更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 159 件 阿尔弗雷德·沃利斯 作品收录于我们的目录中
简而言之
在画廊看来，阿尔弗雷德·沃利斯 最著名的作品是 Sailing Ship and Orchard (1937)，其原作现收藏于 剑桥 的 Kettle's Yard。 Fishing Boat with Two Masts and Yellow Sails (1920) 与 String of Boats (1928) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，阿尔弗雷德·沃利斯 共有 159 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
A collection of sailboats drifts across a quiet expanse of water, their varying scales suggesting a sense of depth and distance. In the background, a lighthouse provides a fixed point of reference against the horizon, anchoring the nautical scene. The composition is defined by a muted, earthy palette, where shades of brown dominate the visual field, lending the work a grounded, somber quality. The arrangement of the vessels creates a…
The painting titled White House and Cottages, the Old House, Porthmeor Square, St Ives was created by the artist Alfred Wallis. This work dates to about 1932. The artist, a self-taught painter from the United Kingdom, produced this piece during a period of prolific activity in St Ives, Cornwall.
There is a certain gravity in how this small-scale work captures the struggle of a single vessel against the immense, churning power of the ocean. The barque, positioned slightly off-center, seems to fight for its place within a vast, horizontal expanse of gray and muted blue. You can feel the tension in the diagonal lines of the sails, which pull against the force of the wind, creating a sense of…
A small boat floats upon a calm expanse of water, positioned near the center of the composition. In the background, mountains rise against the horizon, their forms simplified and heavy. Two figures are visible within the scene, one situated toward the left and another toward the right, grounding the vessel in a sense of human presence. The composition is framed by scattered rocks that break the surface of the sea,…
In this work, titled Brigantine Sailing Past Green Fields, we encounter a piece by Alfred Wallis. The artist, who was born in 1855, spent much of his life as a shipbuilder and mariner before turning to the canvas. This practical connection to the sea informs the very essence of his visual language. The painting remains undated, leaving its exact moment of creation a quiet mystery.
Landscape with Two Large Trees and Houses is a work by Alfred Wallis. The artist, born in 1855, lived through a changing era of maritime life before his death in 1942. He was a self-taught craftsman who spent much of his life as a shipbuilder, shaping timbers for the Atlantic waters. This practical history shaped the way he approached the canvas.
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
In the evocative masterpiece St Ives, we are invited into a world where the boundaries between memory and reality dissolve into a charming, stylized landscape. Created around 1928, this work offers an aerial perspective that looks down upon a cluster of coastal dwellings and maritime vessels nestled along a serene blue expanse. The composition is dominated by a central grouping of buildings and boats, arranged with a density that suggests…
Headland with two three masters (verso)1938 · The Pier Arts Centre
12
Green Sails1939
13
The Blue Ship1934
14
Boats before a Great Bridge (Royal Albert Bridge )1937 · Kettle's Yard
15
Rough Sea
16
Ship, People and AnimalsKettle's Yard
17
Schooner in Full Sail near a Lighthouse1928 · Kettle's Yard
18
P. Z. 111928
19
Seven Boats Entering Harbour1928 · Kettle's Yard
20
Houses at St Ives, Cornwall1928
21
Houses at the Water's Edge (Porthleven )1928 · Kettle's Yard
22
Seascape, Ships Sailing Past the Long Ships1928 · Kettle's Yard
23
Five Ships, Mount's Bay1928 · Kettle's Yard
24
St Ives1928
25
Two Ships and Steamer Sailing Past a Port, Falmouth and St Anthony Lighthouse1931 · Kettle's Yard
26
St. Ives Harbor1932
27
Schooner Approaching a Harbour1930
28
White Houses, Hales Down, near St Ives1932 · Kettle's Yard
29
Two Boats1930 · Jerwood Gallery
30
House1935
31
Fishes and Lobster Pots1936 · Kettle's Yard
32
Boats under Saltash Bridge (Royal Albert Bridge) (recto)1937 · Kettle's Yard
33
Harbour Scene (verso)1937 · Kettle's Yard
34
Grey Sailing Ship and Small Boat (verso)1938 · Kettle's Yard
35
Harbour with Two Lighthouses and Motor Vessel, St Ives Bay1934 · Kettle's Yard
36
House1936
37
Harbour, St Ives, Cornwall1936
38
House with Trees1937 · Kettle's Yard
39
Cottages in a Wood, St Ives1937 · Kettle's Yard
40
Crucifixion or Allegory with Three Figures and Two Dogs1934 · Kettle's Yard
41
St Ives harbour White sailing ship (recto)1938 · The Pier Arts Centre
42
Trees and Cottages1937 · Kettle's Yard
43
Three Master and Steamer in Port (verso)1937 · Kettle's Yard
44
White sailing ship – three masts1938 · The Pier Arts Centre
45
Three ships and lighthouse (verso)1938 · The Pier Arts Centre
46
Against Longships fog (recto)1938 · The Pier Arts Centre
47
Ravine with Estuary (Bristol Channel and Suspension Bridge )1938 · Kettle's Yard
48
Landscape with Field, Chimneys and Road between Blue and Dark Green Cottages (Consols Mine)1936 · Kettle's Yard
49
St Ives harbour and Godrevy (recto)1938 · The Pier Arts Centre
50
Boat on the Sea1937
51
Yacht, pink and green (verso)1938 · The Pier Arts Centre
52
'Consols Mine Raswall Hill and the Road Zennor to Farms. The White You See Is Granite'1936
53
Black Steamship1938 · The Pier Arts Centre
54
Shipwreck 2, the Wreck of the 'Alba'1941 · Kettle's Yard
55
Death Ship1942 · Kettle's Yard
56
Boat with Figures1940
57
Shipwreck 1, the Wreck of the 'Alba'1940 · Kettle's Yard
58
Small Boat in a Rough Sea1936 · Kettle's Yard
59
Land, Fish and Motor Vessel1937 · Kettle's Yard
60
Two Ships with Brown Green Sails in Rising SeaKettle's Yard
61
Motor Vessel Mounting a WaveKettle's Yard
62
Trawler1925 · Arts Council Collection
63
三桅杆灯塔附近的小轮船1930 · Kettle's Yard
64
Steam Boat
65
Three Master in Full Sail near a LighthouseKettle's Yard
66
Four Steam Ships and Three Jetties (verso)Kettle's Yard
67
Three Sailing Boats in a Line (recto)Kettle's Yard
68
Mount's Bay
69
Two BoatsKettle's Yard
70
Three Grey Sailed ShipsKettle's Yard
71
Large and Small SteamboatsKettle's Yard
72
Ships in HarbourUniversity of Essex
73
Nine Ships in HarbourKettle's Yard
74
Fishing Boat in Harbour, with Red Sail Mast SteepedKettle's Yard
75
Grey Three MasterKettle's Yard
76
Harbour and Sailing ShipUniversity of Essex
77
Mount's Bay with Four LighthousesKettle's Yard
78
Sailing Ships and Two Steamers, Newlyn HarbourKettle's Yard
79
Penzance HarbourKettle's Yard
80
A Fishing Boat off the Coast
81
BoatsWolfson College
82
Two Sailing Ships with a LighthouseKettle's Yard
83
Knill's MonumentKettle's Yard
84
Schooner
85
Wreck of the Alba
86
Fishing Boat Between Two Lighthouses
87
Three Boats off the Shore
88
Passin Ice Burgs
89
Fishing Boat
90
Two Masted Schooner, Ketch
91
Four Masted Sailing Ship and LighthouseKettle's Yard
92
Four Sailing Boats Leaving Pier with LighthouseKettle's Yard
93
Grey Steam BoatKettle's Yard
94
Two Funnel Steamboat amongst Three Sailing BoatsKettle's Yard
95
Motor Vessel with Four MenKettle's Yard
96
Three Master with Four Sailors and Four Dolphins in Green SeaKettle's Yard
97
Two Masted YawlFitzwilliam 学院
98
GatewayKettle's Yard
99
Motor Vessel near LandKettle's Yard
100
Wreck of the Alba
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 阿尔弗雷德·沃利斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 Kettle's Yard |
剑桥 | 96 | Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea |
 The Pier Arts Centre |
Stromness | 9 | Headland with two three masters (verso), St Ives harbour White sailing ship (recto), White sailing ship – three masts |
 University of Essex |
Colchester | 5 | Ships in Harbour, Harbour and Sailing Ship |
 Arts Council Collection |
伦敦 | 2 | Trawler |
 伍尔弗汉普顿美术馆 |
伍尔弗汉普顿 | 1 | A Brig, Close to Shore |
 泰特不列顛美术馆 |
伦敦 | 1 | St Ives |
 Jerwood Gallery |
Hastings | 1 | Two Boats |
 Wolfson College |
Oxford | 1 | Boats |
选择一个年代，探索定义该时代的原创杰作。
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
Sailing Ship and Orchard (1937)，Kettle's Yard, 剑桥。紧随其后的是 Fishing Boat with Two Masts and Yellow Sails (1920) 和 String of Boats (1928)。
82岁：Sailing Ship and Orchard创作于1937年，阿尔弗雷德·沃利斯出生于1855年。
Sailing Ship and Orchard, Fishing Boat with Two Masts and Yellow Sails, String of Boats, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea, Voyage to Labrador, Brigantine Sailing Past Green Fields, Landscape with Two Large Trees and Houses, A Brig, Close to Shore 及 St Ives。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 159 件 阿尔弗雷德·沃利斯 的作品，创作年代从 1920 年至 1942 年。
多见于 Kettle's Yard (剑桥), The Pier Arts Centre (Stromness) 及 University of Essex (Colchester)。上方的博物馆列表列出了所有相关机构。
在 1930s 期间：本页 100 件作品中有 39 件创作于该时期，其中包含 Sailing Ship and Orchard 件作品。
在本页面中，最早的作品创作于 Fishing Boat with Two Masts and Yellow Sails (1920)，最晚的创作于 A Brig, Close to Shore (1942)。
Sea (10), Coastal landscape (9) 及 Boats (8)，共计 100 件作品。
Oil，共计 7 件（本页共有 100 件作品）。
根据本页面的原作，Naive art
Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives 及 Barque with a Man at the Wheel on a Stormy Sea：Kettle's Yard, 剑桥收藏了本页中 56 件作品。
阿尔弗雷德·沃利斯（Alfred Wallis，1855-1942）在那个时代的艺术版图中显得卓尔不群——这位艺术家的外表透着一种宁静的质朴，其背后却隐藏着对观察的深刻投入，以及捕捉康沃尔海岸灵魂时那份毫不动摇的执着。沃利斯出生于英格兰的德文port，从未接受过任何正式的艺术训练；他是一位自学成才的匠人，大半生都在从事造船工作，将木材雕琢成穿梭于大西洋波涛中的船只。这种亲手实践的掌控力，赋予了他对细节近乎严苛的关注，以及对材料深刻的理解，而这些特质后来都转化为他画作中那份动人心魄的神韵。他的早年岁月是在磨炼造船技艺中度过的，这是一门在康沃尔家族中代代相传的手艺，这种经历赋予了他与海洋世界之间一种独特且直觉性的纽带，而他最终将这种联系永恒地定格在了画布之上。
直到20世纪20年代，随着沃利斯移居到康沃尔圣艾夫斯那充满活力的艺术聚落，他的艺术生涯才真正迎来了绽放。受那里蓬勃发展的艺术社群——包括本·布雷尔和乔治·纳什等知名艺术家——所吸引，他开始创作出一系列丰沛的作品，描绘着沐浴在康沃尔独特光影下的船只、港口与风景。他的审美风格无疑是独一无二的，以扁平化的透视、大胆的轮廓以及由深蓝和海绿主导的柔和色调为特征。沃利斯的作品体现了素朴艺术的核心原则，这种风格植根于直接的感官体验，而非理性的学院派理论。他避开了复杂的构图与繁琐的笔触，转而追求清晰度与一种即时、直击心灵的情感冲击。
沃利斯对艺术贡献的深远意义，在于他能够将航海生活中平凡的元素转化为某种具有深刻精神性与氛围感的意象。他的画作不仅仅是对地点的描绘，更渗透着一种触手可及的运动感与记忆感。通过如拖网渔船和小船等作品，人们可以感受到大西洋的厚重感以及潮汐律动的脉搏。即便是在像汹涌的海浪这样更为动荡的构图中，他那富有表现力的风格与唤起情感的笔触，也通过民间艺术传统的视角，捕捉到了海洋原始的力量。通过拒绝当时僵化的学院派传统，沃利斯实现了一种纯粹的真实，这种真实能够引起那些渴望与自然元素建立连接的观者的共鸣。
他在艺术史上的重要地位，源于他扮演了连接艰辛的海上劳作现实与20世纪现代艺术运动之间的桥梁。尽管他缺乏正式的艺术教育，但他那种“原始”的处理方式为那个时代复杂的绘画技法提供了一种令人耳目一新的替代方案，并影响了我们看待题材与媒介之间关系的方式。他一生的创作是未经训练的眼睛所蕴含力量的明证，证明了真正的艺术远见往往源于对周围环境深厚且终身的亲密接触。时至今日，他的精神遗产依然在激励着每一个被康沃尔生活的魅力与海洋永恒之美所吸引的人。
