更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 14 件 Angelo Caroselli 作品收录于我们的目录中
简而言之
在画廊看来，Angelo Caroselli 最著名的作品是 Wenceslaus I, Duke of Bohemia (1628)，其原作现收藏于 维也纳 的 维也纳艺术史博物馆。 Saint Jerome in the Wilderness (1625) 与 Singing man, possibly a self-portrait (1620) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，Angelo Caroselli 共有 14 件作品，画廊为您精选了以下 14 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The oil painting titled Saint Jerome in the Wilderness is a Baroque work by the Roman artist Angelo Caroselli. Created in Rome, Italy, the piece dates to about 1620-1630. It captures the theologian St. Jerome, who lived from approximately 340 to 420, during a period of intense spiritual focus.
A bearded man is captured in a moment of intense musical concentration, his gaze fixed upon a piece of sheet music held before him. The composition is an intimate close-up, focusing on the upper torso and head. A single light source cuts through the darkness, illuminating the side of his face and his hands while casting the rest of the figure into deep shadow. This use of chiaroscuro creates a…
Angelo Caroselli executed Madonna and Child with St. Lawrence and St. Stephen as a devotional work of religious art. The composition centers on the Virgin Mary and the Christ Child, flanked by the two saints. This piece belongs to the Baroque period, reflecting the stylistic shifts occurring in Rome during the seventeenth century.
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
Angelo Caroselli captured the essence of the harvest in this Allegory of Autumn, a work dating to about 1630. The painting functions as one half of a seasonal dialogue, created as part of a pair alongside the work titled "Printemps." Together, these figures trace the cyclical movement of the year through the quietude of their gestures and the weight of their presence.
We are looking at the Allegory of Vanitas, a work painted by Angelo Caroselli in 1637. This piece is an oil on panel, a medium that allows for a specific kind of depth and texture in the rendering of skin and fabric. It is currently held within the collection of the Museum Boijmans Van Beuningen in Rotterdam, Netherlands.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Angelo Caroselli’s "Rest on the Flight into Egypt" is not merely a depiction of a biblical passage; it is an immersive journey into the heart of Baroque drama, rendered with profound tenderness. The scene captures that pivotal moment when Mary cradles the infant Jesus amidst the arduous trek to Egypt. One can almost feel the dust of the road and hear the hushed whispers of the accompanying figures. Caroselli masterfully…
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 7 家博物馆。
| 博物馆 | 城市 | Angelo Caroselli 的作品 | 此列表中的画作 |
|---|---|---|---|
 维也纳艺术史博物馆 |
维也纳 | 2 | Wenceslaus I, Duke of Bohemia, Singing man, possibly a self-portrait |
 沃尔特斯艺术博物馆 |
巴尔的摩 | 2 | Saint Jerome in the Wilderness, Madonna and Child with St. Lawrence and St. Stephen |
 Musée Fesch |
艾克斯恩普罗旺斯 | 2 | Allegory of Spring, Allegory of Autumn |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 1 | Allegory of Vanitas |
 Museo Civico |
安科纳 | 1 | The necromancer |
 国家古美术馆 |
罗马 | 1 | Rest on the Flight into Egypt |
 国家美术馆 |
伦敦 | 1 | The Plague at Ashdod ( Poussin) |
选择一个年代，探索定义该时代的原创杰作。
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Wenceslaus I, Duke of Bohemia (1628)，维也纳艺术史博物馆, 维也纳。紧随其后的是 Saint Jerome in the Wilderness (1625) 和 Singing man, possibly a self-portrait (1620)。
43岁：Wenceslaus I, Duke of Bohemia创作于1628年，Angelo Caroselli出生于1585年。
Wenceslaus I, Duke of Bohemia, Saint Jerome in the Wilderness, Singing man, possibly a self-portrait, Madonna and Child with St. Lawrence and St. Stephen, Allegory of Spring, Allegory of Autumn, Allegory of Vanitas, The necromancer, Rest on the Flight into Egypt 及 Portrait of a Young Man in Armor, as Saint George。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 14 件 Angelo Caroselli 的作品，创作年代从 1620 年至 1649 年。
多见于 维也纳艺术史博物馆 (维也纳), 沃尔特斯艺术博物馆 (巴尔的摩) 及 Musée Fesch (艾克斯恩普罗旺斯)。上方的博物馆列表列出了所有相关机构。
在 1620s 期间：本页 14 件作品中有 4 件创作于该时期，其中包含 Wenceslaus I, Duke of Bohemia 件作品。
在本页面中，最早的作品创作于 Singing man, possibly a self-portrait (1620)，最晚的创作于 The necromancer (1649)。
Woman (5), Man (4) 及 Beard (2)，共计 14 件作品。
Oil On Canvas，共计 4 件（本页共有 14 件作品）。
根据本页面的原作，Baroque
Wenceslaus I, Duke of Bohemia 及 Singing man, possibly a self-portrait：维也纳艺术史博物馆, 维也纳收藏了本页中 2 件作品。
Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.
Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.
Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.
Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.
While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.
