), King of England (1629) 和 Portrait of a Man (1627)。
39岁：Charles I, King of England (detail)创作于1629年，丹尼尔·迈腾斯出生于1590年。
Charles I, King of England (detail), Charles I (1600–1649), King of England, Portrait of a Man, John Cotton, Charles I as Prince of Wales, 查尔斯一世（威尔士王子时期), Venus and Amor (Allegory of Love), Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Thomas Howard (1561-1626), 1st Earl of Suffolk 及 James Hamilton, 2nd Marquess of Hamilton (1589-1625)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 82 件 丹尼尔·迈腾斯 的作品，创作年代从 1610 年至 1634 年。
多见于 皇家收藏馆 (伦敦), 国家肖像美术馆 (伦敦) 及 国家海事博物馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1620s 期间：本页 74 件作品中有 31 件创作于该时期，其中包含 Charles I, King of England (detail) 件作品。
在本页面中，最早的作品创作于 Portrait of a Young Girl (1610)，最晚的创作于 Lady Martha Cranfield, Countess of Monmouth (1601-1667) (1634)。
Man (33), Lace ruff (11) 及 Portrait (9)，共计 74 件作品。
Oil On Canvas，共计 39 件（本页共有 74 件作品）。
根据本页面的原作，Dutch golden age 及 Baroque
Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria 及 Charles I：皇家收藏馆, 伦敦收藏了本页中 11 件作品。
