更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 32 件 Christopher Paudiß 作品收录于我们的目录中
简而言之
Martyrdom of Saint Thiemo (1662) 是 Christopher Paudiß 最受瞩目的画作；原作收藏于 维也纳 的 维也纳艺术史博物馆。 随后，目光会移向 Peasants in a tavern (1664) 和 Portrait of a man with dark hair, probably Alphons Zeffiri (1660)。 在 Christopher Paudiß 的 32 件作品中，这 32 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
A single, steady light spills from the upper right, cutting through the heavy gloom of a 17th-century tavern. It finds an elderly man seated in a chair, his white beard catching the glow against the deep umber of the room. Beside him, a younger boy sits on the floor, a quiet presence in the cramped, dim space. The air feels thick with the scent of wood and old dust. A…
A man stares directly from the canvas, his gaze meeting the viewer with a quiet, heavy intensity. He sits in a space defined by deep, umber shadows, where the darkness seems to press in from the edges of the frame. A strong light source from the upper left cuts through this gloom, washing over the pale skin of his face and catching the crisp, white folds of a voluminous collar.…
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
Old man with a slate1645 · 巴伐利亚州绘画收藏馆
12
Christ at Emmaus1644 · 巴伐利亚州绘画收藏馆
13
Diogenes1645 · 巴伐利亚州绘画收藏馆
14
The kiss of Judas and the arrest of Christ1645 · 巴伐利亚州绘画收藏馆
15
Tronie of an old man with beard and baret1643
16
Still Life with Beer, Herring and Pipe1660 · 博伊曼斯·范·本宁根博物馆
17
Self-Portrait?1661 · National Gallery Prague
18
Tronie of a man with a beret1653 · Augusteum
19
Portrait of a Hajduk with cap1663 · 德累斯顿旧大师画廊
20
Self-portrait with hat1665 · 巴伐利亚州绘画收藏馆
21
Peasant couple resting on the road1663 · 巴伐利亚州绘画收藏馆
22
The court butcher of Freising1664 · 巴伐利亚州绘画收藏馆
23
Der hl. Hieronymus1665 · 巴伐利亚州绘画收藏馆
24
Portrait of a bearded old man with hat1663 · 维也纳艺术史博物馆
25
Tronie of an old man with a fur cap1654 · 德累斯顿国家艺术收藏馆
26
Self-portrait with a grey hat1659 · 德累斯顿国家艺术收藏馆
27
still life with two fishes1643
28
Kitchen Still Life1661 · 布达佩斯美术博物馆
29
Portrait of a lady1660 · 普希金国家美术馆
30
Bust portrait of an old man with a gorget1653 · 柏林国家美术馆
31
Still life with the heads of two calves1658 · 德累斯顿国家艺术收藏馆
32
Woman with Headscarf巴伐利亚州绘画收藏馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Christopher Paudiß 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 15 | Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle |
 维也纳艺术史博物馆 |
维也纳 | 4 | Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri |
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 3 | Tronie of an old man with a fur cap, Self-portrait with a grey hat, Still life with the heads of two calves |
 冬宫博物馆 |
圣彼得堡 | 1 | The Head of a Girl |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 1 | Still Life with Beer, Herring and Pipe |
 National Gallery Prague |
布拉格 | 1 | Self-Portrait? |
 Augusteum |
Oldenburg | 1 | Tronie of a man with a beret |
 德累斯顿旧大师画廊 |
德累斯顿 | 1 | Portrait of a Hajduk with cap |
选择一个年代，探索定义该时代的原创杰作。
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
Martyrdom of Saint Thiemo (1662)，维也纳艺术史博物馆, 维也纳。紧随其后的是 Peasants in a tavern (1664) 和 Portrait of a man with dark hair, probably Alphons Zeffiri (1660)。
32岁：Martyrdom of Saint Thiemo创作于1662年，Christopher Paudiß出生于1630年。
Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri, The Head of a Girl, Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle, Dancing peagant couple in a taproom, Old man singing and playing the lute 及 Portrait of a young man with hat。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 32 件 Christopher Paudiß 的作品，创作年代从 1643 年至 1665 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 维也纳艺术史博物馆 (维也纳) 及 德累斯顿国家艺术收藏馆 (德累斯顿)。上方的博物馆列表列出了所有相关机构。
在 1660s 期间：本页 32 件作品中有 13 件创作于该时期，其中包含 Martyrdom of Saint Thiemo 件作品。
在本页面中，最早的作品创作于 Tronie of an old man with beard and baret (1643)，最晚的创作于 Self-portrait with hat (1665)。
Man (4), Earthy tones (3) 及 Shadows (2)，共计 32 件作品。
Oil On Canvas，共计 4 件（本页共有 32 件作品）。
根据本页面的原作，Baroque
Tronie of an old man with beret, Peasant returning from the market 及 Girl lighting a candle：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 15 件作品。
The life of Christoph Paudiss moved with the restless energy of the seventeenth century, tracing a path from Lower Saxony to the final years spent in Freising. Born around 1630, his early years were shaped by the profound influence of Rembrandt van Rijn. In the studios of Amsterdam and Leiden, he learned the language of light and shadow, a technical foundation that would define his later work across Europe. His career was marked by constant movement through the great centers of the era, including Stuttgart, Prague, Dresden, Vienna, and Salzburg.
This peripatetic existence reflected the shifting political landscape of the Bavarian Baroque period. By 1656, he was working in Stuttgart, and later moved through the courts of Central Europe. His final years were anchored in Freising, where he served under Fürstbischof Albrecht Sigismund von Bayern. It was here, amidst the quietude of Upper Bavaria, that his life reached its premature end in 1666.
Paudiss possessed a particular talent for capturing the somber realities of daily existence. His paintings and frescoes often focused on dark, unadorned scenes of common life. He did not seek to idealize his subjects; instead, he utilized chiaroscuro to bring a sense of weight and psychological depth to the ordinary. Whether depicting a kitchen still life or a portrait of a young man in a fur hat, his brushwork emphasized texture and the heavy presence of light against deep umber and ochre tones.
His repertoire was varied, ranging from religious subjects to intimate genre scenes. Some of his notable works include:
In his still lifes, such as those featuring beer, herring, and a pipe, he used everyday objects to create a sense of presence. These compositions often functioned as quiet meditations on the passage of time. The technical precision with which he rendered ceramic glazes or the rough grain of a wall allowed him to communicate a sense of realism that resonated within the German Baroque tradition.
Though his life was short, the physical remnants of his work remain distributed across the continent. Much of his output is held within the Freisinger Diözesanmuseum, which contains the largest collection of his paintings. Other pieces reside in the Hermitage Museum in Saint Petersburg and the Gemäldegalerie Alte Meister in Dresden. His ability to translate the Dutch influence of Rembrandt into a specifically Bavarian context left a distinct mark on the regional art of his time.
