更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 89 件 貝爾納多·達迪 作品收录于我们的目录中
简而言之
在 貝爾納多·達迪 留下的所有原作中，最著名的当属收藏于 剑桥 哈佛艺术博物馆 的《Saint Gregory the Great (in pinnacle: a Prophet) (1334)》。 紧随其后的是 Saint Reparata Being Prepared for Execution (1300) 和 Saint Reparata before the Emperor Decius (1338)。 我们的目录收录了 貝爾納多·達迪 的 89 件作品；画廊完整保留了 89 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
Saint Reparata before the Emperor Decius is a work by the Florentine painter Bernardo Daddi, executed about 1338. The composition portrays the saint in a confrontation with Emperor Decius. As a patron saint of Florence, Reparata’s life was a central subject of local devotion.
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
To stand before this panel is to encounter the structured devotion of mid-14th century Florence. The composition is governed by a strict verticality, drawing the eye upward toward Christ, who is seated in an upper lobed section. He holds a red book and offers a gesture of blessing, his presence anchored by the formal symmetry of the throne. Below this central figure, the arrangement shifts into a circular medallion, flanked…
We are looking at Arrival of Saint Ursula at Cologne, a work by the Florentine painter Bernardo Daddi. Created about 1333, this piece originates from a period when Daddi was a central figure in the artistic life of Florence. He was an Italian artist who lived from about 1280 to 1348, working through the transition of styles in the early fourteenth century.
To gaze upon this depiction of Saint Dominic receiving divine guidance is to witness art at its most profound—a captured breath from the intersection of earthly devotion and celestial revelation. The scene, rendered with exquisite care, transports the viewer into an intimate architectural space, suggesting a moment so sacred that time itself seems to pause. It is not merely a portrait of a saint; it is an embodiment of spiritual…
In the heart of fourteenth-century Florence, a period defined by the delicate transition from the stylized elegance of the Gothic era to the burgeoning humanism of the Renaissance, Bernardo Daddi emerged as a master of light and devotion. His masterpiece, The Assumption of the Virgin, serves as a breathtaking window into a world where the earthly and the divine intersect. This tempera panel on wood, executed with a meticulous hand…
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338) 由 貝爾納多·達迪](/media/artworks/images-full/37/58/375831847b7950d4d8b4b167786d6c9f.jpg)
This Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The is a work by Bernardo Daddi. The artist, born in Florence, Italy, in 1290, crafted this composition in 1338. His hand guided the brush through the transition of eras…
The air within this architectural space feels heavy with the scent of fruit and the quiet murmur of a communal meal. Sunlight does not strike the scene from a single source; instead, a soft, diffused glow bathes the figures, casting no harsh shadows and creating a sense of eternal, suspended time. We find ourselves looking into a shallow, stage-like room where the boundaries of space are defined by elegant vertical…
Virgin and Child with Saints John the Baptist and Giles, Two Prophets, and Christ the Redeemer1334 · 费城艺术博物馆
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The Nativity and the Annunciation to the Shepherds1336 · 波士顿美术馆
13
Saint Paul and a Group of Worshippers1333 · 国家美术馆
14
Saint Reparata Tortured with Red-Hot Irons1337 · 大都会艺术博物馆
15
The Virgin and Child Enthroned with Saints (triptych, closed)1338 · 柯尔德美术馆
16
Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso)1338 · 柯尔德美术馆
17
Four Musical Angels1340 · Christ Church Picture Gallery
18
Saint Peter1330 · 柯尔德美术馆
19
Two Magi and Bishop (triptych, left wing) (verso)1338 · 柯尔德美术馆
20
The Group of saints.1330 · 查尔托雷斯基博物馆
21
Birth of Christ1338 · 苏格兰国家美术馆
22
Triptych: the Nativity, the Coronation of the Virgin, and the Crucifixion1339 · 柏林国家美术馆
23
The Virgin and Child, with Christ Blessing1340 · 哈佛艺术博物馆
24
Virgin and Child1345 · 耶鲁大学艺术馆
25
Holy bishop wit a goldfinch1350 · 巴伐利亚州绘画收藏馆
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The Crucifixion (polyptych, panel 3 of 5)1348 · 柯尔德美术馆
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Saints Peter and Paul (polyptych, panel 4 of 5)1348 · 柯尔德美术馆
28
Saints Bartholomew and George (polyptych, panel 2 of 5)1348 · 柯尔德美术馆
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Virgin and Child1346 · 伊莎贝拉·斯图尔特·加德纳博物馆
30
Saint Margret and Saint Agnes1507 · 斯特拉斯堡美术馆
31
Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and1334 · 哈佛艺术博物馆
32
The Crucifixion1325 · 大都会艺术博物馆
33
The Virgin Mary with Saints Thomas Aquinas and Paul1335 · J·保罗·盖蒂博物馆
34
Madonna and Child Enthroned with Saints1339 · 明尼阿波利斯艺术学院
35
Madonna and Child1335 · 梵蒂冈皮那科画廊
36
Portable, Double Sided Cross (recto)1340 · 波尔迪·佩措利博物馆
37
Triptych1333 · Loggia del Bigallo
38
Virgin and Child with Saint Peter and Saint Paul1340 · 柯尔德美术馆
39
Coronation of the Virgin1340 · Lindenau-Museum
40
The Coronation of the Virgin1340 · 国家美术馆
41
St Catherine of Alexandria with Donor and Christ Blessing (detail)1340 · 奧帕美術館
42
Crucifixion1345 · Lindenau-Museum
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Crucifixion1320 · 伍斯特艺术博物馆
44
Madonna and Child with Saints1320 · 伍斯特艺术博物馆
45
The Nativity1340 · 大都会艺术博物馆
46
Triptych1335 · Lindenau-Museum
47
The Vocation of Saint Dominic1338 · 耶鲁大学艺术馆
48
The Crucifixion1325 · 国家美术馆
49
Triptych (detail)1335 · Lindenau-Museum
50
The Martyrdom of St Stephen1324 · 圣十字教堂 (Santa Croce)
51
St Catherine of Alexandria with Donor and Christ Blessing1340 · 奧帕美術館
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Crucifixion (detail)1345 · Lindenau-Museum
53
Virgin and Child1340 · 提森·博爾涅米薩博物館
54
Madonna and Child with Sts Matthew and Nicholas1328 · 乌菲兹美术馆
55
The Annunciation1335 · 卢浮宫
56
Madonna and Child with Saints and Angels d8
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Madonna and Child with Saints1340 · 新奥尔良艺术博物馆
58
Orsanmichele Madonna and Child with Angels1346 · 奥尔桑米凯莱教堂 (Orsanmichele)
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Virgin and Child Enthroned with Saints1343 · Museo Horne
60
Virgin and Child with Saints1338 · 柯尔德美术馆
61
Portable, Double Sided Cross (verso)1340 · 波尔迪·佩措利博物馆
62
Triptych1338 · 柏林州立博物馆
63
The Crucifixion波士顿美术馆
64
The Nativity威廉斯收藏馆
65
Madonna and Child Enthroned with Saints
66
Madonna and Child Enthroned with Saints
67
Madonna and Child with Saints and Angels1345 · 国家美术馆
68
Crucifixion1340 · Collezione Vittorio Cini
69
Polyptych of San Pancrazio: Predella panel乌菲兹美术馆
70
Triptych of the Betrothal of St. Catherine Flanked with St. Bartholomew and St. Benedict?National Gallery Prague
71
Madonna and Child with Saints and Angels d0
72
Madonna and Child with Saints and Angels d6
73
Madonna and Child with Saints and Angels d2
74
Madonna and Child with Saints and Angels d1
75
Madonna and Child with Saints and Angels d3
76
Madonna and Child with Saints and Angels d5
77
Madonna and Child with Saints and Angels d9
78
Madonna and Child with Saints and Angels d7
79
Madonna and Child with Saints and Angels d4
80
Polyptych of San Pancrazio: Predella panel皇家收藏馆
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Polyptych of San Pancrazio: Predella panel乌菲兹美术馆
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Polyptych of San Pancrazio乌菲兹美术馆
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Saint Pancras Polyptych1338
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Madonna and Child with Sts Matthew and Nicholas1328
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Saint Lawrence1340 · 布雷拉畫廊
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Polyptych of the Madonna and four saints1332 · 普拉托公民博物馆
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Crucifix1340 · Museo Bardini
88
Story of the true Belt1337 · 普拉托公民博物馆
89
Madonna and Child Enthroned with Angels and Saints1334 · 乌菲兹美术馆
#1 Saint Gregory the Great (in pinnacle: a Prophet)
#3 Saint Reparata before the Emperor Decius
#4 A Crowned Virgin Martyr (St. Catherine of Alexandria)
#5 Christ Enthroned with Saints
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338), 貝爾納多·達迪](/media/artworks/images-thumb/f5/2d/f52d86206b7bcf980b56ec8430260132.jpg)
#9 Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The
这些原作中反复出现的四个主题，各有一个最杰出的范例。
#9 Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The
#11 Virgin and Child with Saints John the Baptist and Giles, Two Prophets, and Christ the Redeemer
#13 Saint Paul and a Group of Worshippers
#16 Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso)
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 貝爾納多·達迪 的作品 | 此列表中的画作 |
|---|---|---|---|
 柯尔德美术馆 |
伦敦 | 9 | The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso), Saint Peter |
 大都会艺术博物馆 |
纽约 | 7 | Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, Christ Enthroned with Saints |
 Lindenau-Museum |
阿尔滕高 | 5 | Coronation of the Virgin, Crucifixion, Triptych |
 乌菲兹美术馆 |
佛罗伦萨 | 5 | Madonna and Child with Sts Matthew and Nicholas, Polyptych of San Pancrazio: Predella panel, Polyptych of San Pancrazio: Predella panel |
 哈佛艺术博物馆 |
剑桥 | 3 | Saint Gregory the Great (in pinnacle: a Prophet), The Virgin and Child, with Christ Blessing, Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and |
 国家美术馆 |
华盛顿 | 3 | Saint Paul and a Group of Worshippers, The Crucifixion, Madonna and Child with Saints and Angels |
 J·保罗·盖蒂博物馆 |
洛杉矶 | 2 | Arrival of Saint Ursula at Cologne, The Virgin Mary with Saints Thomas Aquinas and Paul |
 柏林州立博物馆 |
柏林 | 2 | The Temptation of St Thomas Aquinas, Triptych |
选择一个年代，探索定义该时代的原创杰作。
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
The Crucifixion by Bernardo Daddi is a religious work dating to 1345. The composition focuses on the Crucifixion of Jesus Christ, a central subject in Christian iconography. This piece belongs to the Gothic Renaissance tradition, reflecting the stylistic developments of the mid-fourteenth century.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
Saint Gregory the Great (in pinnacle: a Prophet) (1334)，哈佛艺术博物馆, 剑桥。紧随其后的是 Saint Reparata Being Prepared for Execution (1300) 和 Saint Reparata before the Emperor Decius (1338)。
44岁：Saint Gregory the Great (in pinnacle: a Prophet)创作于1334年，貝爾納多·達迪出生于1290年。
Saint Gregory the Great (in pinnacle: a Prophet), Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, A Crowned Virgin Martyr (St. Catherine of Alexandria), Christ Enthroned with Saints, Arrival of Saint Ursula at Cologne, The Temptation of St Thomas Aquinas, The Assumption of the Virgin, Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The 及 The Wedding Feast of St Cecilia。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 89 件 貝爾納多·達迪 的作品，创作年代从 1300 年至 1348 年。
多见于 柯尔德美术馆 (伦敦), 大都会艺术博物馆 (纽约) 及 Lindenau-Museum (阿尔滕高)。上方的博物馆列表列出了所有相关机构。
在 1330s 期间：本页 89 件作品中有 33 件创作于该时期，其中包含 Saint Gregory the Great (in pinnacle: a Prophet) 件作品。
在本页面中，最早的作品创作于 Saint Reparata Being Prepared for Execution (1300)，最晚的创作于 The Crucifixion (polyptych, panel 3 of 5) (1348)。
Gold background (26), Saints (26) 及 Angels (24)，共计 89 件作品。
Tempera On Panel，共计 52 件（本页共有 89 件作品）。
根据本页面的原作，Gothic 及 Proto-renaissance
The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso) 及 Saint Peter：柯尔德美术馆, 伦敦收藏了本页中 9 件作品。
