更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 76 件 奥古斯都·文森特·塔克 作品收录于我们的目录中
简而言之
在 奥古斯都·文森特·塔克 留下的所有原作中，最著名的当属收藏于 华盛顿特区 国家肖像画廊 的《Elihu Root (1922)》。 紧随其后的是 Rosa Mystica (1923) 和 Benjamin Nathan Cardozo (1931)。 我们的目录收录了 奥古斯都·文森特·塔克 的 76 件作品；画廊完整保留了 17 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In Rosa Mystica, Augustus Vincent Tack organizes the pictorial space through a hierarchical perspective that separates the celestial from the mortal. The composition centers on a divine female figure, likely the Virgin Mary, who floats within a luminous blue mandorla. She is positioned in a higher plane above the earthly realm, surrounded by a sky of fragmented, pale clouds. Her arms are outstretched in a gesture of grace, draped in…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This oil portrait by Augustus Vincent Tack depicts John Munro Woolsey, a United States district judge. Painted about 1934, the work presents the subject in a formal setting that emphasizes his professional status. The composition focuses on the man seated behind a wooden desk, positioned in a medium close-up view that establishes a direct presence before the viewer.
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
In this formal portrait of Harry S. Truman, Augustus Vincent Tack captures the subject in a half-length composition that centers the viewer's attention on the man's face and upper body. The figure sits slightly off-center to the right, creating a subtle tension within the frame. A strong light source emerges from the upper left, casting deep shadows that define the contours of the face and the heavy folds of the…
In this formal portrait, Augustus Vincent Tack presents Harlan F. Stone in a moment of quiet, seated dignity. Painted in 1944, the work captures the subject in a three-quarter view, a composition that emphasizes his presence and the weight of his position. There is a certain stillness to the figure, which is likely intended to reflect Stone's role as Chief Justice of the United States Supreme Court. The subject's expression…
The High Command Right Panel is a work by Augustus Vincent Tack, executed in 1949. The painting captures two men seated within the quiet confines of an office setting. Their presence is anchored by the weight of their surroundings, suggesting a moment of professional stillness. The subject matter centers on naval officers or individuals tied to maritime affairs, a theme reflected in the nautical elements that populate the scene.
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 奥古斯都·文森特·塔克 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像画廊 |
华盛顿特区 | 4 | Elihu Root, The High Command Right Panel, The High Command Left Panel |
 大都会艺术博物馆 |
纽约 | 2 | John La Farge, Night Clouds and Star Dust |
 克利夫兰艺术博物馆 |
克利夫兰 | 1 | Rosa Mystica |
 纽约历史学会 |
纽约 | 1 | John Munro Woolsey |
 Reading Public Museum |
雷丁 | 1 | Rising Wind and Tide |
 Campion Hall |
Oxford | 1 | Reverend Cornelius Clifford |
选择一个年代，探索定义该时代的原创杰作。
Augustus Vincent Tack's 1897 portrait of John La Farge offers more than just a likeness; it’s a carefully constructed tableau of intellect, artistic temperament, and the quiet dignity of a seasoned observer. Executed in black and white photographic reproduction from an original oil or charcoal drawing, the image possesses a remarkable depth achieved through subtle tonal variations and masterful use of line. The composition is centered on La Farge's head…
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
Elihu Root (1922)，国家肖像画廊, 华盛顿特区。紧随其后的是 Rosa Mystica (1923) 和 Benjamin Nathan Cardozo (1931)。
52岁：Elihu Root创作于1922年，奥古斯都·文森特·塔克出生于1870年。
Elihu Root, Rosa Mystica, Benjamin Nathan Cardozo, John Munro Woolsey, Charles Evans Hughes, Harry S. Truman, Harlan F. Stone, The High Command Right Panel, Rising Wind and Tide 及 Reverend Cornelius Clifford。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 76 件 奥古斯都·文森特·塔克 的作品，创作年代从 1897 年至 1949 年。
多见于 国家肖像画廊 (华盛顿特区), 大都会艺术博物馆 (纽约) 及 克利夫兰艺术博物馆 (克利夫兰)。上方的博物馆列表列出了所有相关机构。
在 1940s 期间：本页 17 件作品中有 7 件创作于该时期，其中包含 Charles Evans Hughes 件作品。
在本页面中，最早的作品创作于 John La Farge (1897)，最晚的创作于 The High Command Right Panel (1949)。
Portraiture (4), Man (4) 及 Chair (3)，共计 17 件作品。
Oil On Canvas，共计 8 件（本页共有 17 件作品）。
Elihu Root, The High Command Right Panel 及 The High Command Left Panel：国家肖像画廊, 华盛顿特区收藏了本页中 4 件作品。
