巴特尔·贝哈姆 肖像

43 幅最著名的 巴特尔·贝哈姆 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 44 件 巴特尔·贝哈姆 作品收录于我们的目录中

简而言之

在 巴特尔·贝哈姆 留下的所有原作中,最著名的当属收藏于 慕尼黑 巴伐利亚州绘画收藏馆 的《Count Palatine Philip the Warrior (1533)》。 紧随其后的是 Emperor Charles V (1535) 和 Portrait of Duke Ludwig X of Bavaria (1531)。 我们的目录收录了 巴特尔·贝哈姆 的 44 件作品;画廊完整保留了 43 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1502 – 1540, 纽伦堡 Northern renaissance 藏品最多:巴伐利亚州绘画收藏馆

巴特尔·贝哈姆 的十大名画:画廊精选

1
Count Palatine Philip the Warrior (1533) 由 巴特尔·贝哈姆

Count Palatine Philip the Warrior

1533 · Oil On Panel · 巴伐利亚州绘画收藏馆, 慕尼黑

The portrait titled Count Palatine Philip the Warrior is a work by Barthel Beham. Created in 1533, the painting captures a single male figure of high status. He sits with an upright posture, his gaze steady and fixed. This presence conveys an air of authority and nobility through the stillness of his expression.

2
Emperor Charles V (1535) 由 巴特尔·贝哈姆

Emperor Charles V

1535 · Engraving · 巴伐利亚州绘画收藏馆, 慕尼黑

The figure before us is Emperor Charles V, captured in a moment of quiet, imperial dignity. This portrait, created by the German artist Barthel Beham in 1531, presents the ruler with a sense of profound presence. The likeness does not emerge from thin air; rather, it finds its origin in specific drawings of Charles V made in Munich in 1530. Through Beham's hand, the essence of the monarch is translated…

3
Portrait of Duke Ludwig X of Bavaria (1531) 由 巴特尔·贝哈姆

Portrait of Duke Ludwig X of Bavaria

1531 · Oil On Canvas · 列支敦士登博物馆, 维也纳

The portrait depicts a man from the Renaissance period in a close-up bust and shoulders view. He is positioned centrally against a dark, undifferentiated background that provides a sharp contrast to his features. The subject's face is illuminated from the upper left, casting shadows that define the contours of his nose, cheekbones, and jawline. His gaze is directed forward, meeting the viewer with a steady, composed expression. He wears a…

4
Portrait of Sabina of Bavaria (1530) 由 巴特尔·贝哈姆

Portrait of Sabina of Bavaria

1530 · Oil On Panel · 巴伐利亚州绘画收藏馆, 慕尼黑

A single light source from the upper left carves the face of Sabina of Bavaria out of a heavy, dark void. She sits in a three-quarter view, her presence defined by the sharp contours of her features and the stillness of her gaze. The palette is restrained, a quiet arrangement of deep blacks, creamy whites, and the soft, silvery-blue tones of her headwrap. There is a sculptural quality to her…

5
Count Palatine Ottheinrich (1533) 由 巴特尔·贝哈姆

Count Palatine Ottheinrich

1533 · Oil On Panel · 巴伐利亚州绘画收藏馆, 慕尼黑

The portrait depicts a man positioned in a three-quarter length view, facing toward the left of the frame. He wears a heavy, patterned doublet and a voluminous brocade cloak that falls in deep, structured folds. A white feather extends from his dark, soft-textured hat, and a gold chain rests against his chest. His facial features are rendered with precision, showing a well-defined beard and skin tones that transition through subtle…

6
Portrait of Margaret Urmiller, née Schwab, and Her Daughter (1525) 由 巴特尔·贝哈姆

Portrait of Margaret Urmiller, née Schwab, and Her Daughter

1525 · Oil On Panel · 费城艺术博物馆, 费城

A profound stillness settles over the scene as Margaret Urmiller, née Schwab, gazes out from the darkness. She sits with a quiet dignity, her presence anchored by the heavy, structured folds of her dark green and black attire. Beside her, a young child provides a soft, warm counterpoint, wrapped in a garment of deep red that catches the light. The composition draws the eye upward toward the pale, luminous skin…

8
Portrait of Marie of Baden (1533) 由 巴特尔·贝哈姆

Portrait of Marie of Baden

1533 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

The Portrait of Marie of Baden is a work by the German artist Barthel Beham. This portrait captures Maria Jakobäa von Baden, who lived from 1507 to 1580. The painting dates to 1533. It remains a focused study of a noblewoman's presence through the precision of the artist's hand.

9
Portrait of Susanna von Brandenburg, Herzogin in Bayern (1533) 由 巴特尔·贝哈姆

Portrait of Susanna von Brandenburg, Herzogin in Bayern

1533 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

The gaze of the noblewoman in the Portrait of Susanna von Brandenburg, Herzogin in Bayern meets the viewer from a moment frozen in 1533. Painted by the skilled hand of Barthel Beham, this work captures Susanna von Bayern, who lived from 1502 to 1543. She appears here with the dignity of her station, a presence solidified through the meticulous brushwork of Beham. The portrait emerges from a period of significant…

巴特尔·贝哈姆 系列持续更新,第 11 至 43 项

11History Cycle: Finding of the Cross of Saint Helena (1530) 由 巴特尔·贝哈姆History Cycle: Finding of the Cross of Saint Helena1530 · 巴伐利亚州绘画收藏馆 12Elector Frederick II the Wise, Count Palatine of the Rhine (1533) 由 巴特尔·贝哈姆Elector Frederick II the Wise, Count Palatine of the Rhine1533 · 巴伐利亚州绘画收藏馆 13Portrait of Hans Lissalcz (1528) 由 巴特尔·贝哈姆Portrait of Hans Lissalcz1528 · 国家美术、建筑与设计博物馆 14Magdalena Pittrichin (1528) 由 巴特尔·贝哈姆Magdalena Pittrichin1528 · 国家美术、建筑与设计博物馆 15Portrait of Anna Scheit, née Mem(m)inger (1528) 由 巴特尔·贝哈姆Portrait of Anna Scheit, née Mem(m)inger1528 · Fitzwilliam Museum 16Portrait of Onophrius Scheit (1528) 由 巴特尔·贝哈姆Portrait of Onophrius Scheit1528 · Fitzwilliam Museum 17Duke Wilhelm IV. of Bavaria (1533) 由 巴特尔·贝哈姆Duke Wilhelm IV. of Bavaria1533 · 巴伐利亚州绘画收藏馆 18Portrait of Herzog Johann III, Paltzgraf bei Rhein (1488-1538) (1533) 由 巴特尔·贝哈姆Portrait of Herzog Johann III, Paltzgraf bei Rhein (1488-1538)1533 · 巴伐利亚州绘画收藏馆 19Kunigunde of Austria, wife of Duke Albrecht IV of Bavaria (1531) 由 巴特尔·贝哈姆Kunigunde of Austria, wife of Duke Albrecht IV of Bavaria1531 · 巴伐利亚州绘画收藏馆 20Duke Louis X. of Bavaria (1530) 由 巴特尔·贝哈姆Duke Louis X. of Bavaria1530 · 巴伐利亚州绘画收藏馆 21Duke Ernst in Bavaria (1533) 由 巴特尔·贝哈姆Duke Ernst in Bavaria1533 · 巴伐利亚州绘画收藏馆 22Mary with Child (1536) 由 巴特尔·贝哈姆Mary with Child1536 · 巴伐利亚州绘画收藏馆 23Count Palatine Philipp, Bishop of Freising (1534) 由 巴特尔·贝哈姆Count Palatine Philipp, Bishop of Freising1534 · 巴伐利亚州绘画收藏馆 24Duke Albrecht IV. the Wise of Bavaria (1535) 由 巴特尔·贝哈姆Duke Albrecht IV. the Wise of Bavaria1535 · 巴伐利亚州绘画收藏馆 25Vanity (1540) 由 巴特尔·贝哈姆Vanity1540 · 汉堡美术馆 26Portrait of a Man (1529) 由 巴特尔·贝哈姆Portrait of a Man1529 · 维也纳艺术史博物馆 27Ursula von Weichs (1531) 由 巴特尔·贝哈姆Ursula von Weichs1531 · 加拿大国家美术馆 28Portrait of a woman with parrot (1529) 由 巴特尔·贝哈姆Portrait of a woman with parrot1529 · 维也纳艺术史博物馆 29Portrait of Ottheinrich, Prince of Pfalz (1535) 由 巴特尔·贝哈姆Portrait of Ottheinrich, Prince of Pfalz1535 · 老皮那科特美术馆 30Portrait of a Goldsmith Jörg Herz. 由 巴特尔·贝哈姆Portrait of a Goldsmith Jörg Herz.华沙国家博物馆 31Portrait of a Man (1525) 由 巴特尔·贝哈姆Portrait of a Man1525 · Gemäldegalerie 32Child with Three Skulls (1529) 由 巴特尔·贝哈姆Child with Three Skulls1529 33Chancellor Leonhard von Eck (1480–1550) (1527) 由 巴特尔·贝哈姆Chancellor Leonhard von Eck (1480–1550)1527 · 大都会艺术博物馆 34Count Palatine Johann III, Administrator of Regensburg 由 巴特尔·贝哈姆Count Palatine Johann III, Administrator of Regensburg巴伐利亚州绘画收藏馆 35Susanna of Brandenburg, Spouse of Ottheinrich (Reversed Copy after Inv.-No. 2450) 由 巴特尔·贝哈姆Susanna of Brandenburg, Spouse of Ottheinrich (Reversed Copy after Inv.-No. 2450)巴伐利亚州绘画收藏馆 36Duke Albrecht IV the Wise of Bavaria 由 巴特尔·贝哈姆Duke Albrecht IV the Wise of Bavaria巴伐利亚州绘画收藏馆 37Emperor Charles V 由 巴特尔·贝哈姆Emperor Charles V巴伐利亚州绘画收藏馆 38Saint Ursula 由 巴特尔·贝哈姆Saint Ursula哈佛艺术博物馆 39Duke Albrecht IV of Bavaria 由 巴特尔·贝哈姆Duke Albrecht IV of Bavaria 40Portrait of the count Ottheinrich, Duke of Pfalz-Neuburg 由 巴特尔·贝哈姆Portrait of the count Ottheinrich, Duke of Pfalz-Neuburg 41Hans Urmiller and his son 由 巴特尔·贝哈姆Hans Urmiller and his son施泰德美术馆 42Presentation of Christ in the temple 由 巴特尔·贝哈姆Presentation of Christ in the temple 43Portrait of a Woman 由 巴特尔·贝哈姆Portrait of a Woman丹佛艺术博物馆

令 巴特尔·贝哈姆 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 巴特尔·贝哈姆 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 巴特尔·贝哈姆 的作品 此列表中的画作
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 21 Count Palatine Philip the Warrior, Emperor Charles V, Portrait of Sabina of Bavaria
国家美术、建筑与设计博物馆, 奥斯陆国家美术、建筑与设计博物馆 奥斯陆 2 Portrait of Hans Lissalcz, Magdalena Pittrichin
Fitzwilliam MuseumFitzwilliam Museum 2 Portrait of Anna Scheit, née Mem(m)inger, Portrait of Onophrius Scheit
维也纳艺术史博物馆, 维也纳维也纳艺术史博物馆 维也纳 2 Portrait of a Man, Portrait of a woman with parrot
列支敦士登博物馆, 维也纳列支敦士登博物馆 维也纳 1 Portrait of Duke Ludwig X of Bavaria
费城艺术博物馆, 费城费城艺术博物馆 费城 1 Portrait of Margaret Urmiller, née Schwab, and Her Daughter
提森·博爾涅米薩博物館, 馬德里提森·博爾涅米薩博物館 馬德里 1 Portrait of Ruprecht Stüpf
汉堡美术馆, 汉堡汉堡美术馆 汉堡 1 Vanity

巴特尔·贝哈姆 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 巴特尔·贝哈姆 作品的常见问题

巴特尔·贝哈姆 最著名的作品是哪一件?揭晓答案

Count Palatine Philip the Warrior (1533),巴伐利亚州绘画收藏馆, 慕尼黑。紧随其后的是 Emperor Charles V (1535) 和 Portrait of Duke Ludwig X of Bavaria (1531)。

创作 Count Palatine Philip the Warrior 时,巴特尔·贝哈姆 是多少岁?揭晓答案

31岁:Count Palatine Philip the Warrior创作于1533年,巴特尔·贝哈姆出生于1502年。

巴特尔·贝哈姆 最著名的十幅画作是什么?揭晓答案

Count Palatine Philip the Warrior, Emperor Charles V, Portrait of Duke Ludwig X of Bavaria, Portrait of Sabina of Bavaria, Count Palatine Ottheinrich, Portrait of Margaret Urmiller, née Schwab, and Her Daughter, Portrait of Ruprecht Stüpf, Portrait of Marie of Baden, Portrait of Susanna von Brandenburg, Herzogin in Bayern 及 Elector Ludwig V. the Peaceful, Count Palatine of the Rhine。上方排名显示了每件作品的创作年份及馆藏机构。

巴特尔·贝哈姆 留下了多少幅画作?揭晓答案

我们的目录收录了 44 件 巴特尔·贝哈姆 的作品,创作年代从 1525 年至 1540 年。

巴特尔·贝哈姆 的杰作收藏在哪些博物馆中?揭晓答案

多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 国家美术、建筑与设计博物馆 (奥斯陆) 及 Fitzwilliam Museum。上方的博物馆列表列出了所有相关机构。

巴特尔·贝哈姆 在哪些年份创作了最著名的作品?揭晓答案

在 1530s 期间:本页 43 件作品中有 20 件创作于该时期,其中包含 Count Palatine Philip the Warrior 件作品。

巴特尔·贝哈姆 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Portrait of Margaret Urmiller, née Schwab, and Her Daughter (1525),最晚的创作于 Vanity (1540)。

巴特尔·贝哈姆 最常创作的主题是什么?揭晓答案

Man (18), Woman (11) 及 Fur collar (11),共计 43 件作品。

巴特尔·贝哈姆 最常用的技法是什么?揭晓答案

Oil On Panel,共计 19 件(本页共有 43 件作品)。

巴特尔·贝哈姆 属于哪种艺术流派?揭晓答案

根据本页面的原作,Northern renaissance 及 Renaissance

哪些 巴特尔·贝哈姆 的作品在 巴伐利亚州绘画收藏馆 展出?揭晓答案

Count Palatine Philip the Warrior, Emperor Charles V 及 Portrait of Sabina of Bavaria:巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 21 件作品。

巴特尔·贝哈姆:生平与作品

Barthel Beham (1502–1540): The Little Master of Nuremberg

Barthel Beham (1502–1540) stands as a pivotal figure in the German Renaissance printmaking tradition, earning him the moniker “Little Master” – a testament to his extraordinary skill and meticulous detail. Born in Nuremberg, Germany, he was steeped in artistic heritage from birth, inheriting talent from his elder brother Hans Sebald Beham and absorbing invaluable lessons from Albrecht Dürer himself. This formative influence shaped his distinctive style and propelled him to become one of the most celebrated engravers of his era.
  • Early Life & Training: Barthel’s artistic journey commenced under the tutelage of Hans Sebald, who instilled in him a profound understanding of engraving techniques – a craft that would define Beham's career. Dürer’s workshop served as another crucible for innovation and stylistic refinement, fostering Beham’s fascination with realism and compositional complexity.
  • Engraving Mastery: Beham quickly established himself as a prodigious engraver, producing stunningly precise miniature prints that captivated audiences across Europe. His output during the 1520s exemplifies the “Little Masters” school – characterized by unparalleled accuracy and artistic ambition. Subjects ranged from biblical narratives to portraits of noblemen and humanist scholars, demonstrating his versatility and technical prowess.
  • The Godless Painters & Exile: Beham’s unwavering skepticism regarding Lutheran dogma led to his expulsion from Nuremberg in 1525 alongside Hans Sebald and Georg Pencz – a controversial decision that nonetheless spurred him toward intellectual exploration and artistic experimentation. This exile fostered connections with humanist circles and broadened his horizons beyond the confines of Nuremberg’s religious conservatism.
  • Munich & Patronage: Following papal pardon, Beham relocated to Munich where he found favor with Duke William IV and Ludwig X – securing lucrative commissions that allowed him to hone his artistic skills further. He became renowned for his portraiture, capturing the dignity and grandeur of Bavarian royalty with remarkable sensitivity and detail.
  • Legacy & Influence: Barthel Beham died in Italy during a diplomatic mission under the patronage of William IV, marking the end of an illustrious career. His work continues to inspire admiration for its technical brilliance and humanist vision—a lasting contribution to German art history and a cornerstone of Renaissance printmaking.

Notable Works & Artistic Style

Beham’s artistic style is instantly recognizable by its meticulous realism, achieved through painstaking engraving processes. He prioritized capturing subtle nuances of expression and anatomical accuracy—a hallmark of Dürer's influence. His prints often incorporated complex compositions and dramatic lighting effects, elevating them beyond mere reproductions to become independent works of art. Consider his depiction of Chancellor Leonhard von Eck (1480–1550), a masterpiece showcasing the artist’s ability to convey psychological depth through portraiture. Similarly, “Portrait of a Man” exemplifies Beham's dedication to capturing human form with unparalleled precision and artistic sensitivity.

Connections & Collaborations

Barthel Beham benefited greatly from collaborations with prominent artists of his time, notably Marcantonio Raimondi—with whom he worked in Bologna and Rome during the early 1530s. These partnerships exposed him to innovative techniques and broadened his artistic repertoire. Furthermore, his brother Hans Sebald’s involvement ensured a shared artistic vision and fostered a dynamic creative environment within Nuremberg's artistic community.