更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 21 件 Bernice Cross 作品收录于我们的目录中
简而言之
在画廊看来，Bernice Cross 最著名的作品是 Black Pitcher (1944)，其原作现收藏于 华盛顿特区 的 菲利普斯收藏馆。 Melon Vendor (1934) 与 Sancho Panza (1938) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，Bernice Cross 共有 21 件作品，画廊为您精选了以下 21 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · 菲利普斯收藏馆
12
Shower菲利普斯收藏馆
13
Land of Cotton1938 · 菲利普斯收藏馆
14
Georgetown Corner in the Rain1934 · 史密森尼美国艺术博物馆
15
Strawberry Basket1943 · 菲利普斯收藏馆
16
Pink Lemonade1941 · 菲利普斯收藏馆
17
The Little Dove's Stove1940 · 菲利普斯收藏馆
18
Pansies and Pitcher1948 · 菲利普斯收藏馆
19
Winter Light1951 · 菲利普斯收藏馆
20
Royal Figure1953 · 菲利普斯收藏馆
21
Key Rack1949 · 菲利普斯收藏馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | Bernice Cross 的作品 | 此列表中的画作 |
|---|---|---|---|
 菲利普斯收藏馆 |
华盛顿特区 | 18 | Black Pitcher, Sancho Panza, Seaside |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
选择一个年代，探索定义该时代的原创杰作。
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944)，菲利普斯收藏馆, 华盛顿特区。紧随其后的是 Melon Vendor (1934) 和 Sancho Panza (1938)。
32岁：Black Pitcher创作于1944年，Bernice Cross出生于1912年。
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress 及 Circus People Resting。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 21 件 Bernice Cross 的作品，创作年代从 1934 年至 1953 年。
多见于 菲利普斯收藏馆 (华盛顿特区) 及 史密森尼美国艺术博物馆 (华盛顿特区)。上方的博物馆列表列出了所有相关机构。
在 1940s 期间：本页 21 件作品中有 9 件创作于该时期，其中包含 Black Pitcher 件作品。
在本页面中，最早的作品创作于 Melon Vendor (1934)，最晚的创作于 Royal Figure (1953)。
Woman (2) 及 Wood grain (2)，共计 21 件作品。
Oil On Canvas，共计 3 件（本页共有 21 件作品）。
Black Pitcher, Sancho Panza 及 Seaside：菲利普斯收藏馆, 华盛顿特区收藏了本页中 18 件作品。
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
