The mocking of Christ
The light fades into the dark.
简而言之
The mocking of Christ (1699) 是 Anthoni Schoonjans 最受瞩目的画作;原作收藏于 维也纳 的 维也纳艺术史博物馆。 随后,目光会移向 The Apple of Eris (1690) 和 Portrait of an unknown lady (1690)。 在 Anthoni Schoonjans 的 15 件作品中,这 15 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | Anthoni Schoonjans 的作品 | 此列表中的画作 |
|---|---|---|---|
| 慕尼黑 | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| 维也纳 | 2 | The mocking of Christ, Vestal virgins | |
| 柏林 | 1 | Portrait of crown prince Frederick William as David with a sling |
The mocking of Christ (1699),维也纳艺术史博物馆, 维也纳。紧随其后的是 The Apple of Eris (1690) 和 Portrait of an unknown lady (1690)。
44岁:The mocking of Christ创作于1699年,Anthoni Schoonjans出生于1655年。
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew 及 Elector Johann Wilhelm on Horseback。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 15 件 Anthoni Schoonjans 的作品,创作年代从 1690 年至 1716 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 维也纳艺术史博物馆 (维也纳) 及 夏洛滕堡宮 (柏林)。上方的博物馆列表列出了所有相关机构。
在 1690s 期间:本页 15 件作品中有 10 件创作于该时期,其中包含 The mocking of Christ 件作品。
在本页面中,最早的作品创作于 The Apple of Eris (1690),最晚的创作于 Saint Elizabeth of Hungary Distributing Alms to the Poor (1716)。
Oil,共计 2 件(本页共有 15 件作品)。
The Apple of Eris, Portrait of an unknown lady 及 Jacob blames Laban of his deception with Lea (Genesis 29:25-27):巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 11 件作品。
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.