August Allebé 肖像

33 幅最著名的 August Allebé 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 33 件 August Allebé 作品收录于我们的目录中

简而言之

在 August Allebé 留下的所有原作中,最著名的当属收藏于 阿姆斯特丹 国家博物馆 的《A young Woman (1863)》。 紧随其后的是 Lethe (1863) 和 Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862)。 我们的目录收录了 August Allebé 的 33 件作品;画廊完整保留了 33 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1838 – 1927, Amsterdam Amsterdam impressionism 藏品最多:国家博物馆

August Allebé 的十大名画:画廊精选

1
A young Woman (1863) 由 August Allebé

A young Woman

1863 · Oil On Canvas · 国家博物馆, 阿姆斯特丹

A single figure occupies the center of this 1863 portrait. She stands with an upright, quiet dignity, her body turned slightly toward the viewer. The light enters from the upper left, catching the curve of her neck and the pale expanse of her face. She wears a white apron or shawl that gathers in heavy, sculptural folds. These highlights contrast sharply against a dark, atmospheric background, pulling her form out…

2
Lethe (1863) 由 August Allebé

Lethe

1863 · Oil On Canvas · Dordrechts Museum, 多德雷赫特

In Lethe, August Allebé places a solitary elderly man within the heavy silence of a dimly lit interior. The composition anchors itself upon the figure and the large, ornate architectural element of the hearth. Deep, warm tones of rich brown and burnt umber dominate the space, swallowing the corners of the room. A chiaroscuro effect emerges from these shadows, where light struggles against the dark. This low-key, dramatic lighting strikes…

3
Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) 由 August Allebé

Anno 1704. Willem Vleertman explores the terrain near Höchstadt

1862 · Oil · 阿姆斯特丹博物馆, 阿姆斯特丹

This landscape painting, titled Anno 1704. Willem Vleertman explores the terrain near Höchstadt, was executed by August Allebé. Created in 1862, the work captures a specific sense of place and time through its quiet, monochromatic presentation. It offers a glimpse into the artist's early period, a time when his hand was beginning to navigate the nuances of the romantic tradition.

4
Surprise of Coevorden by Van Thienen, 1672 (1862) 由 August Allebé

Surprise of Coevorden by Van Thienen, 1672

1862 · Oil On Canvas · 阿姆斯特丹博物馆, 阿姆斯特丹

The oil on canvas captures a fragment of the 1672 conflict through a lens of academic realism. There is a heavy, quiet energy in the way the figures are positioned, suggesting a sudden disruption in a quiet landscape. The brushwork is loose, prioritizing the feeling of light hitting fabric and skin over meticulous detail. It is a scene of movement frozen in a dim, historical twilight. The light fades into…

5
Historical Representation (1860) 由 August Allebé

Historical Representation

1860 · Oil · 阿姆斯特丹博物馆, 阿姆斯特丹

In "Historical Representation" by August Allebé, the composition centers on a luminous female figure positioned in the foreground. Dressed in light-colored clothing, she holds her hands near her chest in a gesture that suggests a contemplative or perhaps fearful state of mind. The scene is captured from a medium shot at eye level, creating an intimate encounter with the subject. This central figure is framed by a strictly grayscale color…

6
Oude vrouw (1861) 由 August Allebé

Oude vrouw

1861 · Oil

A single light source strikes from the upper right, carving the profile of an elderly woman out of the darkness. The light catches the ridges of her wrinkles and the heavy drape of her dark garment, turning skin into a landscape of texture. She sits in a quiet, side-profile view, her hands wrapped around a slender glass vessel. The composition is tight and intimate, pulling the viewer into a private…

7
Page (1860) 由 August Allebé

Page

1860 · Oil

A single male figure emerges from the gloom, caught in a moment of quiet stillness. He stands slightly off-center, his body turned toward the left as if responding to an unseen presence or a sudden thought. A dark, heavy coat or cloak envelops his frame, its thick texture catching a soft light that seems to spill from the front-left. This illumination carves his silhouette against an indistinct, atmospheric background, where…

8
Seamstress (1859) 由 August Allebé

Seamstress

1859 · Oil On Canvas

A soft, directional light spills from the upper left, catching the curve of a forehead and the bridge of a nose in a delicate dance of highlights. The young woman sits in profile, her body turned slightly away, lost in the rhythmic, silent labor of her needle. She is a figure of stillness, wrapped in a white shawl that glows against the deep, shadowy folds of her dark clothing. Every…

9
Zelfportret 1862 (1862) 由 August Allebé

Zelfportret 1862

1862 · Oil On Canvas

The light catches the edge of a face, carving a profile out of the surrounding gloom. In this 1862 oil portrait, the artist gazes back at us, or perhaps inward, through a veil of shadow. He sits with a quiet, heavy presence, his features emerging from a deep, monochromatic darkness that feels almost tactile. A soft light brushes against his forehead and the bridge of his nose, highlighting the subtle…

10
Dr. G.A.N. Allebé (1810-1892) (1858) 由 August Allebé

Dr. G.A.N. Allebé (1810-1892)

1858 · Oil

This mid-19th-century oil portrait, dating to 1858, presents a formal and dignified depiction of an older gentleman, Dr. G.A.N. Allebé. The composition is a three-quarter length portrait where the subject is positioned slightly off-center, facing toward the left of the frame while his body is angled toward the viewer. He is depicted with a steady gaze and formal attire, conveying an air of intellectual authority and seriousness.

August Allebé 系列持续更新,第 11 至 33 项

August Allebé 的传世名作,按时期分类

令 August Allebé 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 August Allebé 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 August Allebé 的作品 此列表中的画作
国家博物馆, 阿姆斯特丹国家博物馆 阿姆斯特丹 9 A young Woman, Portrait of a Boy, August Allebé, 1856, Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875
阿姆斯特丹博物馆, 阿姆斯特丹阿姆斯特丹博物馆 阿姆斯特丹 6 Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation
Dordrechts Museum, 多德雷赫特Dordrechts Museum 多德雷赫特 2 Lethe, Turkeys in a Landscape
博伊曼斯·范·本宁根博物馆, 鹿特丹博伊曼斯·范·本宁根博物馆 鹿特丹 2 L'école buissonnière, Garden Corner (Poppies)
The Mesdag Collection, 海牙The Mesdag Collection 海牙 1 An old friend
Museum Catharijneconvent, 乌得勒支Museum Catharijneconvent 乌得勒支 1 Portrait of Ottho Gerhard Heldring (1804-1876)
Teylers Museum, 哈伦Teylers Museum 哈伦 1 Kraambezoek
Museum De Waag, 德文特Museum De Waag 德文特 1 Interior of Barn with Old Open Doors and Sheaf of Corn

August Allebé 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 August Allebé 作品的常见问题

August Allebé 最著名的作品是哪一件?揭晓答案

A young Woman (1863),国家博物馆, 阿姆斯特丹。紧随其后的是 Lethe (1863) 和 Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862)。

创作 A young Woman 时,August Allebé 是多少岁?揭晓答案

25岁:A young Woman创作于1863年,August Allebé出生于1838年。

August Allebé 最著名的十幅画作是什么?揭晓答案

A young Woman, Lethe, Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation, Oude vrouw, Page, Seamstress, Zelfportret 1862 及 Dr. G.A.N. Allebé (1810-1892)。上方排名显示了每件作品的创作年份及馆藏机构。

August Allebé 留下了多少幅画作?揭晓答案

我们的目录收录了 33 件 August Allebé 的作品,创作年代从 1856 年至 1877 年。

August Allebé 的杰作收藏在哪些博物馆中?揭晓答案

多见于 国家博物馆 (阿姆斯特丹), 阿姆斯特丹博物馆 (阿姆斯特丹) 及 Dordrechts Museum (多德雷赫特)。上方的博物馆列表列出了所有相关机构。

August Allebé 在哪些年份创作了最著名的作品?揭晓答案

在 1860s 期间:本页 33 件作品中有 16 件创作于该时期,其中包含 A young Woman 件作品。

August Allebé 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Portrait of a Boy, August Allebé, 1856 (1856),最晚的创作于 Portrait of Ottho Gerhard Heldring (1804-1876) (1877)。

August Allebé 最常创作的主题是什么?揭晓答案

Man (8), Woman (6) 及 Portrait (4),共计 33 件作品。

August Allebé 最常用的技法是什么?揭晓答案

Oil On Canvas,共计 14 件(本页共有 33 件作品)。

August Allebé 属于哪种艺术流派?揭晓答案

根据本页面的原作,Amsterdam impressionism

哪些 August Allebé 的作品在 国家博物馆 展出?揭晓答案

A young Woman, Portrait of a Boy, August Allebé, 1856 及 Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875:国家博物馆, 阿姆斯特丹收藏了本页中 9 件作品。

August Allebé:生平与作品

August Allebé: Pioneer of Amsterdam Impressionism

August Allebé (1838 – 1927) stands as a cornerstone figure in the burgeoning artistic landscape of late nineteenth-century Holland, specifically within the vibrant movement known as Amsterdam Impressionism. Born in Amsterdam, Allebé’s formative years were marked by exposure to artistic instruction and intellectual stimulation—he pursued evening classes at Felix Meritis and studied diligently at both Antwerp Academy and the Royal Academy of Amsterdam (Rijksakademie van beeldende kunsten), demonstrating a commitment to broadening his artistic horizons. His academic training under luminaries like Petrus Franciscus Greive, Adolphe Mouilleron, Charles Rochussen, and Louis Royer instilled in him a cosmopolitan outlook that would profoundly shape his artistic endeavors and pedagogical approach.
  • Early Romantic Influences:
  • Allebé’s initial artistic output leaned heavily into the romantic tradition, characterized by dramatic landscapes and emotionally charged depictions of human subjects—a stylistic choice reflective of the prevailing aesthetic sensibilities of his time.
  • Transition to Realism & Impressionism:
  • However, Allebé swiftly recognized the limitations of romantic formalism and embraced realism alongside impressionistic techniques. This pivotal shift propelled him toward capturing fleeting moments of light and color with unprecedented accuracy, mirroring the revolutionary spirit of the era.

Amsterdam Impressionism: A Countercurrent to Hague School Dominance

Allebé’s artistic vision wasn't merely a personal stylistic evolution; it represented a deliberate challenge to the dominant aesthetic currents emanating from The Hague School. While the Hague School prioritized meticulous detail and idealized representations of Dutch history and culture, Allebé championed a looser brushstroke style—a movement he spearheaded through St Lucas Artist Group – prioritizing atmospheric effects and subjective perception. This divergence fostered an environment where younger artists could experiment with innovative approaches to painting, establishing Amsterdam Impressionism as a distinct artistic identity.
  • St Lucas Artist Group:
  • Allebé founded St Lucas Artist Group in 1880, fostering collaboration and intellectual exchange among aspiring painters. This collective served as a crucible for experimentation and propelled the movement forward.
  • Influence on Students & Artistic Development:
  • As Professor at Rijksakademie van beeldende kunsten, Allebé cultivated a stimulating atmosphere where students were encouraged to pursue their artistic ambitions with unwavering determination—a legacy that continues to resonate within Dutch art history.

Notable Works & Artistic Techniques

Allebé’s oeuvre comprises numerous paintings showcasing his mastery of realism and impressionistic principles. Pieces like “Portrait of a Boy” (1856) exemplify his meticulous attention to detail, capturing youthful innocence with subtle impasto textures—a testament to his dedication to portraying the human form with nuanced sensitivity. Similarly, “Old Woman by the Fireplace” (c. 1850 – c. 1875) demonstrates Allebé’s ability to convey emotion through color and light, creating a poignant depiction of domestic life.
  • "Life's Eventide" exemplifies Allebé's exploration of capturing fleeting moments of beauty and emotion with expressive brushstrokes.

Historical Significance & Legacy

August Allebé’s contribution to Dutch art history extends far beyond his individual artistic achievements. He served as a catalyst for artistic innovation, fostering a spirit of experimentation that irrevocably altered the trajectory of modern Dutch painting. His unwavering belief in nurturing talent and promoting intellectual discourse cemented his position as a champion of progressive artistic ideals—a legacy that continues to inspire artists and scholars alike. Allebé’s influence can be seen throughout Amsterdam Impressionism and beyond, securing his place as one of the most important figures in shaping the visual culture of his era.