更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 18 件 罗伯特·威廉·巴斯 作品收录于我们的目录中
简而言之
在画廊看来，罗伯特·威廉·巴斯 最著名的作品是 The pifferari in front of the Madonna (1829)。 The Origin of Music (1845) 与 The Triumph of Music (1845) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，罗伯特·威廉·巴斯 共有 18 件作品，画廊为您精选了以下 17 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss’s “John Cooper as Captain Mouth in ‘The Bride of Ludgate’” is a captivating portrait that transcends mere representation, embodying the grandeur and theatricality characteristic of Baroque art. Executed around 1927, this piece hails from the University of Bristol Theatre Collection, offering a glimpse into the artistic sensibilities of the early 20th century amidst a fascination with operatic performance.
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 罗伯特·威廉·巴斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
巴斯 | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 布里斯托大学博物馆 |
布里斯托 | 1 | John Cooper as Captain Mouth in 'The Bride of Ludgate' |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 霍本博物馆 |
巴斯 | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
伦敦 | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 沃克艺术馆 |
利物浦 | 1 | Scene from 'Don Juan' |
选择一个年代，探索定义该时代的原创杰作。
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829)。紧随其后的是 The Origin of Music (1845) 和 The Triumph of Music (1845)。
24岁：The pifferari in front of the Madonna创作于1829年，罗伯特·威廉·巴斯出生于1805年。
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper as Captain Mouth in 'The Bride of Ludgate', J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 及 A Funeral Bearer。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 18 件 罗伯特·威廉·巴斯 的作品，创作年代从 1829 年至 1847 年。
多见于 Wimpole Hall, Theatre Royal (巴斯) 及 布里斯托大学博物馆 (布里斯托)。上方的博物馆列表列出了所有相关机构。
在 1840s 期间：本页 17 件作品中有 7 件创作于该时期，其中包含 The Origin of Music 件作品。
在本页面中，最早的作品创作于 The pifferari in front of the Madonna (1829)，最晚的创作于 The Crowd (1847)。
Sky (2), Cherubs (2) 及 Foliage (2)，共计 17 件作品。
Oil On Canvas，共计 4 件（本页共有 17 件作品）。
The Origin of Music 及 The Triumph of Music：Wimpole Hall收藏了本页中 2 件作品。
