更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 10 件 安东尼奥·巴迪莱三世 作品收录于我们的目录中
简而言之
在 安东尼奥·巴迪莱三世 留下的所有原作中，最著名的当属收藏于 维罗纳 卡斯特韦基奥博物馆 的《Polyptych of the Four Crowned Saints, Simplicius (1552)》。 紧随其后的是 Portrait of an unknown woman (1550) 和 The Virgin and Child with Saint John the Baptist (1550)。 我们的目录收录了 安东尼奥·巴迪莱三世 的 10 件作品；画廊完整保留了 10 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | 安东尼奥·巴迪莱三世 的作品 | 此列表中的画作 |
|---|---|---|---|
 卡斯特韦基奥博物馆 |
维罗纳 | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 普拉多博物馆 |
马德里 | 1 | Portrait of an unknown woman |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 1 | Portrait of a Musician |
仅仅十年间，从 1550 到 1560，这一系列作品涵盖了每一件带有年份标记的 安东尼奥·巴迪莱三世 原作：在此按年份为您呈现。
选择年份以查看原作。
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
更多来自 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
更多来自 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552)，卡斯特韦基奥博物馆, 维罗纳。紧随其后的是 Portrait of an unknown woman (1550) 和 The Virgin and Child with Saint John the Baptist (1550)。
34岁：Polyptych of the Four Crowned Saints, Simplicius创作于1552年，安东尼奥·巴迪莱三世出生于1518年。
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel 及 Saints Cecilia, Tiburtius, Valerian。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 10 件 安东尼奥·巴迪莱三世 的作品，创作年代从 1550 年至 1560 年。
多见于 卡斯特韦基奥博物馆 (维罗纳), 普拉多博物馆 (马德里) 及 国家美术、建筑与设计博物馆 (奥斯陆)。上方的博物馆列表列出了所有相关机构。
在 1552 期间：本页 10 件作品中有 4 件创作于该时期，其中包含 Polyptych of the Four Crowned Saints, Simplicius 件作品。
在本页面中，最早的作品创作于 Portrait of an unknown woman (1550)，最晚的创作于 Tobias and the Angel (1560)。
Man (4), Drapery (2) 及 Woman (2)，共计 10 件作品。
Oil On Board，共计 3 件（本页共有 10 件作品）。
根据本页面的原作，Renaissance
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia 及 Polyptych of the Four Crowned Saints, Claudius：卡斯特韦基奥博物馆, 维罗纳收藏了本页中 7 件作品。
