更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 10 件 Anthon van Rappard 作品收录于我们的目录中
简而言之
在画廊看来，Anthon van Rappard 最著名的作品是 Weaver (1884)，其原作现收藏于 阿姆斯特丹 的 梵高博物馆。 Portrait of a Girl (1884) 与 Woman at the Spinning Wheel (1891) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，Anthon van Rappard 共有 10 件作品，画廊为您精选了以下 10 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | Anthon van Rappard 的作品 | 此列表中的画作 |
|---|---|---|---|
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
乌特勒支 | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 梵高博物馆 |
阿姆斯特丹 | 2 | Weaver, Old Drenthe Woman |
十载春秋，从 1882 到 1891，对 Anthon van Rappard 而言已足够：画廊将这些岁月逐年呈现，一幅又一幅传世名作接踵而至。
选择年份以查看原作。
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
更多来自 1884
Weaver (1884)，梵高博物馆, 阿姆斯特丹。紧随其后的是 Portrait of a Girl (1884) 和 Woman at the Spinning Wheel (1891)。
26岁：Weaver创作于1884年，Anthon van Rappard出生于1858年。
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine 及 Washing strands of Cotton。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 10 件 Anthon van Rappard 的作品，创作年代从 1882 年至 1891 年。
多见于 博伊曼斯·范·本宁根博物馆 (鹿特丹), Centraal Museum (乌特勒支) 及 梵高博物馆 (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。
在 1884 期间：本页 10 件作品中有 3 件创作于该时期，其中包含 Weaver 件作品。
在本页面中，最早的作品创作于 Tile Painters (1882)，最晚的创作于 Woman at the Spinning Wheel (1891)。
Portrait of a Girl, Woman at the Spinning Wheel 及 Landing-stage with boats：博伊曼斯·范·本宁根博物馆, 鹿特丹收藏了本页中 5 件作品。
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
