Charles de Steuben 肖像

19 幅最著名的 Charles de Steuben 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 19 件 Charles de Steuben 作品收录于我们的目录中

简而言之

在 Charles de Steuben 留下的所有原作中,最著名的当属收藏于 圣彼得堡 冬宫博物馆 的《Portrait of Anna Benardaki (1844)》。 紧随其后的是 Portrait of Baron Alexander Stieglitz (1844) 和 Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850)。 我们的目录收录了 Charles de Steuben 的 19 件作品;画廊完整保留了 19 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1788 – 1856, Bauerbach Romanticism 藏品最多:冬宫博物馆

Charles de Steuben 的十大名画:画廊精选

1
Portrait of Anna Benardaki (1844) 由 Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · 冬宫博物馆, 圣彼得堡

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) 由 Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) 由 Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) 由 Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) 由 Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) 由 Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Charles de Steuben 系列持续更新,第 11 至 19 项

令 Charles de Steuben 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Charles de Steuben 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 Charles de Steuben 的作品 此列表中的画作
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
里尔美术馆, 里尔里尔美术馆 里尔 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
卡纳瓦勒博物馆, 巴黎卡纳瓦勒博物馆 巴黎 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, 巴黎Musée Victor Hugo 巴黎 1 Sketch for the painting "La Esmeralda and her goat"
凡尔赛歌剧院, 凡尔赛凡尔赛歌剧院 凡尔赛 1 Anne d'Autriche, reine de France
凡尔赛宫, 凡尔赛凡尔赛宫 凡尔赛 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
克利夫兰艺术博物馆, 克利夫兰克利夫兰艺术博物馆 克利夫兰 1 Battle of Poitiers, 25 October 732

Charles de Steuben 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Charles de Steuben 作品的常见问题

Charles de Steuben 最著名的作品是哪一件?揭晓答案

Portrait of Anna Benardaki (1844),冬宫博物馆, 圣彼得堡。紧随其后的是 Portrait of Baron Alexander Stieglitz (1844) 和 Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850)。

创作 Portrait of Anna Benardaki 时,Charles de Steuben 是多少岁?揭晓答案

56岁:Portrait of Anna Benardaki创作于1844年,Charles de Steuben出生于1788年。

Charles de Steuben 最著名的十幅画作是什么?揭晓答案

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" 及 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband。上方排名显示了每件作品的创作年份及馆藏机构。

Charles de Steuben 留下了多少幅画作?揭晓答案

我们的目录收录了 19 件 Charles de Steuben 的作品,创作年代从 1800 年至 1850 年。

Charles de Steuben 的杰作收藏在哪些博物馆中?揭晓答案

多见于 冬宫博物馆 (圣彼得堡), 里尔美术馆 (里尔) 及 卡纳瓦勒博物馆 (巴黎)。上方的博物馆列表列出了所有相关机构。

Charles de Steuben 在哪些年份创作了最著名的作品?揭晓答案

在 1830s 期间:本页 19 件作品中有 9 件创作于该时期,其中包含 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist 件作品。

Charles de Steuben 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 The Death of Napoleon (1800),最晚的创作于 Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850)。

Charles de Steuben 最常创作的主题是什么?揭晓答案

Woman (3), Man (3) 及 Lace (2),共计 19 件作品。

Charles de Steuben 最常用的技法是什么?揭晓答案

Oil On Canvas,共计 5 件(本页共有 19 件作品)。

Charles de Steuben 属于哪种艺术流派?揭晓答案

根据本页面的原作,Romanticism

哪些 Charles de Steuben 的作品在 冬宫博物馆 展出?揭晓答案

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz 及 Portrait of Alexander P. von Benckendorff (1819 – 1851):冬宫博物馆, 圣彼得堡收藏了本页中 7 件作品。

Charles de Steuben:生平与作品

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.