更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 36 件 康斯坦特·佩尔梅克 作品收录于我们的目录中
简而言之
在 康斯坦特·佩尔梅克 留下的所有原作中，最著名的当属收藏于 鹿特丹 博伊曼斯·范·本宁根博物馆 的《Maternité ('Femme Ostendaise') (1913)》。 紧随其后的是 The Stationer (1922) 和 Fisherman's Wife (1920)。 我们的目录收录了 康斯坦特·佩尔梅克 的 36 件作品；画廊完整保留了 32 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
In Maternité ('Femme Ostendaise'), Constant Permeke centers the gaze upon a singular, intimate encounter. The composition is a tight close-up, pulling the viewer into the immediate space shared by a mother and her child. This shallow depth of field strips away the distractions of the surrounding world, leaving only the physical weight of the two figures. The mother cradles the infant, a gesture that anchors the work in the quiet…
The air in the room feels heavy, thick with the scent of damp earth and old wood. A solitary figure sits anchored at a table, caught in a moment of profound stillness. This is not a scene of movement, but one of weight. The subject, a stationer, exists within a compressed space where the boundaries between the person and their surroundings seem to blur. A large, dark pot and a…
In the painting Fisherman's Wife by Constant Permeke, the composition is dominated by a single seated woman. Positioned slightly off-center, the figure occupies much of the frame. She is dressed in dark, heavy clothing that creates a solid, weighty presence within the maritime setting. Resting in her lap is a large, light-colored basket, which provides a point of tonal contrast against the darker fabric of her garments. The subject is…
In "Pastry Stall" by Constant Permeke, a sense of density and claustrophobia settles over the scene, pulling the viewer into a crowded, intimate space. In the upper left, a man sits quietly in a chair, wearing a dark bowler hat and white clothing. His face is rendered with minimal, almost mask-like features, offering little hint of his internal thoughts as he occupies the corner of the frame. To the right,…
In the crowded, dimly lit atmosphere of Fair, a sense of heavy, communal existence takes hold. Created about 1921, this work by the Belgian painter and sculptor Constant Permeke captures a scene that feels thick with the weight of human presence. The composition pulls the viewer into a dense, claustrophobic space where figures layer upon one another, their forms rendered with a ruggedness that suggests the very grit of the…
The Man with the Jacket is a work by the Belgian artist Constant Permeke. This piece was created about 1928. The physical object is part of the permanent collection at the Royal Museum of Fine Arts Antwerp in Belgium.
In this 1925 oil painting, we find ourselves in an intimate, almost claustrophobic proximity to a solitary figure. The subject is hunched, caught in a moment of profound contemplation or prayer that feels heavy with the gravity of existence. There is a stillness here, but it is not peaceful; it is a grounded, somber stillness that commands the space. The composition is dominated by this single, central form, emerging from…
In Coffee Drinkers, Constant Permeke presents a quiet, heavy moment between two figures. The composition is tightly cropped, drawing our attention to the upper bodies of the two individuals as they sit close together. One figure is positioned with their back to us, draped in heavy, substantial fabric that anchors the left side of the frame. Facing forward is the second figure, whose features are rendered with a simplified, mask-like…
In this somber, expressive oil portrait, Saint Francis of Assisi emerges from a dark, nebulous void. The composition centers entirely on the man's face, which dominates the frame with an intense, heavy presence. Constant Permeke pulls the viewer into a direct and intimate encounter, stripping away the distractions of a background to focus solely on the psychological weight of the subject. The head occupies the space so completely that the…
Recumbent Nude is an oil painting by the Belgian artist Constant Permeke. The work was created about 1938. It depicts a single human figure in a state of repose, positioned horizontally across the composition. The subject is rendered with a focus on the sculptural volume of the body, utilizing thick, dark strokes to define the contours of the limbs and torso.
Winter Landscape1912 · 安特卫普皇家美术馆
12
Dunes1914 · Museum of Fine Arts Ghent (MSK)
13
Ostend Harbour1913 · Museum of Fine Arts Ghent (MSK)
14
Seascape1913 · 安特卫普皇家美术馆
15
Mer brumeuse1924
16
Woman Weeding1923 · Museum of Fine Arts Ghent (MSK)
17
Farmhouse1928 · Museum of Fine Arts Ghent (MSK)
18
Hay Harvest in Jabbeke1929 · Groeningemuseum
19
Summer1932
20
Landscape1931 · 安特卫普皇家美术馆
21
Village Archery1935 · Museum of Fine Arts Ghent (MSK)
22
The Peasant1934 · 安特卫普皇家美术馆
23
Landscape1940
24
Golden Clouds1940 · 安特卫普皇家美术馆
25
Bathers1946 · Museum of Fine Arts Ghent (MSK)
26
Young Girl1948 · 安特卫普皇家美术馆
27
Landscape in Flanders安特卫普皇家美术馆
28
Large Blonde Nude安特卫普皇家美术馆
29
Large Landscape安特卫普皇家美术馆
30
Mari lu
31
Niobe, (1951)
32
Vespers1927 · 安特卫普皇家美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | 康斯坦特·佩尔梅克 的作品 | 此列表中的画作 |
|---|---|---|---|
 安特卫普皇家美术馆 |
安特卫普 | 16 | Fisherman's Wife, Pastry Stall, Fair |
 Museum of Fine Arts Ghent (MSK) |
根特 | 8 | Saint Francis of Assisi, Recumbent Nude, Dunes |
 Groeningemuseum |
布鲁日 | 2 | The Stationer, Hay Harvest in Jabbeke |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 1 | Maternité ('Femme Ostendaise') |
选择一个年代，探索定义该时代的原创杰作。
In Maternité ('Femme Ostendaise'), Constant Permeke centers the gaze upon a singular, intimate encounter. The composition is a tight close-up, pulling the viewer into the immediate space shared by a mother and her child. This shallow depth of field strips away the distractions of the surrounding world, leaving only the physical weight of the two figures. The mother cradles the infant, a gesture that anchors the work in the quiet…
The air in the room feels heavy, thick with the scent of damp earth and old wood. A solitary figure sits anchored at a table, caught in a moment of profound stillness. This is not a scene of movement, but one of weight. The subject, a stationer, exists within a compressed space where the boundaries between the person and their surroundings seem to blur. A large, dark pot and a…
In this somber, expressive oil portrait, Saint Francis of Assisi emerges from a dark, nebulous void. The composition centers entirely on the man's face, which dominates the frame with an intense, heavy presence. Constant Permeke pulls the viewer into a direct and intimate encounter, stripping away the distractions of a background to focus solely on the psychological weight of the subject. The head occupies the space so completely that the…
Maternité ('Femme Ostendaise') (1913)，博伊曼斯·范·本宁根博物馆, 鹿特丹。紧随其后的是 The Stationer (1922) 和 Fisherman's Wife (1920)。
27岁：Maternité ('Femme Ostendaise')创作于1913年，康斯坦特·佩尔梅克出生于1886年。
Maternité ('Femme Ostendaise'), The Stationer, Fisherman's Wife, Pastry Stall, Fair, The Man with the Jacket, Woman at Prayers, Coffee Drinkers, Saint Francis of Assisi 及 Recumbent Nude。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 36 件 康斯坦特·佩尔梅克 的作品，创作年代从 1912 年至 1948 年。
多见于 安特卫普皇家美术馆 (安特卫普), Museum of Fine Arts Ghent (MSK) (根特) 及 Groeningemuseum (布鲁日)。上方的博物馆列表列出了所有相关机构。
在 1920s 期间：本页 32 件作品中有 12 件创作于该时期，其中包含 The Stationer 件作品。
在本页面中，最早的作品创作于 Winter Landscape (1912)，最晚的创作于 Young Girl (1948)。
Woman (4), Bowl (3) 及 Umber (3)，共计 32 件作品。
Oil On Canvas，共计 7 件（本页共有 32 件作品）。
根据本页面的原作，Expressionism
Fisherman's Wife, Pastry Stall 及 Fair：安特卫普皇家美术馆, 安特卫普收藏了本页中 16 件作品。
康斯坦特·佩尔梅克于1886年出生于安特卫普，他是比利时艺术史中一座丰碑式的存在——他不仅是一位画家和雕塑家，更是弗拉芒表现主义的化身。他的作品不仅仅是用来“观看”的，更是用来“感受”的；那是对生活残酷真相的一种本能回应，以一种不妥协的诚实，在今天依然引发着人们的共鸣。佩尔梅克的艺术旅程与其个人经历紧密交织，从早期的学院派训练，逐渐演变成一种独特、强大且往往令人不安的视觉表达。这种艺术愿景的种子在他童年时期于奥斯坦德度过的时光中便已播下，当时他的父亲是一位风景画家，并负责管理市立美术馆。这种对艺术的沉浸，结合海岸环境那荒凉的美感与严酷的自然属性，为佩尔梅克独特的风格奠定了基础。他最初在布鲁日学院（1903-1906）接受正式学习，随后进入根特学院（1906-1908），但他发现自己日益受到传统教学方法的束缚。正是在根特时期，他与Frits van den Berghe、Gustave de Smet以及Léon de Smet建立了至关重要的艺术联系——这一群体共同挑战了当时比利时盛行的审美规范。
