更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 108 件 伯恩哈德·施特里格尔 作品收录于我们的目录中
简而言之
The Announcement to Anne and Joachim (1510) 是 伯恩哈德·施特里格尔 最受瞩目的画作；原作收藏于 馬德里 的 提森·博爾涅米薩博物館。 随后，目光会移向 Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) 和 St. Anthony Abbot and St. Paul the Hermit (1507)。 在 伯恩哈德·施特里格尔 的 108 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · 巴伐利亚州绘画收藏馆
12
Altarpiece: Birth of Mary1500
13
Altarpiece: Martyrdom of Saint Quirinus1500
14
Three Kings Altar: The Adoration of the Magi1500
15
Portrait of a Man1493 · 柏林国家美术馆
16
Prophets with Scroll1493 · 柏林国家美术馆
17
Prophets with Scroll1493 · 柏林国家美术馆
18
Prophets with Scroll1493 · 柏林国家美术馆
19
Prophets with Scroll1493 · 柏林国家美术馆
20
Mindelheim Altarpiece: Anna and Joachim with Mary1500 · 巴伐利亚州绘画收藏馆
21
Virgin with child1490 · 巴伐利亚州绘画收藏馆
22
The returning of David with the head Goliath1500 · 巴伐利亚州绘画收藏馆
23
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · 巴伐利亚州绘画收藏馆
24
The Arrest of Christ1500 · 沃尔特斯艺术博物馆
25
Pilate Washing His Hands of Guilt for Christ's Death1500 · 沃尔特斯艺术博物馆
26
Christ Before the High Priest1500 · 沃尔特斯艺术博物馆
27
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · 巴伐利亚州绘画收藏馆
28
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · 巴伐利亚州绘画收藏馆
29
Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
30
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
31
Ulrich von Frundsberg as Donor of the Family Retable1505
32
St Catherine of Alexandria1505 · 施泰德美术馆
33
The Emperor Maximilian I (1459 - 1519)1508 · Upton House
34
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · 巴伐利亚州绘画收藏馆
35
Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · 巴伐利亚州绘画收藏馆
36
Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · 巴伐利亚州绘画收藏馆
37
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · 巴伐利亚州绘画收藏馆
38
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · 巴伐利亚州绘画收藏馆
39
Emperor Maximilan I. (1459-1519) with a Scroll1515 · 柏林国家美术馆
40
Portrait of Maximilian I1515
41
Angel with Censer1520 · 阿布扎比卢浮宫
42
The Thurifer Angel Dressed in a Yellow Tunic1520 · 阿布扎比卢浮宫
43
Prayer of Christ in the Garden of Olives1525 · 卡尔斯鲁厄州立美术馆
44
Sleeping guard of a grave with a crossbow1520 · 巴伐利亚州绘画收藏馆
45
Calvary (verso): Chris as Man of Sorrows1520 · 巴伐利亚州绘画收藏馆
46
St.Peter and St. Paul1521
47
Portrait d'une dame1520
48
Portrait of Mary of Burgundy1520 · Dumbarton Oaks
49
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · 爱尔兰国家美术馆
50
Holy Family with Angels1510 · 维也纳艺术史博物馆
51
Portrait of a Man1528 · 提森·博爾涅米薩博物館
52
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · 巴伐利亚州绘画收藏馆
53![Hans Roth [obverse] (1527) 由 伯恩哈德·施特里格尔](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
Hans Roth [obverse]1527 · 国家美术馆
54
Holy Tribe1520 · 维也纳艺术史博物馆
55
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · 巴伐利亚州绘画收藏馆
56
Christ Washing the Disciples' Feet1520 · 卡尔斯鲁厄州立美术馆
57
The Annunciation1515 · Fundación Colección Thyssen-Bornemisza
58
John the Evangelist is taught to write1510 · 维也纳艺术史博物馆
59![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) 由 伯恩哈德·施特里格尔](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · 国家美术馆
60![Hans Roth [reverse] (1527) 由 伯恩哈德·施特里格尔](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
Hans Roth [reverse]1527 · 国家美术馆
61
Margarethe Vöhlin1527 · 国家美术馆
62
Portrait of Maximilian I1459
63
Emperor Maximilian I1459
64
Maximilian I1459 · 维也纳艺术史博物馆
65
Christ Taking Leave of His Mother1520 · 柏林州立博物馆
66
Inside Pages of the Wings of the Schussenrieder Marienaltar1515 · 柏林国家美术馆
67
Sacrifice of Isaac, and Transfiguration1510
68
Portrait of Georg Tannstetter (Collimitius)1515
69
The eight children Konrad Rehlinger1517 · 巴伐利亚州绘画收藏馆
70
Portrait of Martha Thannstetter (née Werusin)1515 · 列支敦士登博物馆
71
Portrait of Dr. Georg Thannstetter1515 · 列支敦士登博物馆
72
Portrait of Emperor Maximilian and His Family1515
73
Sleeping guardian of a grave with sword and halberd1520 · 巴伐利亚州绘画收藏馆
74
Saint Mary Salome and Her Family1528 · 国家美术馆
75
Saint Mary Cleophas and Her Family1528 · 国家美术馆
76
Portrait of Conrad Rehlinger and his Children1517 · 老皮那科特美术馆
77
Emperor Maximilian I1459
78
Portrait of a Woman1510 · 大都会艺术博物馆
79
Mary and Joseph with Jesus1506 · 巴伐利亚州绘画收藏馆
80
Lamentation of Christ卡尔斯鲁厄州立美术馆
81
Emperor Maximilian I巴伐利亚州绘画收藏馆
82
The Marriage of the Virgin斯图加特州立美术馆
83
Crowning of Christ with Thorns卡尔斯鲁厄州立美术馆
84
圣拉迪斯拉斯向瓦尔德斯拉夫二世和他的儿子们献圣母玛利亚（细节）1511 · 布达佩斯美术博物馆
85
Eliud with Memelia and Saint Servatius as a Child柏林国家美术馆
86
Saints Vitus and Margaret柏林国家美术馆
87
Annunciation to Mary卡尔斯鲁厄州立美术馆
88
Portrait of Hieronymus Haller布达佩斯美术博物馆
89
Saint John the Baptist波士顿美术馆
90
Pair of lovers with the Devil and CupidKupferstichkabinett
91
Portrait of the Cuspinian Family1520
92
Christ Taking Leave of His Mother1520
93
Portrait of Louis II of Hungary1515 · 维也纳艺术史博物馆
94
Saint Elizabeth of Thuringia and Emperor Henry II柏林国家美术馆
95
Margaret of Antioch
96
John the Evangelist
97
John the Baptist
98
Barbara of Nicomedia
99
Hans Caspar von Laubberg卡尔斯鲁厄州立美术馆
100
Sleeping Grave Guards with Mace and Sword巴伐利亚州绘画收藏馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 伯恩哈德·施特里格尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 柏林国家美术馆 |
柏林 | 10 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 卡尔斯鲁厄州立美术馆 |
卡尔斯鲁厄 | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 国家美术馆 |
华盛顿 | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 维也纳艺术史博物馆 |
维也纳 | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 沃尔特斯艺术博物馆 |
巴尔的摩 | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 布达佩斯美术博物馆 |
布达佩斯 | 3 | 圣拉迪斯拉斯向瓦尔德斯拉夫二世和他的儿子们献圣母玛利亚（细节）, Portrait of Hieronymus Haller |
 提森·博爾涅米薩博物館 |
馬德里 | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
选择一个年代，探索定义该时代的原创杰作。
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510)，提森·博爾涅米薩博物館, 馬德里。紧随其后的是 Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) 和 St. Anthony Abbot and St. Paul the Hermit (1507)。
50岁：The Announcement to Anne and Joachim创作于1510年，伯恩哈德·施特里格尔出生于1460年。
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder 及 Saint Barbara。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 108 件 伯恩哈德·施特里格尔 的作品，创作年代从 1485 年至 1528 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 柏林国家美术馆 (柏林) 及 卡尔斯鲁厄州立美术馆 (卡尔斯鲁厄)。上方的博物馆列表列出了所有相关机构。
在 1500s 期间：本页 100 件作品中有 28 件创作于该时期，其中包含 Portrait of Maximiliaan I van Habsburg (1459-1519) 件作品。
在本页面中，最早的作品创作于 betrothal of Maria with the founder (1485)，最晚的创作于 Portrait of a Man (1528)。
Man (41), People (22) 及 Woman (21)，共计 100 件作品。
Oil On Panel，共计 51 件（本页共有 100 件作品）。
根据本页面的原作，Northern renaissance
Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius 及 Funk Diptych: Donor Portrait of Hans Funk：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 25 件作品。
在施瓦比较郁葱的土地中心，当中世纪的世界正逐渐向文艺复兴的曙光让位之际，伯恩哈德·施特里格尔作为一位掌控光影与生命神韵的大师脱颖而出。这位约1461年出生于梅明基因的艺术家，其创作不仅仅是对人物的描摹；他通过对色彩与形态的精妙驾驭，赋予了画中人物鲜活的生命力。他的艺术历程是一场深刻的演变，从哥特式严谨的传统走向了一种更为细腻、更具观察性的风格，而这种风格最终定义了德国文艺复兴。作为施瓦比画派的关键人物，他的作品在漫长的中世纪精神热忱与十六世纪人文主义的清晰理性之间，搭建起了一座至关重要的桥梁。
施特里格尔天才的基石，是在充满温情的家族作坊中奠定的。在父亲汉斯·施特里格尔的悉心指导下，并深受乌尔姆名家蔡特布洛姆的影响，这位年轻艺术家培养出了捕捉北方文艺复兴艺术精髓——即那些微小细节——的敏锐眼光。这种早期的训练使他心中对现实世界的质感怀有一种敬畏之情：无论是天鹅绒长袍沉重的褶皱、珍珠那若隐若现的光泽，还是烛光下皮肤透出的柔和光晕。在他的早期构图中，人们可以寻觅到罗吉尔·范德魏登与<灼里克·鲍茨等大师的影子，在那样的作品里，深沉的虔诚感与近乎科学般的细节精准度完美地交织在一起。
施特里格尔从一名地方才俊跃升为享誉欧洲的重要人物，得益于他那个时代最强大的赞助力量：神圣罗马帝国皇帝马克西米利安一世。这位皇帝对图像记录和历史文献有着近乎狂热的追求，他在施特里格尔身上发现了一种独特的能力——不仅能捕捉容貌的相似度，更能捕捉到权力与高贵的灵魂本质。这段关系彻底改变了施特里格尔的职业生涯，引领他踏上了前往奥格斯堡、因斯布鲁克和维也纳等文化中心的宏大艺术征途。他在帝国宫廷中的活跃表现，使他得以参与并记录下那个时代最重要的政治与社会叙事。
或许他在肖像画史上最持久的贡献，在于他在哈布斯堡与雅盖隆王朝联姻谈判期间所扮演的角色。1515年，受命前往维也纳的施特里格尔，承担着记录一个正在发生变革的欧洲面孔的任务。这一时期的肖像作品以其非凡的清晰度和超越单纯记录的心理深度而著称。在他的画笔下，画中人物拥有一种宁静的尊严和一种流光溢彩的质感，仿佛灵魂正透过颜料层向外窥视。这些作品不仅仅是在记录历史，更是在赋予历史以人性，为我们提供了一个窥探文艺复兴精英阶层面容的亲密窗口。
伯恩哈德·施特里格尔的技术造诣在其对光泽感的掌控中体现得最为淋漓尽致。他拥有一种罕见的能力，能够操纵光线，使其看起来仿佛是从绘画内部散发出来的，而非仅仅是反射在画面表面。这种技法结合了精妙的色彩运用，使他的作品既具有物理上的真实触感，又具备精神上的升华感。无论是创作宏大的历史题材构图，还是细腻的个人肖像，他对精准度的追求始终如一。
他的艺术成就可以通过其职业生涯的几个核心支柱来概括：
时至今日，伯恩哈德·施特里格尔的作品依然是那个深刻变革时代的见证。他捕捉瞬间流光并将其永久封存于油彩与蛋彩画中的能力，确保了他的艺术遗产能够跨越时空，持续引起共鸣。凝视一幅施特里格尔的肖像，便是与施瓦比文艺复兴的精神本身进行一场邂逅——在那样的世界里，每一笔触都是对可见世界之美的虔诚礼赞。
