更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 34 件 奥古斯特·马尔姆斯特伦 作品收录于我们的目录中
简而言之
在 奥古斯特·马尔姆斯特伦 留下的所有原作中，最著名的当属收藏于 斯德哥尔摩 国家博物馆 的《Frithiof kommer till Kung Ring (ur Frithiofs saga) (1880)》。 紧随其后的是 Kung Rings död (ur Frithiofs saga) (1884) 和 King Bele and Thorsten Vikingsson (1880)。 我们的目录收录了 奥古斯特·马尔姆斯特伦 的 34 件作品；画廊完整保留了 34 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The air in the cavernous hall feels heavy, thick with the scent of damp stone and animal fur. A single, imposing figure breaks the stillness, standing tall against the gloom. He is draped in heavy pelts that catch the flickering light of the torches. To his right, a group of seated figures huddles around a table, their faces partially lost to the deep shadows. The light does not wash over…
The air inside the wooden chamber feels heavy, thick with the scent of old timber and the stillness of an ending. A man sits slumped, his body surrendering to a weight that no physical strength can lift. He is a figure of fading vitality, caught in the quiet gravity of his own passing. Around him, the shadows cling to the carved wall panels, retreating into the corners of the room.…
The air in the room feels heavy, thick with the scent of damp fur and old wood. Five men occupy a dim, rustic interior, their bodies arranged in a tight semi-circle that traps the viewer within their tension. A single, unseen light source from the left carves deep shadows into the hollows of their faces, highlighting the grit of their skin and the coarse texture of their garments. King Bele…
The air in the room feels heavy, thick with the sudden weight of tragedy. A dim, rustic interior holds the three figures in a suffocating embrace of shadow and light. Ingeborg collapses, her body yielding to the crushing force of the news. She is the center of this storm, a woman caught in the instant where life as she knows it ends. An elderly man leans into her, his weathered…
The sun hangs low, casting a heavy, amber glow across a quiet meadow. In this soft light, an elderly man sits with a long, white beard that catches the fading warmth. He wears a dark tunic and a red cap, his fingers poised over the strings of a large, ornate golden harp. Beside him, a young girl rests against the earth. She is dressed in simple white, her presence a…
The work is an example of academic realism, a style that emphasizes precise representation and technical skill. The subject matter suggests a moment of historical or mythological significance, characterized by a sense of gravity and solemnity. The composition uses strong lines to guide the eye from the foreground figure upward toward the imposing statue, creating a vertical movement within the frame. The atmosphere is heavy, shaped by the interplay of…
The air in the room feels heavy, thick with the scent of old wood and the unspoken weight of a strategic game. Three men occupy a dimly lit, rustic interior, their figures arranged in a tight, triangular composition that pulls the eye toward the center of the struggle. Two men sit at a small table, their faces illuminated by a soft, low-key light that seems to bleed in from an…
In this somber scene from 1895, we find ourselves within a dimly lit, rustic interior that feels heavy with the weight of history. The composition centers on a woman caught in a moment of intense emotional outburst, her head tilted back as she asserts herself against the tension of the room. To her side, a large, bearded man reacts to her sudden movement, his posture taut and unyielding. The atmosphere…
Odysseus before Alcinous, King of the Phaeacians is a painting by the Swedish artist August Malmström. Created about 1853, this work depicts a scene from Greek mythology within an interior setting. The composition focuses on the interaction between a kneeling man and a seated royal figure alongside a woman. The scene is rendered with precise brushwork and realistic anatomical proportions, characteristic of the Neoclassical and Academic styles of the mid-19th…
is an oil on canvas created by the Swedish painter August Malmström. Dated 1880, the work functions as an illustration for Frithiofs saga. The piece captures a specific moment within the narrative of this Norse legend.
Frithiof Goes Into Exile1884 · 国家博物馆
12
Balders bål (ur Frithiofs saga)1884 · 国家博物馆
13
Frithiof's Return1880 · 国家博物馆
14
Ingeborg's Lament1880 · 国家博物馆
15
Farewell1880 · 国家博物馆
16
Frithiof's Courtship1880 · 国家博物馆
17
Frithiof and Ingeborg1880 · 国家博物馆
18
Illustration for Njal’s Saga1897 · 国家博物馆
19
Illustration for Njal’s Saga1895 · 国家博物馆
20
Njal, Bergthora and Thord Karisson Decide to be Burned Alive. Illustration for Njal’s Saga, ch. 1291895 · 国家博物馆
21
A modern Blenda1901
22
Frithiofs lycka (ur Frithiofs saga)1880 · 国家博物馆
23
Title in Swedish: Älvalek1866 · 国家博物馆
24
The Ride of the Valkyries. Study for The Battle of Bråvalla1859 · 国家博物馆
25
The Horse-Fight at Hlidarendi1897 · 国家博物馆
26
Elf芬兰国家美术馆
27
Weaving Vadmal
28
The Game国家博物馆
29
The Tell-Tale国家博物馆
30
Tobias healing his blind father's eyes
31
The Battle of Bråvalla. Study国家博物馆
32
The old and the young Sweden1894
33
The Battle of Bråvalla1862
34
Grindslanten1885
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | 奥古斯特·马尔姆斯特伦 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家博物馆 |
斯德哥尔摩 | 27 | Frithiof kommer till Kung Ring (ur Frithiofs saga), Kung Rings död (ur Frithiofs saga), King Bele and Thorsten Vikingsson |
 芬兰国家美术馆 |
赫尔辛基 | 1 | Elf |
选择一个年代，探索定义该时代的原创杰作。
The air in the room feels heavy, thick with the sudden weight of tragedy. A dim, rustic interior holds the three figures in a suffocating embrace of shadow and light. Ingeborg collapses, her body yielding to the crushing force of the news. She is the center of this storm, a woman caught in the instant where life as she knows it ends. An elderly man leans into her, his weathered…
In the quietude of a moonlit Swedish landscape, where the boundaries between reality and folklore dissolve, lies August Malmström’s enchanting masterpiece, Älvalek (Dancing Fairies). Created in 1866, this painting serves as a breathtaking portal into the heart of National Romanticism. The scene unfolds along a serene river that flows sedately through a darkened landscape, illuminated only by the ethereal glow of the moon. As the eye wanders across the canvas,…
The air in the cavernous hall feels heavy, thick with the scent of damp stone and animal fur. A single, imposing figure breaks the stillness, standing tall against the gloom. He is draped in heavy pelts that catch the flickering light of the torches. To his right, a group of seated figures huddles around a table, their faces partially lost to the deep shadows. The light does not wash over…
In this somber scene from 1895, we find ourselves within a dimly lit, rustic interior that feels heavy with the weight of history. The composition centers on a woman caught in a moment of intense emotional outburst, her head tilted back as she asserts herself against the tension of the room. To her side, a large, bearded man reacts to her sudden movement, his posture taut and unyielding. The atmosphere…
The scene unfolds in A modern Blenda, a work painted by the Swedish artist August Malmström. Created about 1901, this oil on canvas captures a fleeting moment of life. The composition centers on a group of children playing outdoors within a rural landscape. Sunlight washes over the figures, illuminating a genre scene defined by childhood innocence and mischief.
Frithiof kommer till Kung Ring (ur Frithiofs saga) (1880)，国家博物馆, 斯德哥尔摩。紧随其后的是 Kung Rings död (ur Frithiofs saga) (1884) 和 King Bele and Thorsten Vikingsson (1880)。
51岁：Frithiof kommer till Kung Ring (ur Frithiofs saga)创作于1880年，奥古斯特·马尔姆斯特伦出生于1829年。
Frithiof kommer till Kung Ring (ur Frithiofs saga), Kung Rings död (ur Frithiofs saga), King Bele and Thorsten Vikingsson, Ingeborg Receiving News of Hjalmar's Death from Orvar Odd, King Heimer and Aslög, The Reconciliation, Frithiof spelar schack (ur Frithiofs saga), Hallgerd’s Slap, Odysseus before Alcinous, King of the Phaeacians 及 The Temptation of Frithiof。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 34 件 奥古斯特·马尔姆斯特伦 的作品，创作年代从 1853 年至 1901 年。
多见于 国家博物馆 (斯德哥尔摩) 及 芬兰国家美术馆 (赫尔辛基)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 34 件作品中有 15 件创作于该时期，其中包含 Frithiof kommer till Kung Ring (ur Frithiofs saga) 件作品。
在本页面中，最早的作品创作于 Odysseus before Alcinous, King of the Phaeacians (1853)，最晚的创作于 A modern Blenda (1901)。
Man (10), Woman (9) 及 People (7)，共计 34 件作品。
Oil On Canvas，共计 17 件（本页共有 34 件作品）。
根据本页面的原作，National romanticism
Frithiof kommer till Kung Ring (ur Frithiofs saga), Kung Rings död (ur Frithiofs saga) 及 King Bele and Thorsten Vikingsson：国家博物馆, 斯德哥尔摩收藏了本页中 27 件作品。
